{"title":"Eurorack PreAmp","description":"","products":[{"product_id":"befaco-inamp-dual-preamp-module","title":"Befaco InAmp - Dual preamp module","description":"\u003cp\u003eInamp is a dual pre-amp in just 4 HPs. Featuring 6,3 Jacks inputs as well as Minijacks.\u003cbr\u003eBoth inputs are summed so you can use them at the same time as an input mixer.\u003c\/p\u003e\n\u003cp\u003eThe unit is designed to amplify up to x20 the input signal, allowing to amplify most of the music machines out there (Domestic line levels) as well as some guitars (Hum bucket-like pickups and so).\u003c\/p\u003e\n\u003cp\u003eThe first channel is normaled to second one in series, so it’s possible to have two stages of amplification or two separate ones.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e7 mA +12V\u003c\/li\u003e\n\u003cli\u003e3 mA -12V\u003c\/li\u003e\n\u003cli\u003e0 mA 5V\u003c\/li\u003e\n\u003cli\u003e47 mm deep\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"BEFACO","offers":[{"title":"Default Title","offer_id":51569954849046,"sku":null,"price":165.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1001\/4221\/9542\/files\/20200508_2a822d__17701.1591742776_copy__20059.1595976167.1280.1280.jpg?v=1784686162"},{"product_id":"buchla-tiptop-audio-mixer-preamplifier-207t","title":"Buchla \u0026 Tiptop Audio Mixer\/Preamplifier 207t","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eThe Buchla 207t mixer has six inputs and two main outputs as well as a monitor output.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eAt the bottom right side of the mixer is a microphone input with preamplifier and gain pot. The microphone input jack takes a 1\/4” TRS phone plug. Above it is the gain switch and knob which set the gain of the preamp. The switch has two dierent ranges, 55db and 70db to cover most microphones that needs to be boosted to eurorack signal levels. The microphone input can also be used for a signal from some other source such as an electric guitar or line level electric piano.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eOn the top right of the mixer, is one \"left” channel output jack, and one \"right” channel output jack, two mono MONITOR outputs, and one stereo EXPANSION IN jacks. These last two jacks are actually a pair of inputs without attenuators, assign control, or access to the MONITOR output. The jack on the left goes directly to the \"left\" output and the left right goes to the \"right\" output. These inputs can be used to link the two mixers to form one 12 in, 2 out\" mixer. To do this simply patch the SIGNAL outputs of one mixer into the EXPANSION IN inputs of the other.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eHorizontally on the bottom are the six mixer signal input jacks ('A\" through \"F\").\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eAbove these are six yellow MONITOR switches. Putting any of these switches in the up position sends the signal from that input to the MONITOR output on the mixer. The six blue switches, when up, send the respective signal to the main SIGNAL outputs. The sliders are attenuators on the input signals going to the SIGNAL outputs. They have no eect on any signal going to the MONITOR output.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eAbove the four centre sliders are ASSIGNMENT pots which pan the signal between the \"left\" and \"right\" outputs. The input channels on either side of each mixer (\"A\" and \"F\") feature voltage controlled assign. Without any control voltage channel \"A\" is assigned to the left output and channel \"F\" goes to the right output. As a control voltage increases the signal pans to the other output channel. The two LED's below each control voltage input indicate which channel the signal is going to.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eSize: 28 HP\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eDepth: 28mm\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003ePower: +12V 90mA \/ -12V 85mA\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/tiptopaudio.com\/manuals\/Buchla_\u0026amp;_Tiptop_Audio_207t.pdf?utm_source=newsletter\u0026amp;utm_medium=email\u0026amp;utm_campaign=Buchla++%26+Tiptop+Audio\u0026amp;sender_ctype=email\u0026amp;sender_campaign=aQ21LL\u0026amp;sender_customer=pgwRRn1\"\u003eManual\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cimg alt=\"screenshot-2024-01-23-alle-205514.jpeg\" class=\"__mce_add_custom__\" height=\"1284\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1001\/4221\/9542\/files\/screenshot-2024-01-23-alle-205514.jpg?v=1784247157\" title=\"screenshot-2024-01-23-alle-205514.jpeg\" width=\"904\"\u003e\u003c\/p\u003e","brand":"Buchla \u0026 Tiptop Audio","offers":[{"title":"Default Title","offer_id":51570010849558,"sku":null,"price":259.