{"title":"Eurorack Dual\/Stereo","description":"","products":[{"product_id":"4ms-wav-recorder","title":"4ms WAV Recorder Pre-Order","description":"\u003cp\u003eThe WAV Recorder from 4ms Company is a high fidelity, two-channel stereo audio recorder with basic playback features. Accepting a wide range of input signals, from line-level to modular-level, the WAV Recorder stores audio onto a microSD card in lossless .wav format up to 96kHz\/24-bit. The trigger jack can be used for capturing rhythmic loops or synchronizing multiple WAV Recorder modules for multi-track recording. In Playback mode, the trigger jack or button plays the most recent recording. A simple file\/folder navigation system can be used to browse the folders on the card for playing back .wav files. A Gain knob allows for up to +20dB of boost, and an LED Signal Meter indicates clipping and the signal level.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv class=\"tab_content\" id=\"featurestab\"\u003e\n\u003cul\u003e\n\u003cli\u003eRecords high-fidelity, low-noise, stereo WAV files onto microSD Card.\u003c\/li\u003e\n\u003cli\u003eUp to 96kHz, 24-bit stereo recording.\u003c\/li\u003e\n\u003cli\u003eExtremely low noise, high-fidelity design\u003c\/li\u003e\n\u003cli\u003eConfigurable to 96kHz, 48kHz, or 44.1kHz; and 24-bit or 16-bit; and stereo or mono\u003c\/li\u003e\n\u003cli\u003eAccepts modular signal level, line level, or headphone level.\u003c\/li\u003e\n\u003cli\u003eGain knob and LED level meter allows you easily boost or cut any signal, from synths to smart phones, without clipping.\u003c\/li\u003e\n\u003cli\u003eAudio can be monitored without recording, so the WAV Recorder can also be used as a pre-amp for boosting line-level signals to modular level.\u003c\/li\u003e\n\u003cli\u003ePlayback previous recordings or standard .wav files on the microSD Card, without renaming files.\u003c\/li\u003e\n\u003cli\u003ePlayback and Record activated by button press or a trigger jack\u003c\/li\u003e\n\u003cli\u003eRecording time and number of files are limited only by available space on card: Typical cards can hold hundreds of hours of samples.\u003c\/li\u003e\n\u003cli\u003eContinuous Recording feature automatically breaks long recordings (\u0026gt;6 hours, typically) into multiple 4GB files. With a large SD Card (128GB), you can literally record continuously for 2 weeks without stopping!\u003c\/li\u003e\n\u003cli\u003eConnects to the LISTEN modules for recording directly from the main output.\u003c\/li\u003e\n\u003cli\u003e24-bit 96kHz Codec (DAC and ADC)\u003c\/li\u003e\n\u003cli\u003eIncludes 16GB microSD card (Class 10), SD adaptor, 10-to-16 pin power cable and M3 Knurlie screws\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv class=\"tab_content\" id=\"specstab\"\u003e\n\u003cul\u003e\n\u003cli\u003e6 HP Eurorack format module\u003c\/li\u003e\n\u003cli\u003e10-pin Eurorack power header\u003c\/li\u003e\n\u003cli\u003e0.98\" (25mm) maximum depth with power cable\u003c\/li\u003e\n\u003cli\u003ePower consumption:\r\n\u003cul\u003e\n\u003cli\u003e+12V rail: 112mA\u003c\/li\u003e\n\u003cli\u003e-12V rail: 12mA\u003c\/li\u003e\n\u003cli\u003e+5V rail: not used\u003c\/li\u003e\n\u003cli\u003eConnect red stripe of power cable towards the bottom of the module, which is marked with a white stripe and the words -12V and POWER\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eAudio Inputs\r\n\u003cul\u003e\n\u003cli\u003e22Vpp maximum\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eAudio Signal\r\n\u003cul\u003e\n\u003cli\u003eSignal-to-Noise Ratio (SNR) of WAV file: \u003cbr\u003e (Measurements taken from recordings made in typical Eurorack case powered by Row Power 40)\r\n\u003cul\u003e\n\u003cli\u003e-91.7dB @ 16-bit, 44.1kHz\u003c\/li\u003e\n\u003cli\u003e-88.9dB @ 24-bit, 96kHz\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003ePlayback Frequency Response (File : Output jacks)\u003cbr\u003e 20Hz - 20kHz: +\/-0.1dB maximum\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eTrigger input:\r\n\u003cul\u003e\n\u003cli\u003eAcceptable trigger voltage range: +2V to +12V\u003c\/li\u003e\n\u003cli\u003eMinimum pulse width: 5ms\u003c\/li\u003e\n\u003cli\u003eMaximum frequency of repeated triggers: 50Hz\u003cbr\u003e (Minimum time between recordings varies with speed of microSD card)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv class=\"tab_content\" id=\"manualtab\" style=\"display: block;\"\u003e\n\u003cul\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/4mscompany.com\/REC\/manual\/WAV-Recorder-v1.0.1.pdf\"\u003eWAV Recorder User Manual v1.0.1\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"4ms","offers":[{"title":"Default Title","offer_id":51569910546710,"sku":null,"price":269.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1001\/4221\/9542\/files\/Screenshot_2026-07-27_at_10.15.33_PM.png?v=1785215745"},{"product_id":"make-noise-qpas-quad-core-stereo-analog","title":"Make Noise QPAS -Quad Core Stereo Analog","description":"\u003cp\u003eThe Quad Peak Animation System combines the auditory enveloping of stereo spaced peaks with the animation of two or more peaks in a single channel dancing around each other or engaging in primitive vocalizations. QPAS is Quad Core, containing four identical state variable filter cores with a control system powerful enough to guide them in stereo multi-peak operation, but simple enough to encourage system integration rather than domination.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv class=\"features\"\u003e\n\u003ch3\u003efeatures\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eQuad Core Stereo Analog\u003c\/li\u003e\n\u003cli\u003eMulti-Peak with clean resonance\u003c\/li\u003e\n\u003cli\u003eFast response encourages deep FM\u003c\/li\u003e\n\u003cli\u003eRadiate spaces stereo image and animates associated channel\u003c\/li\u003e\n\u003cli\u003eHigh Q settings are under damped, excitable, and ring by gate or trigger\u003c\/li\u003e\n\u003cli\u003e2 \u003cstrong\u003e!!¡¡\u003c\/strong\u003e modulation inputs aid patch exploration\u003c\/li\u003e\n\u003cli\u003eStereo VCA, pre-filter with gain\u003c\/li\u003e\n\u003cli\u003eMono to Stereo, Stereo to Mono, Mono to Mono and Stereo to Stereo operations\u003c\/li\u003e\n\u003cli\u003eSmile Pass filter response unique to QPAS\u003c\/li\u003e\n\u003cli\u003eLow Pass, Band Pass, High Pass and Smile Pass outputs simultaneously available\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003especifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eWidth: 18hp\u003c\/li\u003e\n\u003cli\u003eMax Depth: 30mm\u003c\/li\u003e\n\u003cli\u003ePower:\u003cbr\u003e166mA @ +12V\u003cbr\u003e190mA @ -12V\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThe Story of the QPAS by Tony Rolando\u003c\/p\u003e\n\u003cp\u003eWhen I worked at Moog calibrating Voyagers, I monitored with headphones, and one of my favorite sound sensations was that of the stereo low pass filter. You might not even recall that the Voyager had a stereo Dual LPF. It is under utilized since most folks are trying to achieve classic Model D goodness, and the OG MiniMoog was a very mono instrument.\u003c\/p\u003e\n\u003cp\u003eThe binaural effect of a stereo Dual LPF is simple: one channel of the sound is brighter than the other. However, the effect is heightened when the filter has an exponential response and the cutoff is modulated. At lower cutoff frequencies the two channels appear to move at similar velocities, but as the cutoff frequency increases, one channel will smoothly increase in velocity, becoming brighter faster. The other channel lags behind, but eventually reaches the same velocity, and finally at high cutoff frequencies the two channels coalesce into full brightness. Where the mono LPF smashes you in the forehead with simple heavy sound, the stereo LPF envelops you, putting you inside the heavy sound.