{"title":"Eurorack VCA","description":"","products":[{"product_id":"make-noise-qpas-quad-core-stereo-analog","title":"Make Noise QPAS -Quad Core Stereo Analog","description":"\u003cp\u003eThe Quad Peak Animation System combines the auditory enveloping of stereo spaced peaks with the animation of two or more peaks in a single channel dancing around each other or engaging in primitive vocalizations. QPAS is Quad Core, containing four identical state variable filter cores with a control system powerful enough to guide them in stereo multi-peak operation, but simple enough to encourage system integration rather than domination.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv class=\"features\"\u003e\n\u003ch3\u003efeatures\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eQuad Core Stereo Analog\u003c\/li\u003e\n\u003cli\u003eMulti-Peak with clean resonance\u003c\/li\u003e\n\u003cli\u003eFast response encourages deep FM\u003c\/li\u003e\n\u003cli\u003eRadiate spaces stereo image and animates associated channel\u003c\/li\u003e\n\u003cli\u003eHigh Q settings are under damped, excitable, and ring by gate or trigger\u003c\/li\u003e\n\u003cli\u003e2 \u003cstrong\u003e!!¡¡\u003c\/strong\u003e modulation inputs aid patch exploration\u003c\/li\u003e\n\u003cli\u003eStereo VCA, pre-filter with gain\u003c\/li\u003e\n\u003cli\u003eMono to Stereo, Stereo to Mono, Mono to Mono and Stereo to Stereo operations\u003c\/li\u003e\n\u003cli\u003eSmile Pass filter response unique to QPAS\u003c\/li\u003e\n\u003cli\u003eLow Pass, Band Pass, High Pass and Smile Pass outputs simultaneously available\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003especifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eWidth: 18hp\u003c\/li\u003e\n\u003cli\u003eMax Depth: 30mm\u003c\/li\u003e\n\u003cli\u003ePower:\u003cbr\u003e166mA @ +12V\u003cbr\u003e190mA @ -12V\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThe Story of the QPAS by Tony Rolando\u003c\/p\u003e\n\u003cp\u003eWhen I worked at Moog calibrating Voyagers, I monitored with headphones, and one of my favorite sound sensations was that of the stereo low pass filter. You might not even recall that the Voyager had a stereo Dual LPF. It is under utilized since most folks are trying to achieve classic Model D goodness, and the OG MiniMoog was a very mono instrument.\u003c\/p\u003e\n\u003cp\u003eThe binaural effect of a stereo Dual LPF is simple: one channel of the sound is brighter than the other. However, the effect is heightened when the filter has an exponential response and the cutoff is modulated. At lower cutoff frequencies the two channels appear to move at similar velocities, but as the cutoff frequency increases, one channel will smoothly increase in velocity, becoming brighter faster. The other channel lags behind, but eventually reaches the same velocity, and finally at high cutoff frequencies the two channels coalesce into full brightness. Where the mono LPF smashes you in the forehead with simple heavy sound, the stereo LPF envelops you, putting you inside the heavy sound.\u003c\/p\u003e\n\u003cp\u003eWhen I developed the QMMG I learned about multi-peak filtering. Another under-utilized technique, this is processing a single channel of sound, with multiple filter channels, which are modulated, and then summed together to create a new version of the original sound. On the QMMG all four channels of filters were summed to the MIX OUT. There were a few normalizations, but they did not really ease or encourage multi-peak use. The QMMG UI was awkward for use as a multi-peak filter.\u003c\/p\u003e\n\u003cp\u003eA common use for multi-peak filtering is the creation of formants, where multiple band pass filters are carefully programmed to generate human vowel sounds. This can be fun but it requires meticulous programming. If you forget about formants and just modulate until it sounds good, a multi-peak filter can be gorgeous fun. When the multiple peaks are offset from each other and modulated, the effect can be dizzying, as the sound appears to be dancing with itself, moving in many directions and yet it is still a mono sound. It is an auditory illusion.\u003c\/p\u003e\n\u003cp\u003eI began thinking about what it would be like to have BOTH effects simultaneously… the binaural enveloping of the stereo spaced peaks AND the animation of two or more peaks in a single channel dancing around each other. Obviously some primitive formants could occur as well if some inventive modulation destinations were offered.\u003c\/p\u003e\n\u003cp\u003eQPAS is short for Quad Peak Animation System. Inside the QPAS there are four identical state variable filter cores with a control system devoted to utilizing them in a stereo multi-peak configuration amongst other things.\u003c\/p\u003e\n\u003cp\u003eI wanted to design a dramatic stereo filter that could also be dynamically animated, primitively vocal and also capable of mono to stereo, stereo to mono, mono to mono and stereo to stereo utilities. Something that was more functional than just linking multiple filter modules.\u003c\/p\u003e\n\u003cp\u003eWe needed at least two filter cores to achieve stereo or multi peak animation and so we had to first design a single filter core where the character and repeatability was not so defined by the vactrol utilized in other MN filters. I enjoy the QMMG and MMG, but they require many trims and specialized selection of the vactrol parts to work well and even then there is a great deal of variation from one unit to the next. That might not work well for a stereo filter. We developed several completely different cores before finding the right one.\u003c\/p\u003e\n\u003cp\u003eOnce we had a good filter core designed, we began prototyping a multi-core, stereo version. We attempted 2, 3 and 4 core versions. It was not until we reached 4 cores that we achieved the animation and stereo image I had been imagining.\u003c\/p\u003e\n\u003cp\u003eFinally we had to come up with a way to control 4 filter cores simultaneously that was powerful but simple enough to encourage system integration rather than system domination.\u003c\/p\u003e\n\u003cp\u003eThe Radiate Left and Right parameters define the stereo image and peak animation of the final sound. I believe they are an elegant way to handle animation of multiple filter cores within a modular synthesizer. The normalization between the two Radiate parameter further eases this handling. Radiate offsets the Left and Right sides from the Center Cutoff Frequency creating the stereo image while simultaneously moving the two peaks in the associated channel away from each other, or back together again, creating the peak animation. Radiate could also be used to program primitive formants.\u003c\/p\u003e\n\u003cp\u003eThe Cutoff and Q (or resonance) parameters are linked to all four filter cores. Adjusting these parameters may result in pronounced changes in the sound because they are changing the center Cutoff Frequency and Q for all four filter cores simultaneously. But remember, since all 4 cores may be modulated and\/ or offset to different cutoff frequencies, and the response of this filter is highly exponential, and the perceived strength of resonance varies with cutoff frequency, modulating these macro parameters is capable of animating the animation and shifting the entire stereo image. This is why Cutoff Frequency has such a large knob.\u003c\/p\u003e\n\u003cp\u003eThe \u003cstrong\u003e!!¡¡\u003c\/strong\u003e inputs are intentionally mysterious inputs that may be used with just about any signal. We wanted to encourage blind patch experimentation. Audio rate modulations create sidebands that may aid in the creation of those primitive vocaloid sounds or work to decimate the peaks with quasi aliasing, resulting in low digital tech crunch. Slower modulation, such as a pattern of gates, may serve to accent particular moments in time or even cause spurious damped oscillations.\u003c\/p\u003e\n\u003cp\u003eAt the input I added a stereo VCA. The traditional location for a VCA is post-filter, so my hope is that this pre-filter VCA will encourage the less common signal path and be inspirational to folks. By design the QPAS will not self oscillate, but with high Q settings it may be excited by an input signal. Having a VCA pre-filter encourages exploration of the dampened ringing that results from the excitation of the QPAS filter cores.\u003c\/p\u003e\n\u003cp\u003eWe included the 3 most desired filter responses: Low Pass, Band Pass and Highpass, and were left enough space in the module to add another pair of outputs. I went back to the prototype and experimented with adding and subtracting different combinations of taps from the filter cores. We wanted to create a filter type that would allow for animation of resonant peaks without the loss of bottom or top end of the spectrum that must occur in a LP, BP or HP filter to give those types their sound. We also wanted to add something that could not be achieved by mixing the existing LP, BP and HP outputs. The SP, or Smile Pass, output is the subtle result of that experimentation.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e","brand":"MAKE NOISE","offers":[{"title":"Default Title","offer_id":51569923293462,"sku":null,"price":379.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1001\/4221\/9542\/files\/Screen_Shot_2019-08-02_at_14.30.37_3_1_31__22629.1686243164.1280.1280.jpg?v=1785022414"},{"product_id":"befaco-hexmix-vca-six-chanel-vca-mixer","title":"BEFACO HexMix VCA - Six chanel VCA \/ Mixer","description":"\u003cp class=\"lead wrap\"\u003eSix chanel VCA \/ Mixer with continuous shape function Log-Lin-expo on a pot.\u003c\/p\u003e\n\u003cp\u003eHex mix VCA is a compact six channel VCA with an unique response curve range from logarythmic to exponential using a pot.\u003cbr\u003eOutput six, act as master and all other outs are normalized to it.\u003cbr\u003eInternal ribbon cable connector to normalize the Six channels directly to the HexMix system.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e50 mA +12V\u003c\/li\u003e\n\u003cli\u003e50 mA -12V\u003c\/li\u003e\n\u003cli\u003e0 mA 5V\u003c\/li\u003e\n\u003cli\u003e30 mm deep\u003c\/li\u003e\n\u003cli\u003e14HP\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"BEFACO","offers":[{"title":"Default Title","offer_id":51569937842454,"sku":null,"price":340.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1001\/4221\/9542\/files\/Screen_Shot_2019-08-02_at_14.30.37_3_1_5__60239.1571363736.1280.1280.jpg?v=1785019830"},{"product_id":"intellijel-quad-vca","title":"Intellijel Quad VCA Pre-Order","description":"\u003cp\u003eWhen you get into eurorack, you'll inevitably come across the old adage—\u003cem\u003eyou can never have enough VCAs\u003c\/em\u003e. It's true, but it's a bit over simplified, the Quad VCA is not. Each of the four VCAs has independent level control, bipolar CV inputs with attenuators and led indicators, adjustable linear\/exponential response and and a +6dB boost switch to double the channels output. Each channel's CV inputs are cascaded to the next, as are its outputs so that you can create submixes.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch2\u003eVoltage Controlled Quadrifier\u003c\/h2\u003e\n\u003cp\u003eThe Quad VCA comprises four channels of voltage controlled amplifiers. Each channel is equipped with a 6db boost, a LEVEL control, and the CV input response can be swept between linear and exponential. Additionally, the outputs of these channels are cascaded from left to right, allowing Quad VCA to function as a four channel mixer.