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1001\/4221\/9542\/files\/207t__93610.1684436843.1280.1280.jpg?v=1784247171"},{"product_id":"alm-busy-circuits-bxx2","title":"ALM Busy Circuits BXx2","description":"\u003cp\u003eThe BXx2 is a dual channel preamp, EQ and mixer based on the classic Boss BX series mixers. Well loved for their unique character and musicality, the sound of the BX is found throughout countless techno records from the 80s \u0026amp; 90s.\u003c\/p\u003e\n\u003cp\u003eWith the inclusion of both input gain and level controls, each channel can be overdriven, producing the signature saturated and lively sound the BX mixers are known for. The EQ controls provide the channels with simple but great sounding high and low shelf EQs for emphasising and shaping sounds as well as the tonality of the drive. An additional Aux input allows another mixer or extra sound source to be chained in.\u003c\/p\u003e\n\u003cp\u003eThe BXx2 is a simple but powerful sound shaping tool, adding colour and warmth to anything patched through it. It was designed in collaboration with \u003ca data-id=\"https:\/\/feedback-modules.myshopify.com\/\" data-type=\"URL\" href=\"https:\/\/feedback-modules.myshopify.com\/\"\u003eFeedback Modules\u003c\/a\u003e – based on their single channel \u003ca data-id=\"https:\/\/feedback-modules.myshopify.com\/collections\/modules\/products\/pre-bx\" data-type=\"URL\" href=\"https:\/\/feedback-modules.myshopify.com\/collections\/modules\/products\/pre-bx\"\u003ePRE BX\u003c\/a\u003e module and has a limited release of only 300 units.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv class=\"title\"\u003e\n\u003ch3\u003eFeatures\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"copy\"\u003e\n\u003cul\u003e\n\u003cli\u003eDual mixer channels with additional auxiliary mix input.\u003c\/li\u003e\n\u003cli\u003eOverdriving preamps with separate gain and level controls.\u003c\/li\u003e\n\u003cli\u003ePer channel high \u0026amp; low shelf EQ.\u003c\/li\u003e\n\u003cli\u003eSkiff friendly with reverse power protection.\u003c\/li\u003e\n\u003cli\u003eMade in England.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv class=\"title\"\u003e\n\u003ch3\u003eTechnical Specifications\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"copy\"\u003e\n\u003cp\u003e\u003cspan\u003eSupply:\u003c\/span\u003e +12V 10mA \/ -12V 10mA\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSize:\u003c\/span\u003e 8HP\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDepth:\u003c\/span\u003e 32mm\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"ALM Busy Circuits","offers":[{"title":"Default Title","offer_id":51570012225814,"sku":null,"price":189.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1001\/4221\/9542\/files\/Bxx2__79818.1693276234.1280.1280.jpg?v=1784247296"},{"product_id":"boredbrain-xcelon-xp3","title":"Boredbrain xcelon xp3","description":"\u003cp\u003e\u003cspan\u003e3-CHANNEL STEREO MIX EXPANDER\u003c\/span\u003e\u003c\/p\u003e\n\u003cul class=\"features\"\u003e\n\u003cli\u003eAdds three stereo\/dual-mono channels to Xcelon mixer (up to two supported)\u003c\/li\u003e\n\u003cli\u003eTwo stereo FX sends and two stereo output mix busses selectable per-channel\u003c\/li\u003e\n\u003cli\u003eVariable input gain for both modular and line-level sources\u003c\/li\u003e\n\u003cli\u003eLong-travel volume faders with CV responsive LED indicators\u003c\/li\u003e\n\u003cli\u003eBalance controls with pan law curve and dual-mono crossfade mode\u003c\/li\u003e\n\u003cli\u003eClickless mutes and VU meters on all channels\u003c\/li\u003e\n\u003cli\u003eTwelve discrete control voltage inputs\u003c\/li\u003e\n\u003cli\u003eConfigurable jumpers for pre\/post-fader FX and meters, plus volume VCA mode\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2 class=\"wp-block-heading has-nv-light-bg-color has-text-color\"\u003e\u003cstrong\u003eModular mixing expanded\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp class=\"has-nv-light-bg-color has-text-color has-medium-font-size\"\u003eXcelon XP3 is a three-channel stereo expander for the Xcelon eurorack mixer. The module’s channels are identical to those found on the main mixer. Up to two XP3 can connect to Xcelon, expanding the total number of mixer channels to either nine or twelve.\u003c\/p\u003e\n\u003ch3 class=\"wp-block-heading\"\u003eChannel Expansion\u003c\/h3\u003e\n\u003cp\u003eThe 22HP module has the same channel inputs, channel controls, direct outputs and rear jumpers as \u003ca href=\"https:\/\/boredbrainmusic.com\/product\/xcelon\"\u003eXcelon\u003c\/a\u003e. The primary difference is that the expander lacks the mix outputs and FX i\/o section. This is because XP3 shares the two main mix busses and two FX sends busses with the main mixer.