{"title":"Eurorack Quad","description":"","products":[{"product_id":"make-noise-qpas-quad-core-stereo-analog","title":"Make Noise QPAS -Quad Core Stereo Analog","description":"\u003cp\u003eThe Quad Peak Animation System combines the auditory enveloping of stereo spaced peaks with the animation of two or more peaks in a single channel dancing around each other or engaging in primitive vocalizations. QPAS is Quad Core, containing four identical state variable filter cores with a control system powerful enough to guide them in stereo multi-peak operation, but simple enough to encourage system integration rather than domination.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv class=\"features\"\u003e\n\u003ch3\u003efeatures\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eQuad Core Stereo Analog\u003c\/li\u003e\n\u003cli\u003eMulti-Peak with clean resonance\u003c\/li\u003e\n\u003cli\u003eFast response encourages deep FM\u003c\/li\u003e\n\u003cli\u003eRadiate spaces stereo image and animates associated channel\u003c\/li\u003e\n\u003cli\u003eHigh Q settings are under damped, excitable, and ring by gate or trigger\u003c\/li\u003e\n\u003cli\u003e2 \u003cstrong\u003e!!¡¡\u003c\/strong\u003e modulation inputs aid patch exploration\u003c\/li\u003e\n\u003cli\u003eStereo VCA, pre-filter with gain\u003c\/li\u003e\n\u003cli\u003eMono to Stereo, Stereo to Mono, Mono to Mono and Stereo to Stereo operations\u003c\/li\u003e\n\u003cli\u003eSmile Pass filter response unique to QPAS\u003c\/li\u003e\n\u003cli\u003eLow Pass, Band Pass, High Pass and Smile Pass outputs simultaneously available\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003especifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eWidth: 18hp\u003c\/li\u003e\n\u003cli\u003eMax Depth: 30mm\u003c\/li\u003e\n\u003cli\u003ePower:\u003cbr\u003e166mA @ +12V\u003cbr\u003e190mA @ -12V\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThe Story of the QPAS by Tony Rolando\u003c\/p\u003e\n\u003cp\u003eWhen I worked at Moog calibrating Voyagers, I monitored with headphones, and one of my favorite sound sensations was that of the stereo low pass filter. You might not even recall that the Voyager had a stereo Dual LPF. It is under utilized since most folks are trying to achieve classic Model D goodness, and the OG MiniMoog was a very mono instrument.\u003c\/p\u003e\n\u003cp\u003eThe binaural effect of a stereo Dual LPF is simple: one channel of the sound is brighter than the other. However, the effect is heightened when the filter has an exponential response and the cutoff is modulated. At lower cutoff frequencies the two channels appear to move at similar velocities, but as the cutoff frequency increases, one channel will smoothly increase in velocity, becoming brighter faster. The other channel lags behind, but eventually reaches the same velocity, and finally at high cutoff frequencies the two channels coalesce into full brightness. Where the mono LPF smashes you in the forehead with simple heavy sound, the stereo LPF envelops you, putting you inside the heavy sound.\u003c\/p\u003e\n\u003cp\u003eWhen I developed the QMMG I learned about multi-peak filtering. Another under-utilized technique, this is processing a single channel of sound, with multiple filter channels, which are modulated, and then summed together to create a new version of the original sound. On the QMMG all four channels of filters were summed to the MIX OUT. There were a few normalizations, but they did not really ease or encourage multi-peak use. The QMMG UI was awkward for use as a multi-peak filter.\u003c\/p\u003e\n\u003cp\u003eA common use for multi-peak filtering is the creation of formants, where multiple band pass filters are carefully programmed to generate human vowel sounds. This can be fun but it requires meticulous programming. If you forget about formants and just modulate until it sounds good, a multi-peak filter can be gorgeous fun. When the multiple peaks are offset from each other and modulated, the effect can be dizzying, as the sound appears to be dancing with itself, moving in many directions and yet it is still a mono sound. It is an auditory illusion.\u003c\/p\u003e\n\u003cp\u003eI began thinking about what it would be like to have BOTH effects simultaneously… the binaural enveloping of the stereo spaced peaks AND the animation of two or more peaks in a single channel dancing around each other. Obviously some primitive formants could occur as well if some inventive modulation destinations were offered.\u003c\/p\u003e\n\u003cp\u003eQPAS is short for Quad Peak Animation System. Inside the QPAS there are four identical state variable filter cores with a control system devoted to utilizing them in a stereo multi-peak configuration amongst other things.\u003c\/p\u003e\n\u003cp\u003eI wanted to design a dramatic stereo filter that could also be dynamically animated, primitively vocal and also capable of mono to stereo, stereo to mono, mono to mono and stereo to stereo utilities. Something that was more functional than just linking multiple filter modules.\u003c\/p\u003e\n\u003cp\u003eWe needed at least two filter cores to achieve stereo or multi peak animation and so we had to first design a single filter core where the character and repeatability was not so defined by the vactrol utilized in other MN filters. I enjoy the QMMG and MMG, but they require many trims and specialized selection of the vactrol parts to work well and even then there is a great deal of variation from one unit to the next. That might not work well for a stereo filter. We developed several completely different cores before finding the right one.