{"title":"Eurorack Dual\/Stereo","description":"","products":[{"product_id":"mordax-data","title":"MORDAX DATA","description":"\u003ch3\u003e\u003cspan style=\"color: #ff00ff;\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003ch3\u003e\u003cstrong\u003eDATA : The multifunction tool for Eurorack modular systems\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cul data-rte-list=\"default\"\u003e\n\u003cli\u003e\n\u003cp\u003e16 HP (81.28mm width)\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e35mm approx. depth\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFull color, 2.8” (71mm) display, with crystal clear, scratch resistant window\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eUser upgradable firmware via included microSD card\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eOscilloscope, tuner, waveform generator, clock source\/div\/mult, spectral display, and more\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eInput \/ Output:\u003c\/p\u003e\n\u003cul data-rte-list=\"default\"\u003e\n\u003cli\u003e\n\u003cp\u003e4 input jacks (+\/-10V range), AC or DC coupled via on-screen control\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e4 buffered through jacks, one for each input channel\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e4 output jacks (+10 to -5V range), can be CV, audio, trigger or gate signals\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003ePower Consumption (average):\u003c\/p\u003e\n\u003cul data-rte-list=\"default\"\u003e\n\u003cli\u003e\n\u003cp\u003e~250mA +12V\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e~60mA -12V\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e                         \u003cstrong\u003eMADE IN THE USA\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003ch2\u003eThe Ultimate Eurorack Utility Module (and a whole lot more!)\u003c\/h2\u003e\n\u003cp\u003eThe DATA is a digital platform for testing, measurement, and signal generation in Eurorack modular synthesis systems. It is a modular tool kit, with functions applicable to any system and style. \u003c\/p\u003e\n\u003cp\u003eUse the DATA’s scope to view the interactions between your control voltages and audio signals, allowing you to master your modules by understanding their voltage ranges, control shapes, and parameter responses. Use the DATA’s dual waveform generator to dial in a precisely scaled LFO for CV control, or use the waveform’s frequency “note mode” to effortlessly make dyads (two note chords). Use the DATA’s clock program as a master clock or to divide or multiply an incoming clock signal, sending four different clock outs to gate modules directly or as control to sequencers. \u003c\/p\u003e\n\u003cp\u003eThe possibilities of the DATA are basically unlimited; with the included microSD you can update the DATA’s firmware and we can continue to refine and create new programs.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv class=\"sqs-block image-block sqs-block-image sqs-col-2 span-2 float float-left sqs-text-ready\" data-aspect-ratio=\"128.57142857142858\" data-block-type=\"5\" id=\"block-yui_3_17_2_1_1484095361427_27397\"\u003e\n\u003cdiv class=\"sqs-block-content\" id=\"yui_3_17_2_1_1512528638964_228\"\u003e\n\u003cdiv class=\"image-block-outer-wrapper layout-caption-hidden design-layout-inline sqs-narrow-width\" id=\"yui_3_17_2_1_1512528638964_227\"\u003e\n\u003cdiv class=\"intrinsic\" id=\"yui_3_17_2_1_1512528638964_226\"\u003e\n\u003cdiv class=\"image-block-wrapper has-aspect-ratio\" data-description=\"\" id=\"yui_3_17_2_1_1512528638964_224\"\u003e\u003cimg alt=\"DATA---User-Guide---161229.jpg\" class=\"thumb-image loaded\" data-image=\"https:\/\/static1.squarespace.com\/static\/55cb08b6e4b0b341400e1503\/t\/58757ffcdb29d6ab1b36f8cc\/1484095716399\/DATA---User-Guide---161229.jpg\" data-image-dimensions=\"153x200\" data-image-focal-point=\"0.5,0.5\" data-image-id=\"58757ffcdb29d6ab1b36f8cc\" data-image-resolution=\"300w\" data-load=\"false\" data-position-mode=\"standard\" data-src=\"https:\/\/static1.squarespace.com\/static\/55cb08b6e4b0b341400e1503\/t\/58757ffcdb29d6ab1b36f8cc\/1484095716399\/DATA---User-Guide---161229.jpg\" data-type=\"image\" src=\"https:\/\/static1.squarespace.com\/static\/55cb08b6e4b0b341400e1503\/t\/58757ffcdb29d6ab1b36f8cc\/1484095716399\/DATA---User-Guide---161229.jpg?format=300w\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"sqs-block html-block sqs-block-html\" data-block-type=\"2\" id=\"block-yui_3_17_2_1_1484095361427_26516\"\u003e\n\u003cdiv class=\"sqs-block-content\"\u003e\n\u003ch3\u003e\u003ca href=\"http:\/\/mordax.link\/DATA_User_Guide\" target=\"_blank\"\u003eDOWNLOAD THE LATEST DATA USER GUIDE - Version 171002\u003c\/a\u003e\u003c\/h3\u003e\n\u003ch3\u003e\u003ca href=\"http:\/\/mordax.link\/DATA_SYS_Firmware\" target=\"_blank\"\u003eDOWNLOAD DATA SYSTEM FIRMWARE UPDATE - V01.02.02\u003c\/a\u003e\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"sqs-block code-block sqs-block-code\" data-block-type=\"23\" id=\"block-yui_3_17_2_1_1446633136025_399060\"\u003e\n\u003ch2\u003eThe Many Forms of DATA\u003c\/h2\u003e\n\u003ch3\u003eThe DATA ships with the 7 following functions, and there's more to come!\u003c\/h3\u003e\n\u003cbr\u003e\u003cbr\u003e\n\u003cp\u003e\u003cstrong\u003e4 Channel Oscilloscope\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eMonitor four independent CV or audio channels\u003c\/li\u003e\n\u003cli\u003eSelectable voltage scale, position, AC\/DC coupling, and visibility\u003c\/li\u003e\n\u003cli\u003eTrigger from any channel, with full scale, user-selectable trigger level\u003c\/li\u003e\n\u003cli\u003eTime scale ranges from 50µS to 5 seconds per grid square (total range of 600µS to 1 minute of signal across the screen)\u003c\/li\u003e\n\u003cli\u003eX (time) and Y (voltage) measurement cursors with difference display, allowing for simple measurement and windowing of any input signal\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eNEW in Firmware V01.01.00: XY Scope (Lissajous curves) and Minimal Display Mode\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cp\u003e\u003cstrong\u003eTuner\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eMeasure the precise frequency of any of the 4 incoming signals with a large frequency display\u003c\/li\u003e\n\u003cli\u003eThe tuning display shows your distance from the closest note graphically and as a frequency number\u003c\/li\u003e\n\u003cli\u003eNearest note is automatically detected and changes while you tune\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cp\u003e\u003cstrong\u003eVoltage Monitor with Quad Voltage \u0026amp; Gate Source\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e4 channel input display with real-time voltage readout, a simple CV scope for low frequency signals\u003c\/li\u003e\n\u003cli\u003e4 channel outputs can be CV sources (constant voltages, from +10V to -5V) or manual gate sources, with user defined gate HIGH and gate LOW voltages, with either momentary gate or latched gate behavior.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cp\u003e\u003cstrong\u003eDual Waveform Generator\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eTwo independent digital oscillator channels, with control over frequency, phase, amplitude and offset (wave center)\u003c\/li\u003e\n\u003cli\u003eCurrent waveforms: sine, square, saw, triangle, with waveform output display per channel\u003c\/li\u003e\n\u003cli\u003eFrequency range: \u0026gt; 4kHz down to 0.01Hz, selected per numeral for quick, precise value input\u003c\/li\u003e\n\u003cli\u003e“Note Mode” frequency selection available independently for either oscillator\u003c\/li\u003e\n\u003cli\u003eCV assignable control over frequency (1V\/Octave - over 8 octaves!) and amplitude (digital VCA)\u003c\/li\u003e\n\u003cli\u003eFlexible CV control routing; any of the four input jacks can be freely assigned to any destination, with per destination attenuation (percent value)\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eNEW in Firmware V01.01.00: Wavefolding Mode\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cp\u003e\u003cstrong\u003eQuad Clock Source with Clock Division, Multiplication \u0026amp; Offset\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e“External Sync” or “Internal Clock” modes; use it as a precise and stable master clock, or as a clock processor sync’d to an external clock source\u003c\/li\u003e\n\u003cli\u003eQuad clock outputs, each can be a ratio of the main clock (internal\/external), with 32 different div\/mult values available, from \/48 (12 measures) up to x48 (128th note triplets), including fractional factors (e.g., x1.3 = dotted 8th note)\u003c\/li\u003e\n\u003cli\u003eBeat offset shift for each clock pulse, +\/- 96 steps (up to one 4th note shift either direction)\u003c\/li\u003e\n\u003cli\u003eInput jacks 1 \u0026amp; 2 act as “Ext Clock Sync” and “Reset” inputs while in “External Sync” mode and as “Start\/Stop” and “Reset” while in “Internal Clock” mode\u003c\/li\u003e\n\u003cli\u003eInput jacks 3 \u0026amp; 4 are user-assignable CV input sources, which can be assigned to control any of the 4 output channel's div\/mult values and offsets, with selectable attenuation per destination\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eNEW in Firmware V01.02.02: Clock upgraded from 2ch to 4ch clock output, new core, more div\/mult values\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cp\u003e\u003cstrong\u003eSpectral Analyzer (single-FFT)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eDisplay the current harmonic content of any of the 4 incoming signals\u003c\/li\u003e\n\u003cli\u003eUser-selectable filter window (Square\/None, Hann, Bartlett, Blackman-Harris)\u003c\/li\u003e\n\u003cli\u003ePeak frequency bin readout shows you frequency range of the first harmonic (fundamental frequency) in the signal\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cp\u003e\u003cstrong\u003eSpectrograph (multi-FFT)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eDisplay the harmonic content of any of the 4 incoming signals over time\u003c\/li\u003e\n\u003cli\u003eEach column of pixels along the X axis is one frame of the Spectral Analyzer’s display.\u003c\/li\u003e\n\u003cli\u003eUser-selectable filter window (Square\/None, Hann, Bartlett, Blackman-Harris)\u003c\/li\u003e\n\u003cli\u003eControls for display clear and run\/stop\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"MORDAX","offers":[{"title":"Black","offer_id":51569904451862,"sku":null,"price":395.0,"currency_code":"USD","in_stock":false},{"title":"Silver","offer_id":51569904484630,"sku":null,"price":395.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1001\/4221\/9542\/files\/DATA_blk_silver__22686.1686335892.1280.1280.jpg?v=1785721513"},{"product_id":"4ms-wav-recorder","title":"4ms WAV Recorder","description":"\u003cp\u003eThe WAV Recorder from 4ms Company is a high fidelity, two-channel stereo audio recorder with basic playback features. Accepting a wide range of input signals, from line-level to modular-level, the WAV Recorder stores audio onto a microSD card in lossless .wav format up to 96kHz\/24-bit. The trigger jack can be used for capturing rhythmic loops or synchronizing multiple WAV Recorder modules for multi-track recording. In Playback mode, the trigger jack or button plays the most recent recording. A simple file\/folder navigation system can be used to browse the folders on the card for playing back .wav files. A Gain knob allows for up to +20dB of boost, and an LED Signal Meter indicates clipping and the signal level.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv class=\"tab_content\" id=\"featurestab\"\u003e\n\u003cul\u003e\n\u003cli\u003eRecords high-fidelity, low-noise, stereo WAV files onto microSD Card.\u003c\/li\u003e\n\u003cli\u003eUp to 96kHz, 24-bit stereo recording.\u003c\/li\u003e\n\u003cli\u003eExtremely low noise, high-fidelity design\u003c\/li\u003e\n\u003cli\u003eConfigurable to 96kHz, 48kHz, or 44.1kHz; and 24-bit or 16-bit; and stereo or mono\u003c\/li\u003e\n\u003cli\u003eAccepts modular signal level, line level, or headphone level.\u003c\/li\u003e\n\u003cli\u003eGain knob and LED level meter allows you easily boost or cut any signal, from synths to smart phones, without clipping.\u003c\/li\u003e\n\u003cli\u003eAudio can be monitored without recording, so the WAV Recorder can also be used as a pre-amp for boosting line-level signals to modular level.\u003c\/li\u003e\n\u003cli\u003ePlayback previous recordings or standard .wav files on the microSD Card, without renaming files.\u003c\/li\u003e\n\u003cli\u003ePlayback and Record activated by button press or a trigger jack\u003c\/li\u003e\n\u003cli\u003eRecording time and number of files are limited only by available space on card: Typical cards can hold hundreds of hours of samples.\u003c\/li\u003e\n\u003cli\u003eContinuous Recording feature automatically breaks long recordings (\u0026gt;6 hours, typically) into multiple 4GB files. With a large SD Card (128GB), you can literally record continuously for 2 weeks without stopping!\u003c\/li\u003e\n\u003cli\u003eConnects to the LISTEN modules for recording directly from the main output.\u003c\/li\u003e\n\u003cli\u003e24-bit 96kHz Codec (DAC and ADC)\u003c\/li\u003e\n\u003cli\u003eIncludes 16GB microSD card (Class 10), SD adaptor, 10-to-16 pin power cable and M3 Knurlie screws\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv class=\"tab_content\" id=\"specstab\"\u003e\n\u003cul\u003e\n\u003cli\u003e6 HP Eurorack format module\u003c\/li\u003e\n\u003cli\u003e10-pin Eurorack power header\u003c\/li\u003e\n\u003cli\u003e0.98\" (25mm) maximum depth with power cable\u003c\/li\u003e\n\u003cli\u003ePower consumption:\r\n\u003cul\u003e\n\u003cli\u003e+12V rail: 112mA\u003c\/li\u003e\n\u003cli\u003e-12V rail: 12mA\u003c\/li\u003e\n\u003cli\u003e+5V rail: not used\u003c\/li\u003e\n\u003cli\u003eConnect red stripe of power cable towards the bottom of the module, which is marked with a white stripe and the words -12V and POWER\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eAudio Inputs\r\n\u003cul\u003e\n\u003cli\u003e22Vpp maximum\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eAudio Signal\r\n\u003cul\u003e\n\u003cli\u003eSignal-to-Noise Ratio (SNR) of WAV file: \u003cbr\u003e (Measurements taken from recordings made in typical Eurorack case powered by Row Power 40)\r\n\u003cul\u003e\n\u003cli\u003e-91.7dB @ 16-bit, 44.1kHz\u003c\/li\u003e\n\u003cli\u003e-88.9dB @ 24-bit, 96kHz\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003ePlayback Frequency Response (File : Output jacks)\u003cbr\u003e 20Hz - 20kHz: +\/-0.1dB maximum\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eTrigger input:\r\n\u003cul\u003e\n\u003cli\u003eAcceptable trigger voltage range: +2V to +12V\u003c\/li\u003e\n\u003cli\u003eMinimum pulse width: 5ms\u003c\/li\u003e\n\u003cli\u003eMaximum frequency of repeated triggers: 50Hz\u003cbr\u003e (Minimum time between recordings varies with speed of microSD card)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv class=\"tab_content\" id=\"manualtab\" style=\"display: block;\"\u003e\n\u003cul\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/4mscompany.com\/REC\/manual\/WAV-Recorder-v1.0.1.pdf\"\u003eWAV Recorder User Manual v1.0.1\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"4ms","offers":[{"title":"Default Title","offer_id":51569910546710,"sku":null,"price":269.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1001\/4221\/9542\/files\/Screenshot_2026-07-27_at_10.15.33_PM.png?v=1785215745"},{"product_id":"make-noise-qpas-quad-core-stereo-analog","title":"Make Noise QPAS -Quad Core Stereo Analog","description":"\u003cp\u003eThe Quad Peak Animation System combines the auditory enveloping of stereo spaced peaks with the animation of two or more peaks in a single channel dancing around each other or engaging in primitive vocalizations. QPAS is Quad Core, containing four identical state variable filter cores with a control system powerful enough to guide them in stereo multi-peak operation, but simple enough to encourage system integration rather than domination.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv class=\"features\"\u003e\n\u003ch3\u003efeatures\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eQuad Core Stereo Analog\u003c\/li\u003e\n\u003cli\u003eMulti-Peak with clean resonance\u003c\/li\u003e\n\u003cli\u003eFast response encourages deep FM\u003c\/li\u003e\n\u003cli\u003eRadiate spaces stereo image and animates associated channel\u003c\/li\u003e\n\u003cli\u003eHigh Q settings are under damped, excitable, and ring by gate or trigger\u003c\/li\u003e\n\u003cli\u003e2 \u003cstrong\u003e!!¡¡\u003c\/strong\u003e modulation inputs aid patch exploration\u003c\/li\u003e\n\u003cli\u003eStereo VCA, pre-filter with gain\u003c\/li\u003e\n\u003cli\u003eMono to Stereo, Stereo to Mono, Mono to Mono and Stereo to Stereo operations\u003c\/li\u003e\n\u003cli\u003eSmile Pass filter response unique to QPAS\u003c\/li\u003e\n\u003cli\u003eLow Pass, Band Pass, High Pass and Smile Pass outputs simultaneously available\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003especifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eWidth: 18hp\u003c\/li\u003e\n\u003cli\u003eMax Depth: 30mm\u003c\/li\u003e\n\u003cli\u003ePower:\u003cbr\u003e166mA @ +12V\u003cbr\u003e190mA @ -12V\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThe Story of the QPAS by Tony Rolando\u003c\/p\u003e\n\u003cp\u003eWhen I worked at Moog calibrating Voyagers, I monitored with headphones, and one of my favorite sound sensations was that of the stereo low pass filter. You might not even recall that the Voyager had a stereo Dual LPF. It is under utilized since most folks are trying to achieve classic Model D goodness, and the OG MiniMoog was a very mono instrument.\u003c\/p\u003e\n\u003cp\u003eThe binaural effect of a stereo Dual LPF is simple: one channel of the sound is brighter than the other. However, the effect is heightened when the filter has an exponential response and the cutoff is modulated. At lower cutoff frequencies the two channels appear to move at similar velocities, but as the cutoff frequency increases, one channel will smoothly increase in velocity, becoming brighter faster. The other channel lags behind, but eventually reaches the same velocity, and finally at high cutoff frequencies the two channels coalesce into full brightness. Where the mono LPF smashes you in the forehead with simple heavy sound, the stereo LPF envelops you, putting you inside the heavy sound.\u003c\/p\u003e\n\u003cp\u003eWhen I developed the QMMG I learned about multi-peak filtering. Another under-utilized technique, this is processing a single channel of sound, with multiple filter channels, which are modulated, and then summed together to create a new version of the original sound. On the QMMG all four channels of filters were summed to the MIX OUT. There were a few normalizations, but they did not really ease or encourage multi-peak use. The QMMG UI was awkward for use as a multi-peak filter.\u003c\/p\u003e\n\u003cp\u003eA common use for multi-peak filtering is the creation of formants, where multiple band pass filters are carefully programmed to generate human vowel sounds. This can be fun but it requires meticulous programming. If you forget about formants and just modulate until it sounds good, a multi-peak filter can be gorgeous fun. When the multiple peaks are offset from each other and modulated, the effect can be dizzying, as the sound appears to be dancing with itself, moving in many directions and yet it is still a mono sound. It is an auditory illusion.\u003c\/p\u003e\n\u003cp\u003eI began thinking about what it would be like to have BOTH effects simultaneously… the binaural enveloping of the stereo spaced peaks AND the animation of two or more peaks in a single channel dancing around each other. Obviously some primitive formants could occur as well if some inventive modulation destinations were offered.\u003c\/p\u003e\n\u003cp\u003eQPAS is short for Quad Peak Animation System. Inside the QPAS there are four identical state variable filter cores with a control system devoted to utilizing them in a stereo multi-peak configuration amongst other things.\u003c\/p\u003e\n\u003cp\u003eI wanted to design a dramatic stereo filter that could also be dynamically animated, primitively vocal and also capable of mono to stereo, stereo to mono, mono to mono and stereo to stereo utilities. Something that was more functional than just linking multiple filter modules.\u003c\/p\u003e\n\u003cp\u003eWe needed at least two filter cores to achieve stereo or multi peak animation and so we had to first design a single filter core where the character and repeatability was not so defined by the vactrol utilized in other MN filters. I enjoy the QMMG and MMG, but they require many trims and specialized selection of the vactrol parts to work well and even then there is a great deal of variation from one unit to the next. That might not work well for a stereo filter. We developed several completely different cores before finding the right one.\u003c\/p\u003e\n\u003cp\u003eOnce we had a good filter core designed, we began prototyping a multi-core, stereo version. We attempted 2, 3 and 4 core versions. It was not until we reached 4 cores that we achieved the animation and stereo image I had been imagining.\u003c\/p\u003e\n\u003cp\u003eFinally we had to come up with a way to control 4 filter cores simultaneously that was powerful but simple enough to encourage system integration rather than system domination.\u003c\/p\u003e\n\u003cp\u003eThe Radiate Left and Right parameters define the stereo image and peak animation of the final sound. I believe they are an elegant way to handle animation of multiple filter cores within a modular synthesizer. The normalization between the two Radiate parameter further eases this handling. Radiate offsets the Left and Right sides from the Center Cutoff Frequency creating the stereo image while simultaneously moving the two peaks in the associated channel away from each other, or back together again, creating the peak animation. Radiate could also be used to program primitive formants.\u003c\/p\u003e\n\u003cp\u003eThe Cutoff and Q (or resonance) parameters are linked to all four filter cores. Adjusting these parameters may result in pronounced changes in the sound because they are changing the center Cutoff Frequency and Q for all four filter cores simultaneously. But remember, since all 4 cores may be modulated and\/ or offset to different cutoff frequencies, and the response of this filter is highly exponential, and the perceived strength of resonance varies with cutoff frequency, modulating these macro parameters is capable of animating the animation and shifting the entire stereo image. This is why Cutoff Frequency has such a large knob.\u003c\/p\u003e\n\u003cp\u003eThe \u003cstrong\u003e!!¡¡\u003c\/strong\u003e inputs are intentionally mysterious inputs that may be used with just about any signal. We wanted to encourage blind patch experimentation. Audio rate modulations create sidebands that may aid in the creation of those primitive vocaloid sounds or work to decimate the peaks with quasi aliasing, resulting in low digital tech crunch. Slower modulation, such as a pattern of gates, may serve to accent particular moments in time or even cause spurious damped oscillations.\u003c\/p\u003e\n\u003cp\u003eAt the input I added a stereo VCA. The traditional location for a VCA is post-filter, so my hope is that this pre-filter VCA will encourage the less common signal path and be inspirational to folks. By design the QPAS will not self oscillate, but with high Q settings it may be excited by an input signal. Having a VCA pre-filter encourages exploration of the dampened ringing that results from the excitation of the QPAS filter cores.\u003c\/p\u003e\n\u003cp\u003eWe included the 3 most desired filter responses: Low Pass, Band Pass and Highpass, and were left enough space in the module to add another pair of outputs. I went back to the prototype and experimented with adding and subtracting different combinations of taps from the filter cores. We wanted to create a filter type that would allow for animation of resonant peaks without the loss of bottom or top end of the spectrum that must occur in a LP, BP or HP filter to give those types their sound. We also wanted to add something that could not be achieved by mixing the existing LP, BP and HP outputs. The SP, or Smile Pass, output is the subtle result of that experimentation.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e","brand":"MAKE NOISE","offers":[{"title":"Default Title","offer_id":51569923293462,"sku":null,"price":379.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1001\/4221\/9542\/files\/Screen_Shot_2019-08-02_at_14.30.37_3_1_31__22629.1686243164.1280.1280.jpg?v=1785022414"},{"product_id":"befaco-stmix","title":"BEFACO STMIX","description":"\u003cp class=\"lead wrap\"\u003e4 channel stereo mixer w\/ aux input\u003c\/p\u003e\n\u003cp\u003eStmix is a compact 4 channel stereo mixer with an Auxilliar input. This input will allow us to chain a few of them or to insert an extra fifth input.\u003cbr\u003eThis module is compatible with our Hexmix system, and can be internally connected to hexmix module to add the output of STMIX to your main mix.\u003c\/p\u003e\n\u003cp\u003eFEATURES\u003cbr\u003e– Four channels stereo inputs with volume control\u003cbr\u003e– Aux input straight to the Mix out\u003cbr\u003e– Level metter LEDs\u003cbr\u003e– Connector in the back to interface with Hexmix module.\u003c\/p\u003e\n\u003cp\u003eSPECS\u003cbr\u003e– Current needs: +12V: 8mA, -12V: 10mA\u003cbr\u003e– Width: 6 HP\u003cbr\u003e– Depth: 20 mm\u003cbr\u003e– Alluminium, heat-treated front panel\u003cbr\u003e– Designed, kits prepared and completed modules assembled in Barcelona\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e8 mA +12V\u003c\/li\u003e\n\u003cli\u003e10 mA -12V\u003c\/li\u003e\n\u003cli\u003e0 mA 5V\u003c\/li\u003e\n\u003cli\u003e20 mm deep\u003c\/li\u003e\n\u003cli\u003e6HP\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"BEFACO","offers":[{"title":"Default Title","offer_id":51569937744150,"sku":null,"price":165.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1001\/4221\/9542\/files\/Blank_1U_6hp_copy_2__49094.1600825473.1280.1280.jpg?v=1784675901"},{"product_id":"befaco-hexpander-hexmix-expander","title":"BEFACO HEXPANDER -Hexmix expander","description":"\u003cp class=\"lead wrap\"\u003eUse it with your Hexmix for more performance!\u003c\/p\u003e\n\u003cp class=\"lead wrap\"\u003eHexmix expander with 3 aux sends, PFL, individual outs per channel and master balanced out\u003c\/p\u003e\n\u003cp\u003eHexpander adds great functionality to Hexmix module. Featuring Three aux send with auxiliary returns, individual outputs for each channel, complete PFL system and balanced output.\u003cbr\u003eHexpander is designed to be placed on top of Hexmix. Expanding eurorack concept to 6u, allow every channel to be aligned as in traditional tabletop mixers.\u003c\/p\u003e\n\u003cp\u003eFor every channel you have three auxiliar sends. One pot will measure the amount of signal sent to each of them.\u003c\/p\u003e\n\u003cp\u003eEvery auxiliar send has a volume pot, that will measure the level of the signal sent. There are two jacks available so it is possible to send the signal pre or post fader\/EQ in parallel.\u003cbr\u003eReturns are stereo, having a switch to select if the signal is coming from synth or line level. Like this levels can be set properly, for example, either to a guitar pedal or a FX module at synth level.\u003c\/p\u003e\n\u003cp\u003eHexpander features a complete PFL system, to send channels to the headphones before you add them to main mix.\u003cbr\u003eFlip PFL switch to send that channel to the headphones out. With PFL\/Master Pot you can do a crossfade between the master signal and every channel sent to PFL. Headphones out will control headphones volume.\u003cbr\u003eLevel meter will show the level of the sum of all active PFLs. When there is no PFL active, it will show master level.\u003c\/p\u003e\n\u003cp\u003eEvery channel has individual 6,5\" jacks out at line level.Here you heve the signal of every channel post EQ.\u003cbr\u003eAs an addition, you have master balanced output.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e137 mA +12V\u003c\/li\u003e\n\u003cli\u003e64 mA -12V\u003c\/li\u003e\n\u003cli\u003e0 mA 5V\u003c\/li\u003e\n\u003cli\u003e27 mm deep\u003c\/li\u003e\n\u003cli\u003e28HP\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"BEFACO","offers":[{"title":"Default Title","offer_id":51569937776918,"sku":null,"price":400.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1001\/4221\/9542\/files\/Screen_Shot_2019-08-02_at_14.30.37_3_1_2__97931.1571362604.1280.1280.jpg?v=1785019896"},{"product_id":"befaco-hexmix-6-channel-performance-mixer","title":"BEFACO HEXMIX  - 6-channel performance mixer","description":"\u003cp\u003e*Recommended to use with Hexpander for extra performance!!*\u003c\/p\u003e\n\u003cp\u003eBEFACO HEXMIX - 6channel performance mixer\u003c\/p\u003e\n\u003cp class=\"lead wrap\"\u003e6-channel performance mixer with EQs mutes and Pan\u003c\/p\u003e\n\u003cp\u003eHexmix System is a six channel performance mixer specially designed for Eurorack.\u003c\/p\u003e\n\u003cp\u003eThe system has two separate modules, the core of the mixer: Hexmix that has six channels with three band EQ, mute, pan and EQ section on the master, and Hexpander that add three auxiliar sends per channel, PFL, individual outs and balanced output.\u003c\/p\u003e\n\u003cp\u003eThe mixer has a strong inspiration in classical DJ mixers, providing sharp EQ’s for enhanced performance, auxilliar send for effects and individual outputs to record your performance per channel.\u003c\/p\u003e\n\u003cp\u003eThe unique Mute Section is a powerful tool for performances, providing a momentary mute function controlled by vactrols and adding a smooth release to the signal decay.\u003c\/p\u003e\n\u003cp\u003eThe system is designed to be placed in 6U, instead of the traditional 3U paradigm in Eurorack. So we will have every feature for each channel vertically as a convetional tabletop mixing deck.\u003c\/p\u003e\n\u003cp\u003eHEXMIX FEATURES\u003cbr\u003eThis is a six channels mixer with three band EQ, vactrol mutes, pan and volume control per channel.\u003c\/p\u003e\n\u003cp\u003eInputs for every channel are located at left side of Hexmix. Each jack is normalized to a VCA Expander connection in the back, so if you have a Hexmix VCA , you will have the output of each VCA to every input. connecting a jack in any input will disconnect whatever is coming from VCA.\u003c\/p\u003e\n\u003cp\u003eThe signal passes through various process before being sent to the master section. All of this process are located and controlled at each Channel Strip.\u003cbr\u003eThe Channel Strip is divided in four basic sections, that will go in the following order: Gain, Mute, EQ and Pan.\u003c\/p\u003e\n\u003cp\u003eMaster section has it’s own EQ and volume control for the mix of all channels. Master EQ is software than individual channel’s and it’s meant to provide control over the final mix.\u003cbr\u003eIt’s possible to change output level from line to synth wit ha switch located in the back.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e106 mA +12V\u003c\/li\u003e\n\u003cli\u003e88 mA -12V\u003c\/li\u003e\n\u003cli\u003e0 mA 5V\u003c\/li\u003e\n\u003cli\u003e27 mm deep\u003c\/li\u003e\n\u003cli\u003e28HP\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"BEFACO","offers":[{"title":"Default Title","offer_id":51569937809686,"sku":null,"price":530.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1001\/4221\/9542\/files\/Screen_Shot_2019-08-02_at_14.30.37_3_1_1__55225.1571363274.1280.1280.jpg?v=1785019866"},{"product_id":"rossum-panharmonium-spectral-processor-and-tone-generator","title":"Rossum Panharmonium - Spectral Processor and Tone Generator","description":"\u003cp\u003e\u003cstrong\u003eSpectral Processor and Tone Generator\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eRossum Electro-Music Software Architect \u003cstrong\u003eBob Bliss\u003c\/strong\u003e (who also, as it happens, fathered E-mu’s famed “EOS” Emulator Operating System) has created \u003cstrong\u003ePanharmonium\u003c\/strong\u003e, a unique music and sound design tool that lets you analyze the spectral content of any audio signal and use that analysis to drive a bank of from 1 to 33 oscillators. Depending on various control settings, Panharmonium can accurately reproduce the input spectrum in real time or modify it in a multitude of wildly creative ways. All with an interface whose immediacy encourages performance and interaction.\u003c\/p\u003e\n\u003cp\u003ePanharmonium input can be anything from a single oscillator to an entire mix (including vocals). From dense, swirling pads and drones that evolve with the input’s changing spectrum, to clock-syncable spectral arpeggiation, to as-yet unnamed harmonic effects, Panharmonium opens up an entirely new world of sonic possibilities.\u003c\/p\u003e\n\u003cp\u003eAdditionally, Panharmonium can take a snapshot of an instantaneous spectrum and use that as a complex harmonic oscillator, which can then be modified and modulated by all of Panharmonium’s other controls. \u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003ePanharmonium accomplishes its magic though a combination of functional submodules:\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eSpectral Analyzer\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThe Spectral Analyzer provides tools for defining the analysis process.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e– The \u003cstrong\u003eSlice\u003c\/strong\u003e parameter sets the rate at which the incoming audio is transformed to spectral data. It can be set by the \u003cstrong\u003eSlice\u003c\/strong\u003e and \u003cstrong\u003eMultiplier\u003c\/strong\u003e controls, the \u003cstrong\u003eTap\u003c\/strong\u003e button, or by an external clock signal. Very short slice times result in real-time spectral data, while longer times can create rhythmic spectral patterns.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e– The \u003cstrong\u003eCenter Freq\u003c\/strong\u003e and \u003cstrong\u003eBandwidth\u003c\/strong\u003e controls (and associated CV inputs and attenuverters) control the range of frequencies to be analyzed. The \u003cstrong\u003eBandwidth\u003c\/strong\u003e control allows the selection of narrow to wide pass bands on the left side of the pot and narrow to wide notches on the right side of the pot. The ability to sweep the frequency and modify the bandwidth under CV control opens up a wide range of sonic effects.\u003c\/p\u003e\n\u003cp\u003e– The \u003cstrong\u003eFreeze\u003c\/strong\u003e button lets you freeze the spectral integrator, sustaining the currently analyzed spectrum.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eSpectral Modifiers\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThese controls allow you to creatively modify the analyzed spectra.\u003c\/p\u003e\n\u003cp\u003e– The \u003cstrong\u003eVoice\u003c\/strong\u003e parameter lets you select from 1 to 33 oscillators to resynthesize the spectrum.