\u003c\/p\u003e\n\u003cp\u003eWhen I developed the QMMG I learned about multi-peak filtering. Another under-utilized technique, this is processing a single channel of sound, with multiple filter channels, which are modulated, and then summed together to create a new version of the original sound. On the QMMG all four channels of filters were summed to the MIX OUT. There were a few normalizations, but they did not really ease or encourage multi-peak use. The QMMG UI was awkward for use as a multi-peak filter.\u003c\/p\u003e\n\u003cp\u003eA common use for multi-peak filtering is the creation of formants, where multiple band pass filters are carefully programmed to generate human vowel sounds. This can be fun but it requires meticulous programming. If you forget about formants and just modulate until it sounds good, a multi-peak filter can be gorgeous fun. When the multiple peaks are offset from each other and modulated, the effect can be dizzying, as the sound appears to be dancing with itself, moving in many directions and yet it is still a mono sound. It is an auditory illusion.\u003c\/p\u003e\n\u003cp\u003eI began thinking about what it would be like to have BOTH effects simultaneously… the binaural enveloping of the stereo spaced peaks AND the animation of two or more peaks in a single channel dancing around each other. Obviously some primitive formants could occur as well if some inventive modulation destinations were offered.\u003c\/p\u003e\n\u003cp\u003eQPAS is short for Quad Peak Animation System. Inside the QPAS there are four identical state variable filter cores with a control system devoted to utilizing them in a stereo multi-peak configuration amongst other things.\u003c\/p\u003e\n\u003cp\u003eI wanted to design a dramatic stereo filter that could also be dynamically animated, primitively vocal and also capable of mono to stereo, stereo to mono, mono to mono and stereo to stereo utilities. Something that was more functional than just linking multiple filter modules.\u003c\/p\u003e\n\u003cp\u003eWe needed at least two filter cores to achieve stereo or multi peak animation and so we had to first design a single filter core where the character and repeatability was not so defined by the vactrol utilized in other MN filters. I enjoy the QMMG and MMG, but they require many trims and specialized selection of the vactrol parts to work well and even then there is a great deal of variation from one unit to the next. That might not work well for a stereo filter. We developed several completely different cores before finding the right one.\u003c\/p\u003e\n\u003cp\u003eOnce we had a good filter core designed, we began prototyping a multi-core, stereo version. We attempted 2, 3 and 4 core versions. It was not until we reached 4 cores that we achieved the animation and stereo image I had been imagining.\u003c\/p\u003e\n\u003cp\u003eFinally we had to come up with a way to control 4 filter cores simultaneously that was powerful but simple enough to encourage system integration rather than system domination.\u003c\/p\u003e\n\u003cp\u003eThe Radiate Left and Right parameters define the stereo image and peak animation of the final sound. I believe they are an elegant way to handle animation of multiple filter cores within a modular synthesizer. The normalization between the two Radiate parameter further eases this handling. Radiate offsets the Left and Right sides from the Center Cutoff Frequency creating the stereo image while simultaneously moving the two peaks in the associated channel away from each other, or back together again, creating the peak animation. Radiate could also be used to program primitive formants.\u003c\/p\u003e\n\u003cp\u003eThe Cutoff and Q (or resonance) parameters are linked to all four filter cores. Adjusting these parameters may result in pronounced changes in the sound because they are changing the center Cutoff Frequency and Q for all four filter cores simultaneously. But remember, since all 4 cores may be modulated and\/ or offset to different cutoff frequencies, and the response of this filter is highly exponential, and the perceived strength of resonance varies with cutoff frequency, modulating these macro parameters is capable of animating the animation and shifting the entire stereo image. This is why Cutoff Frequency has such a large knob.\u003c\/p\u003e\n\u003cp\u003eThe \u003cstrong\u003e!!¡¡\u003c\/strong\u003e inputs are intentionally mysterious inputs that may be used with just about any signal. We wanted to encourage blind patch experimentation. Audio rate modulations create sidebands that may aid in the creation of those primitive vocaloid sounds or work to decimate the peaks with quasi aliasing, resulting in low digital tech crunch. Slower modulation, such as a pattern of gates, may serve to accent particular moments in time or even cause spurious damped oscillations.\u003c\/p\u003e\n\u003cp\u003eAt the input I added a stereo VCA. The traditional location for a VCA is post-filter, so my hope is that this pre-filter VCA will encourage the less common signal path and be inspirational to folks. By design the QPAS will not self oscillate, but with high Q settings it may be excited by an input signal. Having a VCA pre-filter encourages exploration of the dampened ringing that results from the excitation of the QPAS filter cores.\u003c\/p\u003e\n\u003cp\u003eWe included the 3 most desired filter responses: Low Pass, Band Pass and Highpass, and were left enough space in the module to add another pair of outputs. I went back to the prototype and experimented with adding and subtracting different combinations of taps from the filter cores. We wanted to create a filter type that would allow for animation of resonant peaks without the loss of bottom or top end of the spectrum that must occur in a LP, BP or HP filter to give those types their sound. We also wanted to add something that could not be achieved by mixing the existing LP, BP and HP outputs. The SP, or Smile Pass, output is the subtle result of that experimentation.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e","brand":"MAKE NOISE","offers":[{"title":"Default Title","offer_id":51569923293462,"sku":null,"price":379.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1001\/4221\/9542\/files\/Screen_Shot_2019-08-02_at_14.30.37_3_1_31__22629.1686243164.1280.1280.jpg?v=1785022414"},{"product_id":"befaco-stmix","title":"BEFACO STMIX","description":"\u003cp class=\"lead wrap\"\u003e4 channel stereo mixer w\/ aux input\u003c\/p\u003e\n\u003cp\u003eStmix is a compact 4 channel stereo mixer with an Auxilliar input. This input will allow us to chain a few of them or to insert an extra fifth input.\u003cbr\u003eThis module is compatible with our Hexmix system, and can be internally connected to hexmix module to add the output of STMIX to your main mix.\u003c\/p\u003e\n\u003cp\u003eFEATURES\u003cbr\u003e– Four channels stereo inputs with volume control\u003cbr\u003e– Aux input straight to the Mix out\u003cbr\u003e– Level metter LEDs\u003cbr\u003e– Connector in the back to interface with Hexmix module.