\u003c\/p\u003e\n\u003cp\u003eXP3 is connected to the main Xcelon mixer using the supplied 16-pin ribbon cable, from the port labeled \u003cstrong\u003eMIXER\u003c\/strong\u003e to one of the two expansion ports labeled \u003cstrong\u003eEXPANDER 1\u003c\/strong\u003e or \u003cstrong\u003eEXPANDER 2\u003c\/strong\u003e. These expansion ports are found on the backs of both modules. Because the mixer supports up to two XP3, a set of channel labels with 10, 11, and 12 are included to update the front panel.\u003c\/p\u003e\n\u003cp\u003eIt may be possible to connect more than two channel expanders using a flying bus cable, but low noise performance cannot be guaranteed.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eIMPORTANT\u003c\/strong\u003e: The expander ports should \u003cstrong\u003eNOT\u003c\/strong\u003e be connected to a eurorack power bus or damage to the module(s) can occur.\u003c\/em\u003e\u003c\/p\u003e\n\u003cdiv class=\"wp-block-spacer\"\u003e \u003c\/div\u003e\n\u003ch3 class=\"wp-block-heading\"\u003e\n\u003cstrong\u003eChannel Input\u003c\/strong\u003e\u003cstrong\u003es\u003c\/strong\u003e\n\u003c\/h3\u003e\n\u003cp\u003eEach of the three channels has a pair of audio input jacks\u003cstrong\u003e (INPUT 7\u003c\/strong\u003e, \u003cstrong\u003eINPUT 8\u003c\/strong\u003e, etc.) for left and right stereo signals. The jacks are normalled such that a single mono source in the left jack is simply copied to the right. Alternatively, two discrete mono sources can also share a channel (see \u003cstrong\u003eXFADE\u003c\/strong\u003e). These AC-coupled coupled inputs accept typical eurorack-level audio signals, as well as line-level audio signals when boosted using the channel’s \u003cstrong\u003eGAIN\u003c\/strong\u003e control.\u003c\/p\u003e\n\u003cp\u003eThe four jacks directly below each pair of audio inputs are CV inputs, which allow for voltage control of the channel parameters. \u003cstrong\u003eVOL\u003c\/strong\u003e affects the volume within a range of 0 to +5V. By default, this control voltage input is biased by the fader position (summed), but in VCA mode it is attenuated by the fader (see Jumper Settings). \u003cstrong\u003eBAL\u003c\/strong\u003e affects the channel balance within a range of -5V to 5V (even with \u003cstrong\u003eXFADE\u003c\/strong\u003e enabled), while \u003cstrong\u003eFX1\u003c\/strong\u003e and \u003cstrong\u003eFX2\u003c\/strong\u003e affect their respective send levels within a range of 0 to +5V. These latter three control voltage inputs are all biased by their knob positions.\u003c\/p\u003e\n\u003cdiv class=\"wp-block-spacer\"\u003e \u003c\/div\u003e\n\u003ch3 class=\"wp-block-heading\"\u003e\n\u003cstrong\u003eChannel Control\u003c\/strong\u003e\u003cstrong\u003es\u003c\/strong\u003e\n\u003c\/h3\u003e\n\u003cp\u003eThe \u003cstrong\u003eGAIN\u003c\/strong\u003e parameter is used to boost the channel’s input signal(s) up to +15 dB if necessary. Most eurorack audio sources may only need a small amount of gain, whereas line-level signals may require turning the knob up to the \u003cstrong\u003eLINE\u003c\/strong\u003e position. The red \u003cstrong\u003ePK\u003c\/strong\u003e (peak) indicator will illuminate just before either input signal becomes audibly distorted. For a clean mix, best practice is to set the \u003cstrong\u003eGAIN\u003c\/strong\u003e such that only loud transients trigger the \u003cstrong\u003ePK\u003c\/strong\u003e LED.\u003c\/p\u003e\n\u003cp\u003eThe \u003cstrong\u003eBAL\u003c\/strong\u003e parameter adjusts the balance of the channel’s two input signals, and behaves much like a pan control, especially with a mono input signal. Control of the parameter is not linear, but instead implements a curve according to the -4.5 dB pan law. This yields a more natural sounding stereo panning.\u003c\/p\u003e\n\u003cp\u003eWhen the blue \u003cstrong\u003eXFADE\u003c\/strong\u003e button is engaged, the channel is configured in dual-mono mode. Both channel input signals are positioned to stereo center, and the \u003cstrong\u003eBAL\u003c\/strong\u003e parameter acts as a mono crossfader balancing the two signal levels. Signals that do not need stereo panning can then be doubled-up on a single channel, such as kick and snare drum, two different bass sounds, etc.\u003c\/p\u003e\n\u003cp\u003eThe \u003cstrong\u003eVOL\u003c\/strong\u003e parameter adjusts the channel volume, and is also commonly referred to as the channel fader. Its 45mm vertical slider has a linear volume response for smooth fade ins and outs, with an entirely usable range. The brightness of the white LED indicates the volume position, and is of course responsive to incoming CV.\u003c\/p\u003e\n\u003cp\u003eNext to the volume control is a 5-segment \u003cstrong\u003eVU METER\u003c\/strong\u003e to help visualize signal level and dynamics. The meter is affected by both left and right channel signals. And although it does behave according to a decibel scale, the meter is intentionally biased upward for better resolution when comparing relative channel levels. By default, the \u003cstrong\u003eVU METER\u003c\/strong\u003e is post-fader, meaning it is affected by volume adjustments, but can optionally be configured pre-fader (see Jumper Settings).