\u003c\/p\u003e\n\u003cp\u003eOnce we had a good filter core designed, we began prototyping a multi-core, stereo version. We attempted 2, 3 and 4 core versions. It was not until we reached 4 cores that we achieved the animation and stereo image I had been imagining.\u003c\/p\u003e\n\u003cp\u003eFinally we had to come up with a way to control 4 filter cores simultaneously that was powerful but simple enough to encourage system integration rather than system domination.\u003c\/p\u003e\n\u003cp\u003eThe Radiate Left and Right parameters define the stereo image and peak animation of the final sound. I believe they are an elegant way to handle animation of multiple filter cores within a modular synthesizer. The normalization between the two Radiate parameter further eases this handling. Radiate offsets the Left and Right sides from the Center Cutoff Frequency creating the stereo image while simultaneously moving the two peaks in the associated channel away from each other, or back together again, creating the peak animation. Radiate could also be used to program primitive formants.\u003c\/p\u003e\n\u003cp\u003eThe Cutoff and Q (or resonance) parameters are linked to all four filter cores. Adjusting these parameters may result in pronounced changes in the sound because they are changing the center Cutoff Frequency and Q for all four filter cores simultaneously. But remember, since all 4 cores may be modulated and\/ or offset to different cutoff frequencies, and the response of this filter is highly exponential, and the perceived strength of resonance varies with cutoff frequency, modulating these macro parameters is capable of animating the animation and shifting the entire stereo image. This is why Cutoff Frequency has such a large knob.\u003c\/p\u003e\n\u003cp\u003eThe \u003cstrong\u003e!!¡¡\u003c\/strong\u003e inputs are intentionally mysterious inputs that may be used with just about any signal. We wanted to encourage blind patch experimentation. Audio rate modulations create sidebands that may aid in the creation of those primitive vocaloid sounds or work to decimate the peaks with quasi aliasing, resulting in low digital tech crunch. Slower modulation, such as a pattern of gates, may serve to accent particular moments in time or even cause spurious damped oscillations.\u003c\/p\u003e\n\u003cp\u003eAt the input I added a stereo VCA. The traditional location for a VCA is post-filter, so my hope is that this pre-filter VCA will encourage the less common signal path and be inspirational to folks. By design the QPAS will not self oscillate, but with high Q settings it may be excited by an input signal. Having a VCA pre-filter encourages exploration of the dampened ringing that results from the excitation of the QPAS filter cores.\u003c\/p\u003e\n\u003cp\u003eWe included the 3 most desired filter responses: Low Pass, Band Pass and Highpass, and were left enough space in the module to add another pair of outputs. I went back to the prototype and experimented with adding and subtracting different combinations of taps from the filter cores. We wanted to create a filter type that would allow for animation of resonant peaks without the loss of bottom or top end of the spectrum that must occur in a LP, BP or HP filter to give those types their sound. We also wanted to add something that could not be achieved by mixing the existing LP, BP and HP outputs. The SP, or Smile Pass, output is the subtle result of that experimentation.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e","brand":"MAKE NOISE","offers":[{"title":"Default Title","offer_id":51569923293462,"sku":null,"price":379.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1001\/4221\/9542\/files\/Screen_Shot_2019-08-02_at_14.30.37_3_1_31__22629.1686243164.1280.1280.jpg?v=1785022414"},{"product_id":"intellijel-quad-vca","title":"Intellijel Quad VCA Pre-Order","description":"\u003cp\u003eWhen you get into eurorack, you'll inevitably come across the old adage—\u003cem\u003eyou can never have enough VCAs\u003c\/em\u003e. It's true, but it's a bit over simplified, the Quad VCA is not. Each of the four VCAs has independent level control, bipolar CV inputs with attenuators and led indicators, adjustable linear\/exponential response and and a +6dB boost switch to double the channels output. Each channel's CV inputs are cascaded to the next, as are its outputs so that you can create submixes.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch2\u003eVoltage Controlled Quadrifier\u003c\/h2\u003e\n\u003cp\u003eThe Quad VCA comprises four channels of voltage controlled amplifiers. Each channel is equipped with a 6db boost, a LEVEL control, and the CV input response can be swept between linear and exponential. Additionally, the outputs of these channels are cascaded from left to right, allowing Quad VCA to function as a four channel mixer.\u003c\/p\u003e\n\u003ch3\u003eFeatures\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eManual LEVEL control per VCA which is convenient when using the module as a mixer or for biasing when CV modulating the VCA with a bipolar LFO.\u003c\/li\u003e\n\u003cli\u003eDedicated CV attenuators with dual color LEDs for monitoring bipolar CV signals.