\u003c\/p\u003e\n\u003cp\u003eSPECS\u003cbr\u003e– Current needs: +12V: 8mA, -12V: 10mA\u003cbr\u003e– Width: 6 HP\u003cbr\u003e– Depth: 20 mm\u003cbr\u003e– Alluminium, heat-treated front panel\u003cbr\u003e– Designed, kits prepared and completed modules assembled in Barcelona\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e8 mA +12V\u003c\/li\u003e\n\u003cli\u003e10 mA -12V\u003c\/li\u003e\n\u003cli\u003e0 mA 5V\u003c\/li\u003e\n\u003cli\u003e20 mm deep\u003c\/li\u003e\n\u003cli\u003e6HP\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"BEFACO","offers":[{"title":"Default Title","offer_id":51569937744150,"sku":null,"price":165.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1001\/4221\/9542\/files\/Blank_1U_6hp_copy_2__49094.1600825473.1280.1280.jpg?v=1784675901"},{"product_id":"befaco-hexpander-hexmix-expander","title":"BEFACO HEXPANDER -Hexmix expander","description":"\u003cp class=\"lead wrap\"\u003eUse it with your Hexmix for more performance!\u003c\/p\u003e\n\u003cp class=\"lead wrap\"\u003eHexmix expander with 3 aux sends, PFL, individual outs per channel and master balanced out\u003c\/p\u003e\n\u003cp\u003eHexpander adds great functionality to Hexmix module. Featuring Three aux send with auxiliary returns, individual outputs for each channel, complete PFL system and balanced output.\u003cbr\u003eHexpander is designed to be placed on top of Hexmix. Expanding eurorack concept to 6u, allow every channel to be aligned as in traditional tabletop mixers.\u003c\/p\u003e\n\u003cp\u003eFor every channel you have three auxiliar sends. One pot will measure the amount of signal sent to each of them.\u003c\/p\u003e\n\u003cp\u003eEvery auxiliar send has a volume pot, that will measure the level of the signal sent. There are two jacks available so it is possible to send the signal pre or post fader\/EQ in parallel.\u003cbr\u003eReturns are stereo, having a switch to select if the signal is coming from synth or line level. Like this levels can be set properly, for example, either to a guitar pedal or a FX module at synth level.\u003c\/p\u003e\n\u003cp\u003eHexpander features a complete PFL system, to send channels to the headphones before you add them to main mix.\u003cbr\u003eFlip PFL switch to send that channel to the headphones out. With PFL\/Master Pot you can do a crossfade between the master signal and every channel sent to PFL. Headphones out will control headphones volume.\u003cbr\u003eLevel meter will show the level of the sum of all active PFLs. When there is no PFL active, it will show master level.\u003c\/p\u003e\n\u003cp\u003eEvery channel has individual 6,5\" jacks out at line level.Here you heve the signal of every channel post EQ.\u003cbr\u003eAs an addition, you have master balanced output.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e137 mA +12V\u003c\/li\u003e\n\u003cli\u003e64 mA -12V\u003c\/li\u003e\n\u003cli\u003e0 mA 5V\u003c\/li\u003e\n\u003cli\u003e27 mm deep\u003c\/li\u003e\n\u003cli\u003e28HP\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"BEFACO","offers":[{"title":"Default Title","offer_id":51569937776918,"sku":null,"price":400.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1001\/4221\/9542\/files\/Screen_Shot_2019-08-02_at_14.30.37_3_1_2__97931.1571362604.1280.1280.jpg?v=1785019896"},{"product_id":"befaco-hexmix-6-channel-performance-mixer","title":"BEFACO HEXMIX  - 6-channel performance mixer","description":"\u003cp\u003e*Recommended to use with Hexpander for extra performance!!*\u003c\/p\u003e\n\u003cp\u003eBEFACO HEXMIX - 6channel performance mixer\u003c\/p\u003e\n\u003cp class=\"lead wrap\"\u003e6-channel performance mixer with EQs mutes and Pan\u003c\/p\u003e\n\u003cp\u003eHexmix System is a six channel performance mixer specially designed for Eurorack.\u003c\/p\u003e\n\u003cp\u003eThe system has two separate modules, the core of the mixer: Hexmix that has six channels with three band EQ, mute, pan and EQ section on the master, and Hexpander that add three auxiliar sends per channel, PFL, individual outs and balanced output.\u003c\/p\u003e\n\u003cp\u003eThe mixer has a strong inspiration in classical DJ mixers, providing sharp EQ’s for enhanced performance, auxilliar send for effects and individual outputs to record your performance per channel.\u003c\/p\u003e\n\u003cp\u003eThe unique Mute Section is a powerful tool for performances, providing a momentary mute function controlled by vactrols and adding a smooth release to the signal decay.\u003c\/p\u003e\n\u003cp\u003eThe system is designed to be placed in 6U, instead of the traditional 3U paradigm in Eurorack. So we will have every feature for each channel vertically as a convetional tabletop mixing deck.\u003c\/p\u003e\n\u003cp\u003eHEXMIX FEATURES\u003cbr\u003eThis is a six channels mixer with three band EQ, vactrol mutes, pan and volume control per channel.\u003c\/p\u003e\n\u003cp\u003eInputs for every channel are located at left side of Hexmix. Each jack is normalized to a VCA Expander connection in the back, so if you have a Hexmix VCA , you will have the output of each VCA to every input. connecting a jack in any input will disconnect whatever is coming from VCA.\u003c\/p\u003e\n\u003cp\u003eThe signal passes through various process before being sent to the master section. All of this process are located and controlled at each Channel Strip.\u003cbr\u003eThe Channel Strip is divided in four basic sections, that will go in the following order: Gain, Mute, EQ and Pan.\u003c\/p\u003e\n\u003cp\u003eMaster section has it’s own EQ and volume control for the mix of all channels. Master EQ is software than individual channel’s and it’s meant to provide control over the final mix.\u003cbr\u003eIt’s possible to change output level from line to synth wit ha switch located in the back.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e106 mA +12V\u003c\/li\u003e\n\u003cli\u003e88 mA -12V\u003c\/li\u003e\n\u003cli\u003e0 mA 5V\u003c\/li\u003e\n\u003cli\u003e27 mm deep\u003c\/li\u003e\n\u003cli\u003e28HP\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"BEFACO","offers":[{"title":"Default Title","offer_id":51569937809686,"sku":null,"price":530.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1001\/4221\/9542\/files\/Screen_Shot_2019-08-02_at_14.30.37_3_1_1__55225.1571363274.1280.1280.jpg?v=1785019866"},{"product_id":"rossum-panharmonium-spectral-processor-and-tone-generator","title":"Rossum Panharmonium - Spectral Processor and Tone Generator","description":"\u003cp\u003e\u003cstrong\u003eSpectral Processor and Tone Generator\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eRossum Electro-Music Software Architect \u003cstrong\u003eBob Bliss\u003c\/strong\u003e (who also, as it happens, fathered E-mu’s famed “EOS” Emulator Operating System) has created \u003cstrong\u003ePanharmonium\u003c\/strong\u003e, a unique music and sound design tool that lets you analyze the spectral content of any audio signal and use that analysis to drive a bank of from 1 to 33 oscillators. Depending on various control settings, Panharmonium can accurately reproduce the input spectrum in real time or modify it in a multitude of wildly creative ways. All with an interface whose immediacy encourages performance and interaction.\u003c\/p\u003e\n\u003cp\u003ePanharmonium input can be anything from a single oscillator to an entire mix (including vocals). From dense, swirling pads and drones that evolve with the input’s changing spectrum, to clock-syncable spectral arpeggiation, to as-yet unnamed harmonic effects, Panharmonium opens up an entirely new world of sonic possibilities.