\u003c\/p\u003e\n\u003cp\u003e– The \u003cstrong\u003eBlur\u003c\/strong\u003e parameter (and associated CV input) is a spectral lag processor that controls how quickly the spectrum can change. \u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e– The \u003cstrong\u003eFeedback\u003c\/strong\u003e control lets you route the resynthesized audio back into the entire processing chain for subtle or dramatic feedback effects. At its max, the output becomes self-sustaining, even if the input is removed.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eOscillator Bank\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThe Oscillator Bank resynthesizes the analyzed spectra.\u003c\/p\u003e\n\u003cp\u003e– The \u003cstrong\u003eWaveform\u003c\/strong\u003e parameter selects the oscillators’ waveform. In addition to the usual sine, triangle, sawtooth and pulse waveforms, two special crossfading sine and sawtooth waveforms are included.\u003c\/p\u003e\n\u003cp\u003e– The \u003cstrong\u003eFreq\u003c\/strong\u003e control lets you tune the oscillators over a +\/-7 semitone range. The frequency is further controlled by the 1V\/Oct input and the FM input and attenuverter.\u003c\/p\u003e\n\u003cp\u003e– The \u003cstrong\u003eOctave\u003c\/strong\u003e control, not surprisingly, shifts the pitch of the output by octaves.\u003c\/p\u003e\n\u003cp\u003e– The \u003cstrong\u003eGlide\u003c\/strong\u003e parameter sets the amount of polyphonic glide (i.e., each oscillator has its own glide circuit).\u003c\/p\u003e\n\u003cp\u003e– The \u003cstrong\u003eMix\u003c\/strong\u003e control\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e(and associated CV input) sets the balance between the original input audio and the resynthesized audio.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eOptional Functions\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eA number of optional functions can be selected by using the \u003cstrong\u003eOutput Mode\u003c\/strong\u003e and \u003cstrong\u003eTap\u003c\/strong\u003e buttons.\u003c\/p\u003e\n\u003cp\u003e– Holding the\u003cstrong\u003e Output Mode\u003c\/strong\u003e button and adjusting the \u003cstrong\u003eSlice\u003c\/strong\u003e control enables \u003cstrong\u003eDrums Mode\u003c\/strong\u003e, which optimizes the spectral analysis for drums and other percussive inputs.\u003c\/p\u003e\n\u003cp\u003e– Holding the \u003cstrong\u003eOutput Mode\u003c\/strong\u003e button and adjusting the \u003cstrong\u003eFreq\u003c\/strong\u003e control enables \u003cstrong\u003eSpectral Warping\u003c\/strong\u003e. In contrast to conventional frequency adjustment, where the harmonic relationships between the spectral elements are preserved, \u003cstrong\u003eSpectral\u003c\/strong\u003e \u003cstrong\u003eWarping\u003c\/strong\u003e shifts the harmonic elements individually, producing a variety of clangorous, swarming textures.\u003c\/p\u003e\n\u003cp\u003e– Holding the \u003cstrong\u003eTap\u003c\/strong\u003e button and adjusting the \u003cstrong\u003eFreq\u003c\/strong\u003e control quantizes the resulting frequency adjustments to semitones.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eSpectra Memories and Presets\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003ePanharmonium provides 12 user \u003cstrong\u003eSpectra\u003c\/strong\u003e memories and 12 user \u003cstrong\u003ePresets\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003e– The \u003cstrong\u003eSpectra\u003c\/strong\u003e memories let you store up to 12 frozen slices. When selected, a spectrum (up to 33 oscillators wide!) replaces any live input and can have its pitch controlled by the 1V\/Oct input and FM controls.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e– A \u003cstrong\u003ePreset\u003c\/strong\u003e is a snapshot of all of the module settings, along with the value of any CVs present at the moment the preset is saved.\u003c\/p\u003e\n\u003cp\u003ePanharmonium\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003eis \u003cstrong\u003e26HP wide\u003c\/strong\u003e and \u003cstrong\u003e25mm deep\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003ePower requirements (max):\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003e\u003cstrong\u003e140mA +12V\u003c\/strong\u003e, \u003cstrong\u003e30mA -12V\u003c\/strong\u003e. Reverse polarity protected.\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"http:\/\/www.rossum-electro.com\/fqlzron\/wp-content\/uploads\/2019\/06\/Panharm_QSG_061219.pdf\"\u003ePanharmonium Quick Start Guide\u003c\/a\u003e (PDF)\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"http:\/\/www.rossum-electro.com\/fqlzron\/wp-content\/uploads\/2019\/07\/Panharm_manual_070419.pdf\"\u003ePanharmonium Manual\u003c\/a\u003e (PDF)\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Rossum Electro-Music","offers":[{"title":"Black SOLD OUT","offer_id":51569939874070,"sku":null,"price":599.0,"currency_code":"USD","in_stock":true},{"title":"Silver","offer_id":51569939906838,"sku":null,"price":599.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1001\/4221\/9542\/files\/Screen_Shot_2019-08-02_at_14.30.37_3_1_14__84157.1683312757.1280.1280.jpg?v=1786409010"},{"product_id":"rossum-morpheus-stereo-morphing-z-plane-filter","title":"Rossum Morpheus - Stereo Morphing Z-Plane Filter Pre-Order","description":"\u003ch4\u003eStereo Morphing Z-Plane Filter\u003c\/h4\u003e\n\u003cp\u003eWith our \u003cstrong\u003eMORPHEUS\u003c\/strong\u003e digital filter module, we’re finally able to unleash the full power of the 14-pole \u003cstrong\u003eZ­-Plane Filters\u003c\/strong\u003e that Dave invented for the E-mu Morpheus synthesizer.\u003c\/p\u003e\n\u003cp\u003eThe \u003cstrong\u003eMORPHEUS\u003c\/strong\u003e Eurorack module includes over 280 filter configurations, what we call \u003cstrong\u003eCubes\u003c\/strong\u003e. Each Cube is composed of up to 8 complex filters that you can picture as being at the corners of a three dimensional cube (hence the name). Morpheus gives you the ability to smoothly interpolate between those 8 filters within the cube’s three dimensional space.\u003c\/p\u003e\n\u003cp\u003eDue to processor limitations back in the day, the original Morpheus was capable of real-time morphing in one dimension, but interpolation in the frequency and transform dimensions were set at note-on and remained static for the remainder of the note. But even with that limitation, Morpheus offered sonic capabilities that are unmatched to this day.\u003c\/p\u003e\n\u003cp\u003eWith the \u003cstrong\u003eMORPHEUS\u003c\/strong\u003e filter module, you now have simultaneous real-time CV control of all three dimensions, for dynamic timbral effects unlike anything you’ve ever heard before. In stereo.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMORPHEUS\u003c\/strong\u003e features include:\u003c\/p\u003e\n\u003cp\u003e• Over 280 14-pole filter configurations\u003c\/p\u003e\n\u003cp\u003e• Real-time manual and CV control of Frequency, Morphing and Transformation\u003c\/p\u003e\n\u003cp\u003e• The ability to save hundreds of customized filter configurations\u003c\/p\u003e\n\u003cp\u003e• A sequencer for stepping through filter configurations under trigger or clock control\u003c\/p\u003e\n\u003cp\u003e• A large OLED display for programming and realtime display of morphing\u003c\/p\u003e\n\u003cp\u003eLike all Rossum Electro-Music digital modules, all parameters are available for adjustment with a single button press. No menu diving.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eA Closer Look at What Makes Up a Morpheus Filter\u003c\/h3\u003e\n\u003cp\u003eA \u003cstrong\u003eMorpheus Filter\u003c\/strong\u003e (i.e., what you select and load into Morpheus to process your audio) is actually the top level of a three level hierarchy. The three levels are:\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eA Frequency Response\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThis is the most basic construct of a Morpheus filter. It is essentially a single static configuration of Morpheus’s 14 poles and zeros. For example, a frequency response might be configured as six independent bands of parametric EQ and a low pass section.\u003c\/p\u003e\n\u003cp\u003e\u003cimg alt=\"6_sections\" class=\"aligncenter wp-image-914 size-large\" data-attachment-id=\"914\" data-comments-opened=\"0\" data-image-description=\"\" data-image-meta='{\"aperture\":\"0\",\"credit\":\"\",\"camera\":\"\",\"caption\":\"\",\"created_timestamp\":\"0\",\"copyright\":\"\",\"focal_length\":\"0\",\"iso\":\"0\",\"shutter_speed\":\"0\",\"title\":\"\",\"orientation\":\"0\"}' data-image-title=\"6_sections\" data-large-file=\"https:\/\/i2.wp.com\/www.rossum-electro.com\/fqlzron\/wp-content\/uploads\/2017\/02\/6_sections.png?fit=1024%2C233\" data-medium-file=\"https:\/\/i2.wp.com\/www.rossum-electro.com\/fqlzron\/wp-content\/uploads\/2017\/02\/6_sections.png?fit=300%2C68\" data-orig-file=\"https:\/\/i2.wp.com\/www.rossum-electro.com\/fqlzron\/wp-content\/uploads\/2017\/02\/6_sections.png?fit=1222%2C278\" data-orig-size=\"1222,278\" data-permalink=\"http:\/\/www.rossum-electro.com\/products\/morpheus\/attachment\/6_sections\/\" height=\"233\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1001\/4221\/9542\/files\/6_sections.png?v=1784244276\" width=\"1024\"\u003e\u003c\/p\u003e\n\u003cp\u003eEven this basic building block is capable of creating filtering and resonant spaces of enormous complexity. But the real power comes from the ability to interpolate between multiple Frequency Responses.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eA Cube\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eA \u003cstrong\u003eCube\u003c\/strong\u003e provides the structure we need to control the interpolation between multiple \u003cstrong\u003eFrequency Responses\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eTo start with a simple example (actually simpler than any of the actual Cubes),  imagine 2 different Frequency Responses and a single morph parameter to interpolate between them.\u003c\/p\u003e\n\u003cp\u003e\u003cimg alt=\"simple-morph\" class=\"aligncenter wp-image-916\" data-attachment-id=\"916\" data-comments-opened=\"0\" data-image-description=\"\" data-image-meta='{\"aperture\":\"0\",\"credit\":\"\",\"camera\":\"\",\"caption\":\"\",\"created_timestamp\":\"0\",\"copyright\":\"\",\"focal_length\":\"0\",\"iso\":\"0\",\"shutter_speed\":\"0\",\"title\":\"\",\"orientation\":\"0\"}' data-image-title=\"simple-morph\" data-large-file=\"https:\/\/i0.wp.com\/www.rossum-electro.com\/fqlzron\/wp-content\/uploads\/2017\/02\/Simple-Morph-e1486683565798.png?fit=863%2C215\" data-medium-file=\"https:\/\/i0.wp.com\/www.rossum-electro.com\/fqlzron\/wp-content\/uploads\/2017\/02\/Simple-Morph-e1486683565798.png?fit=300%2C75\" data-orig-file=\"https:\/\/i0.wp.com\/www.rossum-electro.com\/fqlzron\/wp-content\/uploads\/2017\/02\/Simple-Morph-e1486683565798.png?fit=863%2C215\" data-orig-size=\"863,215\" data-permalink=\"http:\/\/www.rossum-electro.com\/products\/morpheus\/attachment\/simple-morph\/\" height=\"112\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1001\/4221\/9542\/files\/Simple-Morph-e1486683565798-300x75.png?v=1784244279\" width=\"450\"\u003e\u003c\/p\u003e\n\u003cp\u003eBy varying that single CV-controllable parameter, you’re actually interpolating between 20 different frequency, bandwidth, resonance, and gain parameters simultaneously. We can visualize the result as looking something like this:\u003c\/p\u003e\n\u003cp\u003e\u003cimg alt=\"varying\" class=\"aligncenter wp-image-917\" data-attachment-id=\"917\" data-comments-opened=\"0\" data-image-description=\"\" data-image-meta='{\"aperture\":\"0\",\"credit\":\"\",\"camera\":\"\",\"caption\":\"\",\"created_timestamp\":\"0\",\"copyright\":\"\",\"focal_length\":\"0\",\"iso\":\"0\",\"shutter_speed\":\"0\",\"title\":\"\",\"orientation\":\"0\"}' data-image-title=\"varying\" data-large-file=\"https:\/\/i1.wp.com\/www.rossum-electro.com\/fqlzron\/wp-content\/uploads\/2017\/02\/varying.png?fit=942%2C612\" data-medium-file=\"https:\/\/i1.wp.com\/www.rossum-electro.com\/fqlzron\/wp-content\/uploads\/2017\/02\/varying.png?fit=300%2C195\" data-orig-file=\"https:\/\/i1.wp.com\/www.rossum-electro.com\/fqlzron\/wp-content\/uploads\/2017\/02\/varying.png?fit=942%2C612\" data-orig-size=\"942,612\" data-permalink=\"http:\/\/www.rossum-electro.com\/products\/morpheus\/attachment\/varying\/\" height=\"325\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1001\/4221\/9542\/files\/varying.png?v=1784244282\" width=\"500\"\u003e\u003c\/p\u003e\n\u003cp\u003eThe next step would be to add another pair of Frequency Responses and control them with two parameters. That would look something like this:\u003c\/p\u003e\n\u003cp\u003e\u003cimg alt=\"2d\" class=\"aligncenter wp-image-913\" data-attachment-id=\"913\" data-comments-opened=\"0\" data-image-description=\"\" data-image-meta='{\"aperture\":\"0\",\"credit\":\"\",\"camera\":\"\",\"caption\":\"\",\"created_timestamp\":\"0\",\"copyright\":\"\",\"focal_length\":\"0\",\"iso\":\"0\",\"shutter_speed\":\"0\",\"title\":\"\",\"orientation\":\"0\"}' data-image-title=\"2d\" data-large-file=\"https:\/\/i2.wp.com\/www.rossum-electro.com\/fqlzron\/wp-content\/uploads\/2017\/02\/2D.png?fit=910%2C362\" data-medium-file=\"https:\/\/i2.wp.com\/www.rossum-electro.com\/fqlzron\/wp-content\/uploads\/2017\/02\/2D.png?fit=300%2C119\" data-orig-file=\"https:\/\/i2.wp.com\/www.rossum-electro.com\/fqlzron\/wp-content\/uploads\/2017\/02\/2D.png?fit=910%2C362\" data-orig-size=\"910,362\" data-permalink=\"http:\/\/www.rossum-electro.com\/products\/morpheus\/attachment\/2d\/\" height=\"199\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1001\/4221\/9542\/files\/2D.png?v=1784244285\" width=\"500\"\u003e\u003c\/p\u003e\n\u003cp\u003eIn this case, the two parameters (\u003cstrong\u003eFrequency \u003c\/strong\u003eand\u003cstrong\u003e Morph\u003c\/strong\u003e) define a point on a virtual plane that specifies the interpolation between the four Frequency Responses. Cubes like this are referred to as ”.4” cubes.\u003c\/p\u003e\n\u003cp\u003eFinally, by adding four more Frequency Responses, we have a full \u003cstrong\u003e3D Morpheus Cube\u003c\/strong\u003e, now controlled by three parameters, \u003cstrong\u003eFrequency\u003c\/strong\u003e, \u003cstrong\u003eMorph,\u003c\/strong\u003e and \u003cstrong\u003eTransform\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003e\u003cimg alt=\"cube\" class=\"aligncenter wp-image-915\" data-attachment-id=\"915\" data-comments-opened=\"0\" data-image-description=\"\" data-image-meta='{\"aperture\":\"0\",\"credit\":\"\",\"camera\":\"\",\"caption\":\"\",\"created_timestamp\":\"0\",\"copyright\":\"\",\"focal_length\":\"0\",\"iso\":\"0\",\"shutter_speed\":\"0\",\"title\":\"\",\"orientation\":\"0\"}' data-image-title=\"cube\" data-large-file=\"https:\/\/i1.wp.com\/www.rossum-electro.com\/fqlzron\/wp-content\/uploads\/2017\/02\/cube.png?fit=878%2C830\" data-medium-file=\"https:\/\/i1.wp.com\/www.rossum-electro.com\/fqlzron\/wp-content\/uploads\/2017\/02\/cube.png?fit=300%2C284\" data-orig-file=\"https:\/\/i1.wp.com\/www.rossum-electro.com\/fqlzron\/wp-content\/uploads\/2017\/02\/cube.png?fit=878%2C830\" data-orig-size=\"878,830\" data-permalink=\"http:\/\/www.rossum-electro.com\/products\/morpheus\/attachment\/cube\/\" height=\"473\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1001\/4221\/9542\/files\/cube.png?v=1784244289\" width=\"500\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cimg alt=\"display\" class=\"wp-image-919 alignleft\" data-attachment-id=\"919\" data-comments-opened=\"0\" data-image-description=\"\" data-image-meta='{\"aperture\":\"8\",\"credit\":\"Marco Alpert\",\"camera\":\"PENTAX K-3\",\"caption\":\"\",\"created_timestamp\":\"1480417097\",\"copyright\":\"\",\"focal_length\":\"50\",\"iso\":\"400\",\"shutter_speed\":\"0.02\",\"title\":\"\",\"orientation\":\"1\"}' data-image-title=\"display\" data-large-file=\"https:\/\/i0.wp.com\/www.rossum-electro.com\/fqlzron\/wp-content\/uploads\/2017\/02\/Display.jpg?fit=239%2C238\" data-medium-file=\"https:\/\/i0.wp.com\/www.rossum-electro.com\/fqlzron\/wp-content\/uploads\/2017\/02\/Display.jpg?fit=239%2C238\" data-orig-file=\"https:\/\/i0.wp.com\/www.rossum-electro.com\/fqlzron\/wp-content\/uploads\/2017\/02\/Display.jpg?fit=239%2C238\" data-orig-size=\"239,238\" data-permalink=\"http:\/\/www.rossum-electro.com\/products\/morpheus\/attachment\/display\/\" height=\"163\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1001\/4221\/9542\/files\/Display.jpg?v=1784244292\" width=\"164\"\u003e\u003c\/p\u003e\n\u003cp\u003eIn this case, you will be interpolating between all 8 component Frequency Responses,controlled by the position of the single interpolation point within the virtual 3D space. For ease of visualization, this is displayed (along with the resulting output frequency response) on Morpheus’s graphic display.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eA Morpheus Filter\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eFinally, at the top level of our hierarchy is the fully-configured \u003cstrong\u003eMorpheus Filter\u003c\/strong\u003e. This consists of one of the 289 Cubes and the various parameters set in Morpheus’s \u003cstrong\u003eEdit Filter Menu\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eDistortion \u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eIn addition to three dimensional filtering, Morpheus is capable of producing a wide variety of unusual and distinctive types of distortion (depending on the character of individual cubes and the nature of the signals being processed). This is separate from the usually unwanted distortion produced by overdriving the input or by too high a gain through the filter.\u003c\/p\u003e\n\u003cp\u003eAll of the \u003cstrong\u003eMorpheus Filters\u003c\/strong\u003e that are based on “.4” Cubes have the \u003cstrong\u003eTransform\u003c\/strong\u003e control knob and CV input set to control distortion (since with only 4 Frequency Responses, there is no Transform axis to control anyway). However, even for the full 3D Cubes, you have the option of programming the Transform control and CV to control distortion, in which the the actual Transform value is set as a static value in the \u003cstrong\u003eEdit Filter Menu\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eSuffice it to say, Morpheus distortion adds an additional (and highly dramatic) option to its sound design capabilities.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eMorpheus Specifications\u003c\/h3\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eFILTER CUBES\u003c\/strong\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e289\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eFILTERS\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e1000\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eFILTER SEQUENCES\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e200\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eSEQUENCE STEPS\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e20,000 Dynamically Allocated\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eINPUTS\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eAudio L\/R\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e2x 3.5mm mono socket\u003c\/p\u003e\n\u003cp\u003e100kΩ Input Impedance\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eFull Level Frequency CV \u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e1x 3.5mm mono socket\u003c\/p\u003e\n\u003cp\u003e100kΩ Input Impedance\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eAttenuverted Frequency CV\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e1x 3.5mm mono socket\u003c\/p\u003e\n\u003cp\u003e100kΩ Input Impedance\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eAttenuverted Morph CV\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e1x 3.5mm mono socket\u003c\/p\u003e\n\u003cp\u003e100kΩ Input Impedance\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eAttenuverted Transform\/Distortion CV\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e1x 3.5mm mono socket\u003c\/p\u003e\n\u003cp\u003e100kΩ Input Impedance\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eFilter Sequencer Dec\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e1x 3.5mm mono socket\u003c\/p\u003e\n\u003cp\u003e100kΩ Input Impedance\u003c\/p\u003e\n\u003cp\u003e1.6V threshold\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eFilter Sequencer Inc\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e1x 3.5mm mono socket\u003c\/p\u003e\n\u003cp\u003e100kΩ Input Impedance\u003c\/p\u003e\n\u003cp\u003e1.6V threshold\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eFilter Sequencer Reset\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e1x 3.5mm mono socket\u003c\/p\u003e\n\u003cp\u003e100kΩ Input Impedance\u003c\/p\u003e\n\u003cp\u003e1.6V threshold\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eOUTPUTS\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eAudio L\/R\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e2x 3.5mm mono socket\u003c\/p\u003e\n\u003cp\u003e1kΩ Impedance\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003ePOWER \u003c\/strong\u003e\u003cstrong\u003eREQUIREMENTS \u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e+\/-12V via 16-pin, Doepfer-style connector\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eCURRENT DRAW\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e135mA +12V, 25mA -12V (maximum)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eDIMENSIONS\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e18HP (W); Panel to power connector (with connector plugged in) 25mm (D)\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eSUPPLIED ACCESSORIES\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e1x 16-pin, Doepfer-style cable\u003cbr\u003e4x M3 screws\u003cbr\u003e4x M2.5 screws\u003cbr\u003e4x Nylon washers\u003c\/p\u003e\n\u003cp\u003e1x Quickstart Guide\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"http:\/\/www.rossum-electro.com\/fqlzron\/wp-content\/uploads\/2016\/12\/MOR_QSG_120816.pdf\" target=\"_blank\"\u003eMorpheus QuickStart Guide\u003c\/a\u003e (PDF)\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"http:\/\/www.rossum-electro.com\/fqlzron\/wp-content\/uploads\/2017\/02\/Morpheus_manual_170206.pdf\"\u003eMorpheus Manual \u003c\/a\u003e(PDF)\u003c\/p\u003e","brand":"Rossum Electro-Music","offers":[{"title":"Black","offer_id":51569939939606,"sku":null,"price":599.0,"currency_code":"USD","in_stock":true},{"title":"Silver","offer_id":51569939972374,"sku":null,"price":599.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1001\/4221\/9542\/files\/Screen_Shot_2019-08-02_at_14.30.37_3_1_10__51053.1714672540.1280.1280.jpg?v=1786408702"},{"product_id":"rossum-linnaeus-stereo-thru-zero-state-variable-vcf","title":"Rossum Linnaeus - Stereo Thru-Zero state-variable VCF Pre-Order","description":"\u003cp\u003e\u003cstrong\u003eStereo Thru-Zero state-variable VCF\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFollowing in the tradition of Evolution and Morpheus, \u003cstrong\u003eLINNAEUS\u003c\/strong\u003e represents yet another Dave Rossum innovation in filter technology.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLINNAEUS\u003c\/strong\u003e is a stereo state variable filter that provides the unique ability to linearly modulate its resonant frequency through zero into negative frequency, while maintaining stability. With extensive voltage control of nearly every parameter, Linnaeus lets you manipulate the filter’s natural response curve in new ways, to create both subtle and dramatic timbral effects. And with a “one-knob-per-parameter” interface, \u003cstrong\u003eLINNAEUS\u003c\/strong\u003e inspires sonic creativity that invites (and rewards) real-time interaction.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLINNAEUS\u003c\/strong\u003e’s cutoff\/resonant frequency is exponentially voltage controllable from sub-audio to ultrasonic frequencies, while its resonant gain (Q) is exponentially voltage controllable from 0dB to greater than 60dB.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLINNAEUS\u003c\/strong\u003e’s channel output response characteristics are independently and continuously variable from Lowpass, through Bandpass, Highpass and Notch, to Low and High Shelving characteristics. Voltage control of the response characteristics are independently selectable for each of the two channels.\u003c\/p\u003e\n\u003cp\u003eThe linear thru-zero modulation is provided by an integrated modulation oscillator and\/or an External Linear FM modulation input.\u003c\/p\u003e\n\u003cp\u003eThe voltage-controllable modulation oscillator can track the filter’s exponential frequency or operate independently. The modulation oscillator’s output waveform is continuously variable from Off through Sine, Triangle, and Sawtooth, to Square. The modulation oscillator output is summed with the external linear FM input and applied to the modulation index VCA, which controls the linear thru-zero modulation index from zero to 8X. The modulation index is, of course, also voltage controllable.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLINNAEUS\u003c\/strong\u003e features include:\u003c\/p\u003e\n\u003cp\u003e– Ultra-wide frequency range, exponentially voltage-controllable from sub-audio to ultrasonic via precise 1V\/OCT and attenuverted CV inputs.\u003c\/p\u003e\n\u003cp\u003e– Thru-zero linear frequency modulation via an internal modulation oscillator and\/or an external linear FM input.\u003c\/p\u003e\n\u003cp\u003e– Variable linear modulation index, voltage-controllable via an attenuverted CV input.\u003c\/p\u003e\n\u003cp\u003e– Resonance (Q) exponentially voltage-controllable from 0dB to greater than 60dB via 6dB\/V and attenuverted CV inputs.\u003c\/p\u003e\n\u003cp\u003e– Continuously variable response characteristics independently selectable for each of the two channels via individual Response Enable controls. Characteristics include Lowpass (12db\/oct and 6db\/oct), Bandpass, Highpass (12db\/oct and 6db\/oct), Notch, and Low and High Shelving.\u003c\/p\u003e\n\u003cp\u003e– Voltage control of response characteristics via an attenuverted CV input. Individual Response CV Enable controls let you independently enable or disable CV control of response for each channel.\u003c\/p\u003e\n\u003cp\u003e– An integrated modulation oscillator with continuously variable waveform from Off through Sine, Triangle, Sawtooth and Square. Its frequency can be exponentially voltage controlled via an attenuverted CV input.\u003c\/p\u003e\n\u003cp\u003e– A Track control that lets the modulation oscillator precisely track the filter’s exponential frequency.\u003c\/p\u003e\n\u003cp\u003e– Stereo inputs and outputs. \u003cstrong\u003eLINNAEUS\u003c\/strong\u003e can process a stereo signal or two independent mono signals. While the two channels share the filter’s cutoff\/resonant frequency, the filter response characteristics can be independently controlled for each channel.\u003c\/p\u003e\n\u003cp\u003e– The solid, high-quality construction you expect from Rossum Electro-Music.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat’s with the egg?\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe functional description above describes \u003cstrong\u003eLINNAEUS\u003c\/strong\u003e as originally conceived and designed by Dave. However, late in the beta testing process, our good friend and tester, Chris Meyer, raised the possibility of alternative behavior that would let \u003cstrong\u003eLINNAEUS\u003c\/strong\u003e function as a self-contained (i.e., no input required) stereo oscillator and\/or FM percussion voice with some really powerful timbral capabilities.\u003c\/p\u003e\n\u003cp\u003eWhile we were initially hesitant to try to shoehorn the new functions into the existing interface, once Dave had prototyped them, it was clear to us all that they were just too cool not to include. So we’ve provided them in the form of alternate firmware accessed by pressing and holding the Egg button.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLINNAEUS\u003c\/strong\u003e  is 16HP wide and 25mm deep.\u003c\/p\u003e\n\u003cp\u003ePower requirements (max):  155mA +12V, 36mA -12V. Reverse polarity protected.\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"http:\/\/www.rossum-electro.com\/fqlzron\/wp-content\/uploads\/2019\/08\/Linnaeus_QSG_190814.pdf\"\u003eLinnaeus Quick Start Guide\u003c\/a\u003e (PDF)\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"http:\/\/www.rossum-electro.com\/fqlzron\/wp-content\/uploads\/2019\/09\/Linn_manual_090119.pdf\"\u003eLinnaeus Manual\u003c\/a\u003e (PDF)\u003c\/p\u003e","brand":"Rossum Electro-Music","offers":[{"title":"Black","offer_id":51569940070678,"sku":null,"price":499.0,"currency_code":"USD","in_stock":true},{"title":"Silver","offer_id":51569940103446,"sku":null,"price":499.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1001\/4221\/9542\/files\/Screen_Shot_2019-08-02_at_14.30.37_3_1_15__90188.1571371033.1280.1280.jpg?v=1786409073"},{"product_id":"rossum-assimil8or-multi-timbral-phase-modulation-sampler","title":"Rossum Assimil8or - Multi-Timbral Phase Modulation Sampler","description":"\u003cp\u003e\u003cspan\u003eMulti-Timbral Phase Modulation Sampler\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eDesigned to provide a powerful, flexible sampling engine for modular synthesis, the \u003cstrong\u003eASSIMIL8OR\u003c\/strong\u003e Multi-Timbral Phase Modulation Sampler module is the latest incarnation of Dave Rossum’s decades-long pioneering of affordable professional sampling technology.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eASSIMIL8OR\u003c\/strong\u003e provides eight independent channels of sampling with sound quality that can range from extremely hi-fi to low fi, all with extensive real-time CV control.\u003c\/p\u003e\n\u003cp\u003eKey \u003cstrong\u003eASSIMIL8OR\u003c\/strong\u003e features include:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eEight-channel multi-timbral operation. Each channel will be available from its own independent output as well as appearing in the stereo mix output.\u003c\/li\u003e\n\u003cli\u003eSuperb 24-bit A\/D and D\/A conversion.\u003c\/li\u003e\n\u003cli\u003eMono or stereo sampling. Channels can be configured as eight mono voices, four stereo voices, or any combination. (Well, any combination that adds up to eight).\u003c\/li\u003e\n\u003cli\u003eThe ability to assign up to 8 samples to each channel and select between them in real time via CV.\u003c\/li\u003e\n\u003cli\u003eDC coupling through the signal path for sampling of control voltages.\u003c\/li\u003e\n\u003cli\u003eUnique timbral capabilities with the ability to phase modulate samples by external analog signals or by other samples (a first, we believe).\u003c\/li\u003e\n\u003cli\u003eVariable sample fidelity with independently selectable sample rate and bit depth.\u003c\/li\u003e\n\u003cli\u003eReal-time CV control of bit depth.\u003c\/li\u003e\n\u003cli\u003eReal-time CV control of aliasing (from virtually none to lots).\u003c\/li\u003e\n\u003cli\u003eExtensive sample manipulation and looping capabilities.\u003c\/li\u003e\n\u003cli\u003eSample scrubbing under CV control.\u003c\/li\u003e\n\u003cli\u003eOne-shot or gated sample playback with variable attack and release times.\u003c\/li\u003e\n\u003cli\u003eGate\/trigger inputs and CV inputs for each sample that can be assigned independently for each channel to virtually any sample parameter. Examples include:Pitch\u003cbr\u003eLevel\u003cbr\u003eBit Depth\u003cbr\u003ePhase Modulation\u003cbr\u003ePan\u003cbr\u003eScrub\u003cbr\u003eSample Start\u003cbr\u003eSample Length\u003cbr\u003eLoop Start\u003cbr\u003eLoop Length\u003cbr\u003eRelease Time\u003c\/li\u003e\n\u003cli\u003eA front panel accessible SD card for sample and preset storage.\u003c\/li\u003e\n\u003cli\u003eAnd a lot more…\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eAssimil8or Specifications\u003c\/h3\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eSAMPLE MEMORY\u003c\/strong\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e2,300 seconds at 48kHz mono, freely allocatable between the 8 channels\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eSAMPLE RATES\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e48kHZ, 96kHZ, 192kHZ\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eA\/D \u0026amp; D\/A\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e24 Bits\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eINTERNAL PROCESSING\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e32 Bits\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eLATENCY\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e100 microseconds at the Mix Outputs\u003c\/p\u003e\n\u003cp\u003e180 microseconds at the Individual Outputs\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eINPUTS\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eSample L\/R\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e2x 3.5mm mono socket\u003c\/p\u003e\n\u003cp\u003e100kΩ Input Impedance\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eGate\/Trigger 1-8 \u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e8x 3.5mm mono socket\u003c\/p\u003e\n\u003cp\u003e100kΩ Input Impedance\u003c\/p\u003e\n\u003cp\u003e1.6V threshold\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eControl Voltage A 1-8\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e8x 3.5mm mono socket\u003c\/p\u003e\n\u003cp\u003e100kΩ Input Impedance\u003c\/p\u003e\n\u003cp\u003e96 kHz sample rate\u003c\/p\u003e\n\u003cp\u003eAnti-alias filtered to 20kHz bandwidth\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eControl Voltage B\u0026amp;C 1-8\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e16x 3.5mm mono socket\u003c\/p\u003e\n\u003cp\u003e100kΩ Input Impedance\u003c\/p\u003e\n\u003cp\u003e48 kHz sample rate\u003c\/p\u003e\n\u003cp\u003eNo anti-alias filtering\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eOUTPUTS\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eMix Outputs L\/R\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e2x 3.5mm mono socket\u003c\/p\u003e\n\u003cp\u003e1kΩ Impedance\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eIndividual Outputs\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e8x 3.5mm mono socket\u003c\/p\u003e\n\u003cp\u003e1kΩ Impedance\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003ePOWER \u003c\/strong\u003e\u003cstrong\u003eREQUIREMENTS \u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e+\/-12V via 16-pin, Doepfer-style connector\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eCURRENT DRAW\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e220mA +12V, 30mA -12V\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eDIMENSIONS\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e28HP (W); Panel to power connector (with connector plugged in) 25mm (D)\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eSUPPLIED ACCESSORIES\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e1x Micro SD card\u003cbr\u003e1x 16-pin, Doepfer-style cable\u003cbr\u003e4x M3 screws\u003cbr\u003e4x M2.5 screws\u003cbr\u003e4x Nylon washers\u003cbr\u003e1x Quickstart Guide\u003c\/p\u003e\n\u003ch3\u003eDave’s Introduction to Phase Modulation\u003c\/h3\u003e\n\u003cp\u003ePhase modulation is a new kind of audio cross-modulation for sampled sounds.  It can produce rich and varied timbres and textures, as well as wild distortions and grating noises.