\u003c\/p\u003e\n\u003ch3\u003eFeatures\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eManual LEVEL control per VCA which is convenient when using the module as a mixer or for biasing when CV modulating the VCA with a bipolar LFO.\u003c\/li\u003e\n\u003cli\u003eDedicated CV attenuators with dual color LEDs for monitoring bipolar CV signals.\u003c\/li\u003e\n\u003cli\u003eContinuously adjustable response from linear to exponential per VCA.\u003c\/li\u003e\n\u003cli\u003eEach CV input is normalled to the adjacent one for cascaded control.\u003c\/li\u003e\n\u003cli\u003eEach output is normalled to the mix input of the adjacent one which allows you to use adjacent sets as submixes or the fourth output can be used as a master mix output when none of the other outputs are patched.\u003c\/li\u003e\n\u003cli\u003eEach VCA has a boost switch that increases the output level by approximately 6dB (double).\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eSpecs + Downloads\u003c\/h2\u003e\n\u003cdiv class=\"intellijel-meta columns\"\u003e\n\u003ctable class=\"intellijel-meta-table\"\u003e\n\u003ctbody\u003e\n\u003ctr class=\"intellijel-meta-width\"\u003e\n\u003cth colspan=\"2\"\u003eWidth\u003c\/th\u003e\n\u003ctd\u003e12HP\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"intellijel-meta-depth\"\u003e\n\u003cth colspan=\"2\"\u003eDepth\u003c\/th\u003e\n\u003ctd\u003e29mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"intellijel-meta-power\"\u003e\n\u003cth colspan=\"2\"\u003ePower\u003c\/th\u003e\n\u003ctd\u003e 65mA @ -12V\u003cbr\u003e65mA @ 12V\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ctable class=\"intellijel-meta-table\"\u003e\n\u003ctbody\u003e\n\u003ctr class=\"intellijel-meta-manual\"\u003e\n\u003cth colspan=\"2\"\u003eManual\u003c\/th\u003e\n\u003ctd\u003e\n\u003ca href=\"https:\/\/intellijel.com\/downloads\/manuals\/quad-vca_manual_2018.09.13.pdf\"\u003eManual\u003c\/a\u003e (2018.09.13)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"intellijel-meta-firmware\"\u003e\n\u003cth colspan=\"2\"\u003eFirmware\u003c\/th\u003e\n\u003ctd\u003e\u003cspan\u003eNo Firmware\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"intellijel-meta-modulargrid\"\u003e\n\u003cth colspan=\"2\"\u003eModularGrid\u003c\/th\u003e\n\u003ctd\u003e\u003ca href=\"https:\/\/www.modulargrid.net\/e\/intellijel-quad-vca\" target=\"_blank\"\u003eModularGrid\u003c\/a\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003ciframe allowfullscreen=\"\" frameborder=\"0\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/EAt0paqgOCA\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Intellijel","offers":[{"title":"Default Title","offer_id":51569950818582,"sku":null,"price":189.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1001\/4221\/9542\/files\/White_Base_3_4__53952.1585783565.1280.1280.jpg?v=1785048620"},{"product_id":"make-noise-x-pan-5-channel-voltage-controlled-stereo-mixer","title":"Make Noise  X-PAN  5 channel Voltage Controlled Stereo Mixer","description":"\u003cp\u003eThe X-PAN music synthesizer module is a compact and powerful 5 channel Voltage Controlled Stereo Mixer with Low Noise and High Headroom allowing for creation of complex panoramic audio imagery in just 10hp.\u003c\/p\u003e\n\u003cp\u003eX-PAN is highly responsive to control signals allowing for exploration of the fluctuating stereo sidebands possible with Audio Rate Crossfading and Panning. X-PAN is Direct coupled for use as a CV Processing and Routing toolbox.\u003c\/p\u003e\n\u003cp\u003eX-PAN consists of two full featured Channels and one simpler Channel. The top two Channels each have voltage controlled cross-fading and panning while the third Channel is a stereo aux input with stereo VCA. All three Channels are combined together at the stereo SUM outputs.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003efeatures\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e5 signal inputs all routed to a dynamic stereo output\u003c\/li\u003e\n\u003cli\u003eContains 10 High Quality VCA circuits in just 10hp\u003c\/li\u003e\n\u003cli\u003eFully Voltage Controlled Panning, Cross-fading and Mixing\u003c\/li\u003e\n\u003cli\u003eEasy to maintain signal integrity with high headroom, low noise circuitry\u003c\/li\u003e\n\u003cli\u003eAudio Rate crossfading and panning, fluctuating stereo sidebands\u003c\/li\u003e\n\u003cli\u003eAux Stereo Inputs controlled by Stereo VCA with Combo Pot\u003c\/li\u003e\n\u003cli\u003ePart of a decentralized mix console integrated throughout the system along with Optomix, modDemix, Dynamix, and RxMx\u003c\/li\u003e\n\u003cli\u003eDirect Coupled for use as Complex CV router\u003c\/li\u003e\n\u003cli\u003ePairs well with QPAS and Morphagene\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003especifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eWidth: 10hp\u003c\/li\u003e\n\u003cli\u003eMax Depth: 30mm\u003c\/li\u003e\n\u003cli\u003ePower:\u003cbr\u003e145mA @ +12V\u003cbr\u003e110mA @ -12V\u003c\/li\u003e\n\u003cli\u003emanual:\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"http:\/\/makenoisemusic.com\/manuals\/x-pan-manual.pdf\" target=\"_blank\"\u003ex-pan-manual.pdf\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"MAKE NOISE","offers":[{"title":"Default Title","offer_id":51569953898774,"sku":null,"price":259.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1001\/4221\/9542\/files\/White_Base_3_59_copy_5__95597.1595358724.1280.1280.jpg?v=1784851769"},{"product_id":"cosmotronic-messor","title":"Cosmotronic Messor Pre-Order","description":"\u003cp class=\"p1\"\u003eMessor is an analog stereo compressor with lots of tricks up its sleeves in only 8HP.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eFrom squashing drums, sidechaining kicks and sculpting transients, to glueing a mix together, it's a very versatile dynamics manager.\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e \u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003efeed-forward compressor is VCA based with a hifi low noise signal path. The magic is in the internal sidechain that shapes the gain reduction envelope.\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e \u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThere are the familiar controls of a compressor, attack, release, threshold, ratio and makeup gain, as well as a switchable high-pass \/ low-pass sidechain filter.\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e \u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe ratio can go past limiting and into over-compression, which can completely reshape transients, a great tool for sound design.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e \u003c\/p\u003e\n\u003cp class=\"p1\"\u003eBeing modular, of course there are CV inputs for Attack, Release and the side-chain Filter cutoff. \u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe Gain CV controls the makeup gain, but also doubles as a Stereo VCA with the Gain knob turned fully CCW.\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e \u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe gain reduction envelope is also available as an output, for turning filters or other VCA's into compressors for example, or as a standalone envelope follower.\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e \u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThere's a bypass switch, and a Warm mode, that can bring in a bit of additional saturation and compression in the form of analog tube simulation circuitry.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eLastly there's the possibility to insert an external sidechain, for that classic kick sidechain compression.\u003c\/p\u003e","brand":"Cosmotronic","offers":[{"title":"Black","offer_id":51569992696086,"sku":null,"price":339.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1001\/4221\/9542\/files\/messor_black__66768.1765409033.1280.1280.jpg?v=1784245875"},{"product_id":"black-noise-modular-voltage-processor","title":"Black Noise Modular VOLTAGE PROCESSOR","description":"\u003cp\u003eVOLTAGE PROCESSOR have been designed to pack a lot of features in a small module.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eHere a some of the features you can achieve with VOLTAGE PROCESSOR\u003cbr\u003e\u003cem\u003eYou can find how to setup those features in the manual below\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eDual VCA\u003cbr data-mce-fragment=\"1\"\u003eStereo VCA\u003cbr data-mce-fragment=\"1\"\u003eCV Crossfader 2:1\u003cbr data-mce-fragment=\"1\"\u003eCV Crossfader 1:2\u003cbr data-mce-fragment=\"1\"\u003eDual AM\u003cbr data-mce-fragment=\"1\"\u003eCV PAN\u003cbr data-mce-fragment=\"1\"\u003eDual Attenuator\u003cbr data-mce-fragment=\"1\"\u003eDual Inverter\u003cbr data-mce-fragment=\"1\"\u003eDual Offset generator\u003cbr data-mce-fragment=\"1\"\u003eDual Voltage generator\u003cbr data-mce-fragment=\"1\"\u003eDual Exponential converter\u003cbr data-mce-fragment=\"1\"\u003eLogarithmic converter\u003cbr data-mce-fragment=\"1\"\u003eDual PWM\u003cbr data-mce-fragment=\"1\"\u003eDual CV overdrive\u003cbr data-mce-fragment=\"1\"\u003eDual waveshaper\u003cbr data-mce-fragment=\"1\"\u003eComplex waveshaper\u003cbr data-mce-fragment=\"1\"\u003eDual RingMod\u003cbr data-mce-fragment=\"1\"\u003eRindMod\u003cbr data-mce-fragment=\"1\"\u003eCompressor\u003cbr data-mce-fragment=\"1\"\u003eSidechain compressor\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePanel Width\u003cbr\u003e\u003c\/strong\u003e\u003cem\u003e6HP\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eModule Depth\u003cbr\u003e\u003c\/strong\u003e\u003cem\u003e20mm (skiff friendly)\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePower Consumption\u003cbr\u003e\u003c\/strong\u003e\u003cem\u003e+12V : 30mA\u003cbr\u003e-12V : 30mA\u003cbr\u003e+5V : 0mA\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/raw.githack.com\/BlackNoiseModular\/Eurorack\/main\/VOLTAGE%20PROCESSOR\/Manual\/BLACK-NOISE_Voltage-Processor_V1.0_Manual_V1.0.pdf\" target=\"_blank\" title=\"https:\/\/raw.githack.com\/BlackNoiseModular\/Eurorack\/main\/VOLTAGE%20PROCESSOR\/Manual\/BLACK-NOISE_Voltage-Processor_V1.0_Manual_V1.0.pdf\"\u003eManual\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/raw.githack.com\/BlackNoiseModular\/Eurorack\/main\/VOLTAGE%20PROCESSOR\/BOM\/ibom.html\" target=\"_blank\" title=\"https:\/\/raw.githack.com\/BlackNoiseModular\/Eurorack\/main\/VOLTAGE%20PROCESSOR\/BOM\/ibom.html\"\u003eBOM\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/raw.githack.com\/BlackNoiseModular\/Eurorack\/main\/VOLTAGE%20PROCESSOR\/BLACK-NOISE_Voltage-Processor_Build-Instructions_V1.pdf\" target=\"_blank\" title=\"https:\/\/raw.githack.com\/BlackNoiseModular\/Eurorack\/main\/VOLTAGE%20PROCESSOR\/BLACK-NOISE_Voltage-Processor_Build-Instructions_V1.pdf\"\u003eBuild Instructions\u003c\/a\u003e\u003c\/p\u003e","brand":"Black Noise Modular","offers":[{"title":"Default Title","offer_id":51570009309462,"sku":null,"price":159.