\u003c\/p\u003e\n\u003cp\u003eAdditionally, Panharmonium can take a snapshot of an instantaneous spectrum and use that as a complex harmonic oscillator, which can then be modified and modulated by all of Panharmonium’s other controls. \u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003ePanharmonium accomplishes its magic though a combination of functional submodules:\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eSpectral Analyzer\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThe Spectral Analyzer provides tools for defining the analysis process.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e– The \u003cstrong\u003eSlice\u003c\/strong\u003e parameter sets the rate at which the incoming audio is transformed to spectral data. It can be set by the \u003cstrong\u003eSlice\u003c\/strong\u003e and \u003cstrong\u003eMultiplier\u003c\/strong\u003e controls, the \u003cstrong\u003eTap\u003c\/strong\u003e button, or by an external clock signal. Very short slice times result in real-time spectral data, while longer times can create rhythmic spectral patterns.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e– The \u003cstrong\u003eCenter Freq\u003c\/strong\u003e and \u003cstrong\u003eBandwidth\u003c\/strong\u003e controls (and associated CV inputs and attenuverters) control the range of frequencies to be analyzed. The \u003cstrong\u003eBandwidth\u003c\/strong\u003e control allows the selection of narrow to wide pass bands on the left side of the pot and narrow to wide notches on the right side of the pot. The ability to sweep the frequency and modify the bandwidth under CV control opens up a wide range of sonic effects.\u003c\/p\u003e\n\u003cp\u003e– The \u003cstrong\u003eFreeze\u003c\/strong\u003e button lets you freeze the spectral integrator, sustaining the currently analyzed spectrum.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eSpectral Modifiers\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThese controls allow you to creatively modify the analyzed spectra.\u003c\/p\u003e\n\u003cp\u003e– The \u003cstrong\u003eVoice\u003c\/strong\u003e parameter lets you select from 1 to 33 oscillators to resynthesize the spectrum.\u003c\/p\u003e\n\u003cp\u003e– The \u003cstrong\u003eBlur\u003c\/strong\u003e parameter (and associated CV input) is a spectral lag processor that controls how quickly the spectrum can change. \u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e– The \u003cstrong\u003eFeedback\u003c\/strong\u003e control lets you route the resynthesized audio back into the entire processing chain for subtle or dramatic feedback effects. At its max, the output becomes self-sustaining, even if the input is removed.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eOscillator Bank\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThe Oscillator Bank resynthesizes the analyzed spectra.\u003c\/p\u003e\n\u003cp\u003e– The \u003cstrong\u003eWaveform\u003c\/strong\u003e parameter selects the oscillators’ waveform. In addition to the usual sine, triangle, sawtooth and pulse waveforms, two special crossfading sine and sawtooth waveforms are included.\u003c\/p\u003e\n\u003cp\u003e– The \u003cstrong\u003eFreq\u003c\/strong\u003e control lets you tune the oscillators over a +\/-7 semitone range. The frequency is further controlled by the 1V\/Oct input and the FM input and attenuverter.\u003c\/p\u003e\n\u003cp\u003e– The \u003cstrong\u003eOctave\u003c\/strong\u003e control, not surprisingly, shifts the pitch of the output by octaves.\u003c\/p\u003e\n\u003cp\u003e– The \u003cstrong\u003eGlide\u003c\/strong\u003e parameter sets the amount of polyphonic glide (i.e., each oscillator has its own glide circuit).\u003c\/p\u003e\n\u003cp\u003e– The \u003cstrong\u003eMix\u003c\/strong\u003e control\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e(and associated CV input) sets the balance between the original input audio and the resynthesized audio.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eOptional Functions\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eA number of optional functions can be selected by using the \u003cstrong\u003eOutput Mode\u003c\/strong\u003e and \u003cstrong\u003eTap\u003c\/strong\u003e buttons.\u003c\/p\u003e\n\u003cp\u003e– Holding the\u003cstrong\u003e Output Mode\u003c\/strong\u003e button and adjusting the \u003cstrong\u003eSlice\u003c\/strong\u003e control enables \u003cstrong\u003eDrums Mode\u003c\/strong\u003e, which optimizes the spectral analysis for drums and other percussive inputs.\u003c\/p\u003e\n\u003cp\u003e– Holding the \u003cstrong\u003eOutput Mode\u003c\/strong\u003e button and adjusting the \u003cstrong\u003eFreq\u003c\/strong\u003e control enables \u003cstrong\u003eSpectral Warping\u003c\/strong\u003e. In contrast to conventional frequency adjustment, where the harmonic relationships between the spectral elements are preserved, \u003cstrong\u003eSpectral\u003c\/strong\u003e \u003cstrong\u003eWarping\u003c\/strong\u003e shifts the harmonic elements individually, producing a variety of clangorous, swarming textures.\u003c\/p\u003e\n\u003cp\u003e– Holding the \u003cstrong\u003eTap\u003c\/strong\u003e button and adjusting the \u003cstrong\u003eFreq\u003c\/strong\u003e control quantizes the resulting frequency adjustments to semitones.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eSpectra Memories and Presets\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003ePanharmonium provides 12 user \u003cstrong\u003eSpectra\u003c\/strong\u003e memories and 12 user \u003cstrong\u003ePresets\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003e– The \u003cstrong\u003eSpectra\u003c\/strong\u003e memories let you store up to 12 frozen slices. When selected, a spectrum (up to 33 oscillators wide!) replaces any live input and can have its pitch controlled by the 1V\/Oct input and FM controls.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e– A \u003cstrong\u003ePreset\u003c\/strong\u003e is a snapshot of all of the module settings, along with the value of any CVs present at the moment the preset is saved.\u003c\/p\u003e\n\u003cp\u003ePanharmonium\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003eis \u003cstrong\u003e26HP wide\u003c\/strong\u003e and \u003cstrong\u003e25mm deep\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003ePower requirements (max):\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003e\u003cstrong\u003e140mA +12V\u003c\/strong\u003e, \u003cstrong\u003e30mA -12V\u003c\/strong\u003e. Reverse polarity protected.\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"http:\/\/www.rossum-electro.com\/fqlzron\/wp-content\/uploads\/2019\/06\/Panharm_QSG_061219.pdf\"\u003ePanharmonium Quick Start Guide\u003c\/a\u003e (PDF)\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"http:\/\/www.rossum-electro.com\/fqlzron\/wp-content\/uploads\/2019\/07\/Panharm_manual_070419.pdf\"\u003ePanharmonium Manual\u003c\/a\u003e (PDF)\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Rossum Electro-Music","offers":[{"title":"Black SOLD OUT","offer_id":51569939874070,"sku":null,"price":599.0,"currency_code":"USD","in_stock":true},{"title":"Silver","offer_id":51569939906838,"sku":null,"price":599.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1001\/4221\/9542\/files\/panharmonium_blk__81731.1712883490.1280.1280.jpg?v=1784244303"},{"product_id":"rossum-assimil8or-multi-timbral-phase-modulation-sampler","title":"Rossum Assimil8or - Multi-Timbral Phase Modulation Sampler","description":"\u003cp\u003e\u003cspan\u003eMulti-Timbral Phase Modulation Sampler\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eDesigned to provide a powerful, flexible sampling engine for modular synthesis, the \u003cstrong\u003eASSIMIL8OR\u003c\/strong\u003e Multi-Timbral Phase Modulation Sampler module is the latest incarnation of Dave Rossum’s decades-long pioneering of affordable professional sampling technology.