\u003c\/li\u003e\n\u003cli\u003eContinuously adjustable response from linear to exponential per VCA.\u003c\/li\u003e\n\u003cli\u003eEach CV input is normalled to the adjacent one for cascaded control.\u003c\/li\u003e\n\u003cli\u003eEach output is normalled to the mix input of the adjacent one which allows you to use adjacent sets as submixes or the fourth output can be used as a master mix output when none of the other outputs are patched.\u003c\/li\u003e\n\u003cli\u003eEach VCA has a boost switch that increases the output level by approximately 6dB (double).\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eSpecs + Downloads\u003c\/h2\u003e\n\u003cdiv class=\"intellijel-meta columns\"\u003e\n\u003ctable class=\"intellijel-meta-table\"\u003e\n\u003ctbody\u003e\n\u003ctr class=\"intellijel-meta-width\"\u003e\n\u003cth colspan=\"2\"\u003eWidth\u003c\/th\u003e\n\u003ctd\u003e12HP\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"intellijel-meta-depth\"\u003e\n\u003cth colspan=\"2\"\u003eDepth\u003c\/th\u003e\n\u003ctd\u003e29mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"intellijel-meta-power\"\u003e\n\u003cth colspan=\"2\"\u003ePower\u003c\/th\u003e\n\u003ctd\u003e 65mA @ -12V\u003cbr\u003e65mA @ 12V\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ctable class=\"intellijel-meta-table\"\u003e\n\u003ctbody\u003e\n\u003ctr class=\"intellijel-meta-manual\"\u003e\n\u003cth colspan=\"2\"\u003eManual\u003c\/th\u003e\n\u003ctd\u003e\n\u003ca href=\"https:\/\/intellijel.com\/downloads\/manuals\/quad-vca_manual_2018.09.13.pdf\"\u003eManual\u003c\/a\u003e (2018.09.13)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"intellijel-meta-firmware\"\u003e\n\u003cth colspan=\"2\"\u003eFirmware\u003c\/th\u003e\n\u003ctd\u003e\u003cspan\u003eNo Firmware\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"intellijel-meta-modulargrid\"\u003e\n\u003cth colspan=\"2\"\u003eModularGrid\u003c\/th\u003e\n\u003ctd\u003e\u003ca href=\"https:\/\/www.modulargrid.net\/e\/intellijel-quad-vca\" target=\"_blank\"\u003eModularGrid\u003c\/a\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003ciframe allowfullscreen=\"\" frameborder=\"0\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/EAt0paqgOCA\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Intellijel","offers":[{"title":"Default Title","offer_id":51569950818582,"sku":null,"price":189.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1001\/4221\/9542\/files\/White_Base_3_4__53952.1585783565.1280.1280.jpg?v=1785048620"},{"product_id":"intellijel-quadrax","title":"Intellijel Quadrax Pre-Order","description":"\u003cp\u003e\u003cspan\u003eWhether you are exploring the unique channel functions, CV modulation matrix or chaining options, it is quickly apparent that there are infinite possibilities to explore. This powerful and tactile modulation generator will quickly become the beating heart of your modular system.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThe Intellijel Quadrax consists of four independent, CV-controllable channels, each of which can be configured to perform any one of the following functions:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003ean AD (Attack, Decay) envelope\u003c\/li\u003e\n\u003cli\u003ean AHR (Attack, Hold, Release) envelope\u003c\/li\u003e\n\u003cli\u003ea cycling envelope (resulting in a unipolar LFO)\u003c\/li\u003e\n\u003cli\u003ea pulse burst generator (Finite repeated functions that ascend or descend in amplitude)\u003c\/li\u003e\n\u003cli\u003ea morphing, bipolar beat syncable LFO\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThe envelopes all feature a continuously variable response curve, ranging from logarithmic through linear to exponential, and each stage can be as snappy as 0.3 ms to as lengthy as 20 seconds. Adjusting the curve time will not affect your overall envelope length. Each of the main modes have an alternate—the envelopes allow you to mirror the rising curve shape on the fall stage.\u003c\/p\u003e\n\u003cp\u003eWhen set to Burst mode, the channel generates a rising or falling burst of pulses, with full control over the length of the pulse burst, the number and shape of the bursts within it, and whether the bursts increase or decrease in amplitude over the burst. When in alternate mode, the shape of the bursts changes from a morphing square\/sine into a tilting saw that matches your amplitude shape.\u003c\/p\u003e\n\u003cp\u003eAD, AHR, Cycling and Burst modes all feature a user-selectable maximum output level of either 10V or 5V.\u003c\/p\u003e\n\u003cp\u003eLFO mode offers control over the frequency and waveshape, while providing a unique morphing feature that creates numerous variations of the selected waveshape. LFOs can be either free-running or beat-synchronized using the channel’s TRIG input. When set to alternate mode, it becomes a LFV (Low Frequency Vacillator) integrating the same syncing features of the LFO into a random voltage source that rises and falls on its own whims, you control the range of it’s changes and filter\/slew its output with the panel controls.\u003c\/p\u003e\n\u003cp\u003eChannels can be chained together to create complex multi-stage envelopes, with each channel triggered by the previous channel’s trigger input, end-of-rise, or end-of-fall. This enables multiple function generators to fire simultaneously, or it enables the creation of complex multi-stage envelopes by allowing the linked function to fire either at the end of the previous function’s rise time, or at the end of its fall time.