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1001\/4221\/9542\/files\/Voltage_processor__50225.1681934042.1280.1280.jpg?v=1784247008"},{"product_id":"boredbrain-xcelon-xp3","title":"Boredbrain xcelon xp3","description":"\u003cp\u003e\u003cspan\u003e3-CHANNEL STEREO MIX EXPANDER\u003c\/span\u003e\u003c\/p\u003e\n\u003cul class=\"features\"\u003e\n\u003cli\u003eAdds three stereo\/dual-mono channels to Xcelon mixer (up to two supported)\u003c\/li\u003e\n\u003cli\u003eTwo stereo FX sends and two stereo output mix busses selectable per-channel\u003c\/li\u003e\n\u003cli\u003eVariable input gain for both modular and line-level sources\u003c\/li\u003e\n\u003cli\u003eLong-travel volume faders with CV responsive LED indicators\u003c\/li\u003e\n\u003cli\u003eBalance controls with pan law curve and dual-mono crossfade mode\u003c\/li\u003e\n\u003cli\u003eClickless mutes and VU meters on all channels\u003c\/li\u003e\n\u003cli\u003eTwelve discrete control voltage inputs\u003c\/li\u003e\n\u003cli\u003eConfigurable jumpers for pre\/post-fader FX and meters, plus volume VCA mode\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2 class=\"wp-block-heading has-nv-light-bg-color has-text-color\"\u003e\u003cstrong\u003eModular mixing expanded\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp class=\"has-nv-light-bg-color has-text-color has-medium-font-size\"\u003eXcelon XP3 is a three-channel stereo expander for the Xcelon eurorack mixer. The module’s channels are identical to those found on the main mixer. Up to two XP3 can connect to Xcelon, expanding the total number of mixer channels to either nine or twelve.\u003c\/p\u003e\n\u003ch3 class=\"wp-block-heading\"\u003eChannel Expansion\u003c\/h3\u003e\n\u003cp\u003eThe 22HP module has the same channel inputs, channel controls, direct outputs and rear jumpers as \u003ca href=\"https:\/\/boredbrainmusic.com\/product\/xcelon\"\u003eXcelon\u003c\/a\u003e. The primary difference is that the expander lacks the mix outputs and FX i\/o section. This is because XP3 shares the two main mix busses and two FX sends busses with the main mixer.\u003c\/p\u003e\n\u003cp\u003eXP3 is connected to the main Xcelon mixer using the supplied 16-pin ribbon cable, from the port labeled \u003cstrong\u003eMIXER\u003c\/strong\u003e to one of the two expansion ports labeled \u003cstrong\u003eEXPANDER 1\u003c\/strong\u003e or \u003cstrong\u003eEXPANDER 2\u003c\/strong\u003e. These expansion ports are found on the backs of both modules. Because the mixer supports up to two XP3, a set of channel labels with 10, 11, and 12 are included to update the front panel.\u003c\/p\u003e\n\u003cp\u003eIt may be possible to connect more than two channel expanders using a flying bus cable, but low noise performance cannot be guaranteed.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eIMPORTANT\u003c\/strong\u003e: The expander ports should \u003cstrong\u003eNOT\u003c\/strong\u003e be connected to a eurorack power bus or damage to the module(s) can occur.\u003c\/em\u003e\u003c\/p\u003e\n\u003cdiv class=\"wp-block-spacer\"\u003e \u003c\/div\u003e\n\u003ch3 class=\"wp-block-heading\"\u003e\n\u003cstrong\u003eChannel Input\u003c\/strong\u003e\u003cstrong\u003es\u003c\/strong\u003e\n\u003c\/h3\u003e\n\u003cp\u003eEach of the three channels has a pair of audio input jacks\u003cstrong\u003e (INPUT 7\u003c\/strong\u003e, \u003cstrong\u003eINPUT 8\u003c\/strong\u003e, etc.) for left and right stereo signals. The jacks are normalled such that a single mono source in the left jack is simply copied to the right. Alternatively, two discrete mono sources can also share a channel (see \u003cstrong\u003eXFADE\u003c\/strong\u003e). These AC-coupled coupled inputs accept typical eurorack-level audio signals, as well as line-level audio signals when boosted using the channel’s \u003cstrong\u003eGAIN\u003c\/strong\u003e control.\u003c\/p\u003e\n\u003cp\u003eThe four jacks directly below each pair of audio inputs are CV inputs, which allow for voltage control of the channel parameters. \u003cstrong\u003eVOL\u003c\/strong\u003e affects the volume within a range of 0 to +5V. By default, this control voltage input is biased by the fader position (summed), but in VCA mode it is attenuated by the fader (see Jumper Settings). \u003cstrong\u003eBAL\u003c\/strong\u003e affects the channel balance within a range of -5V to 5V (even with \u003cstrong\u003eXFADE\u003c\/strong\u003e enabled), while \u003cstrong\u003eFX1\u003c\/strong\u003e and \u003cstrong\u003eFX2\u003c\/strong\u003e affect their respective send levels within a range of 0 to +5V. These latter three control voltage inputs are all biased by their knob positions.\u003c\/p\u003e\n\u003cdiv class=\"wp-block-spacer\"\u003e \u003c\/div\u003e\n\u003ch3 class=\"wp-block-heading\"\u003e\n\u003cstrong\u003eChannel Control\u003c\/strong\u003e\u003cstrong\u003es\u003c\/strong\u003e\n\u003c\/h3\u003e\n\u003cp\u003eThe \u003cstrong\u003eGAIN\u003c\/strong\u003e parameter is used to boost the channel’s input signal(s) up to +15 dB if necessary. Most eurorack audio sources may only need a small amount of gain, whereas line-level signals may require turning the knob up to the \u003cstrong\u003eLINE\u003c\/strong\u003e position. The red \u003cstrong\u003ePK\u003c\/strong\u003e (peak) indicator will illuminate just before either input signal becomes audibly distorted. For a clean mix, best practice is to set the \u003cstrong\u003eGAIN\u003c\/strong\u003e such that only loud transients trigger the \u003cstrong\u003ePK\u003c\/strong\u003e LED.\u003c\/p\u003e\n\u003cp\u003eThe \u003cstrong\u003eBAL\u003c\/strong\u003e parameter adjusts the balance of the channel’s two input signals, and behaves much like a pan control, especially with a mono input signal. Control of the parameter is not linear, but instead implements a curve according to the -4.5 dB pan law. This yields a more natural sounding stereo panning.\u003c\/p\u003e\n\u003cp\u003eWhen the blue \u003cstrong\u003eXFADE\u003c\/strong\u003e button is engaged, the channel is configured in dual-mono mode. Both channel input signals are positioned to stereo center, and the \u003cstrong\u003eBAL\u003c\/strong\u003e parameter acts as a mono crossfader balancing the two signal levels. Signals that do not need stereo panning can then be doubled-up on a single channel, such as kick and snare drum, two different bass sounds, etc.\u003c\/p\u003e\n\u003cp\u003eThe \u003cstrong\u003eVOL\u003c\/strong\u003e parameter adjusts the channel volume, and is also commonly referred to as the channel fader. Its 45mm vertical slider has a linear volume response for smooth fade ins and outs, with an entirely usable range. The brightness of the white LED indicates the volume position, and is of course responsive to incoming CV.\u003c\/p\u003e\n\u003cp\u003eNext to the volume control is a 5-segment \u003cstrong\u003eVU METER\u003c\/strong\u003e to help visualize signal level and dynamics. The meter is affected by both left and right channel signals. And although it does behave according to a decibel scale, the meter is intentionally biased upward for better resolution when comparing relative channel levels. By default, the \u003cstrong\u003eVU METER\u003c\/strong\u003e is post-fader, meaning it is affected by volume adjustments, but can optionally be configured pre-fader (see Jumper Settings).\u003c\/p\u003e\n\u003cp\u003eThe red \u003cstrong\u003eMUTE\u003c\/strong\u003e button, when activated, will effectively silence the channel with up to -93 dB of normal signal attenuation. Its electronically latching circuit is completely VCA-based with a very fast on\/off slew, eliminating any clicks or pops when muting or unmuting the channel.\u003c\/p\u003e\n\u003cp\u003eThe channel’s two gray knobs, \u003cstrong\u003eFX1\u003c\/strong\u003e and \u003cstrong\u003eFX2\u003c\/strong\u003e, are independent stereo effects sends. Using these parameters, an adjustable amount of the channel signal can be sent to the two shared effects busses \u003cstrong\u003eFX SND 1\u003c\/strong\u003e and \u003cstrong\u003eFX SND 2\u003c\/strong\u003e, which are commonly used for time-based effects such as delay and reverb. By default, both \u003cstrong\u003eFX1\u003c\/strong\u003e and \u003cstrong\u003eFX2\u003c\/strong\u003e are post-fader sends, meaning the amount of sent signal is also affected by the channel’s volume position. However, \u003cstrong\u003eFX1\u003c\/strong\u003e can be configured pre-fader (see Jumper Settings) to achieve a more than 50% wet mix of effect versus dry signal.\u003c\/p\u003e\n\u003cp\u003eThe \u003cstrong\u003eAB\u003c\/strong\u003e switch assigns the channel output to one or both main output mix busses. In the leftmost and rightmost positions, the channel is routed to only one of the two busses, either A or B. In the middle position however, the channel is routed to both simultaneously, allowing for parallel processing, AFL monitoring (after fade listen), and other creative uses.\u003c\/p\u003e\n\u003cdiv class=\"wp-block-spacer\"\u003e \u003c\/div\u003e\n\u003ch3 class=\"wp-block-heading\"\u003e\u003cstrong\u003eDirect Outputs\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eJust like the main mixer, XP3 is also equipped with several direct output ports to access individual channel signals for multi-track recording. Its bank of three stereo channels has two direct output ports, \u003cstrong\u003ePRE\u003c\/strong\u003e and \u003cstrong\u003ePOST, \u003c\/strong\u003eto tap the channel signals either before or after the volume faders.\u003c\/p\u003e\n\u003cp\u003eThese groupings of six signals are connected using an 8-pin cable to the optional direct output modules, Xcelon TRS and Xcelon DB25 (TBA), for balanced line outputs. They can be mixed and matched in any order, and both the \u003cstrong\u003ePRE\u003c\/strong\u003e and \u003cstrong\u003ePOST\u003c\/strong\u003e direct outputs for a bank of channels can be used simultaneously. This leaves the door open for future expansion such as dedicated cue monitoring and additional effects sends.\u003c\/p\u003e\n\u003cdiv class=\"wp-block-spacer\"\u003e \u003c\/div\u003e\n\u003ch3 class=\"wp-block-heading\"\u003e\u003cstrong\u003eJumper Settings\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eEach channel has three custom settings found on the back of the module, which are configured using one or more jumpers.\u003c\/p\u003e\n\u003cdiv class=\"wp-block-columns is-layout-flex wp-container-core-columns-layout-2 wp-block-columns-is-layout-flex\"\u003e\n\u003cdiv class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"\u003e\n\u003ctable class=\"has-fixed-layout\"\u003e\n\u003cthead\u003e\n\u003ctr\u003e\n\u003cth class=\"has-text-align-center\" data-align=\"center\"\u003eVU METER\u003c\/th\u003e\n\u003cth\u003e1 jumper\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"has-text-align-center\" data-align=\"center\"\u003e\n\u003cstrong\u003ePOST\u003c\/strong\u003e\u003cbr\u003e(default)\u003c\/td\u003e\n\u003ctd\u003eMeter is affected by the channel volume\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"has-text-align-center\" data-align=\"center\"\u003e\u003cstrong\u003ePRE\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eMeter is not affected by the channel volume\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cem\u003ePRE is very common on DJ mixers, and is useful for adjusting the gain and visually identifying a signal before bringing it into the mix.\u003c\/em\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"\u003e \u003c\/div\u003e\n\u003cdiv class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"\u003e\n\u003ctable class=\"has-fixed-layout\"\u003e\n\u003cthead\u003e\n\u003ctr\u003e\n\u003cth class=\"has-text-align-center\" data-align=\"center\"\u003eFX SND1\u003c\/th\u003e\n\u003cth\u003e2 jumpers\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"has-text-align-center\" data-align=\"center\"\u003e\n\u003cstrong\u003ePOST\u003c\/strong\u003e\u003cbr\u003e(default)\u003c\/td\u003e\n\u003ctd\u003eSent signal is affected by the channel volume\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"has-text-align-center\" data-align=\"center\"\u003e\u003cstrong\u003ePRE\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eSent signal is not affected by the channel volume\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cem\u003ePRE is useful (and necessary) to get a very washed-out effect where the effects mix is more than 50% wet.