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eASSIMIL8OR\u003c\/strong\u003e provides eight independent channels of sampling with sound quality that can range from extremely hi-fi to low fi, all with extensive real-time CV control.\u003c\/p\u003e\n\u003cp\u003eKey \u003cstrong\u003eASSIMIL8OR\u003c\/strong\u003e features include:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eEight-channel multi-timbral operation. Each channel will be available from its own independent output as well as appearing in the stereo mix output.\u003c\/li\u003e\n\u003cli\u003eSuperb 24-bit A\/D and D\/A conversion.\u003c\/li\u003e\n\u003cli\u003eMono or stereo sampling. Channels can be configured as eight mono voices, four stereo voices, or any combination. (Well, any combination that adds up to eight).\u003c\/li\u003e\n\u003cli\u003eThe ability to assign up to 8 samples to each channel and select between them in real time via CV.\u003c\/li\u003e\n\u003cli\u003eDC coupling through the signal path for sampling of control voltages.\u003c\/li\u003e\n\u003cli\u003eUnique timbral capabilities with the ability to phase modulate samples by external analog signals or by other samples (a first, we believe).\u003c\/li\u003e\n\u003cli\u003eVariable sample fidelity with independently selectable sample rate and bit depth.\u003c\/li\u003e\n\u003cli\u003eReal-time CV control of bit depth.\u003c\/li\u003e\n\u003cli\u003eReal-time CV control of aliasing (from virtually none to lots).\u003c\/li\u003e\n\u003cli\u003eExtensive sample manipulation and looping capabilities.\u003c\/li\u003e\n\u003cli\u003eSample scrubbing under CV control.\u003c\/li\u003e\n\u003cli\u003eOne-shot or gated sample playback with variable attack and release times.\u003c\/li\u003e\n\u003cli\u003eGate\/trigger inputs and CV inputs for each sample that can be assigned independently for each channel to virtually any sample parameter. Examples include:Pitch\u003cbr\u003eLevel\u003cbr\u003eBit Depth\u003cbr\u003ePhase Modulation\u003cbr\u003ePan\u003cbr\u003eScrub\u003cbr\u003eSample Start\u003cbr\u003eSample Length\u003cbr\u003eLoop Start\u003cbr\u003eLoop Length\u003cbr\u003eRelease Time\u003c\/li\u003e\n\u003cli\u003eA front panel accessible SD card for sample and preset storage.\u003c\/li\u003e\n\u003cli\u003eAnd a lot more…\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eAssimil8or Specifications\u003c\/h3\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eSAMPLE MEMORY\u003c\/strong\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e2,300 seconds at 48kHz mono, freely allocatable between the 8 channels\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eSAMPLE RATES\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e48kHZ, 96kHZ, 192kHZ\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eA\/D \u0026amp; D\/A\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e24 Bits\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eINTERNAL PROCESSING\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e32 Bits\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eLATENCY\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e100 microseconds at the Mix Outputs\u003c\/p\u003e\n\u003cp\u003e180 microseconds at the Individual Outputs\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eINPUTS\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eSample L\/R\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e2x 3.5mm mono socket\u003c\/p\u003e\n\u003cp\u003e100kΩ Input Impedance\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eGate\/Trigger 1-8 \u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e8x 3.5mm mono socket\u003c\/p\u003e\n\u003cp\u003e100kΩ Input Impedance\u003c\/p\u003e\n\u003cp\u003e1.6V threshold\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eControl Voltage A 1-8\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e8x 3.5mm mono socket\u003c\/p\u003e\n\u003cp\u003e100kΩ Input Impedance\u003c\/p\u003e\n\u003cp\u003e96 kHz sample rate\u003c\/p\u003e\n\u003cp\u003eAnti-alias filtered to 20kHz bandwidth\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eControl Voltage B\u0026amp;C 1-8\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e16x 3.5mm mono socket\u003c\/p\u003e\n\u003cp\u003e100kΩ Input Impedance\u003c\/p\u003e\n\u003cp\u003e48 kHz sample rate\u003c\/p\u003e\n\u003cp\u003eNo anti-alias filtering\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eOUTPUTS\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eMix Outputs L\/R\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e2x 3.5mm mono socket\u003c\/p\u003e\n\u003cp\u003e1kΩ Impedance\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eIndividual Outputs\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e8x 3.5mm mono socket\u003c\/p\u003e\n\u003cp\u003e1kΩ Impedance\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003ePOWER \u003c\/strong\u003e\u003cstrong\u003eREQUIREMENTS \u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e+\/-12V via 16-pin, Doepfer-style connector\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eCURRENT DRAW\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e220mA +12V, 30mA -12V\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eDIMENSIONS\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e28HP (W); Panel to power connector (with connector plugged in) 25mm (D)\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eSUPPLIED ACCESSORIES\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e1x Micro SD card\u003cbr\u003e1x 16-pin, Doepfer-style cable\u003cbr\u003e4x M3 screws\u003cbr\u003e4x M2.5 screws\u003cbr\u003e4x Nylon washers\u003cbr\u003e1x Quickstart Guide\u003c\/p\u003e\n\u003ch3\u003eDave’s Introduction to Phase Modulation\u003c\/h3\u003e\n\u003cp\u003ePhase modulation is a new kind of audio cross-modulation for sampled sounds.  It can produce rich and varied timbres and textures, as well as wild distortions and grating noises.\u003c\/p\u003e\n\u003cp\u003eThe word “new” is probably not accurate.  Modular synthesizers have used frequency modulation (FM) since their inception.  Low frequency FM produces nice vibrato effects, and audio rate FM creates interesting timbres.  But exponential FM alters the perceived fundamental frequency of an oscillator; linear FM is required to alter the timbre while staying on pitch.\u003c\/p\u003e\n\u003cp\u003eWhen we use FM, we call the source of the modulation the modulator, and the oscillator being modulated is called the carrier.\u003c\/p\u003e\n\u003cp\u003eIn the early 1970’s, John Chowning discovered using digital oscillators that linear FM through the zero point (so the carrier actually reversed its oscillation) produced very diverse and pleasing timbres.  Yamaha further developed this technology, but while Yamaha continued to call their implementation “FM”, they actually were using Phase Modulation.  Also worthy of note, Don Buchla heard Chowning say that you couldn’t do “through zero” FM with an analog circuit, so Don did just that with his Music Easel’s Complex Oscillator.\u003c\/p\u003e\n\u003cp\u003eLet’s look at some oscilloscope photos to understand the difference.  If I frequency modulate a sine wave with another sine wave, the ‘scope shows us the effect on the waveform.  (The modulator is on the bottom in blue, the carrier in yellow on the top):\u003c\/p\u003e\n\u003cp\u003e\u003cimg alt=\"\" class=\"aligncenter size-medium wp-image-1333\" data-attachment-id=\"1333\" data-comments-opened=\"0\" data-image-description=\"\" data-image-meta='{\"aperture\":\"2.2\",\"credit\":\"\",\"camera\":\"iPhone 6s\",\"caption\":\"\",\"created_timestamp\":\"1522142750\",\"copyright\":\"\",\"focal_length\":\"4.15\",\"iso\":\"200\",\"shutter_speed\":\"0.058823529411765\",\"title\":\"\",\"orientation\":\"1\"}' data-image-title=\"PM_1\" data-large-file=\"https:\/\/i0.wp.com\/www.rossum-electro.com\/fqlzron\/wp-content\/uploads\/2018\/04\/PM_1.jpg?fit=640%2C455\" data-medium-file=\"https:\/\/i0.wp.com\/www.rossum-electro.com\/fqlzron\/wp-content\/uploads\/2018\/04\/PM_1.jpg?fit=300%2C213\" data-orig-file=\"https:\/\/i0.wp.com\/www.rossum-electro.com\/fqlzron\/wp-content\/uploads\/2018\/04\/PM_1.jpg?fit=640%2C455\" data-orig-size=\"640,455\" data-permalink=\"http:\/\/www.rossum-electro.com\/products\/assimil8or\/attachment\/pm_1\/\" height=\"213\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1001\/4221\/9542\/files\/PM_1.jpg?v=1784244283\" width=\"300\"\u003e\u003c\/p\u003e\n\u003cp\u003eNow let’s use a pulse waveform to modulate a sawtooth wave carrier:\u003c\/p\u003e\n\u003cp\u003e\u003cimg alt=\"\" class=\"aligncenter size-medium wp-image-1334\" data-attachment-id=\"1334\" data-comments-opened=\"0\" data-image-description=\"\" data-image-meta='{\"aperture\":\"2.2\",\"credit\":\"\",\"camera\":\"iPhone 6s\",\"caption\":\"\",\"created_timestamp\":\"1522142867\",\"copyright\":\"\",\"focal_length\":\"4.15\",\"iso\":\"200\",\"shutter_speed\":\"0.066666666666667\",\"title\":\"\",\"orientation\":\"1\"}' data-image-title=\"PM_2\" data-large-file=\"https:\/\/i2.wp.com\/www.rossum-electro.com\/fqlzron\/wp-content\/uploads\/2018\/04\/PM_2.jpg?fit=640%2C466\" data-medium-file=\"https:\/\/i2.wp.com\/www.rossum-electro.com\/fqlzron\/wp-content\/uploads\/2018\/04\/PM_2.jpg?fit=300%2C218\" data-orig-file=\"https:\/\/i2.wp.com\/www.rossum-electro.com\/fqlzron\/wp-content\/uploads\/2018\/04\/PM_2.jpg?fit=640%2C466\" data-orig-size=\"640,466\" data-permalink=\"http:\/\/www.rossum-electro.com\/products\/assimil8or\/attachment\/pm_2\/\" height=\"218\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1001\/4221\/9542\/files\/PM_2.jpg?v=1784244286\" width=\"300\"\u003e\u003c\/p\u003e\n\u003cp\u003eHere you can see that when the pulse is high, the sawtooth gets steep, when it’s low, the sawtooth slope is slight.\u003c\/p\u003e\n\u003cp\u003eNow let’s use “through zero” modulation and turn up the gain of the modulator to show how the sawtooth slope now goes downward (backward) when the FM goes negative:\u003c\/p\u003e\n\u003cp\u003e\u003cimg alt=\"\" class=\"aligncenter size-medium wp-image-1335\" data-attachment-id=\"1335\" data-comments-opened=\"0\" data-image-description=\"\" data-image-meta='{\"aperture\":\"2.2\",\"credit\":\"\",\"camera\":\"iPhone 6s\",\"caption\":\"\",\"created_timestamp\":\"1522142916\",\"copyright\":\"\",\"focal_length\":\"4.15\",\"iso\":\"200\",\"shutter_speed\":\"0.058823529411765\",\"title\":\"\",\"orientation\":\"1\"}' data-image-title=\"PM_3\" data-large-file=\"https:\/\/i0.wp.com\/www.rossum-electro.com\/fqlzron\/wp-content\/uploads\/2018\/04\/PM_3.jpg?fit=640%2C469\" data-medium-file=\"https:\/\/i0.wp.com\/www.rossum-electro.com\/fqlzron\/wp-content\/uploads\/2018\/04\/PM_3.jpg?fit=300%2C220\" data-orig-file=\"https:\/\/i0.wp.com\/www.rossum-electro.com\/fqlzron\/wp-content\/uploads\/2018\/04\/PM_3.jpg?fit=640%2C469\" data-orig-size=\"640,469\" data-permalink=\"http:\/\/www.rossum-electro.com\/products\/assimil8or\/attachment\/pm_3\/\" height=\"220\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1001\/4221\/9542\/files\/PM_3.jpg?v=1784244290\" width=\"300\"\u003e\u003c\/p\u003e\n\u003cp\u003eNow, a big problem with through zero linear FM is that as the pitch of the modulator goes up, it has less effect on the carrier’s timbre.  Here’s the same setup as above, but with the frequency of the modulating pulse wave increased by 1.5 octaves.   Note that the carrier waveform is getting to be pretty much an ordinary sawtooth.\u003c\/p\u003e\n\u003cp\u003e\u003cimg alt=\"\" class=\"aligncenter size-medium wp-image-1336\" data-attachment-id=\"1336\" data-comments-opened=\"0\" data-image-description=\"\" data-image-meta='{\"aperture\":\"2.2\",\"credit\":\"\",\"camera\":\"iPhone 6s\",\"caption\":\"\",\"created_timestamp\":\"1522142984\",\"copyright\":\"\",\"focal_length\":\"4.15\",\"iso\":\"200\",\"shutter_speed\":\"0.05\",\"title\":\"\",\"orientation\":\"1\"}' data-image-title=\"PM_4\" data-large-file=\"https:\/\/i1.wp.com\/www.rossum-electro.com\/fqlzron\/wp-content\/uploads\/2018\/04\/PM_4.jpg?fit=640%2C461\" data-medium-file=\"https:\/\/i1.wp.com\/www.rossum-electro.com\/fqlzron\/wp-content\/uploads\/2018\/04\/PM_4.jpg?fit=300%2C216\" data-orig-file=\"https:\/\/i1.wp.com\/www.rossum-electro.com\/fqlzron\/wp-content\/uploads\/2018\/04\/PM_4.jpg?fit=640%2C461\" data-orig-size=\"640,461\" data-permalink=\"http:\/\/www.rossum-electro.com\/products\/assimil8or\/attachment\/pm_4\/\" height=\"216\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1001\/4221\/9542\/files\/PM_4.jpg?v=1784244293\" width=\"300\"\u003e\u003c\/p\u003e\n\u003cp\u003eThe solution, as Yamaha discovered, was to instead of modulating the carrier’s frequency, have the modulating oscillator modulate its “phase.”  What this means is that the modulator is directly changing the location in the carrier’s waveform, rather than changing the rate that the carrier oscillates by moving along through its waveform.  Here’s what a sawtooth phase modulated by a pulse looks like.  When the pulse goes high, the carrier skips ahead to a higher point in the sawtooth ramp; when it goes low, it skips back to a lower point.\u003c\/p\u003e\n\u003cp\u003e\u003cimg alt=\"\" class=\"aligncenter size-medium wp-image-1337\" data-attachment-id=\"1337\" data-comments-opened=\"0\" data-image-description=\"\" data-image-meta='{\"aperture\":\"2.2\",\"credit\":\"\",\"camera\":\"iPhone 6s\",\"caption\":\"\",\"created_timestamp\":\"1522143253\",\"copyright\":\"\",\"focal_length\":\"4.15\",\"iso\":\"200\",\"shutter_speed\":\"0.066666666666667\",\"title\":\"\",\"orientation\":\"1\"}' data-image-title=\"PM_5\" data-large-file=\"https:\/\/i0.wp.com\/www.rossum-electro.com\/fqlzron\/wp-content\/uploads\/2018\/04\/PM_5.jpg?fit=640%2C480\" data-medium-file=\"https:\/\/i0.wp.com\/www.rossum-electro.com\/fqlzron\/wp-content\/uploads\/2018\/04\/PM_5.jpg?fit=300%2C225\" data-orig-file=\"https:\/\/i0.wp.com\/www.rossum-electro.com\/fqlzron\/wp-content\/uploads\/2018\/04\/PM_5.jpg?fit=640%2C480\" data-orig-size=\"640,480\" data-permalink=\"http:\/\/www.rossum-electro.com\/products\/assimil8or\/attachment\/pm_5\/\" height=\"225\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1001\/4221\/9542\/files\/PM_5.jpg?v=1784244297\" width=\"300\"\u003e\u003c\/p\u003e\n\u003cp\u003eBut now when we increase the modulator’s frequency, the carrier is still dramatically affected.  And we can see also in this waveform cases where the pulse has skipped backwards or forwards over the sawtooth’s edge, creating more large edges at this point.