\u003c\/p\u003e\n\u003cp\u003eThe word “new” is probably not accurate.  Modular synthesizers have used frequency modulation (FM) since their inception.  Low frequency FM produces nice vibrato effects, and audio rate FM creates interesting timbres.  But exponential FM alters the perceived fundamental frequency of an oscillator; linear FM is required to alter the timbre while staying on pitch.\u003c\/p\u003e\n\u003cp\u003eWhen we use FM, we call the source of the modulation the modulator, and the oscillator being modulated is called the carrier.\u003c\/p\u003e\n\u003cp\u003eIn the early 1970’s, John Chowning discovered using digital oscillators that linear FM through the zero point (so the carrier actually reversed its oscillation) produced very diverse and pleasing timbres.  Yamaha further developed this technology, but while Yamaha continued to call their implementation “FM”, they actually were using Phase Modulation.  Also worthy of note, Don Buchla heard Chowning say that you couldn’t do “through zero” FM with an analog circuit, so Don did just that with his Music Easel’s Complex Oscillator.\u003c\/p\u003e\n\u003cp\u003eLet’s look at some oscilloscope photos to understand the difference.  If I frequency modulate a sine wave with another sine wave, the ‘scope shows us the effect on the waveform.  (The modulator is on the bottom in blue, the carrier in yellow on the top):\u003c\/p\u003e\n\u003cp\u003e\u003cimg alt=\"\" class=\"aligncenter size-medium wp-image-1333\" data-attachment-id=\"1333\" data-comments-opened=\"0\" data-image-description=\"\" data-image-meta='{\"aperture\":\"2.2\",\"credit\":\"\",\"camera\":\"iPhone 6s\",\"caption\":\"\",\"created_timestamp\":\"1522142750\",\"copyright\":\"\",\"focal_length\":\"4.15\",\"iso\":\"200\",\"shutter_speed\":\"0.058823529411765\",\"title\":\"\",\"orientation\":\"1\"}' data-image-title=\"PM_1\" data-large-file=\"https:\/\/i0.wp.com\/www.rossum-electro.com\/fqlzron\/wp-content\/uploads\/2018\/04\/PM_1.jpg?fit=640%2C455\" data-medium-file=\"https:\/\/i0.wp.com\/www.rossum-electro.com\/fqlzron\/wp-content\/uploads\/2018\/04\/PM_1.jpg?fit=300%2C213\" data-orig-file=\"https:\/\/i0.wp.com\/www.rossum-electro.com\/fqlzron\/wp-content\/uploads\/2018\/04\/PM_1.jpg?fit=640%2C455\" data-orig-size=\"640,455\" data-permalink=\"http:\/\/www.rossum-electro.com\/products\/assimil8or\/attachment\/pm_1\/\" height=\"213\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1001\/4221\/9542\/files\/PM_1.jpg?v=1784244283\" width=\"300\"\u003e\u003c\/p\u003e\n\u003cp\u003eNow let’s use a pulse waveform to modulate a sawtooth wave carrier:\u003c\/p\u003e\n\u003cp\u003e\u003cimg alt=\"\" class=\"aligncenter size-medium wp-image-1334\" data-attachment-id=\"1334\" data-comments-opened=\"0\" data-image-description=\"\" data-image-meta='{\"aperture\":\"2.2\",\"credit\":\"\",\"camera\":\"iPhone 6s\",\"caption\":\"\",\"created_timestamp\":\"1522142867\",\"copyright\":\"\",\"focal_length\":\"4.15\",\"iso\":\"200\",\"shutter_speed\":\"0.066666666666667\",\"title\":\"\",\"orientation\":\"1\"}' data-image-title=\"PM_2\" data-large-file=\"https:\/\/i2.wp.com\/www.rossum-electro.com\/fqlzron\/wp-content\/uploads\/2018\/04\/PM_2.jpg?fit=640%2C466\" data-medium-file=\"https:\/\/i2.wp.com\/www.rossum-electro.com\/fqlzron\/wp-content\/uploads\/2018\/04\/PM_2.jpg?fit=300%2C218\" data-orig-file=\"https:\/\/i2.wp.com\/www.rossum-electro.com\/fqlzron\/wp-content\/uploads\/2018\/04\/PM_2.jpg?fit=640%2C466\" data-orig-size=\"640,466\" data-permalink=\"http:\/\/www.rossum-electro.com\/products\/assimil8or\/attachment\/pm_2\/\" height=\"218\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1001\/4221\/9542\/files\/PM_2.jpg?v=1784244286\" width=\"300\"\u003e\u003c\/p\u003e\n\u003cp\u003eHere you can see that when the pulse is high, the sawtooth gets steep, when it’s low, the sawtooth slope is slight.\u003c\/p\u003e\n\u003cp\u003eNow let’s use “through zero” modulation and turn up the gain of the modulator to show how the sawtooth slope now goes downward (backward) when the FM goes negative:\u003c\/p\u003e\n\u003cp\u003e\u003cimg alt=\"\" class=\"aligncenter size-medium wp-image-1335\" data-attachment-id=\"1335\" data-comments-opened=\"0\" data-image-description=\"\" data-image-meta='{\"aperture\":\"2.2\",\"credit\":\"\",\"camera\":\"iPhone 6s\",\"caption\":\"\",\"created_timestamp\":\"1522142916\",\"copyright\":\"\",\"focal_length\":\"4.15\",\"iso\":\"200\",\"shutter_speed\":\"0.058823529411765\",\"title\":\"\",\"orientation\":\"1\"}' data-image-title=\"PM_3\" data-large-file=\"https:\/\/i0.wp.com\/www.rossum-electro.com\/fqlzron\/wp-content\/uploads\/2018\/04\/PM_3.jpg?fit=640%2C469\" data-medium-file=\"https:\/\/i0.wp.com\/www.rossum-electro.com\/fqlzron\/wp-content\/uploads\/2018\/04\/PM_3.jpg?fit=300%2C220\" data-orig-file=\"https:\/\/i0.wp.com\/www.rossum-electro.com\/fqlzron\/wp-content\/uploads\/2018\/04\/PM_3.jpg?fit=640%2C469\" data-orig-size=\"640,469\" data-permalink=\"http:\/\/www.rossum-electro.com\/products\/assimil8or\/attachment\/pm_3\/\" height=\"220\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1001\/4221\/9542\/files\/PM_3.jpg?v=1784244290\" width=\"300\"\u003e\u003c\/p\u003e\n\u003cp\u003eNow, a big problem with through zero linear FM is that as the pitch of the modulator goes up, it has less effect on the carrier’s timbre.  Here’s the same setup as above, but with the frequency of the modulating pulse wave increased by 1.5 octaves.   Note that the carrier waveform is getting to be pretty much an ordinary sawtooth.\u003c\/p\u003e\n\u003cp\u003e\u003cimg alt=\"\" class=\"aligncenter size-medium wp-image-1336\" data-attachment-id=\"1336\" data-comments-opened=\"0\" data-image-description=\"\" data-image-meta='{\"aperture\":\"2.2\",\"credit\":\"\",\"camera\":\"iPhone 6s\",\"caption\":\"\",\"created_timestamp\":\"1522142984\",\"copyright\":\"\",\"focal_length\":\"4.15\",\"iso\":\"200\",\"shutter_speed\":\"0.05\",\"title\":\"\",\"orientation\":\"1\"}' data-image-title=\"PM_4\" data-large-file=\"https:\/\/i1.wp.com\/www.rossum-electro.com\/fqlzron\/wp-content\/uploads\/2018\/04\/PM_4.jpg?fit=640%2C461\" data-medium-file=\"https:\/\/i1.wp.com\/www.rossum-electro.com\/fqlzron\/wp-content\/uploads\/2018\/04\/PM_4.jpg?fit=300%2C216\" data-orig-file=\"https:\/\/i1.wp.com\/www.rossum-electro.com\/fqlzron\/wp-content\/uploads\/2018\/04\/PM_4.jpg?fit=640%2C461\" data-orig-size=\"640,461\" data-permalink=\"http:\/\/www.rossum-electro.com\/products\/assimil8or\/attachment\/pm_4\/\" height=\"216\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1001\/4221\/9542\/files\/PM_4.jpg?v=1784244293\" width=\"300\"\u003e\u003c\/p\u003e\n\u003cp\u003eThe solution, as Yamaha discovered, was to instead of modulating the carrier’s frequency, have the modulating oscillator modulate its “phase.”  What this means is that the modulator is directly changing the location in the carrier’s waveform, rather than changing the rate that the carrier oscillates by moving along through its waveform.  Here’s what a sawtooth phase modulated by a pulse looks like.  When the pulse goes high, the carrier skips ahead to a higher point in the sawtooth ramp; when it goes low, it skips back to a lower point.\u003c\/p\u003e\n\u003cp\u003e\u003cimg alt=\"\" class=\"aligncenter size-medium wp-image-1337\" data-attachment-id=\"1337\" data-comments-opened=\"0\" data-image-description=\"\" data-image-meta='{\"aperture\":\"2.2\",\"credit\":\"\",\"camera\":\"iPhone 6s\",\"caption\":\"\",\"created_timestamp\":\"1522143253\",\"copyright\":\"\",\"focal_length\":\"4.15\",\"iso\":\"200\",\"shutter_speed\":\"0.066666666666667\",\"title\":\"\",\"orientation\":\"1\"}' data-image-title=\"PM_5\" data-large-file=\"https:\/\/i0.wp.com\/www.rossum-electro.com\/fqlzron\/wp-content\/uploads\/2018\/04\/PM_5.jpg?fit=640%2C480\" data-medium-file=\"https:\/\/i0.wp.com\/www.rossum-electro.com\/fqlzron\/wp-content\/uploads\/2018\/04\/PM_5.jpg?fit=300%2C225\" data-orig-file=\"https:\/\/i0.wp.com\/www.rossum-electro.com\/fqlzron\/wp-content\/uploads\/2018\/04\/PM_5.jpg?fit=640%2C480\" data-orig-size=\"640,480\" data-permalink=\"http:\/\/www.rossum-electro.com\/products\/assimil8or\/attachment\/pm_5\/\" height=\"225\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1001\/4221\/9542\/files\/PM_5.jpg?v=1784244297\" width=\"300\"\u003e\u003c\/p\u003e\n\u003cp\u003eBut now when we increase the modulator’s frequency, the carrier is still dramatically affected.  And we can see also in this waveform cases where the pulse has skipped backwards or forwards over the sawtooth’s edge, creating more large edges at this point.\u003c\/p\u003e\n\u003cp\u003e\u003cimg alt=\"\" class=\"aligncenter size-medium wp-image-1338\" data-attachment-id=\"1338\" data-comments-opened=\"0\" data-image-description=\"\" data-image-meta='{\"aperture\":\"2.2\",\"credit\":\"\",\"camera\":\"iPhone 6s\",\"caption\":\"\",\"created_timestamp\":\"1522143300\",\"copyright\":\"\",\"focal_length\":\"4.15\",\"iso\":\"200\",\"shutter_speed\":\"0.041666666666667\",\"title\":\"\",\"orientation\":\"1\"}' data-image-title=\"PM_6\" data-large-file=\"https:\/\/i0.wp.com\/www.rossum-electro.com\/fqlzron\/wp-content\/uploads\/2018\/04\/PM_6.jpg?fit=640%2C467\" data-medium-file=\"https:\/\/i0.wp.com\/www.rossum-electro.com\/fqlzron\/wp-content\/uploads\/2018\/04\/PM_6.jpg?fit=300%2C219\" data-orig-file=\"https:\/\/i0.wp.com\/www.rossum-electro.com\/fqlzron\/wp-content\/uploads\/2018\/04\/PM_6.jpg?fit=640%2C467\" data-orig-size=\"640,467\" data-permalink=\"http:\/\/www.rossum-electro.com\/products\/assimil8or\/attachment\/pm_6\/\" height=\"219\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1001\/4221\/9542\/files\/PM_6.jpg?v=1784244300\" width=\"300\"\u003e\u003c\/p\u003e\n\u003cp\u003eWe can modulate the sawtooth with a sine wave too.  Here, you can see how phase modulation maintains the character of each waveform, giving a new timbre with the characteristics of both the modulator and the unmodulated carrier:\u003c\/p\u003e\n\u003cp\u003e\u003cimg alt=\"\" class=\"aligncenter size-medium wp-image-1339\" data-attachment-id=\"1339\" data-comments-opened=\"0\" data-image-description=\"\" data-image-meta='{\"aperture\":\"2.2\",\"credit\":\"\",\"camera\":\"iPhone 6s\",\"caption\":\"\",\"created_timestamp\":\"1522143439\",\"copyright\":\"\",\"focal_length\":\"4.15\",\"iso\":\"200\",\"shutter_speed\":\"0.058823529411765\",\"title\":\"\",\"orientation\":\"1\"}' data-image-title=\"PM_7\" data-large-file=\"https:\/\/i2.wp.com\/www.rossum-electro.com\/fqlzron\/wp-content\/uploads\/2018\/04\/PM_7.jpg?fit=640%2C444\" data-medium-file=\"https:\/\/i2.wp.com\/www.rossum-electro.com\/fqlzron\/wp-content\/uploads\/2018\/04\/PM_7.jpg?fit=300%2C208\" data-orig-file=\"https:\/\/i2.wp.com\/www.rossum-electro.com\/fqlzron\/wp-content\/uploads\/2018\/04\/PM_7.jpg?fit=640%2C444\" data-orig-size=\"640,444\" data-permalink=\"http:\/\/www.rossum-electro.com\/products\/assimil8or\/attachment\/pm_7\/\" height=\"208\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1001\/4221\/9542\/files\/PM_7.jpg?v=1784244304\" width=\"300\"\u003e\u003c\/p\u003e\n\u003cp\u003eAs a final example, here’s the waveform that results when a sawtooth is modulated by a violin sample.  The frequency and sharp edges of the sawtooth are maintained, but the complex timbre of the violin is added:\u003c\/p\u003e\n\u003cp\u003e\u003cimg alt=\"\" class=\"aligncenter size-medium wp-image-1340\" data-attachment-id=\"1340\" data-comments-opened=\"0\" data-image-description=\"\" data-image-meta='{\"aperture\":\"2.2\",\"credit\":\"\",\"camera\":\"iPhone 6s\",\"caption\":\"\",\"created_timestamp\":\"1522143689\",\"copyright\":\"\",\"focal_length\":\"4.15\",\"iso\":\"200\",\"shutter_speed\":\"0.041666666666667\",\"title\":\"\",\"orientation\":\"1\"}' data-image-title=\"PM_8\" data-large-file=\"https:\/\/i1.wp.com\/www.rossum-electro.com\/fqlzron\/wp-content\/uploads\/2018\/04\/PM_8.jpg?fit=640%2C438\" data-medium-file=\"https:\/\/i1.wp.com\/www.rossum-electro.com\/fqlzron\/wp-content\/uploads\/2018\/04\/PM_8.jpg?fit=300%2C205\" data-orig-file=\"https:\/\/i1.wp.com\/www.rossum-electro.com\/fqlzron\/wp-content\/uploads\/2018\/04\/PM_8.jpg?fit=640%2C438\" data-orig-size=\"640,438\" data-permalink=\"http:\/\/www.rossum-electro.com\/products\/assimil8or\/attachment\/pm_8\/\" height=\"205\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1001\/4221\/9542\/files\/PM_8.jpg?v=1784244307\" width=\"300\"\u003e\u003c\/p\u003e\n\u003cp\u003eWhen first planning Assimil8or, I thought phase modulation might be a neat feature.  I was really surprised to find almost nobody had taken advantage of phase modulated sampled sounds.  My first few experiments were really exciting, and I hope you have fun exploring this capability of Assimil8or.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"http:\/\/www.rossum-electro.com\/fqlzron\/wp-content\/uploads\/2018\/03\/A8_QSG_031418.pdf\"\u003eAssimil8or QuickStart Guide\u003c\/a\u003e (PDF)\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"http:\/\/www.rossum-electro.com\/fqlzron\/wp-content\/uploads\/2018\/04\/Assimil8or_man_040618-2.pdf\"\u003eAssimil8or Manual\u003c\/a\u003e (PDF)\u003c\/p\u003e","brand":"Rossum Electro-Music","offers":[{"title":"Black Pre-ORDER","offer_id":51569940234518,"sku":null,"price":999.0,"currency_code":"USD","in_stock":true},{"title":"Silver","offer_id":51569940267286,"sku":null,"price":999.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1001\/4221\/9542\/files\/White_Base_3_48__22740.1593122936.1280.1280.jpg?v=1786408944"},{"product_id":"befaco-hexmix-hexpander-6ch-performance-mixer-expander","title":"BEFACO HEXMIX \u0026 HEXPANDER - 6CH performance mixer \u0026 expander","description":"\u003cp\u003e\u003cspan\u003eincludes both BEFACO HEXMIX \u0026amp; HEXPANDER\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e- 6CH performance mixer \u0026amp; expander\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e*Use them together for fun mixing experience for your euerorack system!!!*\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e6-channel performance mixer with EQs mutes and Pan\u003c\/p\u003e\n\u003cp\u003eHexmix System is a six channel performance mixer specially designed for Eurorack.\u003c\/p\u003e\n\u003cp\u003eThe system has two separate modules, the core of the mixer: Hexmix that has six channels with three band EQ, mute, pan and EQ section on the master, and Hexpander that add three auxiliar sends per channel, PFL, individual outs and balanced output.\u003c\/p\u003e\n\u003cp\u003eThe mixer has a strong inspiration in classical DJ mixers, providing sharp EQ’s for enhanced performance, auxilliar send for effects and individual outputs to record your performance per channel.\u003c\/p\u003e\n\u003cp\u003eThe unique Mute Section is a powerful tool for performances, providing a momentary mute function controlled by vactrols and adding a smooth release to the signal decay.\u003c\/p\u003e\n\u003cp\u003eThe system is designed to be placed in 6U, instead of the traditional 3U paradigm in Eurorack. So we will have every feature for each channel vertically as a convetional tabletop mixing deck.\u003c\/p\u003e\n\u003cp\u003eHEXMIX FEATURES\u003cbr\u003eThis is a six channels mixer with three band EQ, vactrol mutes, pan and volume control per channel.\u003c\/p\u003e\n\u003cp\u003eInputs for every channel are located at left side of Hexmix. Each jack is normalized to a VCA Expander connection in the back, so if you have a Hexmix VCA , you will have the output of each VCA to every input. connecting a jack in any input will disconnect whatever is coming from VCA.\u003c\/p\u003e\n\u003cp\u003eThe signal passes through various process before being sent to the master section. All of this process are located and controlled at each Channel Strip.\u003cbr\u003eThe Channel Strip is divided in four basic sections, that will go in the following order: Gain, Mute, EQ and Pan.\u003c\/p\u003e\n\u003cp\u003eMaster section has it’s own EQ and volume control for the mix of all channels. Master EQ is software than individual channel’s and it’s meant to provide control over the final mix.\u003cbr\u003eIt’s possible to change output level from line to synth wit ha switch located in the back.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e106 mA +12V\u003c\/li\u003e\n\u003cli\u003e88 mA -12V\u003c\/li\u003e\n\u003cli\u003e0 mA 5V\u003c\/li\u003e\n\u003cli\u003e27 mm deep\u003c\/li\u003e\n\u003cli\u003e28HP\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e-----------------------------------\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eHexmix expander with 3 aux sends, PFL, individual outs per channel and master balanced out\u003c\/p\u003e\n\u003cp\u003eHexpander adds great functionality to Hexmix module. Featuring Three aux send with auxiliary returns, individual outputs for each channel, complete PFL system and balanced output.\u003cbr\u003eHexpander is designed to be placed on top of Hexmix. Expanding eurorack concept to 6u, allow every channel to be aligned as in traditional tabletop mixers.\u003c\/p\u003e\n\u003cp\u003eFor every channel you have three auxiliar sends. One pot will measure the amount of signal sent to each of them.\u003c\/p\u003e\n\u003cp\u003eEvery auxiliar send has a volume pot, that will measure the level of the signal sent. There are two jacks available so it is possible to send the signal pre or post fader\/EQ in parallel.\u003cbr\u003eReturns are stereo, having a switch to select if the signal is coming from synth or line level. Like this levels can be set properly, for example, either to a guitar pedal or a FX module at synth level.\u003c\/p\u003e\n\u003cp\u003eHexpander features a complete PFL system, to send channels to the headphones before you add them to main mix.\u003cbr\u003eFlip PFL switch to send that channel to the headphones out. With PFL\/Master Pot you can do a crossfade between the master signal and every channel sent to PFL. Headphones out will control headphones volume.\u003cbr\u003eLevel meter will show the level of the sum of all active PFLs. When there is no PFL active, it will show master level.\u003c\/p\u003e\n\u003cp\u003eEvery channel has individual 6,5\" jacks out at line level.Here you heve the signal of every channel post EQ.\u003cbr\u003eAs an addition, you have master balanced output.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e137 mA +12V\u003c\/li\u003e\n\u003cli\u003e64 mA -12V\u003c\/li\u003e\n\u003cli\u003e0 mA 5V\u003c\/li\u003e\n\u003cli\u003e27 mm deep\u003c\/li\u003e\n\u003cli\u003e28HP\u003c\/li\u003e\n\u003cli\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"BEFACO","offers":[{"title":"Default Title","offer_id":51569943478550,"sku":null,"price":999.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1001\/4221\/9542\/files\/Screen_Shot_2019-08-02_at_14.30.37_3_1_10__66156.1572636726.1280.1280.jpg?v=1784686265"},{"product_id":"qu-bit-electronix-bloom-fractal-sequencer","title":"Qu-Bit Electronix BLOOM -fractal sequencer","description":"\u003ch1 class=\"productView-title\"\u003eQu-Bit Electronix BLOOM -fractal sequencer\u003c\/h1\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eBloom is a fractal sequencer capable of generating infinitely evolving melodies with a host of musical features.\u003c\/p\u003e\n\u003cp\u003eAt its core is a powerful 32 step sequencer with two independent channels and an intuitive interface. What makes the Bloom come alive are its fractal algorithms which can transform existing sequences into powerful melodies, or even generate new patterns altogether. The base sequence is known as the Trunk and can be programmed by hand, or automatically generated with the Mutate function. Once a Trunk sequence is in place, fractal transformations are only a knob turn away by using the Branch and path controls. Each new Branch adds a complete variation to the base sequence and Path determines its passage through the set of recursively generated sub-sequences, offering a unique take on the melody with each turn of the knob.\u003c\/p\u003e\n\u003cp\u003eBring your sequencing to life with Bloom.\u003c\/p\u003e\n\u003cul data-rte-list=\"default\"\u003e\n\u003cli\u003e\n\u003cp\u003eFractal sequencer\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul data-rte-list=\"default\"\u003e\n\u003cli\u003e\n\u003cp\u003eInfinitely evolving melodies\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul data-rte-list=\"default\"\u003e\n\u003cli\u003e\n\u003cp\u003eTwo independent channels\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul data-rte-list=\"default\"\u003e\n\u003cli\u003e\n\u003cp\u003e32 steps per channel for base sequence, 256 steps for generated sequences\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul data-rte-list=\"default\"\u003e\n\u003cli\u003e\n\u003cp\u003eRatchets, per step slew, quantized output, and transpose control\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul data-rte-list=\"default\"\u003e\n\u003cli\u003e\n\u003cp\u003e8 pattern locations w\/ save, load, copy, and erase functionality\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.qubitelectronix.com\/s\/QB_Bloom.pdf\" target=\"_blank\"\u003eDownload the Bloom Manual here\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpecs\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWidth: 16HP\u003c\/p\u003e\n\u003cp\u003eDepth: 23mm\u003c\/p\u003e\n\u003cp\u003ePower: +12V: 82mA, -12V: 0mA\u003c\/p\u003e","brand":"Qu-Bit Electronix","offers":[{"title":"Silver pre-order","offer_id":51569944723734,"sku":null,"price":399.0,"currency_code":"USD","in_stock":true},{"title":"Black","offer_id":51569944756502,"sku":null,"price":399.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1001\/4221\/9542\/files\/Screen_Shot_2019-08-02_at_14.30.37_3_1_20__92180.1614999898.1280.1280.jpg?v=1785276183"},{"product_id":"instru-arbhar-granular-processor-v2","title":"Instruō arbhar -Granular processor V2","description":"\u003cp\u003earbhar (Version 2.0 Firmware)\u003c\/p\u003e\n\u003cp\u003ea grain, a very small amount of a particular quantity, natural patterns or lines in the surface of wood or cloth\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eDescription\u003c\/p\u003e\n\u003cp\u003eIn 2019 the launch of the arbhar heralded a new generation of granular processing in Eurorack. Sampled audio can be chopped into tiny grains, scattered, shaped, re-pitched, reversed, and layered for an endless range of audio manipulation from seamless frozen tones to mutated acousmatic madness. Each grain sounds with its defined specifications. When modulation is used, the \"per-grain parameter\" definition allows for true polyphonic layering.\u003c\/p\u003e\n\u003cp\u003eWith the introduction of firmware version 2 (2023) comes a complete rewrite of the entire codebase to implement both technical and conceptual improvements that will enhance the entire user experience of the arbhar. We have ensured that the overall feel of the module has been preserved as much as possible. Advances in efficiency and expanded features will allow the arbhar to explore many more sonic and musical spaces.\u003c\/p\u003e\n\u003cp\u003eMeet the Lexer Method 2.0.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eFeatures\u003c\/p\u003e\n\u003cp\u003e• Up to 88 stereo grains between two granular engines, allowing for polyphonic layering\u003c\/p\u003e\n\u003cp\u003e• Mono and stereo input configurations\u003c\/p\u003e\n\u003cp\u003e• Six 10 second individual audio buffers\u003c\/p\u003e\n\u003cp\u003e• 1 volt per octave pitch tracking\u003c\/p\u003e\n\u003cp\u003e• On-board random pitch deviation and grain direction probability\u003c\/p\u003e\n\u003cp\u003e• Scan mode, Follow mode, and Wavetable mode\u003c\/p\u003e\n\u003cp\u003e• Stereo pan, feedback delay, and reverb configurations\u003c\/p\u003e\n\u003cp\u003e• Built-in condenser microphone\u003c\/p\u003e\n\u003cp\u003e• Analogue input pre-amplifier and limiter\u003c\/p\u003e\n\u003cp\u003e• Audio analysis with onset detection for automatic audio capturing\u003c\/p\u003e\n\u003cp\u003e• Includes 2 HP passive CV Expansion module and 4GB USB flash drive\u003c\/p\u003e\n\u003cp\u003e• User-definable configuration for complete instrument customisation\u003c\/p\u003e\n\u003cp\u003e• Save, Load and Clone audio between layers\u003c\/p\u003e\n\u003cp\u003e• Curate\/recall entire performance configurations with up to 42 Scenes.\u003c\/p\u003e\n\u003cp\u003e• USB import and export functionality\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e18HP\u003c\/p\u003e\n\u003cp\u003e39mm\u003c\/p\u003e\n\u003cp\u003e60mm (w\/USB)\u003c\/p\u003e\n\u003cp\u003e+12V: 230mA\u003c\/p\u003e\n\u003cp\u003e-12V: 30mA\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 1.17em;\"\u003e \u003c\/span\u003e\u003c\/p\u003e","brand":"Instruō","offers":[{"title":"Default Title","offer_id":51569944822038,"sku":null,"price":699.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1001\/4221\/9542\/files\/arbhar_V2__71335.1696873071.1280.1280.jpg?v=1784244444"},{"product_id":"endorphin-es-furthrrrr-generator","title":"Endorphin.es  Furthrrrr Generator","description":"\u003cdiv class=\"clearfix grpelem\" data-ibe-flags=\"txtStyleSrc\" data-muse-type=\"txt_frame\" data-muse-uid=\"U11381\" id=\"u11381-21\"\u003e\n\u003ch2 class=\"Modulname\" id=\"u11381-2\"\u003eFurthrrrr Generator\u003c\/h2\u003e\n\u003cul class=\"list0 nls-None\" id=\"u11381-19\"\u003e\n\u003cli class=\"Aufz-hlung\" id=\"u11381-4\"\u003e30 HP width, up to 1 1\/4“ in depth\u003c\/li\u003e\n\u003cli class=\"Aufz-hlung\" id=\"u11381-6\"\u003eall analog signal path inspired by \u0026amp; based upon famous westcoast synthesis – a module in the tradition of harmonic generation based on additive synthesis\u003c\/li\u003e\n\u003cli class=\"Aufz-hlung\" id=\"u11381-8\"\u003emulti-turn frequency knobs sweep up to 10 octaves\u003c\/li\u003e\n\u003cli class=\"Aufz-hlung\" id=\"u11381-10\"\u003eoscillator tuners that simply always work\u003c\/li\u003e\n\u003cli class=\"Aufz-hlung\" id=\"u11381-12\"\u003e2 discrete triangle core oscillators both with hard- (resettable) and soft- (inverting) syncs and selectable 1 or 1.2 v\/oct tracking\u003c\/li\u003e\n\u003cli class=\"Aufz-hlung\" id=\"u11381-14\"\u003einstant thru-zero linear FM with the Strong-Zero VCO core update\u003c\/li\u003e\n\u003cli class=\"Aufz-hlung\" id=\"u11381-16\"\u003edeep, metallic timbres, entirely new sphere of sounds from light whistles to weird noises\u003c\/li\u003e\n\u003cli class=\"Aufz-hlung\" id=\"u11381-18\"\u003etogether with Terminal or Grand Terminal creates powerful 2-operator modular FM-synth\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"SlideShowWidget clearfix grpelem wp-slideshow-playing\" data-contentlayout=\"stack\" data-transitionstyle=\"fading\" id=\"slideshowu12910\"\u003e\n\u003cdiv class=\"popup_anchor\" id=\"u12918popup\"\u003e\n\u003cdiv class=\"SlideShowContentPanel clearfix\" id=\"u12918\"\u003e\n\u003cdiv class=\"SSSlide clip_frame clearfix grpelem wp-panel wp-panel-active\" data-muse-type=\"img_frame\" data-muse-uid=\"U12921\" id=\"u12921\"\u003e \u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cul class=\"AccordionWidget clearfix colelem\" id=\"accordionu11382\"\u003e\n\u003cli class=\"AccordionPanel clearfix colelem\" id=\"u11383\"\u003e\n\u003cdiv class=\"AccordionPanelTab clearfix colelem AccordionPanelTabOpen\" data-muse-type=\"txt_frame\" data-muse-uid=\"U11386\" id=\"u11386-4\"\u003e\n\u003cp\u003eMORE\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"AccordionPanelContent colelem AccordionPanelContentActive\"\u003e\n\u003cdiv class=\"AccordionPanelContentClip\"\u003e\n\u003cdiv class=\"clearfix\" id=\"u11384\"\u003e\n\u003cdiv class=\"Link_More_Box clearfix grpelem\" data-ibe-flags=\"txtStyleSrc\" data-muse-type=\"txt_frame\" data-muse-uid=\"U11385\" id=\"u11385-10\"\u003e\n\u003cp\u003e\u003ca class=\"nonblock\" data-href=\"upload:U14962\" href=\"http:\/\/endorphin.es\/assets\/endorphin.es_furthrrrr_generator_manual_180111.pdf\" target=\"_blank\"\u003eManual\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca class=\"nonblock\" href=\"https:\/\/www.youtube.com\/watch?v=T02o5Xq6nrk\" target=\"_blank\"\u003eVideo Tutorial\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Endorphin.es","offers":[{"title":"Default Title","offer_id":51569948229910,"sku":null,"price":650.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1001\/4221\/9542\/files\/Silver_Furthrrrr_Generator__48314.1773034813.1280.1280.jpg?v=1785057214"},{"product_id":"make-noise-x-pan-5-channel-voltage-controlled-stereo-mixer","title":"Make Noise  X-PAN  5 channel Voltage Controlled Stereo Mixer","description":"\u003cp\u003eThe X-PAN music synthesizer module is a compact and powerful 5 channel Voltage Controlled Stereo Mixer with Low Noise and High Headroom allowing for creation of complex panoramic audio imagery in just 10hp.\u003c\/p\u003e\n\u003cp\u003eX-PAN is highly responsive to control signals allowing for exploration of the fluctuating stereo sidebands possible with Audio Rate Crossfading and Panning. X-PAN is Direct coupled for use as a CV Processing and Routing toolbox.\u003c\/p\u003e\n\u003cp\u003eX-PAN consists of two full featured Channels and one simpler Channel. The top two Channels each have voltage controlled cross-fading and panning while the third Channel is a stereo aux input with stereo VCA. All three Channels are combined together at the stereo SUM outputs.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003efeatures\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e5 signal inputs all routed to a dynamic stereo output\u003c\/li\u003e\n\u003cli\u003eContains 10 High Quality VCA circuits in just 10hp\u003c\/li\u003e\n\u003cli\u003eFully Voltage Controlled Panning, Cross-fading and Mixing\u003c\/li\u003e\n\u003cli\u003eEasy to maintain signal integrity with high headroom, low noise circuitry\u003c\/li\u003e\n\u003cli\u003eAudio Rate crossfading and panning, fluctuating stereo sidebands\u003c\/li\u003e\n\u003cli\u003eAux Stereo Inputs controlled by Stereo VCA with Combo Pot\u003c\/li\u003e\n\u003cli\u003ePart of a decentralized mix console integrated throughout the system along with Optomix, modDemix, Dynamix, and RxMx\u003c\/li\u003e\n\u003cli\u003eDirect Coupled for use as Complex CV router\u003c\/li\u003e\n\u003cli\u003ePairs well with QPAS and Morphagene\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003especifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eWidth: 10hp\u003c\/li\u003e\n\u003cli\u003eMax Depth: 30mm\u003c\/li\u003e\n\u003cli\u003ePower:\u003cbr\u003e145mA @ +12V\u003cbr\u003e110mA @ -12V\u003c\/li\u003e\n\u003cli\u003emanual:\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"http:\/\/makenoisemusic.com\/manuals\/x-pan-manual.pdf\" target=\"_blank\"\u003ex-pan-manual.pdf\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"MAKE NOISE","offers":[{"title":"Default Title","offer_id":51569953898774,"sku":null,"price":259.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1001\/4221\/9542\/files\/White_Base_3_59_copy_5__95597.1595358724.1280.1280.jpg?v=1784851769"},{"product_id":"strymon-magneto","title":"Strymon MAGNETO Pre-Order","description":"\u003ch1\u003eINTERSTELLAR SPACE MACHINE.\u003c\/h1\u003e\n\u003cp\u003eCreate expansive soundscapes and evolving, otherworldly tones. Add layers upon layers of harmonic and rhythmic complexity within an enveloping stereo field. Infuse your rack with vintage warmth and retrofuturistic soul.\u003c\/p\u003e\n\u003ch2\u003eTAPE DELAY, LOOPER, AND MORE.\u003c\/h2\u003e\n\u003cp\u003ePacked with powerful features while maintaining intuitive playability, Magneto is a stereo multi-head tape delay that also functions as a looper, phrase sampler, vintage spring reverb unit, phase-aligned clock multiplier, chaotic oscillator, zero latency sub-oscillator and more, with extensive CV I\/O.\u003c\/p\u003e\n\u003ch2\u003eTRANSFORM YOUR MODULAR.\u003c\/h2\u003e\n\u003cp\u003eTurn simple monophonic signals into complex orchestrations. Create new oscillator tones using self-oscillation. Add rich stereo dimension to your sound, and enjoy the inherent warmth and sweet, subtle distortion characteristics of magnetic tape. Magneto transforms even the smallest rack into a fully expressive, immersive instrument.\u003c\/p\u003e\n\u003ch2\u003eVINTAGE VIBE.\u003c\/h2\u003e\n\u003cp\u003eTo capture the full experience and complexity of a vintage tape echo machine, every last tape system attribute was relentlessly studied and faithfully recreated. From the sought-after natural saturation and soft clipping of magnetic tape when driven hard, to hands-on real-time controls for tape age, tape crinkle, and mechanical wow and flutter, Magneto delivers a rich multi-head delay experience that adds life and vibe to your sound.\u003c\/p\u003e\n\u003ch2\u003ePLAY IT LIKE AN INSTRUMENT.\u003c\/h2\u003e\n\u003cp\u003eEvery function, control, gain stage, and signal path component in Magneto works together to respond musically and smoothly, even during the wildest live modular improvisations. All this is combined with a luxurious spring reverb to take the sound of your modular setup to a new level, and your sonic explorations into far-out territories.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch2\u003eSPECS\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eSound Design\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cspan\u003eTape-voiced delay machine\u003c\/span\u003e with four playback heads and one record head\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003eProcessor-intense dTape algorithm\u003c\/span\u003e delivers meticulously nuanced recreations of vintage tape echo systems\u003c\/li\u003e\n\u003cli\u003eThree operational modes: \u003cspan\u003eEcho, Sound On Sound Looper, Phrase Sampler\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003eVarispeed algorithm with dynamic machine mechanics, 8:1 speed range\u003c\/li\u003e\n\u003cli\u003eInput record level for clean reproduction to warm, fat saturation\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSelf-oscillating\u003c\/span\u003e for tone generation\u003c\/li\u003e\n\u003cli\u003eIndependent \u003cspan\u003eSpring Reverb\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eControls\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eDedicated control over tape mechanics, machine health, and tone: \u003cspan\u003eLow Cut, Tape Age, Crinkle, Wow \u0026amp; Flutter\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003eTransport controls\u003c\/span\u003e (buttons and CV inputs) for real-time performance options\u003c\/li\u003e\n\u003cli\u003eIndividual \u003cspan\u003ePlayback Head Level\u003c\/span\u003e controls\u003c\/li\u003e\n\u003cli\u003eIndividual head \u003cspan\u003eFeedback assignment\u003c\/span\u003e independent of playback level\u003c\/li\u003e\n\u003cli\u003eThree stereo head panning options, including user-defined custom panning\u003c\/li\u003e\n\u003cli\u003ePhase aligned clock out (CLK OUT) CVs synched with clock in (CLK IN) CV\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eRanges\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eMaximum Delay\/Loop Time: 15 seconds at maximum Speed, two minutes at minimum Speed\u003c\/li\u003e\n\u003cli\u003eMinimum Delay Time: 200µS at maximum speed\u003c\/li\u003e\n\u003cli\u003eClock In CV Range: 50ms – 15s\u003c\/li\u003e\n\u003cli\u003eTAP Button Range: 50ms – 15s\u003c\/li\u003e\n\u003cli\u003eTAP CV Range: 10ms – 15s\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eAudio Quality\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eMaximum Delay\/Loop Time: 15 seconds at maximum Speed, two minutes at minimum Speed\u003c\/li\u003e\n\u003cli\u003eMinimum Delay Time: 200µS at maximum speed\u003c\/li\u003e\n\u003cli\u003eClock In CV Range: 50ms – 15s\u003c\/li\u003e\n\u003cli\u003eTAP Button Range: 50ms – 15s\u003c\/li\u003e\n\u003cli\u003eTAP CV Range: 10ms – 15s\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eMore\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003ePower\r\n\u003cul\u003e\n\u003cli\u003e+12V rail: 210mA\u003c\/li\u003e\n\u003cli\u003e-12V rail: 210mA\u003c\/li\u003e\n\u003cli\u003e+5V rail: 0mA\u003c\/li\u003e\n\u003cli\u003eEurorack power cable included\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eDimensions\r\n\u003cul\u003e\n\u003cli\u003eRack Width: 28hp\u003c\/li\u003e\n\u003cli\u003eRack Depth: 41mm, 1.61”\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eDesigned \u0026amp; Built in the USA\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv class=\"titlebar\"\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003c\/div\u003e","brand":"STRYMON","offers":[{"title":"Default Title","offer_id":51569956487446,"sku":null,"price":599.