\u003c\/p\u003e\n\u003cp\u003eFour freely-assignable, step-attenuverted CV inputs are capable of modulating any or all of the various parameters across all four channels using the built-in CV matrix, and built-in attenuversion for each assignment.\u003c\/p\u003e\n\u003cp\u003eQuadrax remembers its current state (Mode and CV assignments, channel links, etc) and retains that state even if power is removed, meaning Quadrax will always turn on in exactly the same state as you last left it.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003ciframe allowfullscreen=\"\" frameborder=\"0\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/y5qoJd9YKmc\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch2\u003eSpecs + Downloads\u003c\/h2\u003e\n\u003cdiv class=\"intellijel-meta columns\"\u003e\n\u003ctable class=\"intellijel-meta-table\"\u003e\n\u003ctbody\u003e\n\u003ctr class=\"intellijel-meta-width\"\u003e\n\u003cth colspan=\"2\"\u003eWidth\u003c\/th\u003e\n\u003ctd\u003e14HP\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"intellijel-meta-depth\"\u003e\n\u003cth colspan=\"2\"\u003eDepth\u003c\/th\u003e\n\u003ctd\u003e38mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"intellijel-meta-power\"\u003e\n\u003cth colspan=\"2\"\u003ePower\u003c\/th\u003e\n\u003ctd\u003e106mA @ +12V\u003cbr\u003e9mA @ -12V\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ctable class=\"intellijel-meta-table\"\u003e\n\u003ctbody\u003e\n\u003ctr class=\"intellijel-meta-manual\"\u003e\n\u003cth colspan=\"2\"\u003eManual\u003c\/th\u003e\n\u003ctd\u003e\n\u003ca href=\"https:\/\/intellijel.com\/downloads\/manuals\/quadrax_manual_1.1_2020.03.24.pdf\"\u003eManual\u003c\/a\u003e (1.1 \/ 2020.03.24)\u003cbr\u003e\u003ca href=\"https:\/\/intellijel.com\/downloads\/manuals\/quadrax_manual_1.0_2019.11.05.pdf\"\u003eManual\u003c\/a\u003e (1.0 \/ 2019.11.05)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"intellijel-meta-firmware\"\u003e\n\u003cth colspan=\"2\"\u003eFirmware\u003c\/th\u003e\n\u003ctd\u003e\n\u003ca href=\"https:\/\/intellijel.com\/downloads\/firmware\/Intellijel_Firmware_Updater_MacOS_2020-03-27.zip\"\u003eMac\u003c\/a\u003e \/ \u003ca href=\"https:\/\/intellijel.com\/downloads\/firmware\/Intellijel_Firmware_Updater_Windows_2020-03-27.zip\"\u003eWin\u003c\/a\u003e (1.1.3)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e","brand":"Intellijel","offers":[{"title":"Default Title","offer_id":51569950851350,"sku":null,"price":369.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1001\/4221\/9542\/files\/White_Base_3_3__75684.1585784633.1280.1280.jpg?v=1785048550"},{"product_id":"buchla-tiptop-audio-quad-function-generator-281t","title":"Buchla \u0026 Tiptop Audio Quad Function Generator 281t","description":"\u003cp class=\"p1\"\u003eQUAD FUNCTION GENERATOR - MODEL 281t\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eSize: 28HP - Depth: 32mm - Power: +12V 160mA \/ -12V 55mA\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe 281t Quad Function Generator comprises four function generators organized in two pairs. All four generators can operate independently or can be linked in pairs to generate more complex output voltages.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eTrigger button enables the manual triggering of the function generators.\u003c\/p\u003e\n\u003cp class=\"p2\"\u003eA switch selects one of three modes: Transient, Sustained, and Cyclic.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eCycle jack enables the cycling of the corresponding function generator using a gate signal.\u003c\/p\u003e\n\u003cp class=\"p2\"\u003eUpon receiving a pulse, a generator’s output voltage ramps up to 10V at a rate determined by the sum of an applied control voltage and the setting of the attack time knob. When in Sustained mode, the voltage will stay high as long as the input pulse is maintained; when not in the Sustained mode, or when the input pulse terminates, the output ramps down to 0V at a rate determined by the sum of the decay cv in and the setting of the decay knob.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eAt the end of the Decay segment, a transient pulse appears at the pulse output. If the 281t is in Cyclic mode, the cycle now repeats.\u003c\/p\u003e\n\u003cp class=\"p2\"\u003eThe time range for both Attack and Decay is from .001 to 10 seconds.\u003c\/p\u003e\n\u003cp class=\"p2\"\u003eIn the Quadrature mode, generators A and B (or C and D) operate in tandem with their functions shifted by ninety degrees in relation to each other.