\u003c\/p\u003e\n\u003cp\u003e\u003cimg alt=\"\" class=\"aligncenter size-medium wp-image-1338\" data-attachment-id=\"1338\" data-comments-opened=\"0\" data-image-description=\"\" data-image-meta='{\"aperture\":\"2.2\",\"credit\":\"\",\"camera\":\"iPhone 6s\",\"caption\":\"\",\"created_timestamp\":\"1522143300\",\"copyright\":\"\",\"focal_length\":\"4.15\",\"iso\":\"200\",\"shutter_speed\":\"0.041666666666667\",\"title\":\"\",\"orientation\":\"1\"}' data-image-title=\"PM_6\" data-large-file=\"https:\/\/i0.wp.com\/www.rossum-electro.com\/fqlzron\/wp-content\/uploads\/2018\/04\/PM_6.jpg?fit=640%2C467\" data-medium-file=\"https:\/\/i0.wp.com\/www.rossum-electro.com\/fqlzron\/wp-content\/uploads\/2018\/04\/PM_6.jpg?fit=300%2C219\" data-orig-file=\"https:\/\/i0.wp.com\/www.rossum-electro.com\/fqlzron\/wp-content\/uploads\/2018\/04\/PM_6.jpg?fit=640%2C467\" data-orig-size=\"640,467\" data-permalink=\"http:\/\/www.rossum-electro.com\/products\/assimil8or\/attachment\/pm_6\/\" height=\"219\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1001\/4221\/9542\/files\/PM_6.jpg?v=1784244300\" width=\"300\"\u003e\u003c\/p\u003e\n\u003cp\u003eWe can modulate the sawtooth with a sine wave too.  Here, you can see how phase modulation maintains the character of each waveform, giving a new timbre with the characteristics of both the modulator and the unmodulated carrier:\u003c\/p\u003e\n\u003cp\u003e\u003cimg alt=\"\" class=\"aligncenter size-medium wp-image-1339\" data-attachment-id=\"1339\" data-comments-opened=\"0\" data-image-description=\"\" data-image-meta='{\"aperture\":\"2.2\",\"credit\":\"\",\"camera\":\"iPhone 6s\",\"caption\":\"\",\"created_timestamp\":\"1522143439\",\"copyright\":\"\",\"focal_length\":\"4.15\",\"iso\":\"200\",\"shutter_speed\":\"0.058823529411765\",\"title\":\"\",\"orientation\":\"1\"}' data-image-title=\"PM_7\" data-large-file=\"https:\/\/i2.wp.com\/www.rossum-electro.com\/fqlzron\/wp-content\/uploads\/2018\/04\/PM_7.jpg?fit=640%2C444\" data-medium-file=\"https:\/\/i2.wp.com\/www.rossum-electro.com\/fqlzron\/wp-content\/uploads\/2018\/04\/PM_7.jpg?fit=300%2C208\" data-orig-file=\"https:\/\/i2.wp.com\/www.rossum-electro.com\/fqlzron\/wp-content\/uploads\/2018\/04\/PM_7.jpg?fit=640%2C444\" data-orig-size=\"640,444\" data-permalink=\"http:\/\/www.rossum-electro.com\/products\/assimil8or\/attachment\/pm_7\/\" height=\"208\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1001\/4221\/9542\/files\/PM_7.jpg?v=1784244304\" width=\"300\"\u003e\u003c\/p\u003e\n\u003cp\u003eAs a final example, here’s the waveform that results when a sawtooth is modulated by a violin sample.  The frequency and sharp edges of the sawtooth are maintained, but the complex timbre of the violin is added:\u003c\/p\u003e\n\u003cp\u003e\u003cimg alt=\"\" class=\"aligncenter size-medium wp-image-1340\" data-attachment-id=\"1340\" data-comments-opened=\"0\" data-image-description=\"\" data-image-meta='{\"aperture\":\"2.2\",\"credit\":\"\",\"camera\":\"iPhone 6s\",\"caption\":\"\",\"created_timestamp\":\"1522143689\",\"copyright\":\"\",\"focal_length\":\"4.15\",\"iso\":\"200\",\"shutter_speed\":\"0.041666666666667\",\"title\":\"\",\"orientation\":\"1\"}' data-image-title=\"PM_8\" data-large-file=\"https:\/\/i1.wp.com\/www.rossum-electro.com\/fqlzron\/wp-content\/uploads\/2018\/04\/PM_8.jpg?fit=640%2C438\" data-medium-file=\"https:\/\/i1.wp.com\/www.rossum-electro.com\/fqlzron\/wp-content\/uploads\/2018\/04\/PM_8.jpg?fit=300%2C205\" data-orig-file=\"https:\/\/i1.wp.com\/www.rossum-electro.com\/fqlzron\/wp-content\/uploads\/2018\/04\/PM_8.jpg?fit=640%2C438\" data-orig-size=\"640,438\" data-permalink=\"http:\/\/www.rossum-electro.com\/products\/assimil8or\/attachment\/pm_8\/\" height=\"205\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1001\/4221\/9542\/files\/PM_8.jpg?v=1784244307\" width=\"300\"\u003e\u003c\/p\u003e\n\u003cp\u003eWhen first planning Assimil8or, I thought phase modulation might be a neat feature.  I was really surprised to find almost nobody had taken advantage of phase modulated sampled sounds.  My first few experiments were really exciting, and I hope you have fun exploring this capability of Assimil8or.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"http:\/\/www.rossum-electro.com\/fqlzron\/wp-content\/uploads\/2018\/03\/A8_QSG_031418.pdf\"\u003eAssimil8or QuickStart Guide\u003c\/a\u003e (PDF)\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"http:\/\/www.rossum-electro.com\/fqlzron\/wp-content\/uploads\/2018\/04\/Assimil8or_man_040618-2.pdf\"\u003eAssimil8or Manual\u003c\/a\u003e (PDF)\u003c\/p\u003e","brand":"Rossum Electro-Music","offers":[{"title":"Black Pre-ORDER","offer_id":51569940234518,"sku":null,"price":999.0,"currency_code":"USD","in_stock":true},{"title":"Silver","offer_id":51569940267286,"sku":null,"price":999.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1001\/4221\/9542\/files\/assim_blk__06326.1712883092.1280.1280.jpg?v=1784244322"},{"product_id":"befaco-hexmix-hexpander-6ch-performance-mixer-expander","title":"BEFACO HEXMIX \u0026 HEXPANDER - 6CH performance mixer \u0026 expander","description":"\u003cp\u003e\u003cspan\u003eincludes both BEFACO HEXMIX \u0026amp; HEXPANDER\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e- 6CH performance mixer \u0026amp; expander\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e*Use them together for fun mixing experience for your euerorack system!!!*\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e6-channel performance mixer with EQs mutes and Pan\u003c\/p\u003e\n\u003cp\u003eHexmix System is a six channel performance mixer specially designed for Eurorack.\u003c\/p\u003e\n\u003cp\u003eThe system has two separate modules, the core of the mixer: Hexmix that has six channels with three band EQ, mute, pan and EQ section on the master, and Hexpander that add three auxiliar sends per channel, PFL, individual outs and balanced output.\u003c\/p\u003e\n\u003cp\u003eThe mixer has a strong inspiration in classical DJ mixers, providing sharp EQ’s for enhanced performance, auxilliar send for effects and individual outputs to record your performance per channel.\u003c\/p\u003e\n\u003cp\u003eThe unique Mute Section is a powerful tool for performances, providing a momentary mute function controlled by vactrols and adding a smooth release to the signal decay.\u003c\/p\u003e\n\u003cp\u003eThe system is designed to be placed in 6U, instead of the traditional 3U paradigm in Eurorack. So we will have every feature for each channel vertically as a convetional tabletop mixing deck.\u003c\/p\u003e\n\u003cp\u003eHEXMIX FEATURES\u003cbr\u003eThis is a six channels mixer with three band EQ, vactrol mutes, pan and volume control per channel.\u003c\/p\u003e\n\u003cp\u003eInputs for every channel are located at left side of Hexmix. Each jack is normalized to a VCA Expander connection in the back, so if you have a Hexmix VCA , you will have the output of each VCA to every input. connecting a jack in any input will disconnect whatever is coming from VCA.\u003c\/p\u003e\n\u003cp\u003eThe signal passes through various process before being sent to the master section. All of this process are located and controlled at each Channel Strip.\u003cbr\u003eThe Channel Strip is divided in four basic sections, that will go in the following order: Gain, Mute, EQ and Pan.\u003c\/p\u003e\n\u003cp\u003eMaster section has it’s own EQ and volume control for the mix of all channels. Master EQ is software than individual channel’s and it’s meant to provide control over the final mix.\u003cbr\u003eIt’s possible to change output level from line to synth wit ha switch located in the back.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e106 mA +12V\u003c\/li\u003e\n\u003cli\u003e88 mA -12V\u003c\/li\u003e\n\u003cli\u003e0 mA 5V\u003c\/li\u003e\n\u003cli\u003e27 mm deep\u003c\/li\u003e\n\u003cli\u003e28HP\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e-----------------------------------\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eHexmix expander with 3 aux sends, PFL, individual outs per channel and master balanced out\u003c\/p\u003e\n\u003cp\u003eHexpander adds great functionality to Hexmix module. Featuring Three aux send with auxiliary returns, individual outputs for each channel, complete PFL system and balanced output.