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1001\/4221\/9542\/files\/magneto_800__38499.1596757998.1280.1280.jpg?v=1784244786"},{"product_id":"strymon-aa-1-amplifier-attenuator-merge-guitar-w-modular","title":"Strymon AA 1 - Amplifier\/Attenuator, MERGE GUITAR w MODULAR Pre-Order","description":"\u003ch1\u003eBRIDGE BETWEEN WORLDS.\u003c\/h1\u003e\n\u003cp\u003eAA.1 is designed to be your bridge between the world of guitar pedals and the world of Eurorack modular. This compact 4HP amplifier attenuator module has everything you need to interface your modular with your guitar effects pedals as well as with your guitar or bass.\u003c\/p\u003e\n\u003cdiv class=\"material textual onethird bottomonly\"\u003e\n\u003ch2\u003eMERGE GUITAR WITH MODULAR.\u003c\/h2\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eAA.1 is purpose built to combine your guitar gear and Eurorack modules in just about any way you can imagine. Connect a pedal to the effects send and return of Magneto. Use your guitar or bass as a signal source for mangling and warping with your modular gear.\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003eSend an instrument level stereo master output from your modular rack to your computer audio interface.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"material textual onethird bottomonly\"\u003e\n\u003ch2\u003eON THE LEVEL.\u003c\/h2\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eAA.1 is designed to solve all the issues that arise when introducing guitar gear to the world of Eurorack. Most Eurorack modules output very hot audio signal levels that can easily overload the inputs of effects pedals or computer audio interfaces\u003c\/span\u003e\u003cspan class=\"s2\"\u003e.\u003c\/span\u003e\u003cspan class=\"s1\"\u003e And it’s not just the output of the modules: Audio inputs in a Eurorack system also need to receive hot signals. AA.1 amplifies the input and attenuates the output signals to the appropriate levels.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"material textual onethird bottomonly\"\u003e\n\u003ch2\u003eEASY TO USE.\u003c\/h2\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eAA.1 is straightforward to use. The 1\/4″ stereo input amplifies guitar level signals by +18dB, outputting the amplified signal through left and right 1\/8″ outputs (use the left output for mono). Left and right 1\/8″ inputs attenuate Eurorack level signals by -18dB, sending the attenuated signal through left and right 1\/4″ outputs suitable for outputting to guitar level products.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003eSPECS:\u003c\/h2\u003e\n\u003cdiv class=\"material textual twothirds topbottom\"\u003e\n\u003cp\u003e\u003cstrong\u003eAmplifier:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eGain: +18dB\u003c\/li\u003e\n\u003cli\u003eMax Input Level (before soft clipping): 2.25Vpp\u003c\/li\u003e\n\u003cli\u003eMax Output: 18Vpp\u003c\/li\u003e\n\u003cli\u003eInput Impedance: 1 MΩ\u003c\/li\u003e\n\u003cli\u003eOutput Impedance: 1 kΩ\u003c\/li\u003e\n\u003cli\u003e20Hz – 20kHz, +\/- 1dB\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eAttenuator:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eGain: -18dB\u003c\/li\u003e\n\u003cli\u003eMax Input Level (Nominal): 20Vpp\u003c\/li\u003e\n\u003cli\u003eMax Output Level (Nominal): 2.5Vpp\u003c\/li\u003e\n\u003cli\u003eInput Impedance: 8 kΩ\u003c\/li\u003e\n\u003cli\u003eOutput Impedance: 880 Ω\u003c\/li\u003e\n\u003cli\u003e20Hz – 20kHz, +\/- 1dB\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eMore:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cspan\u003ePower\u003c\/span\u003e\n\u003cul\u003e\n\u003cli\u003e+12V rail: 10mA max\u003c\/li\u003e\n\u003cli\u003e-12V rail: 10mA max\u003c\/li\u003e\n\u003cli\u003e+5V rail: 0mA\u003c\/li\u003e\n\u003cli\u003eEurorack power cable included\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cspan\u003eDimensions\u003c\/span\u003e\n\u003cul\u003e\n\u003cli\u003e4 HP Eurorack format module\u003c\/li\u003e\n\u003cli\u003eRack Depth: 1.5″ (38mm)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eDesigned \u0026amp; Built in the USA\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"STRYMON","offers":[{"title":"Default Title","offer_id":51569956585750,"sku":null,"price":129.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1001\/4221\/9542\/files\/aa1_1000-e1523556422796__66028.1596760368.1280.1280.jpg?v=1784244792"},{"product_id":"maneco-labs-grone-dark-drone-machine-eurorack","title":"Maneco Labs GRONE dark drone machine (Eurorack)","description":"\u003cp\u003eManeco Labs GRONE -dark drone machine-\u003c\/p\u003e\n\u003cp\u003eWelcome to the Darkside...\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThe ultimate drone synth\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eEurorack module\u003c\/li\u003e\n\u003cli\u003eDrone voice oscillator\u003c\/li\u003e\n\u003cli\u003eMs20 vcf\u003c\/li\u003e\n\u003cli\u003eMulti waveform LFO\u003c\/li\u003e\n\u003cli\u003eNoise generator\u003c\/li\u003e\n\u003cli\u003eClouds\u003c\/li\u003e\n\u003cli\u003e26HP\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e-22mA \/ -12V\u003c\/p\u003e\n\u003cp\u003e+190mA \/ +12V\u003c\/p\u003e\n\u003cp\u003e\u003cimg alt=\"screen-shot-2020-09-01-at-15.32.39.jpg\" class=\"__mce_add_custom__\" height=\"629\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1001\/4221\/9542\/files\/screen-shot-2020-09-01-at-15.32.39.jpg?v=1784232896\" title=\"screen-shot-2020-09-01-at-15.32.39.jpg\" width=\"918\"\u003e\u003c\/p\u003e\n\u003cp\u003eBlocks description\u003c\/p\u003e\n\u003cp\u003eDrone VCO :\u003c\/p\u003e\n\u003cp\u003eGenerates sound based on equations converted to analog signals , there are sixteen equations selected by Up and Down switches. Four leds indicate equation number in binary mode. Three Pots modify numbers used by the equation, A0 , A1 and A2 , fourth pot Sample Rate controls pitch and speed of the oscillation. There’s an Output Level pot for the oscillator and a dedicated jack for patching the Oscillator sound to external modules .\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eNOISE GENERATOR :\u003c\/p\u003e\n\u003cp\u003eWhite noise with noise level pot and noise output jack.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eVCF :\u003c\/p\u003e\n\u003cp\u003eMS20 resonant low pass filter , with CUT frequency pot control , RESONANCE , MODULATION 1 amount pot , input and output jacks and second cv input for cut off ,labeled MOD2\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eLFO\u003c\/p\u003e\n\u003cp\u003e: Low frequency oscillator routed to MOD1 from VCF , RATE and WAVEFORM shape pots.\u003c\/p\u003e\n\u003cp\u003eWaveforms are : ramp up, ramp down, square, triangle, sine , sweep, random levels, random slopes.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCLOUDS\u003c\/p\u003e\n\u003cp\u003e: based on MUTABLE INSTRUMENTS eurorack module , with parasites firmware , same controls from MI : Input gain, position, size, density, pitch, texture, blend , switches for blend parameter and load\/save, freeze control with indicator led , same display as MI original, Dedicated audio input jack (mono) stereo output and control inputs for V\/OCT and TRIGGER.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cimg alt=\"screen-shot-2020-09-01-at-15.35.31.jpg\" class=\"__mce_add_custom__\" height=\"851\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1001\/4221\/9542\/files\/screen-shot-2020-09-01-at-15.35.31.jpg?v=1784232899\" title=\"screen-shot-2020-09-01-at-15.35.31.jpg\" width=\"902\"\u003e\u003c\/p\u003e","brand":"Maneco Labs","offers":[{"title":"Default Title","offer_id":51569957863702,"sku":null,"price":395.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1001\/4221\/9542\/files\/20200805_1c5a69_copy_4__63546.1598997594.1280.1280.jpg?v=1785547961"},{"product_id":"qu-bit-electronix-data-bender","title":"Qu-Bit Electronix DATA BENDER Pre-Order","description":"\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eQu-Bit Data Bender\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eData Bender is a circuit bent digital audio buffer. It is inspired by the ways in which audio equipment can fail. The sounds of skipping CDs, software bugs, and defective tape machine playback are all accessible. The 96kHz, 24-bit audio buffer can hold over a minute of stereo audio, providing a sonic canvas capable of infinite surprises and discovery.\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eCircuit bent digital audio buffer \u003c\/li\u003e\n\u003cli\u003eSkipping CDs, software bugs, old tape machine, scratched records\u003c\/li\u003e\n\u003cli\u003e96kHz sampling rate, 24-bit depth for high fidelity audio with over a minute of stereo sampling time\u003c\/li\u003e\n\u003cli\u003eStereo IO  \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003eTech Specs:\u003c\/div\u003e\n\u003cul\u003e\n\u003cli\u003eWidth: 14HP\u003c\/li\u003e\n\u003cli\u003eDepth: 28mm\u003c\/li\u003e\n\u003cli\u003ePower: 58 mA +12V, 60 mA -12V, 0 mA 5V \u003c\/li\u003e\n\u003cli\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Qu-Bit Electronix","offers":[{"title":"Default Title","offer_id":51569959207190,"sku":null,"price":399.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1001\/4221\/9542\/files\/Blank_1U_6hp_copy__79259__27436.1742253997.1280.1280.jpg?v=1784244865"},{"product_id":"maneco-labs-grone-dark-drone-machine-expander-eurorack","title":"Maneco Labs GRONE dark drone machine EXPANDER (eurorack)","description":"\u003cp\u003e\u003ca class=\"download\" href=\"https:\/\/8224-37920-1594131663-maneco-7dwj6pixsx8det.stackpathdns.com\/wp-content\/uploads\/grone-expander-manual.pdf\" rel=\"noopener noreferrer\" target=\"_blank\"\u003eDownload Specification PDF ⇩\u003c\/a\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e4 voice touch controlled drone module\u003c\/li\u003e\n\u003cli\u003e2 Drone oscillators same as Grone\u003c\/li\u003e\n\u003cli\u003e2 wavetable oscillators\u003c\/li\u003e\n\u003cli\u003e2 multi waveform lfo’s\u003c\/li\u003e\n\u003cli\u003eModulated delay section\u003c\/li\u003e\n\u003cli\u003eDirt stage at output\u003c\/li\u003e\n\u003cli\u003eCan be used stand alone or processed through grone external input\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eOsc\u003c\/strong\u003e \u003cstrong\u003e1\u003c\/strong\u003e \u003cstrong\u003eand\u003c\/strong\u003e \u003cstrong\u003e3\u003c\/strong\u003e \u003cstrong\u003e-\u003c\/strong\u003e \u003cstrong\u003eBytebeat\u003c\/strong\u003e \u003cstrong\u003eoscillators\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eGenerates sound based on equations converted to analog signals , there are sixteen equations selected by Up and Down switches. Four LEDs indicate equation number in binary mode. Three Pots modify numbers used by the equation, A0 , A1 and A2 , fourth pot Sample Rate controls pitch and speed of the oscillation. There’s an Output Level pot for the oscillator and a dedicated jack for patching the Oscillator sound to external modules .\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e \u003c\/p\u003e\n\u003cp class=\"p1\"\u003eHold toggle switches select between fast decay, long decay and hold mode, for the touch trigger input. There are CV inputs for pitch on these two oscillators\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e \u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eOsc\u003c\/strong\u003e \u003cstrong\u003e2\u003c\/strong\u003e \u003cstrong\u003eand\u003c\/strong\u003e \u003cstrong\u003e4\u003c\/strong\u003e \u003cstrong\u003e-Wavetable\u003c\/strong\u003e \u003cstrong\u003eoscillators\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eDigital oscillators, touch controlled or gate controlled by gate jacks, pitch is controlled by pitch pot, modulation by LFO A or LFO B and cv inputs.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eA0 pot selects waveform, A1 pot morphs between two waveforms.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThere are individual output jacks.\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e \u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eLFO\u003c\/strong\u003e \u003cstrong\u003e1\u003c\/strong\u003e \u003cstrong\u003eand\u003c\/strong\u003e \u003cstrong\u003e2\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eLow frequency oscillator routed to MOD inputs for oscillators 2 and 4, also to modulation input for delay section, selectable by toggle switch , RATE and WAVEFORM shape\u003c\/p\u003e\n\u003cp class=\"p1\"\u003epots.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e \u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003e36HP\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e-4mA \/ -12V\u003c\/p\u003e\n\u003cp\u003e+110mA \/ +12V\u003c\/p\u003e","brand":"Maneco Labs","offers":[{"title":"Default Title","offer_id":51569972609302,"sku":null,"price":469.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1001\/4221\/9542\/files\/IMG_1851__28367.1683228078.1280.1280.jpg?v=1784245178"},{"product_id":"maneco-labs-otterley-reverb-eurorack","title":"Maneco Labs Otterley - Reverb (eurorack)","description":"\u003cp class=\"p1\"\u003e\u003cstrong\u003eOtterley\u003c\/strong\u003e \u003cstrong\u003eReverb\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e \u003c\/p\u003e\n\u003cp class=\"p1\"\u003eOtterley is a rich dual reverb, but with simple operations.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eIt includes two engines, reverb one, controlled by just a knob but with rich and atmospheric flavor , and reverb two , a reverse reverb with several associated parameters.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eDespite its complexity, operation is quite simple, no menus, no switches, no hidden functions.\u003c\/p\u003e\n\u003cp class=\"p3\"\u003e \u003c\/p\u003e\n\u003cp class=\"p1\"\u003eDescription of controls:\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e● Reverb 1 :one knob level and size control for first engine, as level increases also does size and modulation complexity for this lush component.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e● Reverb 2 : reverse reverb engine blend control , from dry to full wet.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e● Feedback : regeneration for Reverb 2 , from zero to almost self oscillation.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e● Delay: time and size for reverse component, from almost immediate to dry signal to quasi reverse delay character , for reverb 2\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e● Grain : density for reverb 2 , from identifiable reverb grains to blurred sound strokes at maximum.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e● Pitch : relative pitch for reverb two, unison at center , two octaves up at maximum and two octaves low at minimum , if used in conjunction with feedback can provide spiral up or spiral down effects, as each recirculation will get pitch transposed again.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e \u003c\/p\u003e\n\u003cp class=\"p1\"\u003eEurorack version connectors:\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e● In L , InR -stereo input\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e● Back : CV control for feedback parameter, 0 to 3,3V , protected\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e● Out L out R\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e● Reverb 1 : CV control for reverb1 parameter, 0 to 3.3v , protected\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e● Reverb 2 : CV control for reverb2 parameter, 0 to 3.3v , protected\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e12hp\u003c\/p\u003e\n\u003cp\u003e-12mA \/ -12V\u003c\/p\u003e\n\u003cp\u003e+105mA \/ +12V\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e \u003c\/p\u003e","brand":"Maneco Labs","offers":[{"title":"Default Title","offer_id":51569972740374,"sku":null,"price":249.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1001\/4221\/9542\/files\/IMG_1881__95464.1683227918.1280.1280.jpg?v=1784245181"},{"product_id":"audio-gear-obsession-summingfacility-6-channels-2-buses-stereo-mixer","title":"Audio Gear Obsession SUMMINGFACILITY - 6 Channels 2 Buses Stereo Mixer","description":"\u003cp class=\"p1\"\u003e\u003cspan\u003eNo Longer available...\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eSUMMINGFACILITY\u003c\/strong\u003e is an \u003cstrong\u003eEurorack high quality 6 channels, 2 buses stereo mixer.\u003c\/strong\u003e Every input channel has \u003cstrong\u003egain and level\u003c\/strong\u003e controls, \u003cstrong\u003e2 aux\u003c\/strong\u003e send and \u003cstrong\u003eactive pan\u003c\/strong\u003e control. Master and aux send buses can be independently muted on channels.\u003cbr\u003eInput and output circuitry offers plug and play \u003cstrong\u003ebalanced and unbalanced\u003c\/strong\u003e connections capabilities.\u003cbr\u003eAll gain stages deliver up to 12 dB to ensure the best interaction with \u003cstrong\u003emodular and non modular equipment\u003c\/strong\u003e.\u003cbr\u003eMaster section offers \u003cstrong\u003eoutput level\u003c\/strong\u003e control, \u003cstrong\u003eaux send\u003c\/strong\u003e outputs level control and\u003cstrong\u003e 2 return channels\u003c\/strong\u003e with gain, \u003cstrong\u003eactive pan and mute\u003c\/strong\u003e from master bus.\u003cbr\u003eMaster bus offers \u003cstrong\u003e22 Vpp of headroom\u003c\/strong\u003e providing plenty of dynamic range for busy mixes.\u003cbr\u003eThe unit is pointed toward obtaining the \u003cstrong\u003elowest noise and best performance\u003c\/strong\u003e possible. Every input has a \u003cstrong\u003estatus led\u003c\/strong\u003e to indicate signal level after gain stage.\u003cbr\u003eMaster bus output is monitored by 2 \u003cstrong\u003eAnalog Vu-Meters\u003c\/strong\u003e (scale is tuned for 0 dB @ 15 Vpp, \u003cstrong\u003efreely adjustable\u003c\/strong\u003e by the user).\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cstrong\u003eMAIN FEATURES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li1\"\u003e\n\u003cstrong\u003eSYSTEM\u003c\/strong\u003e\u003cbr\u003e– 6 fully balanced input channels w\/ gain, volume, panorama, 2 aux send, independent mute for master \u0026amp; aux buses\u003cbr\u003e– 2 aux send outputs w\/ ground cancelling circuitry\u003cbr\u003e– 2 fully balanced aux return Input w\/ gain, panorama \u0026amp; independent master bus muting\u003cbr\u003e– Stereo master output w\/ ground cancelling circuitry \u0026amp; 22 Vpp of headroom available\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cstrong\u003eENGINEERING\u003c\/strong\u003e\u003cbr\u003e– Modern Op Amps\u003cbr\u003e– 0.5% thin film resistors\u003cbr\u003e– Wima \u0026amp; Panasonic caps\u003cbr\u003e– 4 layer PCB (designed for best EMI\/EMC)\u003cbr\u003e– Reverse powering protection\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cstrong\u003ePHYSICAL\u003c\/strong\u003e\u003cbr\u003e– 38 HP\u003cbr\u003e– Skiff friendly (32 mm behind the panel)\u003cbr\u003e– Eurorack format\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv class=\"wp-block-file\"\u003e \u003c\/div\u003e\n\u003cdiv class=\"wp-block-file\"\u003eMANUAL\u003c\/div\u003e\n\u003cdiv class=\"wp-block-file\"\u003e\n\u003ca class=\"laborator-btn btn btn-index-1 btn-type-fliphover btn-type-outlined btn-blue btn-large link-hover\" href=\"https:\/\/audiogearobsession.com\/wp-content\/uploads\/2022\/01\/SUMMINGFACILITY_manual.pdf\" title=\"\" target=\"_blank\"\u003eSUMMINGFACILITY - Manual Download\u003c\/a\u003e\n\u003cdiv class=\"vc_separator wpb_content_element vc_separator_align_center vc_sep_width_100 vc_sep_pos_align_center vc_separator_no_text vc_sep_color_black\"\u003e \u003c\/div\u003e\n \u003c\/div\u003e","brand":"Audio Gear Obsession","offers":[{"title":"Silver","offer_id":51569973068054,"sku":null,"price":1299.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1001\/4221\/9542\/files\/Audio-Gear-Obsession-SUMMINGFACILITY-front-5-1024x768__62740.1748844748.1280.1280.jpg?v=1784245195"},{"product_id":"strymon-starlab","title":"Strymon STARLAB Pre-Order","description":"\u003cdiv class=\"elementor-element elementor-element-12fb410c elementor-widget elementor-widget-heading\" data-element_type=\"widget\" data-id=\"12fb410c\" data-widget_type=\"heading.default\"\u003e\n\u003cdiv class=\"elementor-widget-container\"\u003e\n\u003ch2 class=\"elementor-heading-title elementor-size-default\"\u003eModular Transformation Machine.\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"elementor-element elementor-element-6dba067a elementor-widget elementor-widget-text-editor\" data-element_type=\"widget\" data-id=\"6dba067a\" data-widget_type=\"text-editor.default\"\u003e\n\u003cdiv class=\"elementor-widget-container\"\u003e\n\u003cp\u003eExpand the sound of your modular rack with incredibly lush, ethereal reverbs. Enhance signals with gorgeous chorus, flanging, and modulated delays. Create uniquely expressive synth voices with Karplus-Strong string synthesis. Turn simple mono audio signals into vast stereo soundscapes. StarLab is a single module that will completely transform your modular rack.\u003c\/p\u003e\n\u003cdiv class=\"elementor-element elementor-element-dcb06f9 elementor-widget elementor-widget-heading\" data-element_type=\"widget\" data-id=\"dcb06f9\" data-widget_type=\"heading.default\"\u003e\n\u003cdiv class=\"elementor-widget-container\"\u003e\n\u003ch2 class=\"elementor-heading-title elementor-size-default\"\u003eSingular Modular Reverb.\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"elementor-element elementor-element-98e1cb7 elementor-widget elementor-widget-text-editor\" data-element_type=\"widget\" data-id=\"98e1cb7\" data-widget_type=\"text-editor.default\"\u003e\n\u003cdiv class=\"elementor-widget-container\"\u003e\n\u003cp\u003eFrom perfectly voiced room ambience to vast, immersive, nearly infinite decays, StarLab offers the pinnacle of premium reverb sounds with unparalleled depth and spaciousness. Add musical intervals to the reverb signal with Shimmer, and enhance the harmonic spectrum with Glimmer, while enjoying real-time control over the size\/pitch of the reverb process.\u003c\/p\u003e\n\u003cdiv class=\"elementor-element elementor-element-3e5d4e4 elementor-widget elementor-widget-heading\" data-element_type=\"widget\" data-id=\"3e5d4e4\" data-widget_type=\"heading.default\"\u003e\n\u003cdiv class=\"elementor-widget-container\"\u003e\n\u003ch2 class=\"elementor-heading-title elementor-size-default\"\u003eModulation And Delay Effects.\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"elementor-element elementor-element-45eca7e elementor-widget elementor-widget-text-editor\" data-element_type=\"widget\" data-id=\"45eca7e\" data-widget_type=\"text-editor.default\"\u003e\n\u003cdiv class=\"elementor-widget-container\"\u003e\n\u003cp\u003eStarLab has vastly expanded what reverb pre-delay can do by allowing you to bus the pre-delay signal to the output while making the pre-delay time a modulation target. This results in the ability to create rich choruses, sweeping flanger effects, and beautiful modulated delays, while also processing signal through the reverb.\u003c\/p\u003e\n\u003cdiv class=\"elementor-element elementor-element-7c505fd0 elementor-widget elementor-widget-heading\" data-element_type=\"widget\" data-id=\"7c505fd0\" data-widget_type=\"heading.default\"\u003e\n\u003cdiv class=\"elementor-widget-container\"\u003e\n\u003ch2 class=\"elementor-heading-title elementor-size-default\"\u003eKarplus-Strong String Synthesis.\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"elementor-element elementor-element-50bc1ca6 elementor-widget elementor-widget-text-editor\" data-element_type=\"widget\" data-id=\"50bc1ca6\" data-widget_type=\"text-editor.default\"\u003e\n\u003cdiv class=\"elementor-widget-container\"\u003e\n\u003cp\u003eIn addition to input signal processing, StarLab is a powerful Karplus-Strong string synthesis voice module that allows freely alternating bowing and plucking as well as dynamic string damping. This results in an astoundingly expressive and lifelike instrument with a unique voice all its own, which can be enhanced and expanded by the full range of StarLab’s reverb capabilities.\u003c\/p\u003e\n\u003cdiv class=\"elementor-element elementor-element-dd6c890 elementor-widget elementor-widget-heading\" data-element_type=\"widget\" data-id=\"dd6c890\" data-widget_type=\"heading.default\"\u003e\n\u003cdiv class=\"elementor-widget-container\"\u003e\n\u003ch2 class=\"elementor-heading-title elementor-size-default\"\u003eIntuitive Creation Station\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"elementor-element elementor-element-3750cd1 elementor-widget elementor-widget-text-editor\" data-element_type=\"widget\" data-id=\"3750cd1\" data-widget_type=\"text-editor.default\"\u003e\n\u003cdiv class=\"elementor-widget-container\"\u003e\n\u003cdiv class=\"c-message_kit__gutter\"\u003e\n\u003cdiv class=\"c-message_kit__gutter__right\" data-qa=\"message_content\"\u003e\n\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv class=\"c-message__message_blocks c-message__message_blocks--rich_text\"\u003e\n\u003cdiv class=\"p-block_kit_renderer\" data-qa=\"block-kit-renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cdiv class=\"p-rich_text_block\" dir=\"auto\"\u003e\n\u003cdiv class=\"p-rich_text_section\"\u003eFrom patch creation to live performance, StarLab’s powerful features are easily accessible at the turn of a knob or the touch of a button. With no menus to wade through, StarLab’s interface is designed for intuitive hands-on sonic exploration, while every function and control works together to respond musically and smoothly.\u003cspan class=\"c-message__edited_label\" data-sk=\"tooltip_parent\" dir=\"ltr\"\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eINSPIRATION\u003c\/h3\u003e\n\u003ch3\u003eWhat is StarLab?\u003c\/h3\u003e\n\u003cp data-wp-editing=\"1\"\u003e\u003cimg alt=\"StarLab In Arturia Rack\" class=\"alignright wp-image-187055\" height=\"333\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1001\/4221\/9542\/files\/StarLab-In-Rack-5_Corrected.jpg?v=1784245784\" width=\"500\"\u003e\u003c\/p\u003e\n\u003cp\u003eDevelopment for StarLab began with one goal in mind: to provide the highest quality reverb possible for modular systems, perfectly tuned for immersive electronic soundscapes with a high degree of flexibility and creative control.\u003c\/p\u003e\n\u003cp\u003eThe seemingly simple idea of allowing the pre-delay signal to be fed directly to the module’s output led to the development of rich sounding delay, chorus, and flanger effects, all of which can be used together with or independent of the reverb.\u003c\/p\u003e\n\u003cp\u003eWhile experimenting with short delay times using feedback and filtering, we began finding very musical and expressive Karplus-Strong string synthesis sounds, and realized that StarLab could move beyond signal processing and become a truly unique voice module as well.\u003c\/p\u003e\n\u003cp\u003eAll this ultimately resulted in the creation of a module that is equal parts reverb, delay\/modulation, and playable instrument.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eTEXTURE\u003c\/h3\u003e\n\u003ch3\u003eChoose Your Character.\u003c\/h3\u003e\n\u003cp data-wp-editing=\"1\"\u003e\u003cimg alt=\"StarLab Texture Switch Closeup\" class=\"alignright wp-image-187056\" height=\"333\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1001\/4221\/9542\/files\/StarLab-Closeup-Texture-2_Corrected.jpg?v=1784245788\" width=\"500\"\u003e\u003c\/p\u003e\n\u003cp\u003eStarLab gives you three distinct Reverb textures to choose from: Sparse, Dense, and Diffuse.\u003c\/p\u003e\n\u003cp\u003eThe Sparse reverb creates reflections that are far enough apart from each other to be audibly distinct. Legato notes create a lush but pleasingly clean sound field, while staccato notes reveal individual echoes in a way that is well suited for sound design and special effects.\u003c\/p\u003e\n\u003cp\u003eThe Dense reverb texture is an immediate-response reverb with a smooth sound field, featuring sonic characteristics similar to a plate. This texture is well-suited for applications ranging from small space ambience all the way to large cavernous reverbs.\u003c\/p\u003e\n\u003cp\u003eThe Diffuse reverb creates a slow-building, atmospheric wash that excels at ambient, swell, and even reverse-like textures. The Diffuse reverb deconstructs and spreads transients over time to achieve its bloom-like effect.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eDELAY\u003c\/h3\u003e\n\u003ch3\u003eOver and Over Again.\u003c\/h3\u003e\n\u003cp\u003e\u003cimg alt=\"Strymon StarLab Delay\/Karplus Closeup\" class=\"alignright wp-image-187057\" height=\"333\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1001\/4221\/9542\/files\/StarLab-Closeup-Delay_Karplus_Corrected.jpg?v=1784245794\" width=\"500\"\u003e\u003c\/p\u003e\n\u003cp\u003eStarLab’s Delay section is actually a vastly expanded reverb pre-delay.\u003c\/p\u003e\n\u003cp\u003eWhen used as a reverb pre-delay, delay FEEDBACK is still available, allowing for the creation of even longer reverb decays, while the ability to modulate the pre-delay time allows even further creative possibilities.\u003c\/p\u003e\n\u003cp\u003ePress the ECHO ON button, and now you can create a wide variety of classic delay and delay-reverb effects.\u003c\/p\u003e\n\u003cp\u003eEchoes can be synced to an external clock with the DELAY\/TUNE knob acting as a clock multiplier\/divider for the echo repeats. Delay time can also be set by tapping a tempo using the TAP\/TRIG button.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eMODULATION EFFECTS\u003c\/h3\u003e\n\u003ch3\u003eModular Modulation.\u003c\/h3\u003e\n\u003cp\u003e\u003cimg alt=\"Strymon StarLab LFO Controls Closeup\" class=\"alignright wp-image-187058\" height=\"333\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1001\/4221\/9542\/files\/StarLab-Closeup-Modulation_Corrected-1-1024x683.jpg?v=1784245799\" width=\"500\"\u003e\u003c\/p\u003e\n\u003cp\u003eStarLab provides a wide range of modulation effects to add fatness and movement to your sound, all available on their own or in addition to StarLab’s reverb.\u003c\/p\u003e\n\u003cp\u003eThe short-delay portion of the DELAY\/TUNE knob is tapered to make it easy to dial in a variety of rich chorus and swirling flanger effects when modulated by StarLab’s internal LFO. Use the dedicated FEEDBACK knob to add resonance and musical harmonic sweeps to flanger effects. Make your oscillators sound huge with lush, shimmering organic chorus. Set the DRY level to minimum for classic vibrato effects.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eLFO\u003c\/h3\u003e\n\u003ch3\u003eMoving Targets.\u003c\/h3\u003e\n\u003cp\u003e\u003cimg alt=\"StarLab LFO Section Closeup\" class=\"alignright wp-image-187065\" height=\"333\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1001\/4221\/9542\/files\/StarLab-Closeup-LFO_Corrected-1024x683.jpg?v=1784245802\" width=\"500\"\u003e\u003c\/p\u003e\n\u003cp\u003eStarLab’s LFO features triangle, square, ramp, saw, random, and envelope waveforms that can be used to modulate your choice of three targets:\u003c\/p\u003e\n\u003cp\u003eSend the LFO signal to the delay section for modulated echo effects or for modulated pre-delay signal within the reverb. You can also create classic modulation effects such as flanger, chorus, and vibrato. In Karplus-Strong mode, the string tuning is modulated.\u003c\/p\u003e\n\u003cp\u003eSend the LFO signal to modulate the SIZE \/ PITCH (process rate) of the reverb core for effects ranging from mild to wild and even on to music-generating: In Quantize mode, signal from the LFO will be quantized to any of 15 different scales as it modulates the SIZE \/ PITCH parameter.\u003c\/p\u003e\n\u003cp\u003eOr send the LFO to the filter for a variety of effects. Activate the 24dB\/oct low pass filter for classic filter mod effects, or achieve more subtle filter modulation of the reverb’s HIGH DAMP. In Karplus-Strong mode, modulating the HIGH DAMP parameter creates lifelike dynamic string damping.\u003c\/p\u003e\n\u003cp\u003eWhen clocked externally via CV, the LFO SPEED knob becomes a clock multiplier\/divider. You can also connect an external LFO or function generator to StarLab’s EXT LFO IN and direct that signal with StarLab’s Target switch, controlling amplitude with the DEPTH knob.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eKARPLUS-STRONG\u003c\/h3\u003e\n\u003ch3\u003eDynamic String Synthesis.\u003c\/h3\u003e\n\u003cp\u003e\u003cimg alt=\"StarLab Delay\/Karplus Closeup\" class=\"alignright wp-image-187062\" height=\"333\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1001\/4221\/9542\/files\/StarLab-Closeup-Delay_Karplus-1_Corrected-1-1024x683.jpg?v=1784245806\" width=\"500\"\u003e\u003c\/p\u003e\n\u003cp\u003eIn Karplus-Strong mode, StarLab becomes a delay-based CV-tunable monophonic string synthesis voice module with a uniquely musical character.\u003c\/p\u003e\n\u003cp\u003ePress the TAP\/TRIG button to pluck the string, or hold the TAP\/TRIG button to bow the string.\u003c\/p\u003e\n\u003cp\u003eUsing StarLabs CV inputs, it is possible to alternate plucking and bowing, while CV control of the HIGH DAMP parameter creates lifelike dynamic string damping.\u003c\/p\u003e\n\u003cp\u003eThis string voice can be processed through StarLab’s reverb to create a mesmerizing variety of sounds.\u003c\/p\u003e\n\u003cp\u003eIt is also possible to feed an input into the Karplus-Strong circuit and vibrate the string with an external drum sound or other audio signal to create tuned resonances and interesting evolving harmonics.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eSIZE\/PITCH\u003c\/h3\u003e\n\u003ch3\u003eExpanding Universe Reverb.\u003c\/h3\u003e\n\u003cp\u003e\u003cimg alt=\"StarLab Size\/Pitch Closeup\" class=\"alignright wp-image-187063\" height=\"333\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1001\/4221\/9542\/files\/StarLab-Closeup-Size_Pitch_Corrected.jpg?v=1784245810\" width=\"500\"\u003e\u003c\/p\u003e\n\u003cp\u003eStarLab opens up a universe of possibilities by using a variable rate process to expand and contract the reverb core size.