\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e \u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cspan\u003eManual\u003c\/span\u003e\u003cspan\u003e: \u003c\/span\u003e\u003ca href=\"https:\/\/tiptopaudio.com\/manuals\/Buchla_\u0026amp;_Tiptop_Audio_281t.pdf\" rel=\"noopener\" target=\"_blank\"\u003edownload\u003c\/a\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cimg alt=\"screen-shot-2022-01-17-at-11.05.24-am.jpg\" class=\"__mce_add_custom__\" height=\"1384\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1001\/4221\/9542\/files\/screen-shot-2022-01-17-at-11.05.24-am.jpg?v=1784245879\" title=\"screen-shot-2022-01-17-at-11.05.24-am.jpg\" width=\"2610\"\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cimg alt=\"screen-shot-2022-01-17-at-11.05.49-am.jpg\" class=\"__mce_add_custom__\" height=\"1560\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1001\/4221\/9542\/files\/screen-shot-2022-01-17-at-11.05.49-am.jpg?v=1784245882\" title=\"screen-shot-2022-01-17-at-11.05.49-am.jpg\" width=\"2474\"\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cimg alt=\"screen-shot-2022-01-17-at-11.06.14-am.jpg\" class=\"__mce_add_custom__\" height=\"1454\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1001\/4221\/9542\/files\/screen-shot-2022-01-17-at-11.06.14-am.jpg?v=1784245885\" title=\"screen-shot-2022-01-17-at-11.06.14-am.jpg\" width=\"1422\"\u003e\u003c\/p\u003e","brand":"Buchla \u0026 Tiptop Audio","offers":[{"title":"Default Title","offer_id":51569992794390,"sku":null,"price":245.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1001\/4221\/9542\/files\/281t__57324.1643393602.1280.1280.jpg?v=1784787703"},{"product_id":"divkid-mutes-mk2","title":"Divkid Mutes MK2 Pre-Order","description":"\u003ch1 class=\"h1 page-title\"\u003e\u003cspan\u003eDivKid MUTES mk2\u003c\/span\u003e\u003c\/h1\u003e\n\u003cp\u003eMutes goes above and beyond basic muting by allowing you to split groups of signals to multiple destinations, making it great for FX dub performing and varied signal routing.\u003c\/p\u003e\n\u003cp\u003eBased on VCA for more precision in both modulation and audio as well as click-free muting.\u003c\/p\u003e\n\u003cp\u003eThree-position switch: MOMENTARY signal pass-through (it springs back to the center when released); OFF (or muted) in the center; and ON to the right.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv class=\"et_pb_text_inner\"\u003e\n\u003cp\u003e\u003cspan\u003eThe module can be easily converted into a 1U version (panel included).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e \u003c\/span\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"et_pb_button_module_wrapper et_pb_button_0_wrapper et_pb_module\"\u003e\n\u003cdiv class=\"et_pb_with_border et_pb_module et_pb_text et_pb_text_1 et_pb_text_align_center et_pb_bg_layout_dark\"\u003e\n\u003cdiv class=\"et_pb_text_inner\"\u003e\n\u003ch1\u003eFEATURES\u003c\/h1\u003e\n\u003cul\u003e\n\u003cli\u003e LEDs to visualise signals\u003c\/li\u003e\n\u003cli\u003e3 way momentary – off – on switching\u003c\/li\u003e\n\u003cli\u003eBuffered and cascading normalising of inputs\u003c\/li\u003e\n\u003cli\u003eVCA based muting\u003c\/li\u003e\n\u003cli\u003eInterchangeable panel to 1U\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"et_pb_column et_pb_column_1_3 et_pb_column_3 et_pb_css_mix_blend_mode_passthrough\"\u003e\n\u003cdiv class=\"et_pb_with_border et_pb_module et_pb_text et_pb_text_2 et_pb_text_align_center et_pb_bg_layout_dark\"\u003e\n\u003cdiv class=\"et_pb_text_inner\"\u003e\n\u003ch1\u003eSPECS\u003c\/h1\u003e\n\u003cul\u003e\n\u003cli\u003eCurrent needs: +12V:40mA, -12V:15mA\u003c\/li\u003e\n\u003cli\u003eWidth: 4 HP\u003c\/li\u003e\n\u003cli\u003eDepth assembled version:  20 mm\u003c\/li\u003e\n\u003cli\u003eDepth DIY version: 40 mm\u003c\/li\u003e\n\u003cli\u003eDesigned, kits prepared and completed modules assembled in Barcelona\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Divkid","offers":[{"title":"Default Title","offer_id":51569996955926,"sku":null,"price":139.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1001\/4221\/9542\/files\/divkid_mutes_mk2__67077.1770372394.1280.1280.jpg?v=1784246125"},{"product_id":"buchla-tiptop-audio-sequential-voltage-source-model-245t","title":"Buchla \u0026 Tiptop Audio Sequential Voltage Source Model 245t","description":"\u003ch5 class=\"aux-modern-heading-secondary\"\u003e\u003cspan class=\"aux-head-before\"\u003eBuchla 245t has two sections: Pulser and Stored Voltage Stages.\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cspan class=\"aux-head-before\"\u003e\u003cstrong\u003eThe Pulser\u003c\/strong\u003e generates a control pulse which can be used to advance the stages in the Voltage Stage section.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"aux-head-before\"\u003e\u003cstrong\u003eThe Voltage Stage\u003c\/strong\u003e section has 5 stages that store 4 voltages per stage.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePulser Section:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePulse\u003c\/strong\u003e - output generates a pulse with a 10V initial stage that lasts for 100uSec (0.1ms) followed by a 5V gate stage length determined by the Pulse Length control.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRef\u003c\/strong\u003e - outputs a ramp wave that descends from 10V to 0V at the rate of the pulser.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePulse Length\u003c\/strong\u003e - sets the length of the 5V stage of the pulse from 0 to 100% of the duty cycle. External CV control is added to the knob setting.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eInternal Time\u003c\/strong\u003e - controls the period of the pulser output from 10 seconds (full CW) to a few milliseconds (full CCW). External CV has an attenuverted control to either add (CW) or subtract (CCW) external voltage from the knob setting. External CV can increase the maximum and minimum period of the pulser to approximately 50 seconds to 1ms (1kHz) (*).\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStart\u003c\/strong\u003e - Pressing this button starts generating a pulse and reference ramp at those outputs. A pulse on the Start input also begins pulser generation.