\u003c\/em\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"\u003e \u003c\/div\u003e\n\u003cdiv class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"\u003e\n\u003ctable class=\"has-fixed-layout\"\u003e\n\u003cthead\u003e\n\u003ctr\u003e\n\u003cth class=\"has-text-align-center\" data-align=\"center\"\u003eVOL CV\u003c\/th\u003e\n\u003cth\u003e3 jumpers (or 2)\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"has-text-align-center\" data-align=\"center\"\u003e\n\u003cstrong\u003eMOD\u003c\/strong\u003e\u003cbr\u003e(default)\u003c\/td\u003e\n\u003ctd\u003eCV modulates volume with fader bias\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"has-text-align-center\" data-align=\"center\"\u003e\u003cstrong\u003eVCA\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eCV replaces bias voltage and fader attenuates\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cem\u003eVCA allows the volume circuit to be used as the final VCA in a patch, saving space and modules. Simply patch an envelope into the \u003cstrong\u003eVOL\u003c\/strong\u003e CV input, and use the fader to adjust the level.\u003c\/em\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"\u003e \u003c\/div\u003e\n\u003cdiv class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"\u003e\n\u003ch4 class=\"wp-block-heading\"\u003etechnical specs\u003c\/h4\u003e\n\u003cul class=\"specs\"\u003e\n\u003cli\u003e\n\u003cstrong\u003eAudio Inputs:\u003c\/strong\u003e 6 x 3.5 mm jacks (3 stereo pairs)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCV Inputs:\u003c\/strong\u003e 12 x 3.5 mm jacks\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eInput Impedance:\u003c\/strong\u003e 100 kΩ\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eChannel Input Gain:\u003c\/strong\u003e +15 dB\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWidth:\u003c\/strong\u003e 22 HP\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDepth:\u003c\/strong\u003e 1.5 in (38 mm)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 11 oz (312 g)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePower:\u003c\/strong\u003e +12 V 190 mA (250 max), -12 V 150 mA\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4 class=\"wp-block-heading\"\u003emix tips\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eGAIN FOR PERFORMANCE\u003c\/strong\u003e\u003cstrong\u003e \u003c\/strong\u003e– A useful tip for performance is to set each GAIN such that your mix sounds correct with all the faders up or at the same position. Now returning to a “balanced” mix is as simple moving faders back to the same position.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAUDIO VCA PATCH\u003c\/strong\u003e – Save space in a case for live performance or save VCAs for other purposes by using the VCA mode jumper setting for VOL CV. This allows a typical envelope to be fed into the CV input, and the overall volume can still be adjusted normally.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e100% WET FX\u003c\/strong\u003e – If mix bus B is unused or not monitored, any channel can have a fully wet FX mix (no dry signal), even with rear jumpers set to POST. Just assign the channel to mix B (essentially muting it), be sure the FX return is assigned to mix A, and turn up the FX send of the channel.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eXFADE MUTATION\u003c\/strong\u003e – The XFADE feature can be used to “mutate” a sound, crossfading between to similar sounds or waveforms. This is especially interesting when modulating with a rapidly changing CV signal.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFX RETURNS MUTE\u003c\/strong\u003e – Although the FX returns do not have mute buttons, the AB switch can be used to quickly remove them from either the A or B mix, which is still very effective during a live mix.\u003c\/p\u003e\n\u003cp\u003e \u003cimg alt=\"xcelon-channel-wireframe-v1.0.png\" class=\"__mce_add_custom__\" height=\"600\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1001\/4221\/9542\/files\/xcelon-channel-wireframe-v1.0.png?v=1784247487\" title=\"xcelon-channel-wireframe-v1.0.png\" width=\"277\"\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Boredbrain","offers":[{"title":"Default Title","offer_id":51570016452886,"sku":null,"price":429.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1001\/4221\/9542\/files\/xcelon_xp3__64470.1701480861.1280.1280.jpg?v=1784247500"},{"product_id":"boredbrain-xcelon-xcelon-xp3-bundle","title":"Boredbrain xcelon \u0026 xcelon xp3 Bundle Pre-Order","description":"\u003cp\u003e\u003cstrong\u003eBoredbrain xcelon \u0026amp; xcelon xp3 Bundle\u003c\/strong\u003e\u003c\/p\u003e","brand":"Boredbrain","offers":[{"title":"Default Title","offer_id":51570016518422,"sku":null,"price":1378.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1001\/4221\/9542\/files\/xcelon_XP3_bundle__24197.1701481085.1280.1280.jpg?v=1784247498"},{"product_id":"boredbrain-xcelon","title":"Boredbrain xcelon Pre-Order","description":"\u003cp\u003eTRUE STEREO VOLTAGE-CONTROLLED MIXER\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv class=\"wp-block-themeisle-blocks-advanced-columns has-1-columns has-desktop-equal-layout has-tablet-equal-layout has-mobile-equal-layout has-vertical-unset has-default-gap\" id=\"wp-block-themeisle-blocks-advanced-columns-217aebea\"\u003e\n\u003cdiv class=\"innerblocks-wrap\"\u003e\n\u003cdiv class=\"wp-block-themeisle-blocks-advanced-column\" id=\"wp-block-themeisle-blocks-advanced-column-f0498e9e\"\u003e\n\u003ch2 class=\"wp-block-heading has-nv-light-bg-color has-text-color\"\u003e\u003cstrong\u003eA modular mixing powerhouse\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp class=\"has-nv-light-bg-color has-text-color has-medium-font-size\"\u003eXcelon is an all-analog six-channel stereo audio mixer for eurorack modular systems. With an interface designed for immediate hands-on control and visual feedback, plus extensive CV and expandability, the module is a powerful mixing tool for both performance and production.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"wp-block-themeisle-blocks-advanced-columns has-2-columns has-desktop-equal-layout has-tablet-equal-layout has-mobile-collapsedRows-layout has-vertical-top has-default-gap\" id=\"wp-block-themeisle-blocks-advanced-columns-cba8d97f\"\u003e\n\u003cdiv class=\"wp-block-themeisle-blocks-advanced-columns-overlay\"\u003e \u003c\/div\u003e\n\u003cdiv class=\"innerblocks-wrap\"\u003e\n\u003cdiv class=\"wp-block-themeisle-blocks-advanced-column\" id=\"wp-block-themeisle-blocks-advanced-column-b1306ef4\"\u003e\n\u003cul class=\"features has-nv-light-bg-color has-text-color has-link-color wp-elements-10fa585b52ce8590dda0aaae20108526\"\u003e\n\u003cli\u003eSix stereo\/dual-mono channels with low-noise analog circuitry\u003c\/li\u003e\n\u003cli\u003eTwo stereo FX sends and two dedicated FX returns\u003c\/li\u003e\n\u003cli\u003eTwo stereo output mix busses selectable per-channel\u003c\/li\u003e\n\u003cli\u003eVariable input gain for both modular and line-level sources\u003c\/li\u003e\n\u003cli\u003eLong-travel volume faders with CV responsive LED indicators\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"wp-block-themeisle-blocks-advanced-column\" id=\"wp-block-themeisle-blocks-advanced-column-b6824fe0\"\u003e\n\u003cul class=\"features has-nv-light-bg-color has-text-color has-link-color wp-elements-3a5e7f165b6c05731e8ac1e594f077ac\"\u003e\n\u003cli\u003eBalance controls with pan law curve and dual-mono crossfade mode\u003c\/li\u003e\n\u003cli\u003eClickless mutes and VU meters on all channels\u003c\/li\u003e\n\u003cli\u003eTwenty-six discrete control voltage inputs\u003c\/li\u003e\n\u003cli\u003eConfigurable jumpers for pre\/post-fader FX and meters, plus volume VCA mode\u003c\/li\u003e\n\u003cli\u003eExpansion ports for channel expanders, direct outputs, and more\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThe 48 HP module consists of three main sections. On the left side are the channel inputs (both audio and CV), in the middle are the channel controls, and on the right are the mix outputs, plus FX i\/o and controls.\u003c\/p\u003e\n\u003cdiv class=\"wp-block-spacer\"\u003e \u003c\/div\u003e\n\u003ch3 class=\"wp-block-heading\"\u003e\n\u003cstrong\u003eChannel Input\u003c\/strong\u003e\u003cstrong\u003es\u003c\/strong\u003e\n\u003c\/h3\u003e\n\u003cp\u003eEach of the six channels has a pair of audio input jacks\u003cstrong\u003e (INPUT 1\u003c\/strong\u003e, \u003cstrong\u003eINPUT 2\u003c\/strong\u003e, etc.) for left and right stereo signals. The jacks are normalled such that a single mono source in the left jack is simply copied to the right. Alternatively, two discrete mono sources can also share a channel (see \u003cstrong\u003eXFADE\u003c\/strong\u003e). These AC-coupled coupled inputs accept typical eurorack-level audio signals, as well as line-level audio signals when boosted using the channel’s \u003cstrong\u003eGAIN\u003c\/strong\u003e control.\u003c\/p\u003e\n\u003cp\u003eThe four jacks directly below each pair of audio inputs are CV inputs, which allow for voltage control of the channel parameters. \u003cstrong\u003eVOL\u003c\/strong\u003e affects the volume within a range of 0 to +5V. By default, this control voltage input is biased by the fader position (summed), but in VCA mode it is attenuated by the fader (see Jumper Settings). \u003cstrong\u003eBAL\u003c\/strong\u003e affects the channel balance within a range of -5V to 5V (even with \u003cstrong\u003eXFADE\u003c\/strong\u003e enabled), while \u003cstrong\u003eFX1\u003c\/strong\u003e and \u003cstrong\u003eFX2\u003c\/strong\u003e affect their respective send levels within a range of 0 to +5V. These latter three control voltage inputs are all biased by their knob positions.\u003c\/p\u003e\n\u003cdiv class=\"wp-block-spacer\"\u003e \u003c\/div\u003e\n\u003ch3 class=\"wp-block-heading\"\u003e\n\u003cstrong\u003eChannel Control\u003c\/strong\u003e\u003cstrong\u003es\u003c\/strong\u003e\n\u003c\/h3\u003e\n\u003cp\u003eThe \u003cstrong\u003eGAIN\u003c\/strong\u003e parameter is used to boost the channel’s input signal(s) up to +15 dB if necessary. Most eurorack audio sources may only need a small amount of gain, whereas line-level signals may require turning the knob up to the \u003cstrong\u003eLINE\u003c\/strong\u003e position. The red \u003cstrong\u003ePK\u003c\/strong\u003e (peak) indicator will illuminate just before either input signal becomes audibly distorted. For a clean mix, best practice is to set the \u003cstrong\u003eGAIN\u003c\/strong\u003e such that only loud transients trigger the \u003cstrong\u003ePK\u003c\/strong\u003e LED.\u003c\/p\u003e\n\u003cp\u003eThe \u003cstrong\u003eBAL\u003c\/strong\u003e parameter adjusts the balance of the channel’s two input signals, and behaves much like a pan control, especially with a mono input signal. Control of the parameter is not linear, but instead implements a curve according to the -4.5 dB pan law. This yields a more natural sounding stereo panning.