\u003c\/p\u003e\n\u003cp\u003eThis changes the reflection density and response of the reverb while retaining the integrity of the audio within the reverb.\u003c\/p\u003e\n\u003cp\u003eThe result is a reverberated signal that can be transposed, pitch modulated, and creatively tweaked for an endless variety of sonic characters and hypnotic soundscapes.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eSHIMMER\u003c\/h3\u003e\n\u003ch3\u003eSonically Beautiful Reverb Repitching.\u003c\/h3\u003e\n\u003cp\u003e\u003cimg alt=\"StarLab Shimmer Closeup\" class=\"wp-image-187066 alignright\" height=\"333\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1001\/4221\/9542\/files\/StarLab-Closeup-Shimmer_Corrected-1024x683.jpg?v=1784245815\" width=\"500\"\u003e\u003c\/p\u003e\n\u003cp\u003eInspired by the classic shimmer effects pioneered in the ’80s using digital reverbs and pitch shifters, StarLab’s Shimmer voice is carefully created from the reverberated signal itself to generate maximum radiance and beauty.\u003c\/p\u003e\n\u003cp\u003eCall forth deep, low ambient string sections with the octave down setting, or spacey ethereal textures with octave up.\u003c\/p\u003e\n\u003cp\u003eIn between the octaves are several musically interesting intervals available for shifting the harmonic structure of the reverb. Or use the INTERVAL CV input for semitone adjustment of the interval from an octave down to an octave up.\u003c\/p\u003e\n\u003cp\u003eThe Shimmer processing can be applied at the reverb input only, or can regenerate within the reverb core for ever-ascending or descending pitches as the reverb decays.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eGLIMMER\u003c\/h3\u003e\n\u003ch3\u003eHarmonics In Motion.\u003c\/h3\u003e\n\u003cp\u003e\u003cimg alt=\"StarLab Glimmer Closeup\" class=\"alignright wp-image-187067\" height=\"333\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1001\/4221\/9542\/files\/StarLab-Closeup-Shimmer-1_Corrected-1024x683.jpg?v=1784245818\" width=\"500\"\u003e\u003c\/p\u003e\n\u003cp\u003eGlimmer creates an enhanced harmonic spectrum using an optimally tuned dynamic resonant network, resulting in mysterious shifting harmonic textures.\u003c\/p\u003e\n\u003cp\u003ePress the HIGH BAND button to accentuate higher frequency harmonics, creating a washy, dreamy, ambient top end.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eINPUT GAIN\u003c\/h3\u003e\n\u003ch3\u003eAll Gain, No Loss.\u003c\/h3\u003e\n\u003cp\u003e\u003cimg alt=\"StarLab Input Gain Knob Closeup\" class=\"alignright wp-image-187068\" height=\"333\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1001\/4221\/9542\/files\/StarLab-Closeup-Input-Gain_Corrected-1024x683.jpg?v=1784245821\" width=\"500\"\u003e\u003c\/p\u003e\n\u003cp\u003eInput Gain controls the gain of the input signal fed to the reverb structure using a soft clipping input stage.\u003c\/p\u003e\n\u003cp\u003eThis gives you the ability to add pleasing musical harmonic distortion to the signal being processed by the reverb.\u003c\/p\u003e\n\u003cp\u003eA post gain signal level LED continuously indicates strength from clean (green) to heavy soft clipping (red).\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eFILTER\u003c\/h3\u003e\n\u003ch3\u003eHarmonic Sculpting Machine.\u003c\/h3\u003e\n\u003cp\u003e\u003cimg alt=\"StarLab Closeup Filter Controls\" class=\"alignright wp-image-187069\" height=\"333\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1001\/4221\/9542\/files\/StarLab-Closeup-Filter_Corrected-1024x683.jpg?v=1784245825\" width=\"500\"\u003e\u003c\/p\u003e\n\u003cp\u003eStarLab’s filter section is designed for intuitive, musical sound-sculpting of both the reverb signal and the Karplus-Strong string synthesis voice.\u003c\/p\u003e\n\u003cp\u003eLOW DAMP is a powerful sound shaper for the reverberated signal. At minimum it allows extended lows to reverberate for cavernous possibilities. If the reverb tail gets muddy, a quick turn of the LOW DAMP knob can clean it up effectively. In Karplus-Strong mode, this control reduces the low frequency content of the string.\u003c\/p\u003e\n\u003cp\u003eHIGH DAMP removes high frequency content from the regenerating reverb structure. In Karplus-Strong mode, this control functions as a string damper, dampening the high end harmonics as the string decays.\u003c\/p\u003e\n\u003cp\u003ePress the LOW PASS button, and the HIGH DAMP function changes to a beautifully tuned classic 24dB\/octave low pass filter applied at the output of the reverb. The low pass filter has adjustable resonance for dramatic filter sweeps.\u003c\/p\u003e\n\u003cp\u003eIn Karplus-Strong mode, this control functions as a string damper, dampening the high end harmonics as the string decays and conveying a variety of “right-hand” plucking techniques.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eINFINITE\u003c\/h3\u003e\n\u003ch3\u003eSuspended Animation.\u003c\/h3\u003e\n\u003cp\u003e\u003cimg alt=\"StarLab Infinite Button Closeup\" class=\"alignright wp-image-187071\" height=\"333\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1001\/4221\/9542\/files\/StarLab-Closeup-Infinite_Corrected-1024x683.jpg?v=1784245828\" width=\"500\"\u003e\u003c\/p\u003e\n\u003cp\u003eStarLab’s INFINITE button freezes the audio at the input to the reverb core, while any new audio can still be processed by the reverb on top of the frozen audio.\u003c\/p\u003e\n\u003cp\u003eNot only does this allow you to create a lush ambient bed for your other sounds to play over, it can be repitched to transform StarLab into a CV tunable synth voice, quantizable to 15 built-in scales.\u003c\/p\u003e\n\u003cp\u003eIn Quantize mode, the scale selection quantizes the SIZE \/ PITCH knob as well as the LFO (with Pitch as target), while the CV input is quantized to half-steps.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv class=\"elementor-element elementor-element-f4d0ee8 elementor-widget elementor-widget-accordion\" data-element_type=\"widget\" data-id=\"f4d0ee8\" data-widget_type=\"accordion.default\"\u003e\n\u003cdiv class=\"elementor-widget-container\"\u003e\n\u003cdiv class=\"elementor-accordion\"\u003e\n\u003cdiv class=\"elementor-accordion-item\"\u003e\n\u003cdiv class=\"elementor-tab-title\" data-tab=\"23\"\u003e \u003c\/div\u003e\n\u003cdiv class=\"elementor-tab-title\" data-tab=\"23\"\u003e \u003c\/div\u003e\n\u003cdiv class=\"elementor-tab-title\" data-tab=\"23\"\u003e\n\u003cdiv class=\"elementor-element elementor-element-26ead99 elementor-widget elementor-widget-heading\" data-element_type=\"widget\" data-id=\"26ead99\" data-widget_type=\"heading.default\"\u003e\n\u003cdiv class=\"elementor-widget-container\"\u003e\n\u003ch2 class=\"elementor-heading-title elementor-size-default\"\u003eVideos\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"elementor-element elementor-element-db17bbf elementor-widget elementor-widget-heading\" data-element_type=\"widget\" data-id=\"db17bbf\" data-widget_type=\"heading.default\"\u003e\n\u003cdiv class=\"elementor-widget-container\"\u003e\n\u003ch3 class=\"elementor-heading-title elementor-size-default\"\u003eStarLab Video Tour\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"elementor-container elementor-column-gap-default\"\u003e\n\u003cdiv class=\"elementor-column elementor-col-100 elementor-inner-column elementor-element elementor-element-6d38c3c0\" data-element_type=\"column\" data-id=\"6d38c3c0\"\u003e\n\u003cdiv class=\"elementor-widget-wrap elementor-element-populated\"\u003e\n\u003cdiv class=\"elementor-element elementor-element-6a197646 elementor-aspect-ratio-169 elementor-widget elementor-widget-video\" data-element_type=\"widget\" data-id=\"6a197646\" data-settings='{\"youtube_url\":\"https:\\\/\\\/youtu.be\\\/hReKL074e-4\",\"lazy_load\":\"yes\",\"video_type\":\"youtube\",\"controls\":\"yes\",\"aspect_ratio\":\"169\"}' data-widget_type=\"video.default\"\u003e\n\u003cdiv class=\"elementor-widget-container\"\u003e\n\u003cdiv class=\"elementor-wrapper elementor-fit-aspect-ratio elementor-open-inline\"\u003e\u003ciframe allowfullscreen=\"1\" data-gtm-yt-inspected-12221009_7=\"true\" frameborder=\"0\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/hReKL074e-4?controls=1\u0026amp;rel=0\u0026amp;playsinline=0\u0026amp;modestbranding=0\u0026amp;autoplay=0\u0026amp;enablejsapi=1\u0026amp;origin=https%3A%2F%2Fwww.strymon.net\u0026amp;widgetid=1\" width=\"640\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"elementor-element elementor-element-450445c2 elementor-widget elementor-widget-text-editor\" data-element_type=\"widget\" data-id=\"450445c2\" data-widget_type=\"text-editor.default\"\u003e\n\u003cdiv class=\"elementor-widget-container\"\u003e\n\u003cp\u003eStrymon sound designer and DSP engineer Pete Celi takes us on an in-depth tour of StarLab.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv class=\"elementor-element elementor-element-62160e67 elementor-widget elementor-widget-heading\" data-element_type=\"widget\" data-id=\"62160e67\" data-widget_type=\"heading.default\"\u003e\n\u003cdiv class=\"elementor-widget-container\"\u003e\n\u003ch2 class=\"elementor-heading-title elementor-size-default\"\u003eSPECS\u003c\/h2\u003e\n\u003cp\u003eSOUND DESIGN\u003c\/p\u003e\n\u003cul\u003e\n\u003cli class=\"p1\"\u003e\n\u003cspan\u003eThree selectable reverb types\u003c\/span\u003e for a wide variety of ambient textures\u003c\/li\u003e\n\u003cli class=\"p1\"\u003e\n\u003cspan\u003eDELAY\/KARPLUS section\u003c\/span\u003e with feedback\u003c\/li\u003e\n\u003cli class=\"p2\"\u003e\n\u003cspan\u003eDelay assignable to output for mod\/verb\u003c\/span\u003e and \u003cspan\u003edelay\/verb \u003c\/span\u003eeffects\u003c\/li\u003e\n\u003cli class=\"p2\"\u003e\n\u003cspan\u003eFour-octave Karplus-Strong string synthesis mode\u003c\/span\u003e with damping control for string\/verb full voice capability\u003c\/li\u003e\n\u003cli class=\"p1\"\u003e\n\u003cspan\u003eLFO section with various waveforms\u003c\/span\u003e to modulate delay time, reverb size, or tone filters\u003c\/li\u003e\n\u003cli class=\"p1\"\u003e\n\u003cspan\u003eFILTER section to sculpt the high and low EQ\u003c\/span\u003e of the reverb and DELAY\/KARPLUS section\u003c\/li\u003e\n\u003cli class=\"p1\"\u003e\n\u003cspan\u003eHARMONICS section\u003c\/span\u003e to enhance the aural spectrum of the reverb\u003c\/li\u003e\n\u003cli class=\"p2\"\u003e\n\u003cspan\u003eAdjustable SHIMMER\u003c\/span\u003e for adding pitch shifting of up to +\/- 1 octave to the reverb\u003c\/li\u003e\n\u003cli class=\"p2\"\u003e\n\u003cspan\u003eGLIMMER for dynamic enhancement\u003c\/span\u003e of harmonics\u003c\/li\u003e\n\u003cli class=\"p1\"\u003e\n\u003cspan\u003eAdjustable reverb core size\u003c\/span\u003e to increase or decrease the space for reflections, allowing for pitch control of the regenerating reverb content\u003c\/li\u003e\n\u003cli class=\"p1\"\u003e\n\u003cspan\u003e4-pole 24dB\/octave\u003c\/span\u003e variable resonance low pass filter\u003c\/li\u003e\n\u003cli class=\"p1\"\u003e\n\u003cspan\u003eINFINITE freezes the input audio\u003c\/span\u003e prior to the reverb tank\u003c\/li\u003e\n\u003cli class=\"p1\"\u003e\n\u003cspan\u003eIndependent WET and DRY\u003c\/span\u003e level controls\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eIN, OUTS and SWITCHES\u003c\/p\u003e\n\u003cul\u003e\n\u003cli class=\"p1\"\u003e\n\u003cspan\u003eStereo inputs\u003c\/span\u003e and \u003cspan\u003eoutputs\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"p1\"\u003eExtensive \u003cspan\u003eCV control of parameters\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"p1\"\u003e\n\u003cspan\u003eAccess to four presets\u003c\/span\u003e from the front panel\u003c\/li\u003e\n\u003cli class=\"p1\"\u003e\n\u003cspan\u003eUSB jack\u003c\/span\u003e (located on the rear) for performing \u003cspan\u003efirmware updates\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAUDIO QUALITY\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli class=\"p1\"\u003e\n\u003cspan\u003eAnalog dry path\u003c\/span\u003e for a \u003cspan\u003ezero latency dry signal\u003c\/span\u003e that is never converted to digital\u003c\/li\u003e\n\u003cli class=\"p1\"\u003e\n\u003cspan\u003eUltra low noise, high performance 24-bit 96kHz A\/D and D\/A converters\u003c\/span\u003e provide uncompromising audio quality\u003c\/li\u003e\n\u003cli class=\"p1\"\u003eSuper high performance \u003cspan\u003eARM DSP\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"p1\"\u003e\n\u003cspan\u003e32-bit\u003c\/span\u003e floating point processing\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eDIMENSIONS and POWER\u003c\/p\u003e\n\u003cul\u003e\n\u003cli class=\"p1\"\u003eRack width: \u003cspan\u003e28hp\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"p1\"\u003eRack depth: \u003cspan\u003e41mm, 1.61”\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"p1\"\u003e+12V rail: \u003cspan\u003e210mA\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"p1\"\u003e-12V rail: \u003cspan\u003e210mA\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"p1\"\u003e+5V rail: \u003cspan\u003e0mA\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"p1\"\u003e\n\u003cspan\u003eDesigned and built\u003c\/span\u003e in the USA\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"STRYMON","offers":[{"title":"Default Title","offer_id":51569991778582,"sku":null,"price":649.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1001\/4221\/9542\/files\/Starlab_Black__31667.1715802521.1280.1280.jpg?v=1785218202"},{"product_id":"audio-gear-obsession-dynamicengine","title":"Audio Gear Obsession DYNAMICENGINE","description":"\u003ch2\u003e\u003cspan\u003eNo Longer available...\u003c\/span\u003e\u003c\/h2\u003e\n\u003ch2\u003e\u003cspan\u003eDual Mono Compressor-Limiter With Stereo Link\u003c\/span\u003e\u003c\/h2\u003e\n\u003cdiv class=\"wpb_text_column wpb_content_element wpb_animate_when_almost_visible wpb_fadeIn fadeIn post-formatting wpb_start_animation animated\"\u003e\n\u003cdiv class=\"wpb_wrapper\"\u003e\n\u003cp\u003e\u003cspan\u003eEurorack high quality dual mono compressor-limiter with stereo link.\u003c\/span\u003e\u003cbr\u003eThe unit has been designed to sweep\u003cspan\u003e from a delicate compressor to a brick-wall limiter \u003c\/span\u003ealways delivering an\u003cspan\u003e airy and punchy\u003c\/span\u003e \u003cspan\u003eanalogue compression\u003c\/span\u003e. \u003cspan\u003eParallel compression\u003c\/span\u003e \u003cspan\u003ecan easily be applied \u003c\/span\u003ewithin the module.\u003cbr\u003eThe unit has been \u003cspan\u003eengineered to deliver the lowest noise\u003c\/span\u003e; in particular, it implements a \u003cspan\u003eproprietary compression technique based on a triple VCA setup \u003c\/span\u003ethat delivers \u003cspan\u003eno compromise performances\u003c\/span\u003e.\u003cbr\u003e\u003cspan\u003eDYNAMICENGINE makes compression fun as hell!\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e \u003c\/h2\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"vc_empty_space\"\u003e \u003c\/div\u003e\n\u003cdiv class=\"wpb_text_column wpb_content_element wpb_animate_when_almost_visible wpb_fadeIn fadeIn post-formatting wpb_start_animation animated\"\u003e\n\u003cdiv class=\"wpb_wrapper\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3 class=\"has-text-align-center\"\u003e\u003cspan\u003eTECHNICAL FEATURES\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSYSTEM\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e– 2 mono compressors\u003cbr\u003e– Balanced inputs w\/ gain up to 12 dB\u003cbr\u003e– Threshold w\/ 36 dB range\u003cbr\u003e– Variable attack \/ release\u003cbr\u003e– Ratio from 1:1 to limit\u003cbr\u003e– Hard and soft knee\u003cbr\u003e– Make up gain up to 20 dB\u003cbr\u003e– Parallel compression\u003cbr\u003e– Side-chain hi-pass filter from 20 Hz to 235 Hz\u003cbr\u003e– Stereo link\u003cbr\u003e– Independent bypass\u003cbr\u003e– External side-chain inputs w\/ gain up to 12 dB\u003cbr\u003e– Outputs w\/ ground-cancelling circuitry\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eENGINEERING\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e– Triple VCA compression technique\u003cbr\u003e– Top quality VCA (THAT Corps.)\u003cbr\u003e– Modern audio grade op amps\u003cbr\u003e– Thin-film resistors\u003cbr\u003e– Wima \u0026amp; Panasonic caps\u003cbr\u003e– 4 layer PCB (designed for best EMI\/EMC)\u003cbr\u003e– Reverse powering protection\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePHYSICAL\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e– 28 HP\u003cbr\u003e– Skiff friendly (32 mm behind the panel)\u003cbr\u003e– Eurorack format\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003ca class=\"laborator-btn btn btn-index-2 btn-type-fliphover btn-type-outlined btn-blue btn-large\" href=\"https:\/\/audiogearobsession.com\/wp-content\/uploads\/2022\/01\/DYNAMICENGINE_manual.pdf\" title=\"\" target=\"_blank\"\u003eDYNAMICENGINE - Manual Download\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Audio Gear Obsession","offers":[{"title":"Black","offer_id":51569992630550,"sku":null,"price":1229.0,"currency_code":"USD","in_stock":false},{"title":"Silver","offer_id":51569992663318,"sku":null,"price":1229.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1001\/4221\/9542\/files\/DYNAMICENGINE-Website-scaled-1300x900__92255.1681353177.1280.1280.jpg?v=1784245868"},{"product_id":"cosmotronic-messor","title":"Cosmotronic Messor Pre-Order","description":"\u003cp class=\"p1\"\u003eMessor is an analog stereo compressor with lots of tricks up its sleeves in only 8HP.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eFrom squashing drums, sidechaining kicks and sculpting transients, to glueing a mix together, it's a very versatile dynamics manager.\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e \u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003efeed-forward compressor is VCA based with a hifi low noise signal path. The magic is in the internal sidechain that shapes the gain reduction envelope.\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e \u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThere are the familiar controls of a compressor, attack, release, threshold, ratio and makeup gain, as well as a switchable high-pass \/ low-pass sidechain filter.\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e \u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe ratio can go past limiting and into over-compression, which can completely reshape transients, a great tool for sound design.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e \u003c\/p\u003e\n\u003cp class=\"p1\"\u003eBeing modular, of course there are CV inputs for Attack, Release and the side-chain Filter cutoff. \u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe Gain CV controls the makeup gain, but also doubles as a Stereo VCA with the Gain knob turned fully CCW.\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e \u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe gain reduction envelope is also available as an output, for turning filters or other VCA's into compressors for example, or as a standalone envelope follower.\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e \u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThere's a bypass switch, and a Warm mode, that can bring in a bit of additional saturation and compression in the form of analog tube simulation circuitry.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eLastly there's the possibility to insert an external sidechain, for that classic kick sidechain compression.\u003c\/p\u003e","brand":"Cosmotronic","offers":[{"title":"Black","offer_id":51569992696086,"sku":null,"price":339.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1001\/4221\/9542\/files\/messor_black__66768.1765409033.1280.1280.jpg?v=1784245875"},{"product_id":"buchla-tiptop-audio-dual-oscillator-model-258t","title":"Buchla \u0026 Tiptop Audio Dual Oscillator Model 258t","description":"\u003cp class=\"p1\"\u003eDUAL OSCILLATOR - MODEL 258t\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eText from the Buchla 200 series catalogue from the 70's. Slight adjustments were made.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eSize: 18HP - Depth: 45mm - Power: +12V 70mA \/ -12V 40mA \u003c\/p\u003e\n\u003cp class=\"p1\"\u003eTwo independent voltage-controlled oscillators. Each has one processing input, a frequency modulation input and a 1V\/oct input. Waveshapes, as well as frequency, can be voltage controlled. Model 258 oscillators feature low sine wave harmonic content, negligible settling error, and high short and long-term stability, even with rapidly changing ambient temperatures.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eTRIMMERS:\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThere are three trimmers for each oscillator on the back of the module:\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e \u003c\/p\u003e\n\u003cp class=\"p2\"\u003e1V\/oct is the octave tracking trimmer and is set at the factory using high precision instruments.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eSHAPE is the trimmer that set the sine wave, for the lower harmonic content of the sine wave.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eVC WAVE SHAPE sets the response of the waveshaper to the incoming control voltage. Both SHAPE and VC WAVE SHAPE trimmers are used to adjust the sine wave purity.\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e \u003c\/p\u003e\n\u003cp class=\"p1\"\u003eProcessing input: The processing control attenuverter input permits control of pitch scaling\/inversion\/expansion without the need for a separate external processor.\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e \u003c\/p\u003e\n\u003cp class=\"p2\"\u003eFrequency modulation control:\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eFor adjusting vibrato depth or creating clangorous or bell-like tones, rich in non-harmonic upper partials.\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e \u003c\/p\u003e\n\u003cp class=\"p1\"\u003eProcessing control: Used to set desired range of incoming control voltage for expansion, compression and inversion.\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e \u003c\/p\u003e\n\u003cp class=\"p1\"\u003e1V\/Oct input: Control Voltage input for 1V\/oct note tracking.\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e \u003c\/p\u003e\n\u003cp class=\"p1\"\u003eWaveshape control input:\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eWaveshapes can be varied from sine to saw (OSC 1) and sine to square (OSC 2). Voltage control of waveshape enables powerful dynamic control of timbre.\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e \u003c\/p\u003e\n\u003cp class=\"p1\"\u003eOscillator frequency control:\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eSpans the audio spectrum of 5 Hz to 20 kHz with no range switching. (The original graphic 5cps to 20kc was only intended and noted to be approximate.)\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e \u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan\u003eManual\u003c\/span\u003e\u003cspan\u003e: \u003c\/span\u003e\u003ca href=\"https:\/\/tiptopaudio.com\/manuals\/Buchla_\u0026amp;_Tiptop_Audio_258t.pdf\" rel=\"noopener\" target=\"_blank\"\u003edownload\u003c\/a\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e \u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cimg alt=\"screen-shot-2022-01-17-at-11.13.36-am.jpg\" class=\"__mce_add_custom__\" height=\"1532\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1001\/4221\/9542\/files\/screen-shot-2022-01-17-at-11.13.36-am.jpg?v=1784232915\" title=\"screen-shot-2022-01-17-at-11.13.36-am.jpg\" width=\"2646\"\u003e\u003c\/p\u003e","brand":"Buchla \u0026 Tiptop Audio","offers":[{"title":"Default Title","offer_id":51569992597782,"sku":null,"price":229.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1001\/4221\/9542\/files\/258t__05963.1639443127.1280.1280.jpg?v=1784787083"},{"product_id":"maneco-labs-grone-2-dark-drone-machine-eurorack-1","title":"Maneco Labs GRONE 2 Dark Drone Machine (eurorack)","description":"\u003cp class=\"p1\"\u003e \u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eDrone\u003c\/strong\u003e\u003cstrong\u003eVCO\u003c\/strong\u003e\u003cstrong\u003e:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eGenerates sound based on equations converted to analog signals, there are sixteen equations selected by  Up and Down switches. Four  leds  indicate equation number in binary mode. Three Pots modify numbers used by the  equation, A0, A1 and A2, fourth pot Sample Rate controls pitch and speed of the oscillation. There’s an  Output Level pot for the oscillator and a dedicated jack for patching the Oscillator sound to external modules.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e \u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eOISE\u003c\/strong\u003e\u003cstrong\u003eGENERATOR\u003c\/strong\u003e\u003cstrong\u003e:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eWhite noise with noise level pot and noise output jack.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e \u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eVCF\u003c\/strong\u003e\u003cstrong\u003e:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eMS20 resonant low pass filter, with CUT frequency pot control, RESONANCE, MODULATION1 amount pot, input and output jacks and second cv input for cutoff, labeled MOD2\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e \u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eLFO1\u003c\/strong\u003e\u003cstrong\u003e:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eLow frequency oscillator routed to MOD1 from VCF, RATE and WAVEFORM shape Pots.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eAlso routed to delay block1\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eWaveforms are: ramp up, ramp down, square, triangle, sine, sweep, random levels, random slopes\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e \u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eEffects\u003c\/strong\u003e\u003cstrong\u003eSection:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eDelay with tap tempo and reverse component: controls for delay time, delay feedback, delay level and reverse component, tap tempo input jack for external control\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eReverb with freeze button, controls for reverb level and reverb decay, input jack for freeze function\u003c\/p\u003e","brand":"Maneco Labs","offers":[{"title":"Default Title","offer_id":51569994989846,"sku":null,"price":395.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1001\/4221\/9542\/files\/v2zusxstf8yv7di6ihcn__35240.1681352672.1280.1280.jpg?v=1784245970"},{"product_id":"qubit-electronix-aurora","title":"Qubit Electronix AURORA Pre-Order","description":"\u003cp\u003e\u003cstrong\u003eReverb. Well...kind of.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eWelcome to Aurora, a spectral reverb capable of a wide palette of sounds: from lush caverns and whale songs, to alien textures you've never created before. And likely, will invoke a hunger for exploration you felt when you first touched a modular synth.\u003c\/p\u003e\n\u003cp\u003eAurora uses a phase vocoder audio engine which separates the input signal's time and pitch domains. By blurring these signals you can achieve beautiful time-stretched tails, or cybernetic metallic effects.\u003c\/p\u003e\n\u003cp\u003eSince Aurora’s sonic response is entirely dependent on the input signal, no two patches will sound alike, lending itself to an infinite world of surprise and discovery.\u003c\/p\u003e\n\u003cp\u003eDiscovery. It’s why we are all here.\u003c\/p\u003e\n\u003cp\u003eA portion of all Aurora proceeds will help the fight against shrinking ice caps and dwindling polar bear populations.\u003c\/p\u003e\n\u003cul data-rte-list=\"default\"\u003e\n\u003cli\u003e\n\u003cp\u003eSpectral reverb with true stereo audio IO\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003ePhase vocoder audio engine running at 48kHz, 24-bit\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eTime stretched tails, icy shimmers, and voltage controlled whale songs\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFront panel USB port provides easy firmware updates, user options, and more\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003ePowered by the \u003ca href=\"https:\/\/www.electro-smith.com\/\" target=\"_blank\"\u003e\u003cspan\u003eDaisy Audio Platform\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.qubitelectronix.com\/s\/Aurora_v171.pdf\"\u003e\u003cspan\u003eDownload the Manual\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.qubitelectronix.com\/s\/Aurora_getting_started_v10.pdf\"\u003e\u003cspan\u003eDownload the Quickstart Guide\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.qubitelectronix.com\/s\/options.txt\"\u003e\u003cspan\u003eDownload the factory options.txt file\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTech Specs\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul data-rte-list=\"default\"\u003e\n\u003cli\u003e\n\u003cp\u003eWidth: 12HP\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDepth: 22mm\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003ePower Consumption: +12V=215mA, -12V=5mA, +5V=0mA\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv class=\"sqs-block html-block sqs-block-html\" data-block-type=\"2\" id=\"block-yui_3_17_2_1_1652117060378_108164\"\u003e\n\u003cdiv class=\"sqs-block-content\"\u003e\n\u003ch1\u003eUSB? Yes Please.\u003c\/h1\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"row sqs-row\"\u003e\n\u003cdiv class=\"col sqs-col-1 span-1\"\u003e \u003c\/div\u003e\n\u003cdiv class=\"col sqs-col-3 span-3\"\u003e\n\u003cdiv class=\"sqs-block embed-block sqs-block-embed\" data-block-json='{\"hSize\":null,\"floatDir\":null,\"customThumbEnabled\":false,\"html\":\"\u0026lt;div style=\\\"padding:177.78% 0 0 0;position:relative;\\\"\u0026gt;\u0026lt;iframe src=\\\"https:\/\/player.vimeo.com\/video\/704330849?h=c4f7ed9b83\u0026amp;amp;badge=0\u0026amp;amp;background=1\u0026amp;autoplay=1\u0026amp;loop=1\u0026amp;autopause=0\u0026amp;amp;player_id=0\u0026amp;amp;app_id=58479\\\" frameborder=\\\"0\\\" allow=\\\"autoplay; fullscreen; picture-in-picture\\\" allowfullscreen style=\\\"position:absolute;top:0;left:0;width:100%;height:100%;\\\" title=\\\"Aurora_USB_animation\\\"\u0026gt;\u0026lt;\/iframe\u0026gt;\u0026lt;\/div\u0026gt;\u0026lt;script src=\\\"https:\/\/player.vimeo.com\/api\/player.js\\\"\u0026gt;\u0026lt;\/script\u0026gt;\"}' data-block-type=\"22\" id=\"block-yui_3_17_2_1_1652117060378_178516\"\u003e\n\u003cdiv class=\"sqs-block-content\" id=\"yui_3_17_2_1_1652991970595_142\"\u003e\n\u003cdiv\u003e\u003ciframe allowfullscreen=\"\" data-embed=\"true\" frameborder=\"0\" height=\"240\" src=\"https:\/\/player.vimeo.com\/video\/704330849?h=c4f7ed9b83\u0026amp;badge=0\u0026amp;background=1\u0026amp;autoplay=1\u0026amp;loop=1\u0026amp;autopause=0\u0026amp;player_id=0\u0026amp;app_id=58479\u0026amp;wmode=opaque\" width=\"320\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"col sqs-col-8 span-8\"\u003e\n\u003cdiv class=\"sqs-block html-block sqs-block-html\" data-block-type=\"2\" id=\"block-yui_3_17_2_1_1652117060378_138206\"\u003e\n\u003cdiv class=\"sqs-block-content\"\u003e\n\u003ch2\u003eExpand Aurora beyond what’s possible, all from the front panel.\u003c\/h2\u003e\n\u003cul data-rte-list=\"default\"\u003e\n\u003cli\u003e\n\u003ch2\u003eConfigurable Settings for Blur States, Freeze Functions, and more.\u003c\/h2\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003ch2\u003e“It just works” Firmware Updates. Simply place the file on the drive, and let Aurora do the rest.\u003c\/h2\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003ch2\u003eAlternate Instruments, with some currently in development, and many more planned.\u003c\/h2\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003ch2\u003eQu-Bit Flash Drive is included with Aurora.\u003c\/h2\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Qu-Bit Electronix","offers":[{"title":"Default Title","offer_id":51569998397718,"sku":null,"price":379.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1001\/4221\/9542\/files\/aurora__11934__02408.1671137470.1280.1280.jpg?v=1784246210"},{"product_id":"xaoc-devices-timiszoara","title":"Xaoc Devices TIMISZOARA","description":"\u003ch5\u003eDESCRIPTION\u003c\/h5\u003e\n\u003cp\u003eTimiszoara is a stereo, Eurorack compatible, voltage-controlled multi-effect signal processor based on the popular Spin Semiconductor FV-1 DSP chip. It features a full stereo signal path with two adjustable audio inputs, two outputs, and a stereo voltage-controlled wet\/dry mixer. In addition, there is a microSD memory card slot on the front panel that allows for loading factory and custom effects without any restrictions or copyright protection, which means you can use many effects available on the Internet and even create your own.\u003c\/p\u003e\n\u003cp\u003eEffect programs are organized in banks of 8 and can be selected using a rotary encoder, as well as CV and trigger signals. Timiszoara features a crisp OLED screen that displays the program parameters and its name. It also facilitates navigating the list of banks. Up to three parameters per effect can be controlled from the front panel with illuminated slider potentiometers and dedicated CV inputs.\u003c\/p\u003e\n\u003cp\u003eWe have prepared quite a few banks of algorithms (176 in total) that cover most effects needs: delays, reverbs, filters, modulation effects (such as choruses and flangers), pitch shifters, and, of course, shimmers (no multi-effects unit would be complete without its share of those). However, we wanted to ensure that users had access to some more adventurous programs, so we created some special banks to allow you to take a walk on the wild side.\u003c\/p\u003e\n\u003cp\u003eFor detailed description, please refer to \u003ca href=\"http:\/\/xaocdevices.com\/manuals\/xaoc_timiszoara_manual.pdf\" target=\"_blank\"\u003ethe manual\u003c\/a\u003e.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch5\u003eFEATURES\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli\u003e24–bit stereo DSP engine\u003c\/li\u003e\n\u003cli\u003eUp to three parameters can be voltage controlled\u003c\/li\u003e\n\u003cli\u003eLow-noise, voltage-controlled analog wet\/dry crossfader\u003c\/li\u003e\n\u003cli\u003eVoltage-controlled effects selection\u003c\/li\u003e\n\u003cli\u003ePrograms stored on standard Micro SD card\u003c\/li\u003e\n\u003cli\u003eOLED screen\u003c\/li\u003e\n\u003cli\u003e176 factory programs\u003c\/li\u003e\n\u003cli\u003eOpen architecture for adding and organizing user–designed programs.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch5\u003eTECHNICAL DETAILS\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli\u003e10hp, skiff friendly\u003c\/li\u003e\n\u003cli\u003eCurrent draw: +120\/-45 mA\u003c\/li\u003e\n\u003cli\u003eReverse power protection\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003chr\u003e\n\u003cdiv class=\"fourth\"\u003e\n\u003ch4\u003eRESOURCES\u003c\/h4\u003e\n\u003cp\u003e\u003ca class=\"btn\" href=\"http:\/\/xaocdevices.com\/manuals\/xaoc_timiszoara_manual.pdf\" target=\"_blank\"\u003eUSER MANUAL\u003c\/a\u003e\u003cbr\u003e\u003ca class=\"btn\" href=\"http:\/\/xaocdevices.com\/manuals\/xaoc_timiszoara_program_chart.pdf\" target=\"_blank\"\u003ePROGRAM CHART\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Xaoc Devices","offers":[{"title":"Default Title","offer_id":51569998561558,"sku":null,"price":449.