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStop\u003c\/strong\u003e - Pressing the button or sending a pulse to the input jack stops the pulser if already running. Additional presses or pulses to the Stop input will manually trigger a single pulse output from the pulser.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStored Voltage Stages:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAdvance In\u003c\/strong\u003e - accepts a pulse from the Pulser or external source (281t EOC for example) and each pulse advances to the next stage from 1 to 5. The switches in the Stage Select section can control the number of stages played back.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan style=\"color: #ff0000;\"\u003e\u003cstrong\u003eNote, with all stage switches in down position playback will be on hold.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eStage Gate Output\u003c\/strong\u003e - Each stage has a dedicated gate output that OUT produces a high voltage (10V) when that stage is active. This gate can be used to trigger events like envelopes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eOut\u003c\/strong\u003e - the voltage output of the current active stage.% of Each of0 the period outputs has an independent voltage.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eStored Voltages\u003c\/strong\u003e - 4 rows of 5 locations of stored analog voltages set by a control knob.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAnalog (In)\u003c\/strong\u003e - CV input (0-10V) that addresses the stages. When the voltage is above the Off range the Analog input is active and the Advance and Stage Select Inputs are disabled. \u003c\/p\u003e\n\u003cp\u003eRanges are approximately(*): Off (0V - 0.75V), Stage 1 (0.75V - 2.5V) Stage 2 (2.5V to 4.25V) Stage 3 (4.25V to 6V) Stage 4 (6V to 7.75V) Stage 5 (7.75V to 10V)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStage Select Inputs\u003c\/strong\u003e - Pulses on these 5 inputs will immediately set the active Stage to the corresponding input. Using these inputs can create a type of analog preset memory for 4 CV settings in your modular system.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStage Switches\u003c\/strong\u003e - These 4 switches enable or disable the stage transitions. Switch 1 controls Stage 1 to 2 transition, switch 2 Stage 2 to 3 and so on. By disabling a stage transition the length of the sequence can be shortened or captured.\u003c\/p\u003e\n\u003cp\u003e* Note: due to the analog nature of the design specifications for pulser timing and length and Analog In will slightly vary from unit to unit.\u003c\/p\u003e\n\u003cp\u003eSpecifications:\u003c\/p\u003e\n\u003cp\u003eRef Out 0 - 10V\u003c\/p\u003e\n\u003cp\u003ePulser Out 0 to 10V\u003c\/p\u003e\n\u003cp\u003ePulse Length CV 0 - 10V\u003c\/p\u003e\n\u003cp\u003eInternal Time CV 0 - 10V\u003c\/p\u003e\n\u003cp\u003eStart Pulse In 0 - 10V\u003c\/p\u003e\n\u003cp\u003eStop Pulse In 0 - 10V\u003c\/p\u003e\n\u003cp\u003eAdvance In 0 - 10V\u003c\/p\u003e\n\u003cp\u003eAnalog In 0 - 10V\u003c\/p\u003e\n\u003cp\u003eStage Select In 0 - 10V\u003c\/p\u003e\n\u003cp\u003eStored Voltage Out 0 - 10V\u003c\/p\u003e\n\u003cp\u003eStage Gate Out 0 - 10V\u003c\/p\u003e\n\u003cp\u003eSize: 30HP - Depth: 25mm\u003c\/p\u003e\n\u003cp\u003ePower: +12V 63mA \/ -12V 28mA\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"aux-head-before\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"aux-head-before\"\u003e\u003cimg alt=\"screen-shot-2022-08-30-at-7.55.06-pm.jpg\" class=\"__mce_add_custom__\" height=\"1362\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1001\/4221\/9542\/files\/screen-shot-2022-08-30-at-7.55.06-pm.jpg?v=1784246385\" title=\"screen-shot-2022-08-30-at-7.55.06-pm.jpg\" width=\"2492\"\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Buchla \u0026 Tiptop Audio","offers":[{"title":"Default Title","offer_id":51570001019158,"sku":null,"price":249.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1001\/4221\/9542\/files\/245__17890.1661878100.1280.1280.jpg?v=1784787604"},{"product_id":"buchla-tiptop-audio-quad-lopass-gate-model-292t","title":"Buchla \u0026 Tiptop Audio Quad Lopass Gate Model 292t","description":"\u003cp\u003eQUAD LOPASS GATE - MODEL 292t\u003c\/p\u003e\n\u003cp\u003eSize: 16 HP - Depth: 45mm Power: +12V 87mA \/ -12V 36mA\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eOUTPUTS All - Can use this output as a 4 to 1 (mono) audio mixer\u003c\/p\u003e\n\u003cp\u003eA,B,C,D - Individual audio outputs. Can be used as a quadraphonic distribution mixer\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCV INPUTS A,B,C,D - Control Voltage inputs for each audio channel\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eBLUE KNOBS These are manual volume\/osets for each channel\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eBLUE SWITCHES These select among 3 dierent modes:\u003c\/p\u003e\n\u003cp\u003eGate - A linear VCA (LED lit)\u003c\/p\u003e\n\u003cp\u003eCombo - A combination of the linear gate and the lopass filter mode. It adds a subtle ringing decay to the audio (No LED, both LEDs not lit)\u003c\/p\u003e\n\u003cp\u003eLoPass - A LoPass filter. Gives that “snap” when pinging it. (LED lit)\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eINPUTS A,B,C,D - Individual audio inputs\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e* Note: Explore using the the 257t to attenuate the an envelope going into the 292t for a wider variety of timbres and responses\u003c\/p\u003e\n\u003cp\u003e\u003cimg alt=\"screenshot-2023-04-26-at-10.29.21-am.jpg\" class=\"__mce_add_custom__\" height=\"1468\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1001\/4221\/9542\/files\/screenshot-2023-04-26-at-10.29.21-am.jpg?v=1784247037\" title=\"screenshot-2023-04-26-at-10.29.21-am.jpg\" width=\"1266\"\u003e\u003c\/p\u003e","brand":"Buchla \u0026 Tiptop Audio","offers":[{"title":"Default Title","offer_id":51570009800982,"sku":null,"price":413.