\u003c\/p\u003e\n\u003cp\u003eWhen the blue \u003cstrong\u003eXFADE\u003c\/strong\u003e button is engaged, the channel is configured in dual-mono mode. Both channel input signals are positioned to stereo center, and the \u003cstrong\u003eBAL\u003c\/strong\u003e parameter acts as a mono crossfader balancing the two signal levels. Signals that do not need stereo panning can then be doubled-up on a single channel, such as kick and snare drum, two different bass sounds, etc.\u003c\/p\u003e\n\u003cp\u003eThe \u003cstrong\u003eVOL\u003c\/strong\u003e parameter adjusts the channel volume, and is also commonly referred to as the channel fader. Its 45mm vertical slider has a linear volume response for smooth fade ins and outs, with an entirely usable range. The brightness of the white LED indicates the volume position, and is of course responsive to incoming CV.\u003c\/p\u003e\n\u003cp\u003eNext to the volume control is a 5-segment \u003cstrong\u003eVU METER\u003c\/strong\u003e to help visualize signal level and dynamics. The meter is affected by both left and right channel signals. And although it does behave according to a decibel scale, the meter is intentionally biased upward for better resolution when comparing relative channel levels. By default, the \u003cstrong\u003eVU METER\u003c\/strong\u003e is post-fader, meaning it is affected by volume adjustments, but can optionally be configured pre-fader (see Jumper Settings).\u003c\/p\u003e\n\u003cp\u003eThe red \u003cstrong\u003eMUTE\u003c\/strong\u003e button, when activated, will effectively silence the channel with up to -93 dB of normal signal attenuation. Its electronically latching circuit is completely VCA-based with a very fast on\/off slew, eliminating any clicks or pops when muting or unmuting the channel.\u003c\/p\u003e\n\u003cp\u003eThe channel’s two gray knobs, \u003cstrong\u003eFX1\u003c\/strong\u003e and \u003cstrong\u003eFX2\u003c\/strong\u003e, are independent stereo effects sends. Using these parameters, an adjustable amount of the channel signal can be sent to the two shared effects busses \u003cstrong\u003eFX SND 1\u003c\/strong\u003e and \u003cstrong\u003eFX SND 2\u003c\/strong\u003e, which are commonly used for time-based effects such as delay and reverb. By default, both \u003cstrong\u003eFX1\u003c\/strong\u003e and \u003cstrong\u003eFX2\u003c\/strong\u003e are post-fader sends, meaning the amount of sent signal is also affected by the channel’s volume position. However, \u003cstrong\u003eFX1\u003c\/strong\u003e can be configured pre-fader (see Jumper Settings) to achieve a more than 50% wet mix of effect versus dry signal.\u003c\/p\u003e\n\u003cp\u003eThe \u003cstrong\u003eAB\u003c\/strong\u003e switch assigns the channel output to one or both main output mix busses. In the leftmost and rightmost positions, the channel is routed to only one of the two busses, either A or B. In the middle position however, the channel is routed to both simultaneously, allowing for parallel processing, AFL monitoring (after fade listen), and other creative uses.\u003c\/p\u003e\n\u003cdiv class=\"wp-block-spacer\"\u003e \u003c\/div\u003e\n\u003ch3 class=\"wp-block-heading\"\u003e\u003cstrong\u003eMix Outputs \u0026amp; FX I\/O\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eXcelon’s two aforementioned output mix busses are available at the pairs of jacks \u003cstrong\u003eMIX OUT A\u003c\/strong\u003e and \u003cstrong\u003eMIX OUT B\u003c\/strong\u003e. These eurorack-level stereo outputs can be patched and processed separately before reaching an output module like \u003ca href=\"https:\/\/boredbrainmusic.com\/product\/monitr\/\"\u003eMonitr\u003c\/a\u003e. Such processing modules may include stereo equalizers like \u003ca href=\"https:\/\/boredbrainmusic.com\/product\/eqx5\/\"\u003eEQx5\u003c\/a\u003e, filters, compressors, limiters, crossfaders, etc.\u003c\/p\u003e\n\u003cp\u003eThe two pairs of output jacks \u003cstrong\u003eFX SND 1\u003c\/strong\u003e and \u003cstrong\u003eFX SND 2\u003c\/strong\u003e contain eurorack-level stereo submixes created with the effects sends controls of all channels. As previously mentioned, these are commonly patched into reverb and delay, but may also be used for other purposes like creating headphone mixes. If only the left output jack of \u003cstrong\u003eFX SND 1\u003c\/strong\u003e or \u003cstrong\u003eFX SND 2\u003c\/strong\u003e is used, any signals on the right side will be summed with the left so they are not lost.\u003c\/p\u003e\n\u003cp\u003eThe two pairs of input jacks \u003cstrong\u003eFX RTN 1\u003c\/strong\u003e and \u003cstrong\u003eFX RTN 2\u003c\/strong\u003e are dedicated stereo effects returns, where the output signals of effects can return to the mixer. Each return has its own manual level control, \u003cstrong\u003eRTN 1\u003c\/strong\u003e and \u003cstrong\u003eRTN 2\u003c\/strong\u003e, and CV input directly above. The CV inputs affect levels within a range of 0 to +5V and are biased by their knob positions. Additionally, the two returns share an \u003cstrong\u003eAB\u003c\/strong\u003e switch to assign them to either or both mix busses.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eNOTE\u003c\/strong\u003e: The effects returns can be used alternatively as extra stereo inputs.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e \u003c\/em\u003e\u003c\/p\u003e\n\u003cdiv class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"\u003e\n\u003ch3 class=\"wp-block-heading\"\u003e\u003cstrong\u003eChannel Expansion\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eXcelon has two expansion ports to optionally add more channels to the system. These 16-pin ports are labeled \u003cstrong\u003eEXPANDER 1\u003c\/strong\u003e and \u003cstrong\u003eEXPANDER 2\u003c\/strong\u003e and can be found on the the back of the module. Expander modules connected to these ports, such as \u003ca href=\"https:\/\/boredbrainmusic.com\/product\/xcelon-xp3\"\u003eXcelon XP3\u003c\/a\u003e, will have access to the two stereo mix busses and two stereo effects send busses. It may be possible to connect more than two channel expanders using a flying bus cable, but low noise performance cannot be guaranteed.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eIMPORTANT\u003c\/strong\u003e: The expander ports should \u003cstrong\u003eNOT\u003c\/strong\u003e be connected to a eurorack power bus or damage to the module(s) can occur.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e \u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"\u003e \u003cimg alt=\"xcelon-xp3.jpg\" class=\"__mce_add_custom__\" height=\"800\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1001\/4221\/9542\/files\/xcelon-xp3.jpg?v=1784247486\" title=\"xcelon-xp3.jpg\" width=\"793\"\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"\u003e\n\u003ch3 class=\"wp-block-heading\"\u003e\u003cstrong\u003eDirect Outputs\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eThe module is also equipped with several direct output ports to access individual channel signals for multi-track recording. Each bank of three stereo channels has two direct output ports, \u003cstrong\u003ePRE\u003c\/strong\u003e and \u003cstrong\u003ePOST, \u003c\/strong\u003eto tap the channel signals either before or after the volume faders. An additional port provides direct access to the two stereo returns and mix A.\u003c\/p\u003e\n\u003cp\u003eThese groupings of six signals are connected using an 8-pin cable to the optional direct output modules, Xcelon TRS and Xcelon DB25 (TBA), for balanced line outputs. They can be mixed and matched in any order, and both the \u003cstrong\u003ePRE\u003c\/strong\u003e and \u003cstrong\u003ePOST\u003c\/strong\u003e direct outputs for a bank of channels can be used simultaneously. This leaves the door open for future expansion such as dedicated cue monitoring and additional effects sends.\u003c\/p\u003e\n\u003cdiv class=\"wp-block-spacer\"\u003e \u003c\/div\u003e\n\u003ch3 class=\"wp-block-heading\"\u003e\u003cstrong\u003eJumper Settings\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eEach channel has three custom settings found on the back of the module, which are configured using one or more jumpers.\u003c\/p\u003e\n\u003ctable class=\"has-fixed-layout\"\u003e\n\u003cthead\u003e\n\u003ctr\u003e\n\u003cth class=\"has-text-align-center\" data-align=\"center\"\u003eVU METER\u003c\/th\u003e\n\u003cth\u003e1 jumper\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"has-text-align-center\" data-align=\"center\"\u003e\n\u003cstrong\u003ePOST\u003c\/strong\u003e\u003cbr\u003e(default)\u003c\/td\u003e\n\u003ctd\u003eMeter is affected by the channel volume\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"has-text-align-center\" data-align=\"center\"\u003e\u003cstrong\u003ePRE\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eMeter is not affected by the channel volume\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003e\u003cem\u003ePRE is very common on DJ mixers, and is useful for adjusting the gain and visually identifying a signal before bringing it into the mix.\u003c\/em\u003e\u003c\/p\u003e\n\u003ctable class=\"has-fixed-layout\"\u003e\n\u003cthead\u003e\n\u003ctr\u003e\n\u003cth class=\"has-text-align-center\" data-align=\"center\"\u003eFX SND1\u003c\/th\u003e\n\u003cth\u003e2 jumpers\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"has-text-align-center\" data-align=\"center\"\u003e\n\u003cstrong\u003ePOST\u003c\/strong\u003e\u003cbr\u003e(default)\u003c\/td\u003e\n\u003ctd\u003eSent signal is affected by the channel volume\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"has-text-align-center\" data-align=\"center\"\u003e\u003cstrong\u003ePRE\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eSent signal is not affected by the channel volume\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003e\u003cem\u003e\u003cem\u003ePRE is useful (and necessary) to get a very washed-out effect where the effects mix is more than 50% wet.\u003c\/em\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003ctable class=\"has-fixed-layout\"\u003e\n\u003cthead\u003e\n\u003ctr\u003e\n\u003cth class=\"has-text-align-center\" data-align=\"center\"\u003eVOL CV\u003c\/th\u003e\n\u003cth\u003e3 jumpers (or 2)\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"has-text-align-center\" data-align=\"center\"\u003e\n\u003cstrong\u003eMOD\u003c\/strong\u003e\u003cbr\u003e(default)\u003c\/td\u003e\n\u003ctd\u003eCV modulates volume with fader bias\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"has-text-align-center\" data-align=\"center\"\u003e\u003cstrong\u003eVCA\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eCV replaces bias voltage and fader attenuates\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003e\u003cem\u003eVCA allows the volume circuit to be used as the final VCA in a patch, saving space and modules. Simply patch an envelope into the \u003cstrong\u003eVOL\u003c\/strong\u003e CV input, and use the fader to adjust the level.