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1001\/4221\/9542\/files\/timiszoara__10307.1655163684.1280.1280.jpg?v=1785738009"},{"product_id":"neuzeit-instruments-quasar-binaural-3d-audio-mixer","title":"NEUZEIT INSTRUMENTS Quasar \/ Binaural 3D audio mixer","description":"\u003cul\u003e\n\u003cli\u003eWidth: 16 HP\u003c\/li\u003e\n\u003cli\u003eDepth: 45 mm\u003c\/li\u003e\n\u003cli\u003eCurrent draw +12V: 185 mA\u003c\/li\u003e\n\u003cli\u003eCurrent draw -12V: 20 mA\u003c\/li\u003e\n\u003cli\u003eCurrent draw +5V: 0 mA\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003e** Includes 3mm screws, 16-Pin to 10-Pin eurorack power cable, USB cable for firmware updates **\u003cbr\u003e \u003c\/p\u003e\n\u003cp\u003eQuasar brings 3D spatial audio to the Eurorack world. It is a two-channel audio mixer that uses binaural algorithms. You can seamlessly move sounds around your head, dynamically change the angle, height and distance in real time.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch4\u003eMain functions\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003e2 mono inputs\u003c\/li\u003e\n\u003cli\u003eStereo output (two single jacks + headphone stereo jack)\u003c\/li\u003e\n\u003cli\u003e2 CV inputs\u003c\/li\u003e\n\u003cli\u003e24Bit 48kHz inputs and outputs, 32Bit internal signal processing\u003c\/li\u003e\n\u003cli\u003eDynamic 3D positioning in three dimensions (height, angle, distance)\u003c\/li\u003e\n\u003cli\u003eRoom reverb can be applied for better localization\u003c\/li\u003e\n\u003cli\u003eInternal LFOs with flexible routing\u003c\/li\u003e\n\u003cli\u003eExternal CVs can be flexibly routed to all parameters, multiple destinations per CV, individual intensity\u003c\/li\u003e\n\u003cli\u003eDifferent 3D transfer functions to choose from\u003c\/li\u003e\n\u003cli\u003eTwo large endless encoders with aluminum knobs, RGB LED rings for setting and displaying parameters\u003c\/li\u003e\n\u003cli\u003eOLED display for navigation and to show which parameter the encoders are currently controlling\u003c\/li\u003e\n\u003cli\u003eFlat menu structure, no deep dives neccessary\u003c\/li\u003e\n\u003cli\u003eUser presets can be flexibly created and recalled\u003c\/li\u003e\n\u003cli\u003ePotentiometers for volume control of the three positions Quasar 1, Quasar 2 and Center\r\n\u003cp\u003eQuasar creates a 3D sound image by binaural audio processing. Two positions named Quasar 1 and Quasar 2 are available, which you can virtually place and move at any angle, height and distance around your head. Room reverb can be added as a further aid to distance perception. The audio signals at input 1 and input 2 can be flexibly routed to either or both positions via an internal matrix mixer. The coordinates of the positions can be set manually or be modulated by internal LFOs or external CVs. For example, you can have sounds orbiting around you, coming from above or below, front or back, and moving toward or away from you. Likewise, a center position is available as a routing destination that leaves the signal without sonic processing to create a dry\/wet mix.\u003cbr\u003eQuasar features two CV inputs which can be flexibly routed to any target inside the module. In fact, each CV can have up to four different targets, which enables a very flexible design of auditory 3D-scenes.\u003cbr\u003eInternal LFOs can be used to add dynamic movement and to create spectacular three-dimensional scenes. There are a variety of standard and advanced waveforms that can be routed to the position coordinates. LFOs can also be triggered and reset by external CVs.\u003cbr\u003eQuasar can add some reverb to the signal. While not being a reverberation module in the first place, Quasar's reverb can improve distance estimation, but also be used to create impressing ambient stereo soundscapes.\u003cbr\u003eAll inputs also have digital high and low pass filters, so you can decide which frequency bands go to which position. However, in addition to Quasar 1 or Quasar 2, you can also route the audio to the center position. The center position takes the input signal and distributes it equally to the left and right ears without further processing. For example, you can route the low frequencies to the center position and have the higher frequencies distributed to the outer positions Quasar 1 and Quasar 2. That way, the bass stays centered and mono-compatibility is preserved.\u003cbr\u003eAs soon as a three-dimensional virtual scene has been created, it can be saved to the module's preset list. That way, scenes can be recalled at any time. Quasar also features some factory presets as a starting point and to show off the module's capabilities.\u003cbr\u003eThe module works best with headphones, as the algorithm basically mimics the shape of the head and the pinnae, which are responsible for our directional hearing. But even if you play the sound through speakers, you will hear a significant difference from classic panning.\u003cbr\u003eAs spatial hearing is a psychoacoustic effect that everybody perceives in a slightly different way, Quasar offers several transfer functions for different ear types to choose from. This way, the intensity of the 3D effect can be adjusted to personal needs and fits with the processed audio signal.\u003cbr\u003eWith its large aluminum knobs, LED rings, rubber potentiometers and mechanically solid components, Quasar is fun to use and invites creative work.\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.neuzeit-instruments.com\/mediafiles\/Manuals\/Quasar_Manual_1_1.pdf\" target=\"_blank\"\u003eManual (english)\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.neuzeit-instruments.com\/mediafiles\/Firmwares\/firmware_quasar_v1_10.ehex\" target=\"_blank\"\u003eFirmware v1.10\u003cimg alt=\"screen-shot-2022-08-09-at-4.56.30-pm.jpg\" class=\"__mce_add_custom__\" height=\"1138\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1001\/4221\/9542\/files\/screen-shot-2022-08-09-at-4.56.30-pm.jpg?v=1784246342\" title=\"screen-shot-2022-08-09-at-4.56.30-pm.jpg\" width=\"2222\"\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"NEUZEIT INSTRUMENTS","offers":[{"title":"Default Title","offer_id":51570000462102,"sku":null,"price":489.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1001\/4221\/9542\/files\/Quasar__81087.1660089477.1280.1280.jpg?v=1785722974"},{"product_id":"doepfer-a-121s-stereo-multimode-filter","title":"Doepfer A-121s Stereo Multimode Filter","description":"\u003cp\u003e\u003cspan style=\"font-family: Arial; font-size: small;\"\u003eModule A-121s is a dual multimode filter which can be used for stereo applications as well as for parallel or serial organized dual mono filters. The core is a 12dB multimode filter identical to the modules  \u003ca href=\"https:\/\/doepfer.de\/a1212.htm\"\u003eA-121-2\u003c\/a\u003e and \u003ca href=\"https:\/\/doepfer.de\/a1213.htm\"\u003eA-121-3\u003c\/a\u003e. The selection of the filter type is continuously from lowpass via notch and highpass to bandpass. We attached great importance to the usability of the manual controls and CV inputs for both stereo and dual mono applications. For the filter parameters frequency (F), resonance (Q) and type (T) common controls and CV inputs as well as single controls and CV inputs are available. For the filter frequency in addition a manual control and CV input for the filter spread (frequency difference or delta F) is available.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: Arial; font-size: small;\"\u003e\u003cstrong\u003eControls:\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan style=\"font-family: Arial; font-size: small;\"\u003e\u003cstrong\u003eF\u003c\/strong\u003e: master frequency control for both filters (large knob)\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan style=\"font-family: Arial; font-size: small;\"\u003e\u003cstrong\u003eType 1 \/ Type 2\u003c\/strong\u003e: filter type panning\/morphing L-N-H-B\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan style=\"font-family: Arial; font-size: small;\"\u003e\u003cstrong\u003eLink to 1\u003c\/strong\u003e: Toggle switch so that Type 1 also controls type of filter 2 (i.e. simultaneous filter type control for both filters)\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan style=\"font-family: Arial; font-size: small;\"\u003e\u003cstrong\u003eSFM1 \/ SFM2\u003c\/strong\u003e: Single Frequency Modulation controls (polarizers), connected to the corresponding sockets SFM1\/SFM2 (socket SFM1 is normalled to a fixed positive voltage, SFM2 is normalled to SFM1, that way the controls SFM1\/SFM2 work as frequency controls for each filter provided that no modulation signals are patched to the SFM1\/SFM2 sockets)\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan style=\"font-family: Arial; font-size: small;\"\u003e\u003cstrong\u003eCFM\u003c\/strong\u003e: common frequency control, controls two VC-polarizers which process the signals connected to the two sockets CFM1\/CFM2, CFM2 is normalled to CFM1, that way also the same modulation signal (e.g. an envelope generator) can be used for both filters and the level controlled simultaneously by the CFM control\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan style=\"font-family: Arial; font-size: small;\"\u003e\u003cstrong\u003eDelta F\u003c\/strong\u003e: controls the difference between the frequencies of the two filters manually (frequency \"spread\"), at center position the frequencies are the same\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan style=\"font-family: Arial; font-size: small;\"\u003e\u003cstrong\u003eDelta FM\u003c\/strong\u003e: controls the level of the Delta FM signal (socket), which allows to control the spread between the frequencies also by an external control voltage (e.g. by an LFO or ADSR)\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan style=\"font-family: Arial; font-size: small;\"\u003e\u003cstrong\u003eQ\u003c\/strong\u003e: controls the resonance of both filters simultaneously\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan style=\"font-family: Arial; font-size: small;\"\u003e\u003cstrong\u003eLevel 1 \/ Level 2\u003c\/strong\u003e: attenuators for the two audio inputs\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan style=\"font-family: Arial; font-size: small;\"\u003e\u003cstrong\u003eQM\/TM1, QM\/TM2\u003c\/strong\u003e: attenuators for the modulation inputs QM\/TM1 and QM\/TM2 \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan style=\"font-family: Arial; font-size: small;\"\u003e\u003cstrong\u003eSockets:\u003cbr\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan style=\"font-family: Arial; font-size: small;\"\u003e\u003cstrong\u003eIn1 \/ In2\u003c\/strong\u003e: audio inputs (In2 is normalled to In1)\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan style=\"font-family: Arial; font-size: small;\"\u003e\u003cstrong\u003eOut1 \/ Out2\u003c\/strong\u003e: audio outputs\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan style=\"font-family: Arial; font-size: small;\"\u003e\u003cstrong\u003eF\u003c\/strong\u003e: common frequency control input for both filters (~ 1V\/oct)\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan style=\"font-family: Arial; font-size: small;\"\u003e\u003cstrong\u003eDelta FM\u003c\/strong\u003e: Control voltage for frequency spread, processed by the polarizer Delta FM\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan style=\"font-family: Arial; font-size: small;\"\u003e\u003cstrong\u003eSFM1 \/ SFM2\u003c\/strong\u003e: single frequency modulation inputs, processed by the polarizers SFM1 and SFM2,  SFM1 is normalled to a fixed positive voltage, SFM2 is normalled to SFM1#\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan style=\"font-family: Arial; font-size: small;\"\u003e\u003cstrong\u003eCFM1 \/ CFM2\u003c\/strong\u003e: common frequency modulation inputs, processed by the two voltage controlled polarizers controlled by CFM knob, CFM2 is normalled to CFM1\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan style=\"font-family: Arial; font-size: small;\"\u003e\u003cstrong\u003eQM\/TM1, QM\/TM2\u003c\/strong\u003e: the addressing of these sockets\/attenuators is defined by internal jumpers. QM means Q modulation (i.e. resonance modulation), TM means filter type modulation (QM1 = resonance modulation filter 1, QM2 = resonance modulation filter 2, TM1 = filter type modulation filter 1, TM2 = filter type modulation filter 2), socket QM\/TM1 is normalled to a fixed positive voltage, QM\/TM2 is normalled to QM\/TM1\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan style=\"font-family: Arial; font-size: small;\"\u003eA 45 degrees triangle next to a socket means that the switching contact of the socket is normalled to a fixed positive voltage \u003c\/span\u003e\u003cspan style=\"font-family: Arial; font-size: small;\"\u003e(SFM1, QM\/TM1).\u003c\/span\u003e\u003cspan style=\"font-family: Arial; font-size: small;\"\u003e\u003cbr\u003eA vertical triangle indicates the normalling of two sockets \u003c\/span\u003e\u003cspan style=\"font-family: Arial; font-size: small;\"\u003e(In1\u0026gt;In2, SFM1\u0026gt;SFM2, CFM1\u0026gt;CFM2, QM\/TM1\u0026gt;QM\/TM2).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: Arial; font-size: small;\"\u003eIf the filters do not behave as expected please pay attention to these peculiarities:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan style=\"font-family: Arial; font-size: small;\"\u003eFor the controls \u003cstrong\u003eSFM1, SFM2, CFM, Delta F\u003c\/strong\u003e and\u003cstrong\u003e Delta FM\u003c\/strong\u003e the \u003cspan style=\"text-decoration: underline;\"\u003ecenter position is the neutral position\u003c\/span\u003e as these are polarizers. If the filter behaves unexpected these controls should be set to center positions for the time beeing. \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan style=\"font-family: Arial; font-size: small;\"\u003eIn addition the sockets \u003cstrong\u003eSFM1 \u003c\/strong\u003eand\u003cstrong\u003e SFM2\u003c\/strong\u003e are normalled to fixed positive voltages provided that no patch cables are inserted into these sockets. In this case the controls \u003cstrong\u003eSFM1\u003c\/strong\u003e and \u003cstrong\u003eSFM2\u003c\/strong\u003e work as additional individual manual controls for the frequencies of filter 1 and 2 with center positions as neutral positions.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan style=\"font-family: Arial; font-size: small;\"\u003eFor the controls \u003cstrong\u003eF, Q, Level 1, Level 2, QM\/TM1\u003c\/strong\u003e und\u003cstrong\u003e QM\/TM2\u003c\/strong\u003e the \u003cspan style=\"text-decoration: underline;\"\u003efully CCW position is the neutral position\u003c\/span\u003e as these are standard attenuators. If the filter behaves unexpected at least the controls \u003cstrong\u003eQM\/TM1\u003c\/strong\u003e and\u003cstrong\u003e QM\/TM2\u003c\/strong\u003e should be set to fully CCW. The reason is that via the normalling of the sockets \u003cstrong\u003eQM\/TM1\u003c\/strong\u003e and \u003cstrong\u003eQM\/TM2\u003c\/strong\u003e the associated controls generate control voltages which are added to the control voltages generated by the main contols (Type 1, Typ 2, Q). Which of these parameters are affected depends upon the settings of the internal jumpers. For details please refer to the document \u003c\/span\u003e\u003cspan style=\"font-family: Arial; font-size: small;\"\u003e \u003c\/span\u003e\u003cspan style=\"color: #000000; font-family: Arial; font-size: small;\"\u003e\u003ca href=\"https:\/\/doepfer.de\/a100_man\/A121s_trimming_potentiometers_and_jumpers.pdf\"\u003eA121s_trimming_potentiometers_and_jumpers.pdf\u003c\/a\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan style=\"font-family: Arial; font-size: small;\"\u003eBy means of small circles at the bottom right side of the front panel the user can mark the function of the QM\/TM inputs. These assignments are possible:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan style=\"font-family: Arial; font-size: small;\"\u003e\u003cstrong\u003eQM\/TM1\u003c\/strong\u003e controls QM1, \u003cstrong\u003eQM\/TM2\u003c\/strong\u003e controls QM2, the filter types are not controlled by external CVs\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan style=\"font-family: Arial; font-size: small;\"\u003e\u003cstrong\u003eQM\/TM1\u003c\/strong\u003e controls TM1, \u003cstrong\u003eQM\/TM2\u003c\/strong\u003e controls TM2, the resonances are not controlled by external CVs\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan style=\"font-family: Arial; font-size: small;\"\u003e\u003cstrong\u003eQM\/TM1\u003c\/strong\u003e controls QM1 and QM2 simultaneously, \u003cstrong\u003eQM\/TM2\u003c\/strong\u003e controls TM1 and TM2 simultaneously\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan style=\"font-family: Arial; font-size: small;\"\u003e\u003cstrong\u003eApplications:\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan style=\"font-family: Arial; font-size: small;\"\u003e\u003cstrong\u003eStereo filter\u003c\/strong\u003e: two different audio signals are connected to the audio inputs. At the outputs appear the filtered signals. The filterings depend upon the positions of the manual controls and the applied control voltages.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan style=\"font-family: Arial; font-size: small;\"\u003e\u003cstrong\u003eSerial mono filter:\u003c\/strong\u003e the mono signal is applied to audio input 1. Audio output 1 is connected to audio input 2. The filtered mono signal appears at audio output 2. One has to pay attention that the filter parameters are set in a way so that a signal will appear at the output. If for example a lowpass and a highpass are daisy chained the frequency of the lowpass has to be higher than the frequency of the highpass. Otherwise no signal will appear at the output.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan style=\"font-family: Arial; font-size: small;\"\u003e\u003cstrong\u003eParallel mono filter:\u003c\/strong\u003e the audio signal is fed to both audio inputs (e.g. via the normalled sockets In1\u0026gt;In2). By means of a mixer module the audio outputs 1 and 2 are mixed.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan style=\"font-family: Arial; font-size: small;\"\u003eThe sketch below shows the internal structure of the module in detail.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000; font-family: Arial; font-size: small;\"\u003eThe following document shows the positions and functions of the jumpers and trimming potentiometers of the module: \u003ca href=\"https:\/\/doepfer.de\/a100_man\/A121s_trimming_potentiometers_and_jumpers.pdf\"\u003eA121s_trimming_potentiometers_and_jumpers.pdf\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000; font-family: Arial; font-size: small;\"\u003e\u003cspan\u003eBreite\/Width: 12 TE \/ 12 HP \/ 60.6 mm\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000; font-family: Arial; font-size: small;\"\u003eTiefe\/Depth: 45 mm (gemessen ab der Rückseite der Frontplatte \/ measured from the rear side of the front panel)\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eStrombedarf\/Current: +100 mA (+12V) \/ -100 mA (-12V)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000; font-family: Arial; font-size: small;\"\u003e\u003ca href=\"https:\/\/www.youtube.com\/watch?v=frtTtTVeizs\" target=\"_blank\"\u003e\u003cimg alt=\"\" border=\"0\" height=\"360\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1001\/4221\/9542\/files\/Superbooth_2022_Sonicstate.jpg?v=1784246482\" width=\"640\"\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Doepfer","offers":[{"title":"Black","offer_id":51570003050774,"sku":null,"price":299.0,"currency_code":"USD","in_stock":false},{"title":"Silver","offer_id":51570003083542,"sku":null,"price":299.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1001\/4221\/9542\/files\/A-121s_Black__31146.1663271228.1280.1280.jpg?v=1785569108"},{"product_id":"qubit-electronix-nautilus","title":"Qubit Electronix Nautilus Pre-Order","description":"\u003cp\u003e\u003cstrong\u003eWe’re gonna need a bigger boat.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eNautilus is a complex delay network inspired by sub-nautical communications and their interaction with the environment. In essence, Nautilus is a stereo delay consisting of 8 unique delay lines which can be connected and synced in interesting ways. Each time Nautilus pings its sonar system, the generated topography reveals itself through the delay, all while staying in time with the internal or external clock. Complex feedback interactions plunge sounds to new depths, while related delay lines pull fragments of sound in different directions. Manipulate the delay lines even further by configuring the the stereo receptors, sonar frequencies, and aquatic materials that filter the space between Nautilus and its surroundings.\u003c\/p\u003e\n\u003cp\u003eThough Nautilus is a delay effect at heart, it is also a CV\/Gate generator. The Sonar Output creates either a unique Gate signal, or a unique CV signal algorithmically generated from Nautilus’s findings. Drive other parts of your patch with pings from the delay network, or use the generated topography as a modulation source.\u003c\/p\u003e\n\u003cp\u003eFrom the deep ocean trenches, to shimmering tropical reefs, Nautilus is the ultimate exploratory delay network.\u003c\/p\u003e\n\u003cul data-rte-list=\"default\"\u003e\n\u003cli\u003e\n\u003cp\u003eStereo Sub-Nautical Delay Processor\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eUltra low noise floor\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e8 codependent delay lines with up to 20 seconds of audio each\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFade, Doppler and Shimmer delay modes\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eSonar configurable CV\/Gate output\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eA portion of all Nautilus proceeds will go towards the effort to preserve our ocean and coastal environments through the \u003ca href=\"https:\/\/www.surfrider.org\/\" target=\"_blank\"\u003e\u003cspan\u003eSurfrider Foundation\u003c\/span\u003e\u003c\/a\u003e.\u003c\/p\u003e\n\u003cp\u003eDownload the Manual - Coming Soon!\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.qubitelectronix.com\/s\/nautilus_getting_started_v101.pdf\" target=\"_blank\"\u003e\u003cspan\u003eDownload the Quickstart Guide.\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTech Specs\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWidth: 14HP\u003c\/p\u003e\n\u003cp\u003eDepth: 22mm\u003c\/p\u003e\n\u003cp\u003ePower Consumption: +12V=151mA, -12V=15mA, +5V=0mA\u003c\/p\u003e","brand":"Qu-Bit Electronix","offers":[{"title":"Default Title","offer_id":51570003575062,"sku":null,"price":399.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1001\/4221\/9542\/files\/Nautilus__82818__71893.1671137365.1280.1280.jpg?v=1784246542"},{"product_id":"buchla-tiptop-audio-dual-voltage-processor-model-257t","title":"Buchla \u0026 Tiptop Audio Dual Voltage Processor Model 257t","description":"\u003cp class=\"p1\"\u003eDUAL VOLTAGE PROCESSOR - MODEL 257 t\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eModel 257 Dual Control Voltage Processor consists of two identical sections, each of which permits several applied control voltages to define a single output voltage according to the equation:\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e(Va * K) + ((Vb * (1-M)) + (Vc * M)) + Voffset = V_out\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe algebraic manipulations possible with this module include addition, subtraction, scaling, inversion, and multiplication. Also incorporated is the capability of using one control voltage (M) to transfer control from one applied voltage (V_b) to another (V_c).\u003c\/p\u003e\n\u003cp\u003eFunctions\u003c\/p\u003e\n\u003cp\u003e- Attenuverter\u003c\/p\u003e\n\u003cp\u003eVa is the voltage input a for attenuverter (left jack on the panel)\u003c\/p\u003e\n\u003cp\u003eK knob can scale the incoming Va voltage either positively or negatively\u003c\/p\u003e\n\u003cp\u003e- Crossfader\u003c\/p\u003e\n\u003cp\u003eVb is the voltage input b for the left side of the crossfader (second jack from the left)\u003c\/p\u003e\n\u003cp\u003e+.5 switch adds 5 volts to the input of Vb\u003c\/p\u003e\n\u003cp\u003eVc is the voltage input c for the right side of the crossfader (fourth jack from the left)\u003c\/p\u003e\n\u003cp\u003eM scales Vb from 1 to 0 based on the position of M knob\u003c\/p\u003e\n\u003cp\u003eM scales Vc from 0 to 1 based on the position of M knob\u003c\/p\u003e\n\u003cp\u003eThe middle CV input at M\/M can crossfade between Vb and Vc (third jack from the left)\u003c\/p\u003e\n\u003cp\u003eThe M knob and M CV added together to control crossfade position\u003c\/p\u003e\n\u003cp\u003e- Offset\u003c\/p\u003e\n\u003cp\u003eVoffset Adds 0 - 10 volts to any combination of Va + Vb + Vc\u003c\/p\u003e\n\u003cp\u003e- Output\u003c\/p\u003e\n\u003cp\u003eVout is the combined voltage of the attenuverter, crossfader and offset (right jack on the panel)\u003c\/p\u003e\n\u003cp\u003eSpecifications:\u003c\/p\u003e\n\u003cp\u003eSize: 14HP - Depth: 25mm Power: +12V 45mA \/ -12V 22mA\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eManual:\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/tiptopaudio.com\/manuals\/Buchla_\u0026amp;_Tiptop_Audio_257t.pdf\" rel=\"noopener\" target=\"_blank\"\u003edownload\u003c\/a\u003e\u003c\/p\u003e","brand":"Buchla \u0026 Tiptop Audio","offers":[{"title":"Default Title","offer_id":51570003771670,"sku":null,"price":195.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1001\/4221\/9542\/files\/257t__65692.1664908932.1280.1280.jpg?v=1784675991"},{"product_id":"xaoc-devices-sofia","title":"Xaoc Devices SOFIA","description":"\u003cdiv class=\"fourth\"\u003e\n\u003ch5\u003eDESCRIPTION\u003c\/h5\u003e\n\u003cp\u003eSofia is a fully analog voltage-controlled oscillator (VCO) based on an original waveforming principle. It features a modern, well-calibrated, temperature compensated triangle core and two elaborate waveshaping and modulating sections. The sound is a mixture of a warm, saturated base tone and two ripple components. Besides its main output, Sofia offers access to individual components of the sound plus a multitude of modulation inputs allowing for extensive self-patching and animation of the waveform. To better understand the device, we strongly advise the user to read through the entire manual before using the module.\u003c\/p\u003e\n\u003cp\u003eFor detailed description, please refer to \u003ca href=\"http:\/\/xaocdevices.com\/manuals\/xaoc_sofia_manual.pdf\" target=\"_blank\"\u003ethe manual\u003c\/a\u003e.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"fourth\"\u003e\n\u003ch5\u003eOPERATING PRINCIPLE\u003c\/h5\u003e\n\u003cp\u003eSofia implements and extends the classic computer music method for synthesis of formant sounds called FOF (fonction d’onde formantique), which uses a combination of simple, time-domain components (decaying sinusoidal waves) to achieve desired spectral characteristics.\u003cbr\u003eIn Sofia, two of such ripple elements are added on top of a slightly saturated sinusoidal base tone. Each new cycle of the base tone spawns a new pair of ripple elements. The ripples’ density and decay rate may be adjusted over a wide range. Additionally, the elements may be warped so that their density accelerates or decelerates within the cycle. Finally, their basic waveform may be switched from sine-like to square-like for additional richness.\u003cbr\u003eDespite the seemingly divergent frequencies present in the signal, it remains strictly harmonic due to how all elements are waveshaped from the core tone and therefore phase coherent. Thus, Sofia is not a complex oscillator in the Buchla sense; however, it goes beyond the traditional set of primary waves and wavetables, hence the name.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"fourth last\"\u003e\n\u003ch5\u003eFEATURES\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli\u003eAnalog VCO with complex waveforms\u003c\/li\u003e\n\u003cli\u003eExtended FOF synthesis\u003c\/li\u003e\n\u003cli\u003e3 frequency control inputs\u003c\/li\u003e\n\u003cli\u003e8 parameter control inputs\u003c\/li\u003e\n\u003cli\u003e6 signal outputs\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch5\u003eTECHNICAL DETAILS\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli\u003e24hp, 30mm deep\u003c\/li\u003e\n\u003cli\u003eCurrent draw: +90mA\/-80mA\u003c\/li\u003e\n\u003cli\u003eReverse power protection\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003chr\u003e\n\u003cdiv class=\"fourth\"\u003e\n\u003ch4\u003eRESOURCES\u003c\/h4\u003e\n\u003cp\u003e\u003ca class=\"btn\" href=\"http:\/\/xaocdevices.com\/manuals\/xaoc_sofia_manual.pdf\" target=\"_blank\"\u003eUSER MANUAL\u003c\/a\u003e\u003c\/p\u003e\n\u003cdiv class=\"clearfix\"\u003e\n\u003cdiv class=\"fourth\"\u003e\n\u003ch4\u003eDEMOS \u0026amp; TUTORIALS\u003c\/h4\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"three-fourths last\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv class=\"fluid-width-video-wrapper\"\u003e\u003ciframe allowfullscreen=\"\" frameborder=\"0\" height=\"240\" src=\"https:\/\/www.youtube.com\/embed\/CsncegBakqI\" width=\"320\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv class=\"fluid-width-video-wrapper\"\u003e\u003ciframe allowfullscreen=\"\" frameborder=\"0\" height=\"240\" src=\"https:\/\/www.youtube.com\/embed\/wp_1OTY84z8\" width=\"320\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv class=\"fluid-width-video-wrapper\"\u003e\u003ciframe allowfullscreen=\"\" frameborder=\"0\" height=\"240\" src=\"https:\/\/www.youtube.com\/embed\/y-wZVDzkK1c\" width=\"320\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"clearfix\"\u003e \u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Xaoc Devices","offers":[{"title":"Default Title","offer_id":51570004394262,"sku":null,"price":599.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1001\/4221\/9542\/files\/SOFIA__59522.1665704799.1280.1280.jpg?v=1785737903"},{"product_id":"maneco-labs-grone-wave-eurorack","title":"Maneco Labs GRONE WAVE (Eurorack) Pre-Order","description":"\u003cp\u003eGrone Wave is the latest addition to Grone family , this incarnation is based on a lo fi sample player engine with 4 banks of up to 16 samples ,in glorious 8 bit and full of aliasing noise , you’ll find all kind of textures and accidents useful for ambient, musique concrete , noise and whatever nightmares you imagine.\u003c\/p\u003e\n\u003cp\u003eYou can control pitch , sample start and end points, and reverse them.There’s an external trigger input for retriggering from sync signals , gates or clocks.\u003c\/p\u003e\n\u003cp\u003eSample then passes through a MOJ transistor ladder low pass filter with resonance, filter is also modulated by a multi waveform LFO.\u003c\/p\u003e\n\u003cp\u003eEffects section is taken care of by a special Clouds version , with dedicated feedback, pan blend and reverb sliders for intuitive and immediate control.\u003c\/p\u003e\n\u003cp\u003e 26hp\u003c\/p\u003e\n\u003cp\u003e\u003ca class=\"download\" href=\"https:\/\/manecolabs.com\/wp-content\/uploads\/Grone-Wave-Manual.pdf\" rel=\"noopener noreferrer\" target=\"_blank\"\u003eDownload Specification PDF ⇩\u003c\/a\u003e\u003c\/p\u003e","brand":"Maneco Labs","offers":[{"title":"Default Title","offer_id":51570008228118,"sku":null,"price":465.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1001\/4221\/9542\/files\/Grone_wave__11029.1678319338.1280.1280.jpg?v=1786213979"},{"product_id":"verbos-electronics-complex-oscillator","title":"Verbos Electronics Complex Oscillator","description":"\u003cp\u003eIn the West Coast philosophy of synthesis, one oscillator modulating another is a classic way of creating rich timbres. Voltage control of the modulation and of the waveshape is essential for evolving the sounds from whatever CV sources.\u003cbr\u003e\u003cbr\u003eThe Verbos Electronics Complex Oscillator is configured as a master oscillator with an voltage controlled waveshaper and a modulation oscillator that can be used for FM or AM.\u003cbr\u003e\u003cbr\u003eThe waveshape of the modulation can be set to triangle, square or saw, each with a dedicated output.  Modulation amount can be voltage controlled with a reversing attenuator on the CV input.\u003cbr\u003e\u003cbr\u003eThe master oscillator has dedicated outputs for triangle, square and sine waves. The master output can blend from sine to square to saw to folded sine all from voltage control with reversing attenuators on all of the CV inputs.\u003cbr\u003e\u003cbr\u003eThe oscillators are analog triangle cores with discrete transistor exponential converters. Each has inputs for linear and exponential FM. Both have 1 volt\/octave trimmed CV inputs as well.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e• 32HP\u003c\/p\u003e\n\u003cp\u003e• 70mA +12, 50mA -12\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"http:\/\/www.verboselectronics.com\/s\/Complex-Oscillator-Tech-card.pdf\" target=\"_blank\"\u003e\u003cstrong\u003eTech Card Download\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e","brand":"Verbos Electronics","offers":[{"title":"Default Title","offer_id":51570008752406,"sku":null,"price":659.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1001\/4221\/9542\/files\/Comlplex_verbos__86006.1680652493.1280.1280.jpg?v=1784246948"},{"product_id":"black-noise-modular-voltage-processor","title":"Black Noise Modular VOLTAGE PROCESSOR","description":"\u003cp\u003eVOLTAGE PROCESSOR have been designed to pack a lot of features in a small module.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eHere a some of the features you can achieve with VOLTAGE PROCESSOR\u003cbr\u003e\u003cem\u003eYou can find how to setup those features in the manual below\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eDual VCA\u003cbr data-mce-fragment=\"1\"\u003eStereo VCA\u003cbr data-mce-fragment=\"1\"\u003eCV Crossfader 2:1\u003cbr data-mce-fragment=\"1\"\u003eCV Crossfader 1:2\u003cbr data-mce-fragment=\"1\"\u003eDual AM\u003cbr data-mce-fragment=\"1\"\u003eCV PAN\u003cbr data-mce-fragment=\"1\"\u003eDual Attenuator\u003cbr data-mce-fragment=\"1\"\u003eDual Inverter\u003cbr data-mce-fragment=\"1\"\u003eDual Offset generator\u003cbr data-mce-fragment=\"1\"\u003eDual Voltage generator\u003cbr data-mce-fragment=\"1\"\u003eDual Exponential converter\u003cbr data-mce-fragment=\"1\"\u003eLogarithmic converter\u003cbr data-mce-fragment=\"1\"\u003eDual PWM\u003cbr data-mce-fragment=\"1\"\u003eDual CV overdrive\u003cbr data-mce-fragment=\"1\"\u003eDual waveshaper\u003cbr data-mce-fragment=\"1\"\u003eComplex waveshaper\u003cbr data-mce-fragment=\"1\"\u003eDual RingMod\u003cbr data-mce-fragment=\"1\"\u003eRindMod\u003cbr data-mce-fragment=\"1\"\u003eCompressor\u003cbr data-mce-fragment=\"1\"\u003eSidechain compressor\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePanel Width\u003cbr\u003e\u003c\/strong\u003e\u003cem\u003e6HP\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eModule Depth\u003cbr\u003e\u003c\/strong\u003e\u003cem\u003e20mm (skiff friendly)\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePower Consumption\u003cbr\u003e\u003c\/strong\u003e\u003cem\u003e+12V : 30mA\u003cbr\u003e-12V : 30mA\u003cbr\u003e+5V : 0mA\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/raw.githack.com\/BlackNoiseModular\/Eurorack\/main\/VOLTAGE%20PROCESSOR\/Manual\/BLACK-NOISE_Voltage-Processor_V1.0_Manual_V1.0.pdf\" target=\"_blank\" title=\"https:\/\/raw.githack.com\/BlackNoiseModular\/Eurorack\/main\/VOLTAGE%20PROCESSOR\/Manual\/BLACK-NOISE_Voltage-Processor_V1.0_Manual_V1.0.pdf\"\u003eManual\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/raw.githack.com\/BlackNoiseModular\/Eurorack\/main\/VOLTAGE%20PROCESSOR\/BOM\/ibom.html\" target=\"_blank\" title=\"https:\/\/raw.githack.com\/BlackNoiseModular\/Eurorack\/main\/VOLTAGE%20PROCESSOR\/BOM\/ibom.html\"\u003eBOM\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/raw.githack.com\/BlackNoiseModular\/Eurorack\/main\/VOLTAGE%20PROCESSOR\/BLACK-NOISE_Voltage-Processor_Build-Instructions_V1.pdf\" target=\"_blank\" title=\"https:\/\/raw.githack.com\/BlackNoiseModular\/Eurorack\/main\/VOLTAGE%20PROCESSOR\/BLACK-NOISE_Voltage-Processor_Build-Instructions_V1.pdf\"\u003eBuild Instructions\u003c\/a\u003e\u003c\/p\u003e","brand":"Black Noise Modular","offers":[{"title":"Default Title","offer_id":51570009309462,"sku":null,"price":159.