\u003c\/p\u003e\n\u003cp\u003eThe red \u003cstrong\u003eMUTE\u003c\/strong\u003e button, when activated, will effectively silence the channel with up to -93 dB of normal signal attenuation. Its electronically latching circuit is completely VCA-based with a very fast on\/off slew, eliminating any clicks or pops when muting or unmuting the channel.\u003c\/p\u003e\n\u003cp\u003eThe channel’s two gray knobs, \u003cstrong\u003eFX1\u003c\/strong\u003e and \u003cstrong\u003eFX2\u003c\/strong\u003e, are independent stereo effects sends. Using these parameters, an adjustable amount of the channel signal can be sent to the two shared effects busses \u003cstrong\u003eFX SND 1\u003c\/strong\u003e and \u003cstrong\u003eFX SND 2\u003c\/strong\u003e, which are commonly used for time-based effects such as delay and reverb. By default, both \u003cstrong\u003eFX1\u003c\/strong\u003e and \u003cstrong\u003eFX2\u003c\/strong\u003e are post-fader sends, meaning the amount of sent signal is also affected by the channel’s volume position. However, \u003cstrong\u003eFX1\u003c\/strong\u003e can be configured pre-fader (see Jumper Settings) to achieve a more than 50% wet mix of effect versus dry signal.\u003c\/p\u003e\n\u003cp\u003eThe \u003cstrong\u003eAB\u003c\/strong\u003e switch assigns the channel output to one or both main output mix busses. In the leftmost and rightmost positions, the channel is routed to only one of the two busses, either A or B. In the middle position however, the channel is routed to both simultaneously, allowing for parallel processing, AFL monitoring (after fade listen), and other creative uses.\u003c\/p\u003e\n\u003cdiv class=\"wp-block-spacer\"\u003e \u003c\/div\u003e\n\u003ch3 class=\"wp-block-heading\"\u003e\u003cstrong\u003eDirect Outputs\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eJust like the main mixer, XP3 is also equipped with several direct output ports to access individual channel signals for multi-track recording. Its bank of three stereo channels has two direct output ports, \u003cstrong\u003ePRE\u003c\/strong\u003e and \u003cstrong\u003ePOST, \u003c\/strong\u003eto tap the channel signals either before or after the volume faders.\u003c\/p\u003e\n\u003cp\u003eThese groupings of six signals are connected using an 8-pin cable to the optional direct output modules, Xcelon TRS and Xcelon DB25 (TBA), for balanced line outputs. They can be mixed and matched in any order, and both the \u003cstrong\u003ePRE\u003c\/strong\u003e and \u003cstrong\u003ePOST\u003c\/strong\u003e direct outputs for a bank of channels can be used simultaneously. This leaves the door open for future expansion such as dedicated cue monitoring and additional effects sends.\u003c\/p\u003e\n\u003cdiv class=\"wp-block-spacer\"\u003e \u003c\/div\u003e\n\u003ch3 class=\"wp-block-heading\"\u003e\u003cstrong\u003eJumper Settings\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eEach channel has three custom settings found on the back of the module, which are configured using one or more jumpers.\u003c\/p\u003e\n\u003cdiv class=\"wp-block-columns is-layout-flex wp-container-core-columns-layout-2 wp-block-columns-is-layout-flex\"\u003e\n\u003cdiv class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"\u003e\n\u003ctable class=\"has-fixed-layout\"\u003e\n\u003cthead\u003e\n\u003ctr\u003e\n\u003cth class=\"has-text-align-center\" data-align=\"center\"\u003eVU METER\u003c\/th\u003e\n\u003cth\u003e1 jumper\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"has-text-align-center\" data-align=\"center\"\u003e\n\u003cstrong\u003ePOST\u003c\/strong\u003e\u003cbr\u003e(default)\u003c\/td\u003e\n\u003ctd\u003eMeter is affected by the channel volume\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"has-text-align-center\" data-align=\"center\"\u003e\u003cstrong\u003ePRE\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eMeter is not affected by the channel volume\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cem\u003ePRE is very common on DJ mixers, and is useful for adjusting the gain and visually identifying a signal before bringing it into the mix.\u003c\/em\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"\u003e \u003c\/div\u003e\n\u003cdiv class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"\u003e\n\u003ctable class=\"has-fixed-layout\"\u003e\n\u003cthead\u003e\n\u003ctr\u003e\n\u003cth class=\"has-text-align-center\" data-align=\"center\"\u003eFX SND1\u003c\/th\u003e\n\u003cth\u003e2 jumpers\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"has-text-align-center\" data-align=\"center\"\u003e\n\u003cstrong\u003ePOST\u003c\/strong\u003e\u003cbr\u003e(default)\u003c\/td\u003e\n\u003ctd\u003eSent signal is affected by the channel volume\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"has-text-align-center\" data-align=\"center\"\u003e\u003cstrong\u003ePRE\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eSent signal is not affected by the channel volume\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cem\u003ePRE is useful (and necessary) to get a very washed-out effect where the effects mix is more than 50% wet.