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch4 class=\"wp-block-heading\"\u003etechnical specs\u003c\/h4\u003e\n\u003cul class=\"specs\"\u003e\n\u003cli\u003e\n\u003cstrong\u003eAudio Inputs:\u003c\/strong\u003e 16 x 3.5 mm jacks (8 stereo pairs)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAudio Outputs:\u003c\/strong\u003e 8 x 3.5 mm jacks (4 stereo pairs)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCV Inputs:\u003c\/strong\u003e 26 x 3.5 mm jacks\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eInput Impedance:\u003c\/strong\u003e 100 kΩ\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eChannel Input Gain:\u003c\/strong\u003e +15 dB\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWidth:\u003c\/strong\u003e 48 HP\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDepth:\u003c\/strong\u003e 1.5 in (38 mm)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 24 oz (680 g)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePower:\u003c\/strong\u003e +12 V 395 mA (470 max), -12 V 320 mA\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4 class=\"wp-block-heading\"\u003emix tips\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eGAIN FOR PERFORMANCE\u003c\/strong\u003e\u003cstrong\u003e \u003c\/strong\u003e– A useful tip for performance is to set each GAIN such that your mix sounds correct with all the faders up or at the same position. Now returning to a “balanced” mix is as simple moving faders back to the same position.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAUDIO VCA PATCH\u003c\/strong\u003e – Save space in a case for live performance or save VCAs for other purposes by using the VCA mode jumper setting for VOL CV. This allows a typical envelope to be fed into the CV input, and the overall volume can still be adjusted normally.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e100% WET FX\u003c\/strong\u003e – If mix bus B is unused or not monitored, any channel can have a fully wet FX mix (no dry signal), even with rear jumpers set to POST. Just assign the channel to mix B (essentially muting it), be sure the FX return is assigned to mix A, and turn up the FX send of the channel.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eXFADE MUTATION\u003c\/strong\u003e – The XFADE feature can be used to “mutate” a sound, crossfading between to similar sounds or waveforms. This is especially interesting when modulating with a rapidly changing CV signal.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFX RETURNS MUTE\u003c\/strong\u003e – Although the FX returns do not have mute buttons, the AB switch can be used to quickly remove them from either the A or B mix, which is still very effective during a live mix.\u003c\/p\u003e\n\u003cp\u003e \u003cimg alt=\"xcelon-channel-wireframe-v1.0.png\" class=\"__mce_add_custom__\" height=\"600\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1001\/4221\/9542\/files\/xcelon-channel-wireframe-v1.0_c1e3410a-ec10-44f4-a0aa-a1c54448c792.png?v=1784247490\" title=\"xcelon-channel-wireframe-v1.0.png\" width=\"277\"\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Boredbrain","offers":[{"title":"Default Title","offer_id":51570016616726,"sku":null,"price":949.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1001\/4221\/9542\/files\/xcelon__78437.1701480422.1280.1280.jpg?v=1784247499"},{"product_id":"maneco-labs-dark-system-m1","title":"Maneco Labs Dark System M1","description":"\u003cp class=\"p1\"\u003e\u003cstrong\u003eDark System M1\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003eDark system M1 is an analog modular monophonic synthesizer voice, in eurorack format, completely patchable with 8 step sequencer , fuzz and delay effects.\u003c\/p\u003e\n\u003cp class=\"p3\"\u003e \u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cstrong\u003eModules:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e1-Sequencer 8 , a modern version of the classic Baby8 analog sequencer.\u003c\/p\u003e\n\u003cp class=\"p3\"\u003e \u003c\/p\u003e\n\u003cp class=\"p2\"\u003e2-Sub Vco , sawtooth and pulse oscillator, 1 v per octave compatible, also includes a noise source and one or two octaves sub square waveforms, selectable with toggle switch.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p3\"\u003e \u003c\/p\u003e\n\u003cp class=\"p2\"\u003e3-Transistor ladder VCF , modern version of the classic moog ladder filter, capable os self oscillating\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p3\"\u003e \u003c\/p\u003e\n\u003cp class=\"p2\"\u003e4-EG2 , dual ASR envelope generator, with loop capabilities for use as a sort of low frequency oscillator.\u003c\/p\u003e\n\u003cp class=\"p3\"\u003e \u003c\/p\u003e\n\u003cp class=\"p2\"\u003e5-VCA4 , quad voltage controlled amplifier, with per channel gain and summed output for use as a voltage controlled mixer\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p3\"\u003e \u003c\/p\u003e\n\u003cp class=\"p2\"\u003e6-Delay , pt2399 based , with modulation input and self oscillations\u003c\/p\u003e\n\u003cp class=\"p3\"\u003e \u003c\/p\u003e\n\u003cp class=\"p2\"\u003e7-Crash Fuzz , a wild square wave fuzz , with modulation over pulse width (color) , and internal triangle LFO for modulating color\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p3\"\u003e \u003c\/p\u003e\n\u003cp class=\"p2\"\u003e8-HRmixer , 4 channel mixer with global gain, vu meter led level indicator, and headphone output.\u003c\/p\u003e\n\u003cp class=\"p3\"\u003e \u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cstrong\u003eSpecs :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003edimensions : 58HP width m 3U height in Eurorack standards\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003ePower requirement : 9VDC 0.5mA center negative \u003c\/p\u003e","brand":"Maneco Labs","offers":[{"title":"Default Title","offer_id":51570016878870,"sku":null,"price":670.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1001\/4221\/9542\/files\/M1_-angle__87313.1702406472.1280.1280.jpg?v=1784247510"},{"product_id":"maneco-labs-quad-vca-eurorack","title":"Maneco Labs QUAD VCA (Eurorack)","description":"\u003cp\u003edescription coming soon~\u003c\/p\u003e","brand":"Maneco Labs","offers":[{"title":"Default Title","offer_id":51570019926294,"sku":null,"price":149.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1001\/4221\/9542\/files\/QUAD_VCA__21116.1715052589.1280.1280.jpg?v=1784247785"},{"product_id":"worng-electronics-sidecar","title":"WORNG Electronics SIDECAR Pre-Order","description":"\u003cp class=\"lead wrap\"\u003eErgonomic VCA with mixing\u003c\/p\u003e\n\u003cp\u003eSideCar from WORNG Electronics is a six channel mixing VCA (4x mono, 2x stereo) with 45mm faders and proprietary CV shaping circuitry to deliver high resolution level control, punchy envelope response, and improved headroom.\u003c\/p\u003e\n\u003cp\u003eSideCar is designed to give you a proper mixing experience, letting you craft proper detailed mixes from within your Eurorack system like never before. We designed SideCar with a 'less-is-more' approach to enable you to just get premium level control with a clean and usable interface without trying to cram the interface full of features, giving you a high quality, truely modular building block for your modular system.\u003c\/p\u003e\n\u003cp\u003eThe inputs and outputs cascade for use as a mixer or for ease of more complicated patching, SideCar is also the perfect accompaniment for a SoundStage or Jumble Henge to add level control to your favourite spectral mixer.\u003c\/p\u003e\n\u003cp\u003e18 HP\u003c\/p\u003e\n\u003cp\u003e25 mm deep\u003c\/p\u003e\n\u003cp\u003e72 mA +12V\u003c\/p\u003e\n\u003cp\u003e72 mA -12V\u003c\/p\u003e\n\u003cp\u003e0 mA 5V\u003c\/p\u003e","brand":"WORNG Electronics","offers":[{"title":"Default Title","offer_id":51570020942102,"sku":null,"price":389.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1001\/4221\/9542\/files\/sidecar__20301.1715896718.1280.1280.jpg?v=1784247825"},{"product_id":"divkid-manic","title":"Divkid Manic Pre-Order","description":"\u003cp\u003e\u003cspan\u003eAn Apollo View Modular \u0026amp; DivKid collaboration\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eManic introduces an exploration of dual channel mono, mono to stereo or true stereo modulation and sound shaping within a sleek 8HP module designed for both creative freedom and technical precision. Each channel offers precision linear VCA functionality with traditional unipolar amplitude control or bipolar behaviour for complex ring modulation effects. While we all need more VCAs! The secret sauce lies in the post VCA shape outputs.\u003c\/p\u003e\n\u003cp\u003eThe Shape1 output features TanH soft clipping and Serge-style wavefolding, while Shape2 boasts hard clipping alongside a Buchla-style wavefolder. The contrasting topologies between the left and right channels unlock dynamic stereo widening effects, making the stereo image both expansive and mesmerising. While the circuits are different they have been tweaked to provide variance for creating stereo images from mono sources while also working with stereo inputs for a balanced, yet enhanced stereo spread.\u003c\/p\u003e\n\u003cp\u003eDesigned to excel with both audio and CV signals, Manic effortlessly processes incoming signals for a broad spectrum of uses. The intuitive layout ensures immediate hands on control making it ideal for live performance and studio experimentation.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFEATURES\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eA collaborative design from both DivKid \u0026amp; Apollo View Modular\u003c\/li\u003e\n\u003cli\u003eSelectable unipolar or bipolar VCA circuitry per channel\u003c\/li\u003e\n\u003cli\u003eThree distinct shape outputs per channel: Inverted, Clipped, and Wavefolding\u003c\/li\u003e\n\u003cli\u003eTanH soft clipping \u0026amp; hard clipping\u003c\/li\u003e\n\u003cli\u003eSerge style wavefolding \u0026amp; Buchla style wavefolding\u003c\/li\u003e\n\u003cli\u003eStereo operation with perfectly matched gains for the clipping and wavefolding circuits, creating a stunning stereo widening effect.\u003c\/li\u003e\n\u003cli\u003eDC-coupled signal path for processing both audio and CV signals.\u003c\/li\u003e\n\u003cli\u003eInput and modulation normalisations for simple mono to stereo operation\u003c\/li\u003e\n\u003cli\u003eFlexible signal flow allows for creative combinations, such as ring modulation into clipping or wavefolding.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan\u003eSPECS\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e8HP\u003c\/li\u003e\n\u003cli\u003e30mm depth\u003c\/li\u003e\n\u003cli\u003e+12V 180mA -12V 135mA\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Divkid","offers":[{"title":"Default Title","offer_id":51570021138710,"sku":null,"price":359.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1001\/4221\/9542\/files\/Manic__78223.1715916156.1280.1280.jpg?v=1784247833"},{"product_id":"maneco-labs-dark-system-m1-eurorack","title":"Maneco Labs Dark System M1 Eurorack","description":"\u003cp class=\"p1\"\u003e\u003cstrong\u003eDark System M1\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003eDark system M1 is an analog modular monophonic synthesizer voice, in eurorack format, completely patchable with 8 step sequencer , fuzz and delay effects.\u003c\/p\u003e\n\u003cp class=\"p3\"\u003e \u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cstrong\u003eModules:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e1-Sequencer 8 , a modern version of the classic Baby8 analog sequencer.\u003c\/p\u003e\n\u003cp class=\"p3\"\u003e \u003c\/p\u003e\n\u003cp class=\"p2\"\u003e2-Sub Vco , sawtooth and pulse oscillator, 1 v per octave compatible, also includes a noise source and one or two octaves sub square waveforms, selectable with toggle switch.