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1001\/4221\/9542\/files\/Voltage_processor__50225.1681934042.1280.1280.jpg?v=1784247008"},{"product_id":"knobula-pianophonic","title":"KNOBULA Pianophonic","description":"\u003cp class=\"font_7 wixui-rich-text__text\"\u003e \u003c\/p\u003e\n\u003cp class=\"font_7 wixui-rich-text__text\"\u003e\u003cspan class=\"wixui-rich-text__text\"\u003e\u003cspan class=\"wixui-rich-text__text\"\u003e\u003cspan class=\"wixui-rich-text__text\"\u003e\u003cspan class=\"color_15 wixui-rich-text__text\"\u003e\u003cspan class=\"wixui-rich-text__text\"\u003ePianophonic\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"BaOVQ8 tz5f0K comp-lh9knj3i wixui-rich-text\" id=\"comp-lh9knj3i\"\u003e\n\u003cp class=\"font_7 wixui-rich-text__text\"\u003e\u003cspan class=\"color_15 wixui-rich-text__text\"\u003e\u003cspan class=\"wixui-rich-text__text\"\u003e8 Voice Multi-Oscillator Wavetable Synthesiser\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"KcpHeO tz5f0K comp-lh9knj3k1 wixui-rich-text\" id=\"comp-lh9knj3k1\"\u003e\n\u003cp class=\"font_8\"\u003eCombining the power of multi-oscillator wavetable synthesis with the percussive detail of sampled sounds, Pianophonic is a powerful hybrid synth engine featuring 8 voices of polyphony. Not limited to Piano sounds, the voice architecture of Pianophonic is extremely versatile and easy to use with the essential controls laid bare on the front panel, and the most significant CV inputs and outputs provided for full integration within eurorack patches.\u003c\/p\u003e\n\u003cp class=\"font_8\"\u003eTaking its inspiration from the wavetable\/sampler keyboards of the 90s, Pianophonic revisits a lean and mean approach to digital sound creation but instead with 24bit 48Khz quality and fingertip control of the parameters that really matter.\u003c\/p\u003e\n\u003cp class=\"font_8\"\u003eWith a built in SD card and an online re-synthesise utility, allowing users to create their own sound banks, the possibilities for sound exploration are limitless.\u003c\/p\u003e\n\u003cp class=\"font_8\"\u003e \u003c\/p\u003e\n\u003cp class=\"font_8\"\u003e\u003cspan\u003e12 HP\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"KNOBULA","offers":[{"title":"Default Title","offer_id":51570010685718,"sku":null,"price":449.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1001\/4221\/9542\/files\/Pianophonic__33073.1684373415.1280.1280.jpg?v=1784247147"},{"product_id":"buchla-tiptop-audio-programmable-spectral-processor-296t","title":"Buchla \u0026 Tiptop Audio Programmable Spectral Processor 296t","description":"\u003cp\u003e\u003cspan style=\"color: #ff00ff;\"\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan\u003eThe\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cstrong\u003e296\u003c\/strong\u003e\u003cspan\u003e\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003ewas first introduced in 1978 and very few were ever made. Making a module of such complexity at a time when electronic schematics were drawn with pencils, with\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cstrong\u003e48 filters\u003c\/strong\u003e\u003cspan\u003e\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003ethat were most likely hand calculated is just incredible. The 70’s were a great era of exploration and proof of audio electronics scientific theories, but for Don Buchla it seems like it was always something beyond theory. The 296 might at first look like an equalizer, but Don had totally different ideas for it. He managed to pack into it a 1\u003c\/span\u003e\u003cstrong\u003e6 band analog modular spectral processor\u003c\/strong\u003e\u003cspan\u003e, a cross\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cstrong\u003eband vocoder\u003c\/strong\u003e\u003cspan\u003e\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eplus a massive amount of patch points to work with his synthesizer system.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan\u003eTo learn more about the\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cstrong\u003e296t\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003eplease check out the\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003ca href=\"https:\/\/campaign-statistics.com\/link_click\/LPovYPdgju_mu2fQ\/dae66bdc30ba62b92cf9c81d6e1f7318\" rel=\"dae66bdc30ba62b92cf9c81d6e1f7318\"\u003e\u003cstrong\u003euser manual\u003c\/strong\u003e\u003c\/a\u003e\u003cspan\u003e. As its name implies, the 296t is complex and worth spending the time reading the user manual.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eEnjoy!!!\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e52HP\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan\u003eManual\u003c\/span\u003e\u003cspan\u003e: \u003c\/span\u003e\u003ca href=\"https:\/\/tiptopaudio.com\/manuals\/Buchla_\u0026amp;_Tiptop_Audio_296t.pdf\" rel=\"noopener\" target=\"_blank\"\u003edownload\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Buchla \u0026 Tiptop Audio","offers":[{"title":"Default Title","offer_id":51570010816790,"sku":null,"price":729.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1001\/4221\/9542\/files\/296t__41554.1747340395.1280.1280.jpg?v=1784247167"},{"product_id":"eowave-tempete-magnetique","title":"Eowave Tempete Magnetique","description":"\u003cp class=\"lead wrap\"\u003eQuad complex multimode filter\u003c\/p\u003e\n\u003cp\u003eThe Tempête Magnétique is a fully analog complex filter\/synthesizer module.\u003cbr\u003eIt was that was created as an evolution of the «Fluctuations magnétiques».\u003c\/p\u003e\n\u003cp\u003eMore than a mk2, we designed it to push you to play with one of the most interesting things in modular synthesis: to divert the primary usage of a module to create unexpected and new sounds (aka this is not only 4 filters)\u003c\/p\u003e\n\u003cp\u003eTempête Magnétique is deeply inspired by the classical filters design as well as West Coast synthesis complex oscillators.\u003c\/p\u003e\n\u003cp\u003e\u2028\u2028At it’s core, has 4 multi-mode 12db filters that can be chosen to be routed in series or parallel, which can be used independently or combined and even cross-modulated, controlled by CV or with an integrated envelope follower (which can be used as a dynamic responsive envelope) and even pinged.\u003c\/p\u003e\n\u003cp\u003eThe Tempête Magnetique was designed to have several levels of use. The individual level with the use of separate filters, perfect for quadraphonic processing of different sources (A B C D).\u003cbr\u003eThe pair sections which allows for more complex stereo effects or to generate synthesis voices (X, Y) and finally, the global level with a cross-modulation of filters.\u003c\/p\u003e\n\u003cp\u003eThe independent outputs have been designed to be fed back into their input, turning them into oscillators (not really precise one, but you can make synth voice kind of V\/Oct tuned with their very own sound, due to the fully analogical design, these oscillators may have strange behaviors sometimes, but this instability will bring you the warmth of analog gears).\u003c\/p\u003e\n\u003cp\u003eThe pairs sections, of course, can filter an incoming signal, but can be transformed to full synthesis voice, percussion engine (exited by the ping input and modulated with the envelope follower) and way more.\u003c\/p\u003e\n\u003cp\u003eThis filter allows for anything from gentle, subtle filtering to a storm where the undulations of your sound and their intensity create new types of textures.\u003c\/p\u003e\n\u003cp\u003eMAIN FEATURES :\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eFour independents or linkable multi-modes 12 db filter\u2028\u003c\/li\u003e\n\u003cli\u003eEnvelope follower who can act as end decay envelope sensible to the velocity\u2028\u003c\/li\u003e\n\u003cli\u003eCross modulation engine who modulate both pair of filters\u2028\u003c\/li\u003e\n\u003cli\u003ePing input\u2028\u003c\/li\u003e\n\u003cli\u003eOutputs with phase correction to be fed to inputs\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eSOME APPLICATIONS :\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eFiltering ( obviously), can be used for quadraphonie or stereo filtering\u003c\/li\u003e\n\u003cli\u003eWeird synth voice\u2028\u003c\/li\u003e\n\u003cli\u003eWaveshaper\u2028\u003c\/li\u003e\n\u003cli\u003eLFOs\/oscillators generator\u003c\/li\u003e\n\u003cli\u003eCrossover\u003c\/li\u003e\n\u003cli\u003eExternal rhythm following\u2028-auto filtering\u003c\/li\u003e\n\u003cli\u003eDrum generator\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eTECHNICAL DETAILS :\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e22hp\u003c\/li\u003e\n\u003cli\u003eSkiff friendly\u003c\/li\u003e\n\u003cli\u003eReverse power protection\u003c\/li\u003e\n\u003cli\u003e20mm deep\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Eowave","offers":[{"title":"Default Title","offer_id":51570010882326,"sku":null,"price":402.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1001\/4221\/9542\/files\/tempete_magnetique__80634.1686964556.1280.1280.jpg?v=1784247166"},{"product_id":"intellijel-sealegs","title":"Intellijel Sealegs Pre-Order","description":"\u003cp\u003e\u003cspan\u003eMulti-Model Stereo Character Delay with Reverb\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003eIt's all gone a bit wobbly\u003c\/h2\u003e\n\u003cdiv\u003eSealegs is a collection of effects centered around a true stereo multi-model delay. Tape, Bucket Brigade, and Crossfading Digital models; a saturating input drive; low- and high-pass filters; crackle \u0026amp; hiss generator; a multi-position 1970s-inspired reverb; internal modulators; nine CV inputs with attenuverters; three sets of ranges; clock sync\/tap tempo; three unique stereo configurations.\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eCalm waters, rolling waves, or wild storms — the weather is up to you.\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch2 class=\"wp-block-heading\"\u003eWarm Feelings\u003c\/h2\u003e\n\u003cp\u003eOur design goal for Sealegs was to create the warmest, most musical and organic delay module possible — something that would sweeten and enhance any audio one chose to feed into it. As such, great care has gone into modeling the most distinctive and desirable sonic characteristics of three different types of delay circuits: Tape, Bucket Brigade, and Crossfading Digital.\u003c\/p\u003e\n\u003cdiv class=\"site-content\" id=\"content\"\u003e\n\u003cdiv class=\"content-area\" id=\"primary\"\u003e\n\u003cdiv class=\"entry-content\"\u003e\n\u003cp\u003eA plethora of onboard controls enable you to dial in exactly the sound you want; synced or un-synced delays times (for both left and right channels); saturating input drive; a built-in modulator with 7 morphing waveshapes, Wow \u0026amp; Flutter emulation, and an envelope follower; plus dedicated low- and high-pass filters; built-in hiss \u0026amp; crackle noises; per-model color controls; a spacious reverb; and a re-configurable signal flow through the unit. In addition, attenuverted modulation inputs abound — ensuring the delay ebbs and flows with your musical needs.\u003c\/p\u003e\n\u003ch2 class=\"wp-block-heading\"\u003eFeatures\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eThree Unique delay models — Tape, Bucket Brigade, and Crossfading Digital\u003c\/li\u003e\n\u003cli\u003ePer-model Color, Modulation behavior, and Saturation\/Limiting\u003c\/li\u003e\n\u003cli\u003eTrue Stereo delay with separate L\/R buffers\u003c\/li\u003e\n\u003cli\u003eThree Stereo configurations (PONG, Time\/Width, L\/R)\u003c\/li\u003e\n\u003cli\u003eThree Range variations for short Chorus\/Flanger style delays to Long ambient repeats.\u003c\/li\u003e\n\u003cli\u003eUp to 6(L) and 8(R) seconds of delay time (Width can add up to 33% to Time)\u003c\/li\u003e\n\u003cli\u003eBuilt in modulator with Wow \u0026amp; Flutter, Envelope Follower, and 7 morphing wave shapes\u003c\/li\u003e\n\u003cli\u003eLush 1970s-inspired reverb with 3 insert positions.\u003c\/li\u003e\n\u003cli\u003eSaturating input drive with level trim\u003c\/li\u003e\n\u003cli\u003eStable external clock (or tap tempo) sync for Delay Times or Modulation\u003c\/li\u003e\n\u003cli\u003eHighpass and Lowpass filters for filtered repeats\u003c\/li\u003e\n\u003cli\u003eFreeze functionality for holding the buffer and looping\u003c\/li\u003e\n\u003cli\u003eNine CV inputs with attenuverters\u003c\/li\u003e\n\u003cli\u003e96 kHz 24-bit Stereo I\/O and 32-bit floating point internal processing\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eSpecs + Downloads\u003c\/h2\u003e\n\u003cdiv class=\"intellijel-meta columns\"\u003e\n\u003ctable class=\"intellijel-meta-table\"\u003e\n\u003ctbody\u003e\n\u003ctr class=\"intellijel-meta-width\"\u003e\n\u003cth colspan=\"2\"\u003eWidth\u003c\/th\u003e\n\u003ctd\u003e20HP\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"intellijel-meta-depth\"\u003e\n\u003cth colspan=\"2\"\u003eDepth\u003c\/th\u003e\n\u003ctd\u003e29mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"intellijel-meta-power\"\u003e\n\u003cth colspan=\"2\"\u003ePower\u003c\/th\u003e\n\u003ctd\u003e116mA @ +12V\u003cbr\u003e10mA @ -12V\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ctable class=\"intellijel-meta-table\"\u003e\n\u003ctbody\u003e\n\u003ctr class=\"intellijel-meta-manual\"\u003e\n\u003cth colspan=\"2\"\u003eManual\u003c\/th\u003e\n\u003ctd\u003e\n\u003ca href=\"https:\/\/intellijel.com\/downloads\/manuals\/sealegs_manual_v1.0_2023.08.17.pdf\"\u003eManual\u003c\/a\u003e (v1.0 \/ 2023.08.17)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"intellijel-meta-firmware\"\u003e\n\u003cth colspan=\"2\"\u003eFirmware\u003c\/th\u003e\n\u003ctd\u003e\n\u003ca href=\"https:\/\/intellijel.com\/downloads\/firmware\/Intellijel_Firmware_Updater_macOS_2023-08-18.zip\"\u003eMac\u003c\/a\u003e \/ \u003ca href=\"https:\/\/intellijel.com\/downloads\/firmware\/Intellijel_Firmware_Updater_Windows_2023-08-18.zip\"\u003eWin\u003c\/a\u003e (1.0.0.5)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"intellijel-meta-modulargrid\"\u003e\n\u003cth colspan=\"2\"\u003eModularGrid\u003c\/th\u003e\n\u003ctd\u003e\u003ca href=\"https:\/\/www.modulargrid.net\/e\/intellijel-sealegs\" target=\"_blank\"\u003eModularGrid\u003c\/a\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"site-footer-stinger\"\u003e \u003c\/div\u003e\n\u003c\/div\u003e","brand":"Intellijel","offers":[{"title":"Default Title","offer_id":51570012815638,"sku":null,"price":439.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1001\/4221\/9542\/files\/sealegs__31673.1693613836.1280.1280.jpg?v=1784247327"},{"product_id":"rossum-assimil8or-locutus-midi-expander-bundle","title":"Rossum Assimil8or + Locutus(MIDI expander) BUNDLE Pre-Order","description":"\u003cp\u003e\u003cstrong\u003eRossum Assimil8or + Locutus(MIDI expander) BUNDLE\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp class=\"has-normal-font-size\"\u003e\u003cspan\u003eLOCUTUS\u003c\/span\u003e is designed to interface \u003cspan\u003eAssimil8or\u003c\/span\u003e with MIDI instruments, controllers, and sequencers to provide multichannel modulation and new polyphonic possibilities.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLOCUTUS\u003c\/span\u003e includes a special attached cable to connect to the Assimil8or CPU behind the panel.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLOCUTUS\u003c\/span\u003e is \u003cspan\u003e6 HP\u003c\/span\u003e wide and 25mm deep.\u003c\/p\u003e\n\u003cp\u003eMIDI sources connected to \u003cspan\u003eLOCUTUS\u003c\/span\u003e’ MIDI IN port can be used to modulate \u003cspan\u003eAssimil8or\u003c\/span\u003e parameters using velocity, channel pressure, and MIDI CC (Continuous Controller) messages, select presets using MIDI Program Change (PC) messages, and\/or optionally trigger Assimil8or channels with MIDI notes using user-selectable assignment modes. MIDI Setups can be configured with assignment modes including \u003cspan\u003eDynamic\u003c\/span\u003e, which intelligently cycles through Assimil8or’s channels to easily create polyphonic patches, \u003cspan\u003eMulti\u003c\/span\u003e assignment modes ideal for playing multitimbral Assimil8or patches with MIDI sequencers, \u003cspan\u003eSP-1200\u003c\/span\u003e modes designed especially for triggering Assimil8or with SP-1200’s MIDI output, and more.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLocutus\u003c\/span\u003e’ MIDI OUT port can be used to optionally transmit program messages when presets are changed and\/or to send MIDI CC data based on the analog control voltages patched to Assimil8or’s 24 CV inputs. Using the new CV-to-MIDI options, \u003cspan\u003eAssimil8or\u003c\/span\u003e and \u003cspan\u003eLocutus\u003c\/span\u003e can be configured to control and modulate MIDI equipment using a eurorack modular system.\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eView or download Assimil8or documentation.\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003ca href=\"http:\/\/www.rossum-electro.com\/fqlzron\/wp-content\/uploads\/2018\/03\/A8_QSG_031418.pdf\"\u003eAssimil8or QuickStart Guide\u003c\/a\u003e (PDF)\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"http:\/\/www.rossum-electro.com\/fqlzron\/wp-content\/uploads\/2018\/04\/Assimil8or_man_040618-2.pdf\"\u003eAssimil8or Manual\u003c\/a\u003e (PDF)\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"http:\/\/www.rossum-electro.com\/fqlzron\/wp-content\/uploads\/2020\/06\/A8_update_manual_061820.pdf\"\u003eAssimil8or 2.0 Software New Features Guide\u003c\/a\u003e (PDF)\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.rossum-electro.com\/fqlzron\/wp-content\/uploads\/2023\/09\/Locutus_QSG_Install_230902a.pdf\"\u003eLocutus Installation Guide\u003c\/a\u003e (PDF)\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.rossum-electro.com\/fqlzron\/wp-content\/uploads\/2023\/09\/Locutus_MIDIreference_230903.pdf\"\u003eMIDI Reference\u003c\/a\u003e (PDF)\u003c\/p\u003e","brand":"Rossum Electro-Music","offers":[{"title":"Black","offer_id":51570013503766,"sku":null,"price":1218.0,"currency_code":"USD","in_stock":true},{"title":"Silver","offer_id":51570013536534,"sku":null,"price":1218.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1001\/4221\/9542\/files\/assim_locutus__78592.1696311046.1280.1280.jpg?v=1784247381"},{"product_id":"qubit-electronix-mojave","title":"Qubit Electronix Mojave Pre-Order","description":"\u003cp\u003e\u003cstrong\u003eMake It Grain.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eMojave is a granular sandstorm. Drawing its inspiration from vast swaths of desert in the American Southwest, Mojave is a live granular processor that uses microscopic bits of audio to create beautifully crafted sonic landscapes.\u003c\/p\u003e\n\u003cp\u003eThe core of Mojave’s sound design palette is a unique set of melodic and rhythmic controls that presents each grain in a compositional context. Generate clock-synced granular arpeggios, or envelope your sound in rich harmonic swirls with the turn of a knob. All microsound settings can be easily accessed via individual knobs letting you tailor each grain, and effortlessly construct dunes of sound. Mojave is not exclusive to modular signals either; become the wind itself by using the onboard microphone to sift through and manipulate acoustic audio.\u003c\/p\u003e\n\u003cp\u003eAnd, just like Nautilus, Mojave’s internal settings can be configured via the USB drive and the Narwhal web app. Whether you are constructing pebbles or sandstone monuments, Mojave is the perfect balance between exploratory sound design and harmonious sublimity.\u003c\/p\u003e\n\u003cul data-rte-list=\"default\"\u003e\n\u003cli\u003e\n\u003cp\u003eLive granular processor and stochastic event generator\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eOnboard high quality MEMS microphone\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eConfigurable Dune CV\/Gate output\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFirmware updates \u0026amp; alternate firmware via the USB Drive\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eBased on the Daisy platform\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eA portion of all proceeds will go towards conserving a portion of the Mojave desert we hold dear to our hearts through the \u003ca href=\"https:\/\/www.joshuatree.org\/\" target=\"_blank\"\u003eJoshua Tree National Park Association\u003c\/a\u003e.\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.qubitelectronix.com\/s\/mojave_manual.pdf\" target=\"_blank\"\u003e\u003cspan\u003eDownload the manual.\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.qubitelectronix.com\/s\/mojave_getting_started.pdf\" target=\"_blank\"\u003e\u003cspan\u003eDownload the quickstart guide.\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/narwhal.qubitelectronix.com\/\" target=\"_blank\"\u003e\u003cspan\u003eConfigure settings on Mojave using Narwhal.\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTech Specs\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWidth: 14HP\u003c\/p\u003e\n\u003cp\u003eDepth: 22mm\u003c\/p\u003e\n\u003cp\u003ePower Consumption: +12V=167mA, -12V=13mA, +5V=0mA\u003c\/p\u003e","brand":"Qu-Bit Electronix","offers":[{"title":"Default Title","offer_id":51570013896982,"sku":null,"price":399.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1001\/4221\/9542\/files\/mojave__11230.1696996072.1280.1280.jpg?v=1784247417"},{"product_id":"boredbrain-xcelon-xp3","title":"Boredbrain xcelon xp3","description":"\u003cp\u003e\u003cspan\u003e3-CHANNEL STEREO MIX EXPANDER\u003c\/span\u003e\u003c\/p\u003e\n\u003cul class=\"features\"\u003e\n\u003cli\u003eAdds three stereo\/dual-mono channels to Xcelon mixer (up to two supported)\u003c\/li\u003e\n\u003cli\u003eTwo stereo FX sends and two stereo output mix busses selectable per-channel\u003c\/li\u003e\n\u003cli\u003eVariable input gain for both modular and line-level sources\u003c\/li\u003e\n\u003cli\u003eLong-travel volume faders with CV responsive LED indicators\u003c\/li\u003e\n\u003cli\u003eBalance controls with pan law curve and dual-mono crossfade mode\u003c\/li\u003e\n\u003cli\u003eClickless mutes and VU meters on all channels\u003c\/li\u003e\n\u003cli\u003eTwelve discrete control voltage inputs\u003c\/li\u003e\n\u003cli\u003eConfigurable jumpers for pre\/post-fader FX and meters, plus volume VCA mode\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2 class=\"wp-block-heading has-nv-light-bg-color has-text-color\"\u003e\u003cstrong\u003eModular mixing expanded\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp class=\"has-nv-light-bg-color has-text-color has-medium-font-size\"\u003eXcelon XP3 is a three-channel stereo expander for the Xcelon eurorack mixer. The module’s channels are identical to those found on the main mixer. Up to two XP3 can connect to Xcelon, expanding the total number of mixer channels to either nine or twelve.\u003c\/p\u003e\n\u003ch3 class=\"wp-block-heading\"\u003eChannel Expansion\u003c\/h3\u003e\n\u003cp\u003eThe 22HP module has the same channel inputs, channel controls, direct outputs and rear jumpers as \u003ca href=\"https:\/\/boredbrainmusic.com\/product\/xcelon\"\u003eXcelon\u003c\/a\u003e. The primary difference is that the expander lacks the mix outputs and FX i\/o section. This is because XP3 shares the two main mix busses and two FX sends busses with the main mixer.\u003c\/p\u003e\n\u003cp\u003eXP3 is connected to the main Xcelon mixer using the supplied 16-pin ribbon cable, from the port labeled \u003cstrong\u003eMIXER\u003c\/strong\u003e to one of the two expansion ports labeled \u003cstrong\u003eEXPANDER 1\u003c\/strong\u003e or \u003cstrong\u003eEXPANDER 2\u003c\/strong\u003e. These expansion ports are found on the backs of both modules. Because the mixer supports up to two XP3, a set of channel labels with 10, 11, and 12 are included to update the front panel.\u003c\/p\u003e\n\u003cp\u003eIt may be possible to connect more than two channel expanders using a flying bus cable, but low noise performance cannot be guaranteed.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eIMPORTANT\u003c\/strong\u003e: The expander ports should \u003cstrong\u003eNOT\u003c\/strong\u003e be connected to a eurorack power bus or damage to the module(s) can occur.\u003c\/em\u003e\u003c\/p\u003e\n\u003cdiv class=\"wp-block-spacer\"\u003e \u003c\/div\u003e\n\u003ch3 class=\"wp-block-heading\"\u003e\n\u003cstrong\u003eChannel Input\u003c\/strong\u003e\u003cstrong\u003es\u003c\/strong\u003e\n\u003c\/h3\u003e\n\u003cp\u003eEach of the three channels has a pair of audio input jacks\u003cstrong\u003e (INPUT 7\u003c\/strong\u003e, \u003cstrong\u003eINPUT 8\u003c\/strong\u003e, etc.) for left and right stereo signals. The jacks are normalled such that a single mono source in the left jack is simply copied to the right. Alternatively, two discrete mono sources can also share a channel (see \u003cstrong\u003eXFADE\u003c\/strong\u003e). These AC-coupled coupled inputs accept typical eurorack-level audio signals, as well as line-level audio signals when boosted using the channel’s \u003cstrong\u003eGAIN\u003c\/strong\u003e control.\u003c\/p\u003e\n\u003cp\u003eThe four jacks directly below each pair of audio inputs are CV inputs, which allow for voltage control of the channel parameters. \u003cstrong\u003eVOL\u003c\/strong\u003e affects the volume within a range of 0 to +5V. By default, this control voltage input is biased by the fader position (summed), but in VCA mode it is attenuated by the fader (see Jumper Settings). \u003cstrong\u003eBAL\u003c\/strong\u003e affects the channel balance within a range of -5V to 5V (even with \u003cstrong\u003eXFADE\u003c\/strong\u003e enabled), while \u003cstrong\u003eFX1\u003c\/strong\u003e and \u003cstrong\u003eFX2\u003c\/strong\u003e affect their respective send levels within a range of 0 to +5V. These latter three control voltage inputs are all biased by their knob positions.\u003c\/p\u003e\n\u003cdiv class=\"wp-block-spacer\"\u003e \u003c\/div\u003e\n\u003ch3 class=\"wp-block-heading\"\u003e\n\u003cstrong\u003eChannel Control\u003c\/strong\u003e\u003cstrong\u003es\u003c\/strong\u003e\n\u003c\/h3\u003e\n\u003cp\u003eThe \u003cstrong\u003eGAIN\u003c\/strong\u003e parameter is used to boost the channel’s input signal(s) up to +15 dB if necessary. Most eurorack audio sources may only need a small amount of gain, whereas line-level signals may require turning the knob up to the \u003cstrong\u003eLINE\u003c\/strong\u003e position. The red \u003cstrong\u003ePK\u003c\/strong\u003e (peak) indicator will illuminate just before either input signal becomes audibly distorted. For a clean mix, best practice is to set the \u003cstrong\u003eGAIN\u003c\/strong\u003e such that only loud transients trigger the \u003cstrong\u003ePK\u003c\/strong\u003e LED.\u003c\/p\u003e\n\u003cp\u003eThe \u003cstrong\u003eBAL\u003c\/strong\u003e parameter adjusts the balance of the channel’s two input signals, and behaves much like a pan control, especially with a mono input signal. Control of the parameter is not linear, but instead implements a curve according to the -4.5 dB pan law. This yields a more natural sounding stereo panning.\u003c\/p\u003e\n\u003cp\u003eWhen the blue \u003cstrong\u003eXFADE\u003c\/strong\u003e button is engaged, the channel is configured in dual-mono mode. Both channel input signals are positioned to stereo center, and the \u003cstrong\u003eBAL\u003c\/strong\u003e parameter acts as a mono crossfader balancing the two signal levels. Signals that do not need stereo panning can then be doubled-up on a single channel, such as kick and snare drum, two different bass sounds, etc.\u003c\/p\u003e\n\u003cp\u003eThe \u003cstrong\u003eVOL\u003c\/strong\u003e parameter adjusts the channel volume, and is also commonly referred to as the channel fader. Its 45mm vertical slider has a linear volume response for smooth fade ins and outs, with an entirely usable range. The brightness of the white LED indicates the volume position, and is of course responsive to incoming CV.\u003c\/p\u003e\n\u003cp\u003eNext to the volume control is a 5-segment \u003cstrong\u003eVU METER\u003c\/strong\u003e to help visualize signal level and dynamics. The meter is affected by both left and right channel signals. And although it does behave according to a decibel scale, the meter is intentionally biased upward for better resolution when comparing relative channel levels. By default, the \u003cstrong\u003eVU METER\u003c\/strong\u003e is post-fader, meaning it is affected by volume adjustments, but can optionally be configured pre-fader (see Jumper Settings).\u003c\/p\u003e\n\u003cp\u003eThe red \u003cstrong\u003eMUTE\u003c\/strong\u003e button, when activated, will effectively silence the channel with up to -93 dB of normal signal attenuation. Its electronically latching circuit is completely VCA-based with a very fast on\/off slew, eliminating any clicks or pops when muting or unmuting the channel.\u003c\/p\u003e\n\u003cp\u003eThe channel’s two gray knobs, \u003cstrong\u003eFX1\u003c\/strong\u003e and \u003cstrong\u003eFX2\u003c\/strong\u003e, are independent stereo effects sends. Using these parameters, an adjustable amount of the channel signal can be sent to the two shared effects busses \u003cstrong\u003eFX SND 1\u003c\/strong\u003e and \u003cstrong\u003eFX SND 2\u003c\/strong\u003e, which are commonly used for time-based effects such as delay and reverb. By default, both \u003cstrong\u003eFX1\u003c\/strong\u003e and \u003cstrong\u003eFX2\u003c\/strong\u003e are post-fader sends, meaning the amount of sent signal is also affected by the channel’s volume position. However, \u003cstrong\u003eFX1\u003c\/strong\u003e can be configured pre-fader (see Jumper Settings) to achieve a more than 50% wet mix of effect versus dry signal.\u003c\/p\u003e\n\u003cp\u003eThe \u003cstrong\u003eAB\u003c\/strong\u003e switch assigns the channel output to one or both main output mix busses. In the leftmost and rightmost positions, the channel is routed to only one of the two busses, either A or B. In the middle position however, the channel is routed to both simultaneously, allowing for parallel processing, AFL monitoring (after fade listen), and other creative uses.\u003c\/p\u003e\n\u003cdiv class=\"wp-block-spacer\"\u003e \u003c\/div\u003e\n\u003ch3 class=\"wp-block-heading\"\u003e\u003cstrong\u003eDirect Outputs\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eJust like the main mixer, XP3 is also equipped with several direct output ports to access individual channel signals for multi-track recording. Its bank of three stereo channels has two direct output ports, \u003cstrong\u003ePRE\u003c\/strong\u003e and \u003cstrong\u003ePOST, \u003c\/strong\u003eto tap the channel signals either before or after the volume faders.\u003c\/p\u003e\n\u003cp\u003eThese groupings of six signals are connected using an 8-pin cable to the optional direct output modules, Xcelon TRS and Xcelon DB25 (TBA), for balanced line outputs. They can be mixed and matched in any order, and both the \u003cstrong\u003ePRE\u003c\/strong\u003e and \u003cstrong\u003ePOST\u003c\/strong\u003e direct outputs for a bank of channels can be used simultaneously. This leaves the door open for future expansion such as dedicated cue monitoring and additional effects sends.\u003c\/p\u003e\n\u003cdiv class=\"wp-block-spacer\"\u003e \u003c\/div\u003e\n\u003ch3 class=\"wp-block-heading\"\u003e\u003cstrong\u003eJumper Settings\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eEach channel has three custom settings found on the back of the module, which are configured using one or more jumpers.\u003c\/p\u003e\n\u003cdiv class=\"wp-block-columns is-layout-flex wp-container-core-columns-layout-2 wp-block-columns-is-layout-flex\"\u003e\n\u003cdiv class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"\u003e\n\u003ctable class=\"has-fixed-layout\"\u003e\n\u003cthead\u003e\n\u003ctr\u003e\n\u003cth class=\"has-text-align-center\" data-align=\"center\"\u003eVU METER\u003c\/th\u003e\n\u003cth\u003e1 jumper\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"has-text-align-center\" data-align=\"center\"\u003e\n\u003cstrong\u003ePOST\u003c\/strong\u003e\u003cbr\u003e(default)\u003c\/td\u003e\n\u003ctd\u003eMeter is affected by the channel volume\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"has-text-align-center\" data-align=\"center\"\u003e\u003cstrong\u003ePRE\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eMeter is not affected by the channel volume\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cem\u003ePRE is very common on DJ mixers, and is useful for adjusting the gain and visually identifying a signal before bringing it into the mix.\u003c\/em\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"\u003e \u003c\/div\u003e\n\u003cdiv class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"\u003e\n\u003ctable class=\"has-fixed-layout\"\u003e\n\u003cthead\u003e\n\u003ctr\u003e\n\u003cth class=\"has-text-align-center\" data-align=\"center\"\u003eFX SND1\u003c\/th\u003e\n\u003cth\u003e2 jumpers\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"has-text-align-center\" data-align=\"center\"\u003e\n\u003cstrong\u003ePOST\u003c\/strong\u003e\u003cbr\u003e(default)\u003c\/td\u003e\n\u003ctd\u003eSent signal is affected by the channel volume\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"has-text-align-center\" data-align=\"center\"\u003e\u003cstrong\u003ePRE\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eSent signal is not affected by the channel volume\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cem\u003ePRE is useful (and necessary) to get a very washed-out effect where the effects mix is more than 50% wet.