\u003c\/em\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"\u003e \u003c\/div\u003e\n\u003cdiv class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"\u003e\n\u003ctable class=\"has-fixed-layout\"\u003e\n\u003cthead\u003e\n\u003ctr\u003e\n\u003cth class=\"has-text-align-center\" data-align=\"center\"\u003eVOL CV\u003c\/th\u003e\n\u003cth\u003e3 jumpers (or 2)\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"has-text-align-center\" data-align=\"center\"\u003e\n\u003cstrong\u003eMOD\u003c\/strong\u003e\u003cbr\u003e(default)\u003c\/td\u003e\n\u003ctd\u003eCV modulates volume with fader bias\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"has-text-align-center\" data-align=\"center\"\u003e\u003cstrong\u003eVCA\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eCV replaces bias voltage and fader attenuates\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cem\u003eVCA allows the volume circuit to be used as the final VCA in a patch, saving space and modules. Simply patch an envelope into the \u003cstrong\u003eVOL\u003c\/strong\u003e CV input, and use the fader to adjust the level.\u003c\/em\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"\u003e \u003c\/div\u003e\n\u003cdiv class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"\u003e\n\u003ch4 class=\"wp-block-heading\"\u003etechnical specs\u003c\/h4\u003e\n\u003cul class=\"specs\"\u003e\n\u003cli\u003e\n\u003cstrong\u003eAudio Inputs:\u003c\/strong\u003e 6 x 3.5 mm jacks (3 stereo pairs)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCV Inputs:\u003c\/strong\u003e 12 x 3.5 mm jacks\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eInput Impedance:\u003c\/strong\u003e 100 kΩ\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eChannel Input Gain:\u003c\/strong\u003e +15 dB\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWidth:\u003c\/strong\u003e 22 HP\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDepth:\u003c\/strong\u003e 1.5 in (38 mm)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 11 oz (312 g)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePower:\u003c\/strong\u003e +12 V 190 mA (250 max), -12 V 150 mA\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4 class=\"wp-block-heading\"\u003emix tips\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eGAIN FOR PERFORMANCE\u003c\/strong\u003e\u003cstrong\u003e \u003c\/strong\u003e– A useful tip for performance is to set each GAIN such that your mix sounds correct with all the faders up or at the same position. Now returning to a “balanced” mix is as simple moving faders back to the same position.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAUDIO VCA PATCH\u003c\/strong\u003e – Save space in a case for live performance or save VCAs for other purposes by using the VCA mode jumper setting for VOL CV. This allows a typical envelope to be fed into the CV input, and the overall volume can still be adjusted normally.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e100% WET FX\u003c\/strong\u003e – If mix bus B is unused or not monitored, any channel can have a fully wet FX mix (no dry signal), even with rear jumpers set to POST. Just assign the channel to mix B (essentially muting it), be sure the FX return is assigned to mix A, and turn up the FX send of the channel.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eXFADE MUTATION\u003c\/strong\u003e – The XFADE feature can be used to “mutate” a sound, crossfading between to similar sounds or waveforms. This is especially interesting when modulating with a rapidly changing CV signal.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFX RETURNS MUTE\u003c\/strong\u003e – Although the FX returns do not have mute buttons, the AB switch can be used to quickly remove them from either the A or B mix, which is still very effective during a live mix.\u003c\/p\u003e\n\u003cp\u003e \u003cimg alt=\"xcelon-channel-wireframe-v1.0.png\" class=\"__mce_add_custom__\" height=\"600\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1001\/4221\/9542\/files\/xcelon-channel-wireframe-v1.0.png?v=1784247487\" title=\"xcelon-channel-wireframe-v1.0.png\" width=\"277\"\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Boredbrain","offers":[{"title":"Default Title","offer_id":51570016452886,"sku":null,"price":429.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1001\/4221\/9542\/files\/xcelon_xp3__64470.1701480861.1280.1280.jpg?v=1784247500"},{"product_id":"befaco-divkid-output-bus","title":"Befaco\/Divkid OUTPUT BUS Pre-Order","description":"\u003cp\u003e\u003cspan\u003eThe Output Bus is your ultimate output module: Presented by DivKid and Befaco, meant to be the last link in your modular chain!