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p3\"\u003e \u003c\/p\u003e\n\u003cp class=\"p2\"\u003e3-Transistor ladder VCF , modern version of the classic moog ladder filter, capable os self oscillating\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p3\"\u003e \u003c\/p\u003e\n\u003cp class=\"p2\"\u003e4-EG2 , dual ASR envelope generator, with loop capabilities for use as a sort of low frequency oscillator.\u003c\/p\u003e\n\u003cp class=\"p3\"\u003e \u003c\/p\u003e\n\u003cp class=\"p2\"\u003e5-VCA4 , quad voltage controlled amplifier, with per channel gain and summed output for use as a voltage controlled mixer\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p3\"\u003e \u003c\/p\u003e\n\u003cp class=\"p2\"\u003e6-Delay , pt2399 based , with modulation input and self oscillations\u003c\/p\u003e\n\u003cp class=\"p3\"\u003e \u003c\/p\u003e\n\u003cp class=\"p2\"\u003e7-Crash Fuzz , a wild square wave fuzz , with modulation over pulse width (color) , and internal triangle LFO for modulating color\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p3\"\u003e \u003c\/p\u003e\n\u003cp class=\"p2\"\u003e8-HRmixer , 4 channel mixer with global gain, vu meter led level indicator, and headphone output.\u003c\/p\u003e\n\u003cp class=\"p3\"\u003e \u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cstrong\u003eSpecs :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003edimensions : 58HP width m 3U height in Eurorack standards\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e \u003c\/p\u003e","brand":"Maneco Labs","offers":[{"title":"Default Title","offer_id":51570025169174,"sku":null,"price":570.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1001\/4221\/9542\/files\/M1_euro__88454.1731025688.1280.1280.jpg?v=1784248265"},{"product_id":"2hp-out","title":"2hp OUT Pre-Order","description":"\u003cp data-rte-preserve-empty=\"true\"\u003eEasily connect your modular system to the rest of your setup with \u003cstrong\u003eOut\u003c\/strong\u003e, a compact 2HP stereo line output and headphone module. Despite its small size, it includes everything you need for clear, convenient listening.\u003c\/p\u003e\n\u003cp data-rte-preserve-empty=\"true\"\u003eThe top section features stereo modular-level inputs with LED indicators for quick level monitoring. From there, the signal is routed to both a stereo line output and a dedicated headphone jack, each with independent volume control. Whether you're sending your modular through external effects, recording into an interface, or just monitoring with headphones, \u003cstrong\u003eOut\u003c\/strong\u003e keeps things simple and efficient.\u003c\/p\u003e\n\u003cul data-rte-list=\"true\"\u003e\n\u003cli\u003e\n\u003cp data-rte-preserve-empty=\"true\"\u003eStereo line out module\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp data-rte-preserve-empty=\"true\"\u003eDedicated 3.5mm headphone jack\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp data-rte-preserve-empty=\"true\"\u003eIndividual volume control per stereo output\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp data-rte-preserve-empty=\"true\"\u003eLeft and right channel LED VU meters\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp data-rte-preserve-empty=\"true\"\u003eAnalog topology and ultra-low noise floor for pristine audio pass through\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-rte-preserve-empty=\"true\"\u003e\u003ca href=\"https:\/\/www.twohp.com\/s\/2hp_Out.pdf\" target=\"_blank\"\u003e\u003cstrong\u003e\u003cspan style=\"text-decoration: underline;\"\u003eDownload the manual.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eTech Specs\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul data-rte-list=\"true\"\u003e\n\u003cli\u003e\n\u003cp data-rte-preserve-empty=\"true\"\u003eWidth: 2HP\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp data-rte-preserve-empty=\"true\"\u003eDepth: 39mm\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp data-rte-preserve-empty=\"true\"\u003ePower Consumption: +12V=35mA, -12V=24mA, +5V=0mA\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"2hp","offers":[{"title":"Black","offer_id":51570028642582,"sku":null,"price":99.0,"currency_code":"USD","in_stock":true},{"title":"Silver","offer_id":51570028675350,"sku":null,"price":99.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1001\/4221\/9542\/files\/2hp_out_silver__25526.1743219662.1280.1280.jpg?v=1784248615"},{"product_id":"worng-electronics-vertex","title":"WORNG Electronics Vertex","description":"\u003cp class=\"body\"\u003eVertex is a stereo VCA with some clever tricks up its sleeve to give you more control over the stereo domain. Vertex contains four analogue VCAs configured in such a way as to give you voltage control of the amplitude of a stereo signal (or make a mono signal stereo) as well as having control of the balance or panning of the signal.\u003cbr\u003e\u003cbr\u003eEasily patch up a stereo signal path with a single envelope generator, skew your stereo image or pan a mono signal with CV. Vertex also takes advantage of the VCAs used to be able to saturate at unity gain without distorting your audio signal. This means that you can waveshape an AD envelope into an AHD using the Skew control to add punch to your patch, and use the Skew CV to dynamically alter the envelope timing to change the relative loudness between the Left and Right signals while still keeping the peak signal levels the same.\u003cbr\u003e\u003cbr\u003eVertex is also a great tool for controlling the dynamics of an XY signal for oscilloscope or vector laser patches. \u003cbr\u003e\u003cbr\u003e\u003cbr\u003e‍\u003c\/p\u003e\n\u003cul\u003e\n\u003cli class=\"body\"\u003eWidth: 8hp\u003c\/li\u003e\n\u003cli class=\"body\"\u003eDepth: 25mm\u003c\/li\u003e\n\u003cli class=\"body\"\u003eCurrent Draw:\u003cbr\u003e+12V: 45mA\u003cbr\u003e-12V: 45mA\u003cbr\u003e+5V: 0mA\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003ca class=\"button w-button\" href=\"https:\/\/cdn.prod.website-files.com\/5a1bddaccc80bd0001f015dd\/5e885756bebe7d2050fd3f51_Vertex%20manual%20v1.00.pdf\" target=\"_blank\"\u003eDownload Manual\u003c\/a\u003e\u003c\/p\u003e","brand":"WORNG Electronics","offers":[{"title":"Default Title","offer_id":51570036474134,"sku":null,"price":249.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1001\/4221\/9542\/files\/Vertex__46155.1752963450.1280.1280.jpg?v=1784249009"},{"product_id":"worng-electronics-soundstage-ii","title":"WORNG Electronics SoundStage II Pre-Order","description":"\u003cp class=\"body\"\u003eSoundStage II is a stereo mixer module unlike any other. Completely reimagining what a mixer needs to be in a Eurorack system, SoundStage helps you build your mix just by patching your voices in. \u003cbr\u003e\u003cbr\u003eInputs are placed in the stereo field depending on their horizontal patch position left to right, and placed in the frequency spectrum depending on vertical patch position, with twenty carefully tuned analogue resonant -12dB\/octave Sallen-Key filters to give definition to low, low mid, mid, high mid and high voices. \u003cbr\u003e\u003cbr\u003eDepth of filtering and output level have dedicated controls and bipolar CV inputs, allowing creative uses such as sidechain compression and rhythmic filtering. \u003cbr\u003e\u003cbr\u003eSoundStage II improves on the original with an improved Depth control circuit, added (fully filtered) FX send and return, better low end response, better power consumption, and a log VCA on the output for better response when patching compression or expansion on the outputs.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli class=\"body\"\u003eWidth: 14hp\u003c\/li\u003e\n\u003cli class=\"body\"\u003eDepth: 40mm\u003c\/li\u003e\n\u003cli class=\"body\"\u003eCurrent draw:\u003cbr\u003e+12V: 130mA\u003cbr\u003e-12V: 130mA\u003cbr\u003e+5V: 0mA\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003ca class=\"button w-button\" href=\"https:\/\/cdn.prod.website-files.com\/5a1bddaccc80bd0001f015dd\/64de0e57df7d0876a9a58e26_SoundStage%20II%20manual%20v1.00.pdf\" target=\"_blank\"\u003eDownload Manual\u003c\/a\u003e\u003c\/p\u003e","brand":"WORNG Electronics","offers":[{"title":"Default Title","offer_id":51570036506902,"sku":null,"price":429.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1001\/4221\/9542\/files\/Soundstage_2__74778.1752964013.1280.1280.jpg?v=1784249006"},{"product_id":"apollo-view-vamp","title":"Apollo View VAMP","description":"\u003cp\u003e8HP Multi-Mode LP\/BP\/HP Sallen-Key Filter with Tube Saturation \u0026amp; Distortion\u003cbr\u003e\u003cbr\u003eVAMP is a multi-mode analogue filter that gives you low-pass, band-pass, and high-pass responses in a compact 8HP design. At its heart lies a classic Sallen-Key topology supercharged with real vacuum tube (12AU7) saturation and multiple stages of clipping, letting you move seamlessly from smooth, hi-fi filtering to snarling, overdriven character.\u003cbr\u003e\u003cbr\u003eOne half of the tube is used to saturate the input, while the other half provide MS-20-inspired resonance limiting (tube, not diodes). With FLOW placing the VCA pre-tube or post-filter, and FANGS selecting Off \/ Soft \/ Hard output clipping, VAMP ranges from subtle warmth to ferocious harmonic destruction.\u003c\/p\u003e\n\u003ch3\u003eFeatures\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eThree filter modes: low-pass, band-pass, and high-pass\u003c\/li\u003e\n\u003cli\u003eClassic Sallen-Key topology with tube saturation and clipping\u003c\/li\u003e\n\u003cli\u003e12AU7 vacuum tube: one half for input drive, one half for resonance distortion\u003c\/li\u003e\n\u003cli\u003eMS-20-style resonance limiting\/clipping for aggressive tones\u003c\/li\u003e\n\u003cli\u003eFLOW switch: Integrated VCA pre-tube or post-filter\u003c\/li\u003e\n\u003cli\u003eFANGS: output clipping: off \/ soft clipping \/ hard clipping\u003c\/li\u003e\n\u003cli\u003e1V\/Oct cutoff tracking: use VAMP as a VCO in self-oscillation\u003c\/li\u003e\n\u003cli\u003eExtensive CV control: GAIN, FREAK (cutoff), REZ (resonance) (all with attenuverters)\u003c\/li\u003e\n\u003cli\u003eSelf-oscillation for screaming tones\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eTech Specs\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e8HP\u003c\/li\u003e\n\u003cli\u003e30mm Depth\u003c\/li\u003e\n\u003cli\u003e40mm Max Tube Height from panel\u003c\/li\u003e\n\u003cli\u003eReverse polarity protected\u003c\/li\u003e\n\u003cli\u003e+12V 230mA\u003c\/li\u003e\n\u003cli\u003e-12V 70mA\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eMore Info\u003c\/h3\u003e\n\u003cul class=\"ProductPage_moreInfo__SgETm\"\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/www.apolloviewmodular.com\/pdfs\/vamp\/vamp-block-diagram.pdf\" rel=\"noopener noreferrer\" target=\"_blank\"\u003eBlock Diagram\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/www.apolloviewmodular.com\/pdfs\/vamp\/vamp-manual-v1.0.pdf\" rel=\"noopener noreferrer\" target=\"_blank\"\u003eManual\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Apollo View","offers":[{"title":"Default Title","offer_id":51570048827670,"sku":null,"price":369.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1001\/4221\/9542\/files\/Vamp__92132.1760654697.1280.1280.jpg?v=1784249837"},{"product_id":"moddict-fz-2f-casio-fz-1-dual-filter-vca-limited","title":"moddict FZ-2F [Casio FZ-1 Dual Filter \u0026 VCA] LIMITED Pre-Order","description":"\u003cp class=\"p1\"\u003eFZ-2F [Casio FZ-1 Dual Filter \u0026amp; VCA]\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e \u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe FZ-2F is a module featuring the special filter used in the Casio FZ-1 released in 1987 and its rack version, the FZ-10M.