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1001\/4221\/9542\/files\/292t__06245.1682530617.1280.1280.jpg?v=1784247057"},{"product_id":"maneco-labs-quad-vca-eurorack","title":"Maneco Labs QUAD VCA (Eurorack)","description":"\u003cp\u003edescription coming soon~\u003c\/p\u003e","brand":"Maneco Labs","offers":[{"title":"Default Title","offer_id":51570019926294,"sku":null,"price":149.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1001\/4221\/9542\/files\/QUAD_VCA__21116.1715052589.1280.1280.jpg?v=1784247785"},{"product_id":"buchla-tiptop-audio-quad-sample-and-hold-model-264t","title":"Buchla \u0026 Tiptop Audio Quad Sample and Hold model 264t","description":"\u003cp\u003e\u003cspan style=\"color: #ff0000;\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eQUAD SAMPLE-AND-HOLD\/POLYPHONIC ADAPTOR MODEL 264t\u003c\/p\u003e\n\u003cp\u003eFour independent sample-and-hold circuits, plus a specialized logic circuit for expediently implementing polyphonic patches.\u003c\/p\u003e\n\u003cp\u003eSample-and-hold’s are essentially one-cell analog memories. They are useful for “remembering” the instantaneous value of a control voltage (a detected envelope, for example), for generating equally spaced steps from a constant slope input (as from a 281t envelope generator), and for converting any continuously changing voltage (a random voltage, for instance) into a series of discrete values.\u003c\/p\u003e\n\u003cp\u003eThe 264’s sample-and-hold circuits have two operating modes: sample and track. In the sample mode, the value of the input is sampled and applied to the output whenever a pulse is received. The output remains at this value until the next pulse arrives. The track mode differs in that an input is applied to the output for the duration of the pulse. The output tracks the input until the end of the pulse and remains at a constant value until the next pulse.\u003c\/p\u003e\n\u003cp\u003eTo use the 264t as four independent channels set the separate\/common switch to separate. A single CV can be set to all four channels by setting the operate\/common to common and plug CV in the the back jack on the with right side.\u003c\/p\u003e\n\u003cp\u003eThe Model 264t includes a polyphonic adaptor, which performs the logic necessary to implement four-voice polyphony. Facilities are incorporated for fine tuning and f.m. modulating the oscillators; light emitters display the adaptor’s operation.\u003c\/p\u003e\n\u003cp\u003eART Quantizer The four voltage control outputs are internally routed to a quad-channel quantizer with four ART outputs for use with ART-equipped oscillators, such as the 259t Complex Oscillator. A 12-stage switch selects the key, while the knob above chooses the scale: Minor (m), Chromatic (ch), or Major (M).\u003c\/p\u003e\n\u003cp\u003eFirst step: Oscillator Calibration (Quick Start) A push switch sends either Auto-Tune or Initial Tuning command via the ART outputs to the oscillators. Both functions are explained in detail in the 259t user manual, which also provides additional ART-related information worth knowing.\u003c\/p\u003e\n\u003cp\u003eTo quickly set up the 259t:\u003c\/p\u003e\n\u003cp\u003e1 Connect any ART output to the 259t oscillators and set them to ART mode.\u003c\/p\u003e\n\u003cp\u003e2 Let the oscillators warm up for a minimum of 30–40 minutes.\u003c\/p\u003e\n\u003cp\u003e3 Hold down the 264t tuning switch—the 259t will begin Initial Tuning, calibrating each oscillator one at a time.\u003c\/p\u003e\n\u003cp\u003eThe LED will turn off, then start blinking as it tunes the first oscillator.\u003c\/p\u003e\n\u003cp\u003e4 Once tuning is complete, the oscillators can play notes via ART.\u003c\/p\u003e\n\u003cp\u003eAuto-Tune can be sent periodically to correct tuning if it sounds like the oscillates are out of tune. (Beware that the fine tune knobs on the 259t needs to be set fully CCW for the note center pitch) To send an Auto-Tune command short press the tuning switch on the 264t.\u003c\/p\u003e\n\u003cp\u003ePlaying Notes The ART Quantizer is tied to the Sample and Hold function. When a gate pulse is sent to the gate input, the control voltage is converted into a note value and sent via ART to the oscillator.\u003c\/p\u003e\n\u003cp\u003e• The gate pulse length determines the note length at the oscillator.\u003c\/p\u003e\n\u003cp\u003e• In Track and Hold mode, the 264t ART output follows changes in input voltage as long as the gate is high.\u003c\/p\u003e\n\u003cp\u003e\u003cimg alt=\"screenshot-2025-03-26-at-4.33.08-pm.jpg\" class=\"__mce_add_custom__\" height=\"1378\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1001\/4221\/9542\/files\/screenshot-2025-03-26-at-4.33.08-pm.jpg?v=1784232934\" title=\"screenshot-2025-03-26-at-4.33.08-pm.jpg\" width=\"2332\"\u003e\u003c\/p\u003e\n\u003cp\u003eInput Range Jumper\u003c\/p\u003e\n\u003cp\u003eA jumper on the back of the module adjusts the quantizer's CV range for ART.