\u003c\/em\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"\u003e \u003c\/div\u003e\n\u003cdiv class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"\u003e\n\u003ctable class=\"has-fixed-layout\"\u003e\n\u003cthead\u003e\n\u003ctr\u003e\n\u003cth class=\"has-text-align-center\" data-align=\"center\"\u003eVOL CV\u003c\/th\u003e\n\u003cth\u003e3 jumpers (or 2)\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"has-text-align-center\" data-align=\"center\"\u003e\n\u003cstrong\u003eMOD\u003c\/strong\u003e\u003cbr\u003e(default)\u003c\/td\u003e\n\u003ctd\u003eCV modulates volume with fader bias\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"has-text-align-center\" data-align=\"center\"\u003e\u003cstrong\u003eVCA\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eCV replaces bias voltage and fader attenuates\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cem\u003eVCA allows the volume circuit to be used as the final VCA in a patch, saving space and modules. Simply patch an envelope into the \u003cstrong\u003eVOL\u003c\/strong\u003e CV input, and use the fader to adjust the level.\u003c\/em\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"\u003e \u003c\/div\u003e\n\u003cdiv class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"\u003e\n\u003ch4 class=\"wp-block-heading\"\u003etechnical specs\u003c\/h4\u003e\n\u003cul class=\"specs\"\u003e\n\u003cli\u003e\n\u003cstrong\u003eAudio Inputs:\u003c\/strong\u003e 6 x 3.5 mm jacks (3 stereo pairs)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCV Inputs:\u003c\/strong\u003e 12 x 3.5 mm jacks\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eInput Impedance:\u003c\/strong\u003e 100 kΩ\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eChannel Input Gain:\u003c\/strong\u003e +15 dB\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWidth:\u003c\/strong\u003e 22 HP\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDepth:\u003c\/strong\u003e 1.5 in (38 mm)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 11 oz (312 g)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePower:\u003c\/strong\u003e +12 V 190 mA (250 max), -12 V 150 mA\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4 class=\"wp-block-heading\"\u003emix tips\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eGAIN FOR PERFORMANCE\u003c\/strong\u003e\u003cstrong\u003e \u003c\/strong\u003e– A useful tip for performance is to set each GAIN such that your mix sounds correct with all the faders up or at the same position. Now returning to a “balanced” mix is as simple moving faders back to the same position.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAUDIO VCA PATCH\u003c\/strong\u003e – Save space in a case for live performance or save VCAs for other purposes by using the VCA mode jumper setting for VOL CV. This allows a typical envelope to be fed into the CV input, and the overall volume can still be adjusted normally.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e100% WET FX\u003c\/strong\u003e – If mix bus B is unused or not monitored, any channel can have a fully wet FX mix (no dry signal), even with rear jumpers set to POST. Just assign the channel to mix B (essentially muting it), be sure the FX return is assigned to mix A, and turn up the FX send of the channel.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eXFADE MUTATION\u003c\/strong\u003e – The XFADE feature can be used to “mutate” a sound, crossfading between to similar sounds or waveforms. This is especially interesting when modulating with a rapidly changing CV signal.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFX RETURNS MUTE\u003c\/strong\u003e – Although the FX returns do not have mute buttons, the AB switch can be used to quickly remove them from either the A or B mix, which is still very effective during a live mix.\u003c\/p\u003e\n\u003cp\u003e \u003cimg alt=\"xcelon-channel-wireframe-v1.0.png\" class=\"__mce_add_custom__\" height=\"600\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1001\/4221\/9542\/files\/xcelon-channel-wireframe-v1.0.png?v=1784247487\" title=\"xcelon-channel-wireframe-v1.0.png\" width=\"277\"\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Boredbrain","offers":[{"title":"Default Title","offer_id":51570016452886,"sku":null,"price":429.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1001\/4221\/9542\/files\/xcelon_xp3__64470.1701480861.1280.1280.jpg?v=1784247500"},{"product_id":"boredbrain-xcelon-xcelon-xp3-bundle","title":"Boredbrain xcelon \u0026 xcelon xp3 Bundle Pre-Order","description":"\u003cp\u003e\u003cstrong\u003eBoredbrain xcelon \u0026amp; xcelon xp3 Bundle\u003c\/strong\u003e\u003c\/p\u003e","brand":"Boredbrain","offers":[{"title":"Default Title","offer_id":51570016518422,"sku":null,"price":1378.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1001\/4221\/9542\/files\/xcelon_XP3_bundle__24197.1701481085.1280.1280.jpg?v=1784247498"},{"product_id":"boredbrain-xcelon","title":"Boredbrain xcelon Pre-Order","description":"\u003cp\u003eTRUE STEREO VOLTAGE-CONTROLLED MIXER\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv class=\"wp-block-themeisle-blocks-advanced-columns has-1-columns has-desktop-equal-layout has-tablet-equal-layout has-mobile-equal-layout has-vertical-unset has-default-gap\" id=\"wp-block-themeisle-blocks-advanced-columns-217aebea\"\u003e\n\u003cdiv class=\"innerblocks-wrap\"\u003e\n\u003cdiv class=\"wp-block-themeisle-blocks-advanced-column\" id=\"wp-block-themeisle-blocks-advanced-column-f0498e9e\"\u003e\n\u003ch2 class=\"wp-block-heading has-nv-light-bg-color has-text-color\"\u003e\u003cstrong\u003eA modular mixing powerhouse\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp class=\"has-nv-light-bg-color has-text-color has-medium-font-size\"\u003eXcelon is an all-analog six-channel stereo audio mixer for eurorack modular systems. With an interface designed for immediate hands-on control and visual feedback, plus extensive CV and expandability, the module is a powerful mixing tool for both performance and production.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"wp-block-themeisle-blocks-advanced-columns has-2-columns has-desktop-equal-layout has-tablet-equal-layout has-mobile-collapsedRows-layout has-vertical-top has-default-gap\" id=\"wp-block-themeisle-blocks-advanced-columns-cba8d97f\"\u003e\n\u003cdiv class=\"wp-block-themeisle-blocks-advanced-columns-overlay\"\u003e \u003c\/div\u003e\n\u003cdiv class=\"innerblocks-wrap\"\u003e\n\u003cdiv class=\"wp-block-themeisle-blocks-advanced-column\" id=\"wp-block-themeisle-blocks-advanced-column-b1306ef4\"\u003e\n\u003cul class=\"features has-nv-light-bg-color has-text-color has-link-color wp-elements-10fa585b52ce8590dda0aaae20108526\"\u003e\n\u003cli\u003eSix stereo\/dual-mono channels with low-noise analog circuitry\u003c\/li\u003e\n\u003cli\u003eTwo stereo FX sends and two dedicated FX returns\u003c\/li\u003e\n\u003cli\u003eTwo stereo output mix busses selectable per-channel\u003c\/li\u003e\n\u003cli\u003eVariable input gain for both modular and line-level sources\u003c\/li\u003e\n\u003cli\u003eLong-travel volume faders with CV responsive LED indicators\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"wp-block-themeisle-blocks-advanced-column\" id=\"wp-block-themeisle-blocks-advanced-column-b6824fe0\"\u003e\n\u003cul class=\"features has-nv-light-bg-color has-text-color has-link-color wp-elements-3a5e7f165b6c05731e8ac1e594f077ac\"\u003e\n\u003cli\u003eBalance controls with pan law curve and dual-mono crossfade mode\u003c\/li\u003e\n\u003cli\u003eClickless mutes and VU meters on all channels\u003c\/li\u003e\n\u003cli\u003eTwenty-six discrete control voltage inputs\u003c\/li\u003e\n\u003cli\u003eConfigurable jumpers for pre\/post-fader FX and meters, plus volume VCA mode\u003c\/li\u003e\n\u003cli\u003eExpansion ports for channel expanders, direct outputs, and more\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThe 48 HP module consists of three main sections. On the left side are the channel inputs (both audio and CV), in the middle are the channel controls, and on the right are the mix outputs, plus FX i\/o and controls.\u003c\/p\u003e\n\u003cdiv class=\"wp-block-spacer\"\u003e \u003c\/div\u003e\n\u003ch3 class=\"wp-block-heading\"\u003e\n\u003cstrong\u003eChannel Input\u003c\/strong\u003e\u003cstrong\u003es\u003c\/strong\u003e\n\u003c\/h3\u003e\n\u003cp\u003eEach of the six channels has a pair of audio input jacks\u003cstrong\u003e (INPUT 1\u003c\/strong\u003e, \u003cstrong\u003eINPUT 2\u003c\/strong\u003e, etc.) for left and right stereo signals. The jacks are normalled such that a single mono source in the left jack is simply copied to the right. Alternatively, two discrete mono sources can also share a channel (see \u003cstrong\u003eXFADE\u003c\/strong\u003e). These AC-coupled coupled inputs accept typical eurorack-level audio signals, as well as line-level audio signals when boosted using the channel’s \u003cstrong\u003eGAIN\u003c\/strong\u003e control.\u003c\/p\u003e\n\u003cp\u003eThe four jacks directly below each pair of audio inputs are CV inputs, which allow for voltage control of the channel parameters. \u003cstrong\u003eVOL\u003c\/strong\u003e affects the volume within a range of 0 to +5V. By default, this control voltage input is biased by the fader position (summed), but in VCA mode it is attenuated by the fader (see Jumper Settings). \u003cstrong\u003eBAL\u003c\/strong\u003e affects the channel balance within a range of -5V to 5V (even with \u003cstrong\u003eXFADE\u003c\/strong\u003e enabled), while \u003cstrong\u003eFX1\u003c\/strong\u003e and \u003cstrong\u003eFX2\u003c\/strong\u003e affect their respective send levels within a range of 0 to +5V. These latter three control voltage inputs are all biased by their knob positions.\u003c\/p\u003e\n\u003cdiv class=\"wp-block-spacer\"\u003e \u003c\/div\u003e\n\u003ch3 class=\"wp-block-heading\"\u003e\n\u003cstrong\u003eChannel Control\u003c\/strong\u003e\u003cstrong\u003es\u003c\/strong\u003e\n\u003c\/h3\u003e\n\u003cp\u003eThe \u003cstrong\u003eGAIN\u003c\/strong\u003e parameter is used to boost the channel’s input signal(s) up to +15 dB if necessary. Most eurorack audio sources may only need a small amount of gain, whereas line-level signals may require turning the knob up to the \u003cstrong\u003eLINE\u003c\/strong\u003e position. The red \u003cstrong\u003ePK\u003c\/strong\u003e (peak) indicator will illuminate just before either input signal becomes audibly distorted. For a clean mix, best practice is to set the \u003cstrong\u003eGAIN\u003c\/strong\u003e such that only loud transients trigger the \u003cstrong\u003ePK\u003c\/strong\u003e LED.\u003c\/p\u003e\n\u003cp\u003eThe \u003cstrong\u003eBAL\u003c\/strong\u003e parameter adjusts the balance of the channel’s two input signals, and behaves much like a pan control, especially with a mono input signal. Control of the parameter is not linear, but instead implements a curve according to the -4.5 dB pan law. This yields a more natural sounding stereo panning.\u003c\/p\u003e\n\u003cp\u003eWhen the blue \u003cstrong\u003eXFADE\u003c\/strong\u003e button is engaged, the channel is configured in dual-mono mode. Both channel input signals are positioned to stereo center, and the \u003cstrong\u003eBAL\u003c\/strong\u003e parameter acts as a mono crossfader balancing the two signal levels. Signals that do not need stereo panning can then be doubled-up on a single channel, such as kick and snare drum, two different bass sounds, etc.\u003c\/p\u003e\n\u003cp\u003eThe \u003cstrong\u003eVOL\u003c\/strong\u003e parameter adjusts the channel volume, and is also commonly referred to as the channel fader. Its 45mm vertical slider has a linear volume response for smooth fade ins and outs, with an entirely usable range. The brightness of the white LED indicates the volume position, and is of course responsive to incoming CV.\u003c\/p\u003e\n\u003cp\u003eNext to the volume control is a 5-segment \u003cstrong\u003eVU METER\u003c\/strong\u003e to help visualize signal level and dynamics. The meter is affected by both left and right channel signals. And although it does behave according to a decibel scale, the meter is intentionally biased upward for better resolution when comparing relative channel levels. By default, the \u003cstrong\u003eVU METER\u003c\/strong\u003e is post-fader, meaning it is affected by volume adjustments, but can optionally be configured pre-fader (see Jumper Settings).\u003c\/p\u003e\n\u003cp\u003eThe red \u003cstrong\u003eMUTE\u003c\/strong\u003e button, when activated, will effectively silence the channel with up to -93 dB of normal signal attenuation. Its electronically latching circuit is completely VCA-based with a very fast on\/off slew, eliminating any clicks or pops when muting or unmuting the channel.\u003c\/p\u003e\n\u003cp\u003eThe channel’s two gray knobs, \u003cstrong\u003eFX1\u003c\/strong\u003e and \u003cstrong\u003eFX2\u003c\/strong\u003e, are independent stereo effects sends. Using these parameters, an adjustable amount of the channel signal can be sent to the two shared effects busses \u003cstrong\u003eFX SND 1\u003c\/strong\u003e and \u003cstrong\u003eFX SND 2\u003c\/strong\u003e, which are commonly used for time-based effects such as delay and reverb. By default, both \u003cstrong\u003eFX1\u003c\/strong\u003e and \u003cstrong\u003eFX2\u003c\/strong\u003e are post-fader sends, meaning the amount of sent signal is also affected by the channel’s volume position. However, \u003cstrong\u003eFX1\u003c\/strong\u003e can be configured pre-fader (see Jumper Settings) to achieve a more than 50% wet mix of effect versus dry signal.\u003c\/p\u003e\n\u003cp\u003eThe \u003cstrong\u003eAB\u003c\/strong\u003e switch assigns the channel output to one or both main output mix busses. In the leftmost and rightmost positions, the channel is routed to only one of the two busses, either A or B. In the middle position however, the channel is routed to both simultaneously, allowing for parallel processing, AFL monitoring (after fade listen), and other creative uses.\u003c\/p\u003e\n\u003cdiv class=\"wp-block-spacer\"\u003e \u003c\/div\u003e\n\u003ch3 class=\"wp-block-heading\"\u003e\u003cstrong\u003eMix Outputs \u0026amp; FX I\/O\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eXcelon’s two aforementioned output mix busses are available at the pairs of jacks \u003cstrong\u003eMIX OUT A\u003c\/strong\u003e and \u003cstrong\u003eMIX OUT B\u003c\/strong\u003e. These eurorack-level stereo outputs can be patched and processed separately before reaching an output module like \u003ca href=\"https:\/\/boredbrainmusic.com\/product\/monitr\/\"\u003eMonitr\u003c\/a\u003e. Such processing modules may include stereo equalizers like \u003ca href=\"https:\/\/boredbrainmusic.com\/product\/eqx5\/\"\u003eEQx5\u003c\/a\u003e, filters, compressors, limiters, crossfaders, etc.\u003c\/p\u003e\n\u003cp\u003eThe two pairs of output jacks \u003cstrong\u003eFX SND 1\u003c\/strong\u003e and \u003cstrong\u003eFX SND 2\u003c\/strong\u003e contain eurorack-level stereo submixes created with the effects sends controls of all channels. As previously mentioned, these are commonly patched into reverb and delay, but may also be used for other purposes like creating headphone mixes. If only the left output jack of \u003cstrong\u003eFX SND 1\u003c\/strong\u003e or \u003cstrong\u003eFX SND 2\u003c\/strong\u003e is used, any signals on the right side will be summed with the left so they are not lost.\u003c\/p\u003e\n\u003cp\u003eThe two pairs of input jacks \u003cstrong\u003eFX RTN 1\u003c\/strong\u003e and \u003cstrong\u003eFX RTN 2\u003c\/strong\u003e are dedicated stereo effects returns, where the output signals of effects can return to the mixer. Each return has its own manual level control, \u003cstrong\u003eRTN 1\u003c\/strong\u003e and \u003cstrong\u003eRTN 2\u003c\/strong\u003e, and CV input directly above. The CV inputs affect levels within a range of 0 to +5V and are biased by their knob positions. Additionally, the two returns share an \u003cstrong\u003eAB\u003c\/strong\u003e switch to assign them to either or both mix busses.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eNOTE\u003c\/strong\u003e: The effects returns can be used alternatively as extra stereo inputs.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e \u003c\/em\u003e\u003c\/p\u003e\n\u003cdiv class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"\u003e\n\u003ch3 class=\"wp-block-heading\"\u003e\u003cstrong\u003eChannel Expansion\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eXcelon has two expansion ports to optionally add more channels to the system. These 16-pin ports are labeled \u003cstrong\u003eEXPANDER 1\u003c\/strong\u003e and \u003cstrong\u003eEXPANDER 2\u003c\/strong\u003e and can be found on the the back of the module. Expander modules connected to these ports, such as \u003ca href=\"https:\/\/boredbrainmusic.com\/product\/xcelon-xp3\"\u003eXcelon XP3\u003c\/a\u003e, will have access to the two stereo mix busses and two stereo effects send busses. It may be possible to connect more than two channel expanders using a flying bus cable, but low noise performance cannot be guaranteed.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eIMPORTANT\u003c\/strong\u003e: The expander ports should \u003cstrong\u003eNOT\u003c\/strong\u003e be connected to a eurorack power bus or damage to the module(s) can occur.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e \u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"\u003e \u003cimg alt=\"xcelon-xp3.jpg\" class=\"__mce_add_custom__\" height=\"800\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1001\/4221\/9542\/files\/xcelon-xp3.jpg?v=1784247486\" title=\"xcelon-xp3.jpg\" width=\"793\"\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"\u003e\n\u003ch3 class=\"wp-block-heading\"\u003e\u003cstrong\u003eDirect Outputs\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eThe module is also equipped with several direct output ports to access individual channel signals for multi-track recording. Each bank of three stereo channels has two direct output ports, \u003cstrong\u003ePRE\u003c\/strong\u003e and \u003cstrong\u003ePOST, \u003c\/strong\u003eto tap the channel signals either before or after the volume faders. An additional port provides direct access to the two stereo returns and mix A.\u003c\/p\u003e\n\u003cp\u003eThese groupings of six signals are connected using an 8-pin cable to the optional direct output modules, Xcelon TRS and Xcelon DB25 (TBA), for balanced line outputs. They can be mixed and matched in any order, and both the \u003cstrong\u003ePRE\u003c\/strong\u003e and \u003cstrong\u003ePOST\u003c\/strong\u003e direct outputs for a bank of channels can be used simultaneously. This leaves the door open for future expansion such as dedicated cue monitoring and additional effects sends.\u003c\/p\u003e\n\u003cdiv class=\"wp-block-spacer\"\u003e \u003c\/div\u003e\n\u003ch3 class=\"wp-block-heading\"\u003e\u003cstrong\u003eJumper Settings\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eEach channel has three custom settings found on the back of the module, which are configured using one or more jumpers.\u003c\/p\u003e\n\u003ctable class=\"has-fixed-layout\"\u003e\n\u003cthead\u003e\n\u003ctr\u003e\n\u003cth class=\"has-text-align-center\" data-align=\"center\"\u003eVU METER\u003c\/th\u003e\n\u003cth\u003e1 jumper\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"has-text-align-center\" data-align=\"center\"\u003e\n\u003cstrong\u003ePOST\u003c\/strong\u003e\u003cbr\u003e(default)\u003c\/td\u003e\n\u003ctd\u003eMeter is affected by the channel volume\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"has-text-align-center\" data-align=\"center\"\u003e\u003cstrong\u003ePRE\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eMeter is not affected by the channel volume\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003e\u003cem\u003ePRE is very common on DJ mixers, and is useful for adjusting the gain and visually identifying a signal before bringing it into the mix.\u003c\/em\u003e\u003c\/p\u003e\n\u003ctable class=\"has-fixed-layout\"\u003e\n\u003cthead\u003e\n\u003ctr\u003e\n\u003cth class=\"has-text-align-center\" data-align=\"center\"\u003eFX SND1\u003c\/th\u003e\n\u003cth\u003e2 jumpers\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"has-text-align-center\" data-align=\"center\"\u003e\n\u003cstrong\u003ePOST\u003c\/strong\u003e\u003cbr\u003e(default)\u003c\/td\u003e\n\u003ctd\u003eSent signal is affected by the channel volume\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"has-text-align-center\" data-align=\"center\"\u003e\u003cstrong\u003ePRE\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eSent signal is not affected by the channel volume\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003e\u003cem\u003e\u003cem\u003ePRE is useful (and necessary) to get a very washed-out effect where the effects mix is more than 50% wet.\u003c\/em\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003ctable class=\"has-fixed-layout\"\u003e\n\u003cthead\u003e\n\u003ctr\u003e\n\u003cth class=\"has-text-align-center\" data-align=\"center\"\u003eVOL CV\u003c\/th\u003e\n\u003cth\u003e3 jumpers (or 2)\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"has-text-align-center\" data-align=\"center\"\u003e\n\u003cstrong\u003eMOD\u003c\/strong\u003e\u003cbr\u003e(default)\u003c\/td\u003e\n\u003ctd\u003eCV modulates volume with fader bias\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"has-text-align-center\" data-align=\"center\"\u003e\u003cstrong\u003eVCA\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eCV replaces bias voltage and fader attenuates\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003e\u003cem\u003eVCA allows the volume circuit to be used as the final VCA in a patch, saving space and modules. Simply patch an envelope into the \u003cstrong\u003eVOL\u003c\/strong\u003e CV input, and use the fader to adjust the level.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch4 class=\"wp-block-heading\"\u003etechnical specs\u003c\/h4\u003e\n\u003cul class=\"specs\"\u003e\n\u003cli\u003e\n\u003cstrong\u003eAudio Inputs:\u003c\/strong\u003e 16 x 3.5 mm jacks (8 stereo pairs)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAudio Outputs:\u003c\/strong\u003e 8 x 3.5 mm jacks (4 stereo pairs)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCV Inputs:\u003c\/strong\u003e 26 x 3.5 mm jacks\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eInput Impedance:\u003c\/strong\u003e 100 kΩ\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eChannel Input Gain:\u003c\/strong\u003e +15 dB\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWidth:\u003c\/strong\u003e 48 HP\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDepth:\u003c\/strong\u003e 1.5 in (38 mm)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 24 oz (680 g)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePower:\u003c\/strong\u003e +12 V 395 mA (470 max), -12 V 320 mA\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4 class=\"wp-block-heading\"\u003emix tips\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eGAIN FOR PERFORMANCE\u003c\/strong\u003e\u003cstrong\u003e \u003c\/strong\u003e– A useful tip for performance is to set each GAIN such that your mix sounds correct with all the faders up or at the same position. Now returning to a “balanced” mix is as simple moving faders back to the same position.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAUDIO VCA PATCH\u003c\/strong\u003e – Save space in a case for live performance or save VCAs for other purposes by using the VCA mode jumper setting for VOL CV. This allows a typical envelope to be fed into the CV input, and the overall volume can still be adjusted normally.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e100% WET FX\u003c\/strong\u003e – If mix bus B is unused or not monitored, any channel can have a fully wet FX mix (no dry signal), even with rear jumpers set to POST. Just assign the channel to mix B (essentially muting it), be sure the FX return is assigned to mix A, and turn up the FX send of the channel.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eXFADE MUTATION\u003c\/strong\u003e – The XFADE feature can be used to “mutate” a sound, crossfading between to similar sounds or waveforms. This is especially interesting when modulating with a rapidly changing CV signal.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFX RETURNS MUTE\u003c\/strong\u003e – Although the FX returns do not have mute buttons, the AB switch can be used to quickly remove them from either the A or B mix, which is still very effective during a live mix.\u003c\/p\u003e\n\u003cp\u003e \u003cimg alt=\"xcelon-channel-wireframe-v1.0.png\" class=\"__mce_add_custom__\" height=\"600\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1001\/4221\/9542\/files\/xcelon-channel-wireframe-v1.0_c1e3410a-ec10-44f4-a0aa-a1c54448c792.png?v=1784247490\" title=\"xcelon-channel-wireframe-v1.0.png\" width=\"277\"\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Boredbrain","offers":[{"title":"Default Title","offer_id":51570016616726,"sku":null,"price":949.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1001\/4221\/9542\/files\/xcelon__78437.1701480422.1280.1280.jpg?v=1784247499"},{"product_id":"instruo-dapf","title":"Instruo dapf","description":"\u003cp class=\"p1\"\u003eIntroducing dåpf, the first dedicated effects processor in the Instruō product line. The Instruō dåpf is a set of two analogue all-pass filters.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eYou might be asking yourself, “What is the point of a filter that passes everything?” All-pass filters don’t actually attenuate frequency amplitudes directly but rather alter the phase relationship of frequencies across the spectrum. All-pass filter stages appear in the vast majority of voltage-controlled filter topologies as well as serving as a core building block within DSP.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe normalled I\/O of dåpf allows for cascaded or independent use of the two all-pass filter circuits, offering everything from classic phase-shifting to psychoacoustic stereo enhancement and synthetic Doppler effect.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan\u003edåpf \u003c\/span\u003e\u003cspan\u003e|\u003c\/span\u003e\u003cspan\u003e (acronym) \u003c\/span\u003eDual All-pass Filter\u003c\/p\u003e\n\u003ch2\u003e\u003ca href=\"https:\/\/www.instruomodular.com\/wp-content\/uploads\/2024\/02\/dapf-Manual.pdf\"\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003eMANUAL\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/a\u003e\u003c\/h2\u003e\n\u003ch2\u003eDescription\u003c\/h2\u003e\n\u003ch3\u003e\u003cspan\u003eSize\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e4HP\u003cbr\u003eDepth: 30mm\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan class=\"s1\"\u003ePower\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cspan class=\"s1\"\u003e+12V: 60mA\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003e–12V: 60mA\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3 class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eFeatures\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli class=\"p1\"\u003eTwo parallel all-pass filters\u003c\/li\u003e\n\u003cli class=\"p1\"\u003eIndependent attenuverters for voltage control\u003c\/li\u003e\n\u003cli class=\"p1\"\u003e1-Pole\/2-Pole configuration for left channel\u003c\/li\u003e\n\u003cli class=\"p1\"\u003eCascaded normalisation\u003c\/li\u003e\n\u003cli class=\"p1\"\u003eGlobal 1 volt per octave tracking\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Instruō","offers":[{"title":"Default Title","offer_id":51570018517270,"sku":null,"price":235.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1001\/4221\/9542\/files\/dapf__32365.1708483280.1280.1280.jpg?v=1784247658"},{"product_id":"mystic-circuits-3dvca","title":"Mystic Circuits 3DVCA","description":"\u003cp\u003e\u003cspan\u003ePowerful. Versatile. Chainable.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2 class=\"jumbo\"\u003eDetails\u003c\/h2\u003e\n\u003cdiv class=\"details-rich w-richtext\"\u003e\n\u003cp\u003eDesigned to be a highly customizable connection matrix, 3DVCA packs a boat load of utility into a small 6HP package. Four VCAs share the three macro controls: \u003cspan\u003eX\u003c\/span\u003e, \u003cspan\u003eY\u003c\/span\u003e, and \u003cspan\u003eZ\u003c\/span\u003e. As a group, they shape incoming and outgoing signals and emulate the coordinates of a point in 3 dimensional space. This allow the VCAs to work together in a mono, stereo, or quad configuration and accomplish a variety of mixing, crossfading, and panning functions.\u003c\/p\u003e\n\u003cp\u003e3DVCA is designed to be used in the following functions:\u003c\/p\u003e\n\u003cp\u003e- Quad monophonic crossfader\u003c\/p\u003e\n\u003cp\u003e- Dual stereo crossfader\u003c\/p\u003e\n\u003cp\u003e- Stereo balancer\u003c\/p\u003e\n\u003cp\u003e- Stereo VCA\u003c\/p\u003e\n\u003cp\u003e- Mono to stereo panner\u003c\/p\u003e\n\u003cp\u003e- Unity mixer with up to eight inputs\u003c\/p\u003e\n\u003cp\u003e- Quadraphonic panner\u003c\/p\u003e\n\u003cp\u003eEach output has a dedicated \u003cspan\u003eSUM \u003c\/span\u003einput which allows an external signal to be automatically mixed into the output signal. This allows 3DVCA to daisy chain both with other mixers and other 3DVCAs. For example, you can create a full mono, stereo, or quadraphonic mix by plugging the output of each 3DVCA into the sum inputs of the next 3DVCA in the chain. Using this method, a set of 3DVCAs can create a fully voltage controlled and decentralized mixer which ties together anything from a small skiff to a monster synth.\u003c\/p\u003e\n\u003cp\u003eWhen 3DVCA works as a crossfader or panner, the \u003cspan\u003eX \u003c\/span\u003eand \u003cspan\u003eY \u003c\/span\u003eparameters follow an equal-power curve that keep output signals at the same volume no matter how many inputs are mixed together. This is in contrast to the \u003cspan\u003eZ\u003c\/span\u003e parameter which follows a linear curve to always behave predictably with external modulation sources. All inputs are fully DC coupled in order to work with modulation speed signals as well as static DC voltage sequences; this means that 3DVCA can handle any sort of signal that you throw at it. All op amps in the device employ rail-to-rail inputs and outputs to enable the largest headroom when mixing many different signals together.\u003c\/p\u003e\n\u003cp\u003eWhether you need to maximize your mixing functionality in the smallest possible footprint or have the most control over every aspect of your system, 3DVCA provides a ton of functionality in any system.  Enter a higher dimension of sound with the Mystic Circuits 3DVCA.\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/youtu.be\/QZkoeGePGlw\"\u003eVIDEO MANUAL\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Mystic Circuits","offers":[{"title":"Default Title","offer_id":51570018648342,"sku":null,"price":225.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1001\/4221\/9542\/files\/3dvca__13069.1708485102.1280.1280.jpg?v=1784247660"},{"product_id":"erica-synths-drum-stereo-fx","title":"Erica Synths Drum Stereo FX","description":"\u003cdiv class=\"article-body mt-3\"\u003eThe STEREO FX module brings hi-fi stereo effects into the Erica Synths Drum Series. Based on our new DSP engine, the module provides a wide range of custom delay and reverb effects. CV control over various parameters and the ability to save up to 10 presets will make this module an integral part of any performance rack.\u003c\/div\u003e\n\u003cdiv class=\"article-body mt-3 mb-3\"\u003e\n\u003ch3\u003eFeatures\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eHi-Fi stereo FX module\u003c\/li\u003e\n\u003cli\u003e3 delay and 3 reverb effects\u003c\/li\u003e\n\u003cli\u003eTap and clock synchronization of delay time\u003c\/li\u003e\n\u003cli\u003eDelay time divisions and multiplications in sync mode\u003c\/li\u003e\n\u003cli\u003e10 preset patches\u003c\/li\u003e\n\u003cli\u003eCV control over delay time, feedback, and preset selection\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"article-body mt-3\"\u003e \u003c\/div\u003e\n\u003cdiv class=\"article-body mt-3\"\u003e\n\u003cp\u003eThe FX is developed in collaboration with the Dutch company \u003ca href=\"https:\/\/www.112db.com\/\"\u003e112dB\u003c\/a\u003e which offers some of the best-sounding VST instruments.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTechnical specifications:\u003c\/span\u003e\u003c\/p\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eAudio input level\u003c\/td\u003e\n\u003ctd\u003e-5V – +5V\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eDelay time\u003c\/td\u003e\n\u003ctd\u003e3ms – 3s\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eCV level (full span)\u003c\/td\u003e\n\u003ctd\u003e-5 – +5V\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003ePower consumption\u003c\/td\u003e\n\u003ctd\u003e+123mA, -40mA\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eModule width\u003c\/td\u003e\n\u003ctd\u003e10HP\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eModule depth\u003c\/td\u003e\n\u003ctd\u003e35mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cdiv class=\"title\"\u003e\n\u003ca href=\"https:\/\/www.ericasynths.lv\/media\/Stereo_FX_manual.pdf\"\u003eUser manual\u003c\/a\u003e — Dec. 14, 2023\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul class=\"list-unstyled\"\u003e\n\u003cli\u003e\n\u003cdiv class=\"title\"\u003e\n\u003ca href=\"https:\/\/www.ericasynths.lv\/media\/stereo-fx_1.1.wav\"\u003eStereo FX 1.1 Firmware\u003c\/a\u003e — Feb. 28, 2024\u003c\/div\u003e\n\u003cdiv class=\"description\"\u003eAudio bootloader file for the Stereo FX module\u003c\/div\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Erica Synths","offers":[{"title":"Default Title","offer_id":51570019139862,"sku":null,"price":359.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1001\/4221\/9542\/files\/drum_stereo_fx__03514.1710881685.1280.1280.jpg?v=1784247711"},{"product_id":"worng-electronics-sidecar","title":"WORNG Electronics SIDECAR Pre-Order","description":"\u003cp class=\"lead wrap\"\u003eErgonomic VCA with mixing\u003c\/p\u003e\n\u003cp\u003eSideCar from WORNG Electronics is a six channel mixing VCA (4x mono, 2x stereo) with 45mm faders and proprietary CV shaping circuitry to deliver high resolution level control, punchy envelope response, and improved headroom.\u003c\/p\u003e\n\u003cp\u003eSideCar is designed to give you a proper mixing experience, letting you craft proper detailed mixes from within your Eurorack system like never before. We designed SideCar with a 'less-is-more' approach to enable you to just get premium level control with a clean and usable interface without trying to cram the interface full of features, giving you a high quality, truely modular building block for your modular system.\u003c\/p\u003e\n\u003cp\u003eThe inputs and outputs cascade for use as a mixer or for ease of more complicated patching, SideCar is also the perfect accompaniment for a SoundStage or Jumble Henge to add level control to your favourite spectral mixer.\u003c\/p\u003e\n\u003cp\u003e18 HP\u003c\/p\u003e\n\u003cp\u003e25 mm deep\u003c\/p\u003e\n\u003cp\u003e72 mA +12V\u003c\/p\u003e\n\u003cp\u003e72 mA -12V\u003c\/p\u003e\n\u003cp\u003e0 mA 5V\u003c\/p\u003e","brand":"WORNG Electronics","offers":[{"title":"Default Title","offer_id":51570020942102,"sku":null,"price":389.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1001\/4221\/9542\/files\/sidecar__20301.1715896718.1280.1280.jpg?v=1784247825"}],"url":"https:\/\/boutiquepedalnyc.us\/collections\/dual-stereo.oembed?page=5","provider":"BPNYC","version":"1.0","type":"link"}