\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eInspired by pro audio and studio summing units the Output Bus allows for summing style mixing, external gear integration, soft clip limiting, flexible output types, headphone monitoring and level visualization.\u003c\/p\u003e\n\u003cp\u003eThe module works great mixing all your other mixers in your setup, to return mono or stereo FX into the master bus and for bringing in external stereo line level gear with ease. All of this in just 8HP while also being able to visualize your final levels, output appropriate signals on the right cable type and monitor in headphones.\u003c\/p\u003e\n\u003ch1\u003eFEATURES\u003c\/h1\u003e\n\u003cul\u003e\n\u003cli\u003eSix stereo inputs.\u003c\/li\u003e\n\u003cli\u003eLine\/synth selector in input six.\u003c\/li\u003e\n\u003cli\u003eModular level minijack out.\u003c\/li\u003e\n\u003cli\u003e6,5 mm Jack out.\u003c\/li\u003e\n\u003cli\u003eMinijack and 6,5 mm phones out.\u003c\/li\u003e\n\u003cli\u003eLed Vu-meter.\u003c\/li\u003e\n\u003cli\u003eSoft clipping circuit at main output.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch1\u003eSPECS\u003c\/h1\u003e\n\u003cul\u003e\n\u003cli\u003eCurrent needs: +12V: 70mA, -12V: 68mA\u003c\/li\u003e\n\u003cli\u003eWidth: 8 HP\u003c\/li\u003e\n\u003cli\u003eDepth Assembled Version: 30 mm\u003c\/li\u003e\n\u003cli\u003eDepth DIY Kit Version: 40 mm\u003c\/li\u003e\n\u003cli\u003e300mW Headphone amp (@200\u003cspan\u003eΩ impedance)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e+4dBu Line Out (Impedance Balanced).\u003c\/li\u003e\n\u003cli\u003eDesigned, kits prepared and assembled in Barcelona.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch1\u003eRESOURCES\u003c\/h1\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003e\u003ca href=\"https:\/\/www.befaco.org\/docs\/Output_Bus\/Output_Bus_User_Manual.pdf\" rel=\"noopener\" target=\"_blank\"\u003eUser Manual \u0026gt;\u0026gt;\u003c\/a\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Divkid","offers":[{"title":"Default Title","offer_id":51570018943254,"sku":null,"price":249.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1001\/4221\/9542\/files\/output_bus__04055.1710799405.1280.1280.jpg?v=1784247698"},{"product_id":"intellijel-mems-mic","title":"Intellijel MEMS Mic","description":"\u003ch1 class=\"intellijel-feature-title entry-title\"\u003eMEMS Mic\u003c\/h1\u003e\n\u003cp\u003eMicro Electro Mechanical System Microphone\u003c\/p\u003e\n\u003ch2\u003eMicrophone check 1—2—what is this?\u003c\/h2\u003e\n\u003cp\u003eA big-sounding microphone module in a small 2hp package. Turn your voice, instruments, environmental sounds, or even wild feedback experiments into audio for your Eurorack system.\u003c\/p\u003e\n\u003ch2 class=\"wp-block-heading\"\u003e\u003cspan\u003eFeatures\u003c\/span\u003e\u003c\/h2\u003e\n\u003cul class=\"wp-block-list\"\u003e\n\u003cli\u003eMEMS omni microphone with flat frequency response\u003c\/li\u003e\n\u003cli\u003eOutput level can be controlled via slider and\/or CV input\u003c\/li\u003e\n\u003cli\u003eWhen modulating with CV, the slider becomes an attenuator\u003c\/li\u003e\n\u003cli\u003ePatch and modulate two independently for stereo effects\u003c\/li\u003e\n\u003cli\u003eActivity (green) and overload (red) indicator LEDs\u003c\/li\u003e\n\u003cli\u003eFixed low-frequency roll-of switch (180Hz, 6dB\/oct)\\\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul class=\"wp-block-list\"\u003e\n\u003cli\u003eWhat’s MEMS?\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eMEMS Microphones are constructed with a Micro-Electro-Mechanical System (aka MEMS) component, placed on a printed circuit board and protected by a mechanical cover. They are extremely small, and can be found in many modern electronic devices e.g.  phones, tablets, cameras etc. Despite their compact size, they have a very flat response across a large frequency range (~ 6hz to 20kHz.) which makes them excellent for musical applications.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ctable class=\"intellijel-meta-table\"\u003e\n\u003ctbody\u003e\n\u003ctr class=\"intellijel-meta-manual\"\u003e\n\u003ctd\u003e\u003ca href=\"https:\/\/intellijel.com\/downloads\/manuals\/mems-mic_manual_2025.08.06.pdf\"\u003e\u003cbr class=\"Apple-interchange-newline\"\u003eManual\u003c\/a\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ch2\u003eSpecs + Downloads\u003c\/h2\u003e\n\u003cdiv class=\"intellijel-meta columns\"\u003e\n\u003ctable class=\"intellijel-meta-table\"\u003e\n\u003ctbody\u003e\n\u003ctr class=\"intellijel-meta-width\"\u003e\n\u003cth colspan=\"2\"\u003eWidth\u003c\/th\u003e\n\u003ctd\u003e2HP\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"intellijel-meta-depth\"\u003e\n\u003cth