\u003c\/p\u003e\n\u003cp\u003e• Default 10 (0–10V range): Works with standard Buchla signals but may exceed the 259t's 8-octave range.\u003c\/p\u003e\n\u003cp\u003eThis can be handy to mute notes when using the 245t sequencer.\u003c\/p\u003e\n\u003cp\u003e• Scaled 5: Matches the 259t's 8-octave range.\u003c\/p\u003e\n\u003cp\u003eBoth settings have their advantages—experiment to find what works best for you.\u003c\/p\u003e\n\u003cp\u003ePolyphonic Adapter\u003c\/p\u003e\n\u003cp\u003eThe polyphonic adapter can be patched creatively. Below, we demonstrate a basic patch of a two-voice polyphonic arpeggio. The 245t CV is plugged into the common CV input, with the switch set to \"common.\" The 245t pulser output is triggering the adapter's voices jack, with the switch set to \"2 voices.\" The pulse outputs of voice 1 and voice 2 are plugged into gate inputs 1 and 2 of the sample and hold channels. Controlling the oscillators pitch can be made from either the control voltage outputs or the ART outputs for quantized notes.\u003c\/p\u003e\n\u003cp\u003e\u003cimg alt=\"screenshot-2025-03-26-at-4.34.01-pm.jpg\" class=\"__mce_add_custom__\" height=\"1476\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1001\/4221\/9542\/files\/screenshot-2025-03-26-at-4.34.01-pm.jpg?v=1784232938\" title=\"screenshot-2025-03-26-at-4.34.01-pm.jpg\" width=\"2220\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cimg alt=\"screenshot-2025-03-26-at-4.34.18-pm.jpg\" class=\"__mce_add_custom__\" height=\"1474\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1001\/4221\/9542\/files\/screenshot-2025-03-26-at-4.34.18-pm.jpg?v=1784232941\" title=\"screenshot-2025-03-26-at-4.34.18-pm.jpg\" width=\"2234\"\u003e\u003c\/p\u003e\n\u003cp\u003eSize: 18 HP \u003c\/p\u003e\n\u003cp\u003eDepth: 45mm\u003c\/p\u003e\n\u003cp\u003ePower: +12V 60mA \/ -12V 30mA\u003c\/p\u003e","brand":"Buchla \u0026 Tiptop Audio","offers":[{"title":"Default Title","offer_id":51570026545430,"sku":null,"price":279.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1001\/4221\/9542\/files\/264t__88334.1738208384.1280.1280.jpg?v=1784248407"},{"product_id":"ryk-modular-time-slice","title":"RYK Modular Time Slice","description":"\u003cp class=\"lead wrap\"\u003e\u003cspan\u003eQuad-channel Looper and Sampling Laboratory\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eWant to F**K with the fabric of time ? In four dimensions ?\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eNow you can, with TIME SLICE the new quad-channel Eurorack audio looper and sampling machine\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eFour channels of audio I\/O with big fat rolling buffers for each channel, plus a dedicated Stereo Mix Output\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eClassic H3000 style Pitch-shifters to f**K with time, sculpt your audio\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eOvertly generous amount of FX, with dedicated Pitch-shift, Delay, Reverb, Tilt Filter, Wave Fold and more on every track\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eKeep your dreams, or re-use the dreams of others with Internal and USB storage support for Loading and Saving WAV files, including embedded WAV Markers for multi-sample instruments\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eMore jacks than you can shake a stick at, assignable CV inputs, and Trigger INs and OUT on each track\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e1-Shot Loop mode for sampler style playback with MIDI support for keyboard control and MIDI CC for modulations\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eUnique retrospective loop mode for the performance challenged musician, plus traditional style loop mode for the old timers\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eAll sources catered for with Line Level, Euro Level, and HOT EURO !\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePing-pong like a 4-track, Time Slice lets you resample other tracks, and even record the Stereo Mix Output as a new track\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eKeeps impeccable time, and can play friends with MIDI and clock-sync.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eIncludes exciting funky red circle display thing at no extra cost, plus a big retro scroll wheel !\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eTECHNICAL SPECIFICATIONS\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eDIMENSIONS\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e26 HP wide\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e25 mm deep\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003ePOWER CONSUMPTION\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e-12V 21mA\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e+12 250mA \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"RYK Modular","offers":[{"title":"Default Title","offer_id":51570035360022,"sku":null,"price":529.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1001\/4221\/9542\/files\/time_slicer__45269.1758693262.1280.1280.jpg?v=1784248880"}],"url":"https:\/\/boutiquepedalnyc.us\/collections\/quad.oembed","provider":"BPNYC","version":"1.0","type":"link"}