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eIt uses chips (MB87186) removed from actual instruments.\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e \u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThis is a clone of ALM014 FIZZLE GUTS, developed by ALM Busy Circuit and released as open source.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003ca href=\"https:\/\/github.com\/busycircuits\/alm014-fizzle-guts\"\u003ehttps:\/\/github.com\/busycircuits\/alm014-fizzle-guts\u003c\/a\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e \u003c\/p\u003e\n\u003cp class=\"p1\"\u003eIt features two resonant filters and a VCA, with a mix output.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe FZ-1's filters spark debate even among experts—whether they are analog (digitally controlled) or fully digital—so we deliberately labeled them DUAL DIGITAL ANALOG FILTER on the panel.\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e \u003c\/p\u003e\n\u003cp class=\"p1\"\u003e※ Moddict suspects it's a custom IC that enables digital control of an analog switch capacitor filter while adding components to allow features like resonance.\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e \u003c\/p\u003e\n\u003cp class=\"p1\"\u003ebuchty's commentary\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003ca href=\"http:\/\/www.buchty.net\/casio\/dcf.html\"\u003ehttp:\/\/www.buchty.net\/casio\/dcf.html\u003c\/a\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e \u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe sound has a distinctive character, and while it has the drawback of introducing a crackling high-frequency noise depending on the filter position, its unique darkness can perfectly complement samples and synth sounds, making it hard to part with.\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e \u003c\/p\u003e\n\u003cp class=\"p1\"\u003eWidth: 16HP\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eDepth: mm\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eCurrent consumption: 60mA (+12V) 30mA (-12V) 0mA (5V)\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e \u003c\/p\u003e\n\u003cp class=\"p1\"\u003eIncluded items: Power cable, 4x M3 screws\u003c\/p\u003e","brand":"Moddict","offers":[{"title":"Default Title","offer_id":51570049319190,"sku":null,"price":519.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1001\/4221\/9542\/files\/FZ-2F__21175.1763505346.1280.1280.jpg?v=1784783143"},{"product_id":"weston-precision-audio-trivium","title":"Weston Precision Audio TRIVIUM","description":"\u003cdiv class=\"container\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003cdiv class=\"col-12 col-lg-8\"\u003e\n\u003cp\u003eTrivium is a collaboration between Weston Precision Audio and modular\/hybrid music performer and producer Trovarsi. At the most basic level, Trivium provides all that you need to make a versatile voice in your modular synthesizer with the addition of any signal source such as a VCO, all in a compact 12HP package.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFeatures:\u003c\/span\u003e\u003cbr\u003e+ Discrete OTA State-Variable Filter offers character and 3 output types\u003cbr\u003e+ 1 ADSR envelpe with CV-controllable decay and release.\u003cbr\u003e+ 1 AD\/AR envelope with CV-controllable attack and decay\/release.\u003cbr\u003e+ Flexible routing section including Filter\/VCA pre\/post.\u003cbr\u003e+ VCA gain section with +7dB overdrive and soft clipping.\u003cbr\u003e+ 26mm total depth fits in the shallowest cases.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"container\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003cp class=\"h3 text-secondary\"\u003einfo \/ downloads \/ media\u003c\/p\u003e\n\u003cdiv class=\"fs-5 text-white\"\u003e\n\u003cspan\u003eSpecs:\u003c\/span\u003e\u003cbr\u003e- 12HP module size, 26mm Deep\u003cbr\u003e- Power: 60mA +12V \/ 60mA -12V\u003cbr\u003e\u003cbr\u003e\u003ca href=\"https:\/\/www.westonaudio.com\/assets\/files\/triviummanual_r01.pdf\" target=\"_blank\"\u003eTrivium User Manual\u003c\/a\u003e (Rev 01)\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eVideos:\u003c\/span\u003e\u003cbr\u003e\u003ciframe allowfullscreen=\"\" frameborder=\"0\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/WmHh5qTomQ8?si=5uiCSaHJYLZQRHoS\" width=\"560\"\u003e\u003c\/iframe\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Weston Precision Audio","offers":[{"title":"Default Title","offer_id":51570053087510,"sku":null,"price":295.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1001\/4221\/9542\/files\/TriVium__20076.1771564117.1280.1280.jpg?v=1784250044"},{"product_id":"intellijel-mems-mic","title":"Intellijel MEMS Mic","description":"\u003ch1 class=\"intellijel-feature-title entry-title\"\u003eMEMS Mic\u003c\/h1\u003e\n\u003cp\u003eMicro Electro Mechanical System Microphone\u003c\/p\u003e\n\u003ch2\u003eMicrophone check 1—2—what is this?\u003c\/h2\u003e\n\u003cp\u003eA big-sounding microphone module in a small 2hp package. Turn your voice, instruments, environmental sounds, or even wild feedback experiments into audio for your Eurorack system.\u003c\/p\u003e\n\u003ch2 class=\"wp-block-heading\"\u003e\u003cspan\u003eFeatures\u003c\/span\u003e\u003c\/h2\u003e\n\u003cul class=\"wp-block-list\"\u003e\n\u003cli\u003eMEMS omni microphone with flat frequency response\u003c\/li\u003e\n\u003cli\u003eOutput level can be controlled via slider and\/or CV input\u003c\/li\u003e\n\u003cli\u003eWhen modulating with CV, the slider becomes an attenuator\u003c\/li\u003e\n\u003cli\u003ePatch and modulate two independently for stereo effects\u003c\/li\u003e\n\u003cli\u003eActivity (green) and overload (red) indicator LEDs\u003c\/li\u003e\n\u003cli\u003eFixed low-frequency roll-of switch (180Hz, 6dB\/oct)\\\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul class=\"wp-block-list\"\u003e\n\u003cli\u003eWhat’s MEMS?\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eMEMS Microphones are constructed with a Micro-Electro-Mechanical System (aka MEMS) component, placed on a printed circuit board and protected by a mechanical cover. They are extremely small, and can be found in many modern electronic devices e.g.  phones, tablets, cameras etc. Despite their compact size, they have a very flat response across a large frequency range (~ 6hz to 20kHz.) which makes them excellent for musical applications.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ctable class=\"intellijel-meta-table\"\u003e\n\u003ctbody\u003e\n\u003ctr class=\"intellijel-meta-manual\"\u003e\n\u003ctd\u003e\u003ca href=\"https:\/\/intellijel.com\/downloads\/manuals\/mems-mic_manual_2025.08.06.pdf\"\u003e\u003cbr class=\"Apple-interchange-newline\"\u003eManual\u003c\/a\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ch2\u003eSpecs + Downloads\u003c\/h2\u003e\n\u003cdiv class=\"intellijel-meta columns\"\u003e\n\u003ctable class=\"intellijel-meta-table\"\u003e\n\u003ctbody\u003e\n\u003ctr class=\"intellijel-meta-width\"\u003e\n\u003cth colspan=\"2\"\u003eWidth\u003c\/th\u003e\n\u003ctd\u003e2HP\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"intellijel-meta-depth\"\u003e\n\u003cth colspan=\"2\"\u003eDepth\u003c\/th\u003e\n\u003ctd\u003e35mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"intellijel-meta-power\"\u003e\n\u003cth colspan=\"2\"\u003ePower\u003c\/th\u003e\n\u003ctd\u003e19mA @ +12V\u003cbr\u003e19mA @ -12V\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"intellijel-meta-\"\u003e\n\u003cth colspan=\"2\"\u003e \u003c\/th\u003e\n\u003ctd\u003e \u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"intellijel-meta-capsule\"\u003e\n\u003cth colspan=\"2\"\u003eCapsule\u003c\/th\u003e\n\u003ctd\u003eMEMS\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"intellijel-meta-pattern\"\u003e\n\u003cth colspan=\"2\"\u003ePattern\u003c\/th\u003e\n\u003ctd\u003eOmni\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"intellijel-meta-range\"\u003e\n\u003cth colspan=\"2\"\u003eRange\u003c\/th\u003e\n\u003ctd\u003e6Hz ~ 20kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"intellijel-meta-snr\"\u003e\n\u003cth colspan=\"2\"\u003eSNR\u003c\/th\u003e\n\u003ctd\u003e63dBA\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"intellijel-meta-sensitivity\"\u003e\n\u003cth colspan=\"2\"\u003eSensitivity\u003c\/th\u003e\n\u003ctd\u003e-45dB ±2dB @ 94dB SPL\u003cbr\u003e130 dB SPL Acoustic Overload Point\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e","brand":"Intellijel","offers":[{"title":"Default Title","offer_id":51570054234390,"sku":null,"price":99.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1001\/4221\/9542\/files\/MEMS_Mic__68834.1776209998.1280.1280.jpg?v=1784250164"},{"product_id":"liquid-sky-d-vices-ppg-w2-2x4-ltd-edition-black","title":"Liquid Sky d-vices PPG W2.2x4 (Ltd Edition Black)","description":"\u003cp class=\"lead wrap\"\u003eDual Wavetable Oscillator Module\u003c\/p\u003e\n\u003cp\u003ePPG Returns with W2.2x4 Eurorack Module\u003c\/p\u003e\n\u003cp\u003eThe legendary German synthesizer brand PPG is making a comeback, thanks to the collaboration between Cornel Hecht (Hell Modular) and the Liquid Sky Artistcollective (Liquid Sky d-vices).\u003c\/p\u003e\n\u003cp\u003eThe first release in this revival is the W2.2x4 Eurorack module, a 3U dual wavetable oscillator featuring all the original wavetables from the iconic PPG Wave 2.2. Each oscillator is equipped with a sub-bass generator, overdrive, and a built-in VCA, delivering the classic PPG sound in a modern modular format.\u003c\/p\u003e\n\u003cp\u003eThe PPG W2.2x4 can sound extremely true to the original or introduce new sonic nuances through its VCA\/overdrive section.\u003c\/p\u003e\n\u003cp\u003eIt is suitable for all genres of electronic music, including Techno, Synth Pop, Ambient, Industrial, Noise, Berliner Schule, and more.\u003c\/p\u003e\n\u003cp\u003eThe W2.2x4 module will be available in two editions:\u003c\/p\u003e\n\u003cp\u003eLimited Edition: Black front panel, strictly limited to 127 units.\u003c\/p\u003e\n\u003cp\u003eStandard Edition: Blue front panel, unlimited production.\u003c\/p\u003e\n\u003cp\u003eAdditionally, the Liquid Sky D-Vices GLITHc ExpendR is compatible with the PPG W2.2x4, transforming it into an experimental mini glitch\/noise\/wavetable remix lab.\u003c\/p\u003e\n\u003cp\u003eWith its unique sonic character and heritage, the W2.2x4 brings the spirit of PPG into the contemporary Eurorack world. Be among the first to experience this modern classic!\u003c\/p\u003e\n\u003cp\u003e\"PPG® is a trademark of the Native Instruments Group, used under license.\"\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv\u003e\u003cdl\u003e\n\u003cdt\u003eDimensions\u003c\/dt\u003e\n\u003cdd\u003e40 HP\u003c\/dd\u003e\n\u003cdd\u003e60 mm deep\u003c\/dd\u003e\n\u003c\/dl\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdl\u003e\n\u003cdt\u003eCurrent Draw\u003c\/dt\u003e\n\u003cdd\u003e160 mA +12V\u003c\/dd\u003e\n\u003cdd\u003e35 mA -12V\u003c\/dd\u003e\n\u003cdd\u003e0 mA 5V\u003c\/dd\u003e\n\u003c\/dl\u003e\u003c\/div\u003e","brand":"Liquid Sky d-vices","offers":[{"title":"Default Title","offer_id":51570054463766,"sku":null,"price":1199.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1001\/4221\/9542\/files\/PPG__10533.1777585311.1280.1280.jpg?v=1784250188"}],"url":"https:\/\/boutiquepedalnyc.us\/collections\/vca.oembed","provider":"BPNYC","version":"1.0","type":"link"}