colspan=\"2\"\u003eDepth\u003c\/th\u003e\n\u003ctd\u003e35mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"intellijel-meta-power\"\u003e\n\u003cth colspan=\"2\"\u003ePower\u003c\/th\u003e\n\u003ctd\u003e19mA @ +12V\u003cbr\u003e19mA @ -12V\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"intellijel-meta-\"\u003e\n\u003cth colspan=\"2\"\u003e \u003c\/th\u003e\n\u003ctd\u003e \u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"intellijel-meta-capsule\"\u003e\n\u003cth colspan=\"2\"\u003eCapsule\u003c\/th\u003e\n\u003ctd\u003eMEMS\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"intellijel-meta-pattern\"\u003e\n\u003cth colspan=\"2\"\u003ePattern\u003c\/th\u003e\n\u003ctd\u003eOmni\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"intellijel-meta-range\"\u003e\n\u003cth colspan=\"2\"\u003eRange\u003c\/th\u003e\n\u003ctd\u003e6Hz ~ 20kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"intellijel-meta-snr\"\u003e\n\u003cth colspan=\"2\"\u003eSNR\u003c\/th\u003e\n\u003ctd\u003e63dBA\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"intellijel-meta-sensitivity\"\u003e\n\u003cth colspan=\"2\"\u003eSensitivity\u003c\/th\u003e\n\u003ctd\u003e-45dB ±2dB @ 94dB SPL\u003cbr\u003e130 dB SPL Acoustic Overload Point\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e","brand":"Intellijel","offers":[{"title":"Default Title","offer_id":51570054234390,"sku":null,"price":99.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1001\/4221\/9542\/files\/MEMS_Mic__68834.1776209998.1280.1280.jpg?v=1784250164"},{"product_id":"4ms-leveling-eq-amplifier-leqa","title":"4ms Leveling EQ Amplifier [LEQA]","description":"\u003cp\u003e\u003cem\u003e\u003cstrong\u003e\u003cspan style=\"color: #ff0000;\"\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eThe \u003cstrong\u003eLeveling EQ Amplifier\u003c\/strong\u003e is an end-of-chain audio processor designed to polish individual elements of a patch, stereo bus, or full master bus.\u003c\/p\u003e\n\u003cp\u003eInspired by the simple interfaces and pleasing sounds of two cornerstones of mixing, the LA-2A optical compressor and the 1073 EQ, the \u003cstrong\u003eLEQA\u003c\/strong\u003e combines a \u003cstrong\u003ecompressor\u003c\/strong\u003e, an \u003cstrong\u003eequalizer\u003c\/strong\u003e, and a modern \u003cstrong\u003eStereo Width Processor\u003c\/strong\u003e in one 14HP package.\u2028\u003c\/p\u003e\n\u003cp\u003eRather than being fully parametric, pre-defined curves and frequency selections make the art of mixing intuitive. Very little effort is needed for great sounding mixes.\u003c\/p\u003e\n\u003cp\u003eThe compressor mimics optical compression, which is a beautifully simple concept that yields incredibly musical results.\u003c\/p\u003e\n\u003cp\u003eThe EQ section is built to help accentuate and excite your mix, clear up muddled sounds, and increase the overall headroom.\u003c\/p\u003e\n\u003cp\u003eThe \u003cstrong\u003eStereo Width Processor\u003c\/strong\u003e adjusts the stereo image, letting you dial back a wide image into a cohesive sound, or push a normal stereo signal into \"super stereo\" territory. When used with mono sources, it can widen mono sources into stereo using a combination of psychoacoustic techniques.\u003c\/p\u003e\n\u003cp\u003eThe \u003cstrong\u003eLeveling EQ Amplifier\u003c\/strong\u003e excels in live performances, studio work, subtle utility tasks, extreme sonic sculpting, audio \"glue\" to hold a patch together, and as an effect in its own right.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo Width\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eMono to stereo conversion using a unique take on the Haas Effect\u003c\/li\u003e\n\u003cli\u003eStereo field manipulation for tightening a stereo image, stereo-to- mono conversion, or larger-than-life super stereo effects\u003c\/li\u003e\n\u003cli\u003eKnob and CV control over stereo width\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEqualization\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eFour filters with tailored frequencies for maximum musicality\u003c\/li\u003e\n\u003cli\u003eLow-shelf, Mid-range bell, and High-shelf filters with boost\/cut controls, plus an additional High-pass with selectable frequency\u003c\/li\u003e\n\u003cli\u003eFlexible routing that allows the EQ to be pre- or post-compressor section, or bypassed\u003c\/li\u003e\n\u003cli\u003eGlobal selectable EQ gain for detailed control or drastic effects\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCompressor\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eCompression and limiting inspired by optical compression from the 1970s, with two ratios: 3:1 (Comp) and 10:1 (Limit)\u003c\/li\u003e\n\u003cli\u003eControllable gain reduction and make-up gain\u003c\/li\u003e\n\u003cli\u003eVU-meter displays gain reduction in real time\u003c\/li\u003e\n\u003cli\u003eDry\/wet mix control over compression for parallel compression application\u003c\/li\u003e\n\u003cli\u003eBypass switch\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eMechanical\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e14HP Eurorack format module\u003c\/li\u003e\n\u003cli\u003e0.98” (25mm) maximum depth (including power cable)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePower Consumption\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e+12V: 120mA max\u003c\/li\u003e\n\u003cli\u003e-12V: 10mA max\u003c\/li\u003e\n\u003cli\u003e+5V: not used\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eFrequency range (bypassed): 8Hz-24kHz ±0.1dB\u003c\/li\u003e\n\u003cli\u003eMaximum amplitude: 19.2Vpp\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCV Input\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eVoltage range 0V to +5V\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDSP\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e96kHz sample rate, 24-bit codec with 32-bit internal processing\u003c\/li\u003e\n\u003cli\u003e1GHz Cortex-A7 processor\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/4mscompany.com\/media\/LEQA\/Leveling-EQ-Amplifier-Manual-v1.0.pdf\"\u003eUser Manual\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"4ms","offers":[{"title":"Default Title","offer_id":51570054856982,"sku":null,"price":345.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1001\/4221\/9542\/files\/LEQA_copy__74313.1778019678.1280.1280.jpg?v=1784250221"},{"product_id":"instruo-ire-external-input-module","title":"Instruō ire - External Input Module","description":"\u003ch2 class=\"single-post-title product_title entry-title\"\u003eíre\u003c\/h2\u003e\n\u003cdiv class=\"woocommerce-product-details__short-description\"\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eThe Instruō íre is your gateway to bringing the outside world into your Eurorack system. Designed for seamless, plug-and-play integration, íre lets you connect microphones, instruments, and even line-level sources directly into your modular ecosystem with both clarity and colour.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p3\"\u003e\u003cspan class=\"s1\"\u003eíre is both a high-quality transformer input preamp for microphones, equipped with essentials such as phantom power and -20dB pad, as well as a tube-like FET preamp for the instrument\/line channel inputs. Individual gain and level controls and a 80Hz high-pass \u003c\/span\u003efilter ensure pristine or characterful gain staging for any source. Additionally, with its built-in envelope follower and comparator, íre transforms incoming audio into dynamic control signals, unlocking interesting ways to interact with your modular system.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan\u003e\u003cspan\u003eíre\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e \u003cspan class=\"s1\"\u003e| \u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003enoun\u003c\/span\u003e (level)\u003c\/span\u003e \u003cspan class=\"s1\"\u003ea stage within a process; a position within an unfolding \u003c\/span\u003e\u003cspan class=\"s2\"\u003ef\u003c\/span\u003e\u003cspan class=\"s3\"\u003elow of change.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003e\u003ca href=\"https:\/\/instruomodular.com\/wp-content\/uploads\/manuals\/ire_signal_flow.pdf\"\u003e\u003cspan\u003eQUICKSTART GUIDE\u003c\/span\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003ch3\u003e\u003cspan\u003e\u003ca href=\"https:\/\/instruomodular.com\/wp-content\/uploads\/manuals\/i%CC%81re_manual.pdf\"\u003e\u003cspan\u003eMANUAL\u003c\/span\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch2\u003eDescription\u003c\/h2\u003e\n\u003ch3\u003e\u003cspan\u003eSize\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e8HP\u003cbr\u003eDepth: 40mm\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan class=\"s1\"\u003ePower\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cspan class=\"s1\"\u003e+12V: 35mA\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003e–12V: 35mA\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3 class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eFeatures\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eMicrophone and instrument preamp\u003c\/li\u003e\n\u003cli\u003ePhantom Power\u003c\/li\u003e\n\u003cli\u003ePad\u003c\/li\u003e\n\u003cli\u003eHigh-pass Filter\u003c\/li\u003e\n\u003cli\u003eEnvelope Follower\u003c\/li\u003e\n\u003cli\u003eComparator\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Instruō","offers":[{"title":"Default Title","offer_id":51570054955286,"sku":null,"price":385.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1001\/4221\/9542\/files\/Ire__13812.1778094439.1280.1280.jpg?v=1784250225"}],"url":"https:\/\/boutiquepedalnyc.us\/collections\/preamp.oembed","provider":"BPNYC","version":"1.0","type":"link"}