\u003cbr\u003eHexpander is designed to be placed on top of Hexmix. Expanding eurorack concept to 6u, allow every channel to be aligned as in traditional tabletop mixers.\u003c\/p\u003e\n\u003cp\u003eFor every channel you have three auxiliar sends. One pot will measure the amount of signal sent to each of them.\u003c\/p\u003e\n\u003cp\u003eEvery auxiliar send has a volume pot, that will measure the level of the signal sent. There are two jacks available so it is possible to send the signal pre or post fader\/EQ in parallel.\u003cbr\u003eReturns are stereo, having a switch to select if the signal is coming from synth or line level. Like this levels can be set properly, for example, either to a guitar pedal or a FX module at synth level.\u003c\/p\u003e\n\u003cp\u003eHexpander features a complete PFL system, to send channels to the headphones before you add them to main mix.\u003cbr\u003eFlip PFL switch to send that channel to the headphones out. With PFL\/Master Pot you can do a crossfade between the master signal and every channel sent to PFL. Headphones out will control headphones volume.\u003cbr\u003eLevel meter will show the level of the sum of all active PFLs. When there is no PFL active, it will show master level.\u003c\/p\u003e\n\u003cp\u003eEvery channel has individual 6,5\" jacks out at line level.Here you heve the signal of every channel post EQ.\u003cbr\u003eAs an addition, you have master balanced output.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e137 mA +12V\u003c\/li\u003e\n\u003cli\u003e64 mA -12V\u003c\/li\u003e\n\u003cli\u003e0 mA 5V\u003c\/li\u003e\n\u003cli\u003e27 mm deep\u003c\/li\u003e\n\u003cli\u003e28HP\u003c\/li\u003e\n\u003cli\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"BEFACO","offers":[{"title":"Default Title","offer_id":51569943478550,"sku":null,"price":999.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1001\/4221\/9542\/files\/Screen_Shot_2019-08-02_at_14.30.37_3_1_10__66156.1572636726.1280.1280.jpg?v=1784686265"},{"product_id":"qu-bit-electronix-bloom-fractal-sequencer","title":"Qu-Bit Electronix BLOOM -fractal sequencer","description":"\u003ch1 class=\"productView-title\"\u003eQu-Bit Electronix BLOOM -fractal sequencer\u003c\/h1\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eBloom is a fractal sequencer capable of generating infinitely evolving melodies with a host of musical features.\u003c\/p\u003e\n\u003cp\u003eAt its core is a powerful 32 step sequencer with two independent channels and an intuitive interface. What makes the Bloom come alive are its fractal algorithms which can transform existing sequences into powerful melodies, or even generate new patterns altogether. The base sequence is known as the Trunk and can be programmed by hand, or automatically generated with the Mutate function. Once a Trunk sequence is in place, fractal transformations are only a knob turn away by using the Branch and path controls. Each new Branch adds a complete variation to the base sequence and Path determines its passage through the set of recursively generated sub-sequences, offering a unique take on the melody with each turn of the knob.\u003c\/p\u003e\n\u003cp\u003eBring your sequencing to life with Bloom.\u003c\/p\u003e\n\u003cul data-rte-list=\"default\"\u003e\n\u003cli\u003e\n\u003cp\u003eFractal sequencer\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul data-rte-list=\"default\"\u003e\n\u003cli\u003e\n\u003cp\u003eInfinitely evolving melodies\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul data-rte-list=\"default\"\u003e\n\u003cli\u003e\n\u003cp\u003eTwo independent channels\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul data-rte-list=\"default\"\u003e\n\u003cli\u003e\n\u003cp\u003e32 steps per channel for base sequence, 256 steps for generated sequences\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul data-rte-list=\"default\"\u003e\n\u003cli\u003e\n\u003cp\u003eRatchets, per step slew, quantized output, and transpose control\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul data-rte-list=\"default\"\u003e\n\u003cli\u003e\n\u003cp\u003e8 pattern locations w\/ save, load, copy, and erase functionality\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.qubitelectronix.com\/s\/QB_Bloom.pdf\" target=\"_blank\"\u003eDownload the Bloom Manual here\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpecs\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWidth: 16HP\u003c\/p\u003e\n\u003cp\u003eDepth: 23mm\u003c\/p\u003e\n\u003cp\u003ePower: +12V: 82mA, -12V: 0mA\u003c\/p\u003e","brand":"Qu-Bit Electronix","offers":[{"title":"Silver pre-order","offer_id":51569944723734,"sku":null,"price":399.0,"currency_code":"USD","in_stock":true},{"title":"Black","offer_id":51569944756502,"sku":null,"price":399.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1001\/4221\/9542\/files\/Screen_Shot_2019-08-02_at_14.30.37_3_1_20__92180.1614999898.1280.1280.jpg?v=1785276183"},{"product_id":"instru-arbhar-granular-processor-v2","title":"Instruō arbhar -Granular processor V2","description":"\u003cp\u003earbhar (Version 2.0 Firmware)\u003c\/p\u003e\n\u003cp\u003ea grain, a very small amount of a particular quantity, natural patterns or lines in the surface of wood or cloth\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eDescription\u003c\/p\u003e\n\u003cp\u003eIn 2019 the launch of the arbhar heralded a new generation of granular processing in Eurorack. Sampled audio can be chopped into tiny grains, scattered, shaped, re-pitched, reversed, and layered for an endless range of audio manipulation from seamless frozen tones to mutated acousmatic madness. Each grain sounds with its defined specifications. When modulation is used, the \"per-grain parameter\" definition allows for true polyphonic layering.\u003c\/p\u003e\n\u003cp\u003eWith the introduction of firmware version 2 (2023) comes a complete rewrite of the entire codebase to implement both technical and conceptual improvements that will enhance the entire user experience of the arbhar. We have ensured that the overall feel of the module has been preserved as much as possible. Advances in efficiency and expanded features will allow the arbhar to explore many more sonic and musical spaces.\u003c\/p\u003e\n\u003cp\u003eMeet the Lexer Method 2.0.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eFeatures\u003c\/p\u003e\n\u003cp\u003e• Up to 88 stereo grains between two granular engines, allowing for polyphonic layering\u003c\/p\u003e\n\u003cp\u003e• Mono and stereo input configurations\u003c\/p\u003e\n\u003cp\u003e• Six 10 second individual audio buffers\u003c\/p\u003e\n\u003cp\u003e• 1 volt per octave pitch tracking\u003c\/p\u003e\n\u003cp\u003e• On-board random pitch deviation and grain direction probability\u003c\/p\u003e\n\u003cp\u003e• Scan mode, Follow mode, and Wavetable mode\u003c\/p\u003e\n\u003cp\u003e• Stereo pan, feedback delay, and reverb configurations\u003c\/p\u003e\n\u003cp\u003e• Built-in condenser microphone\u003c\/p\u003e\n\u003cp\u003e• Analogue input pre-amplifier and limiter\u003c\/p\u003e\n\u003cp\u003e• Audio analysis with onset detection for automatic audio capturing\u003c\/p\u003e\n\u003cp\u003e• Includes 2 HP passive CV Expansion module and 4GB USB flash drive\u003c\/p\u003e\n\u003cp\u003e• User-definable configuration for complete instrument customisation\u003c\/p\u003e\n\u003cp\u003e• Save, Load and Clone audio between layers\u003c\/p\u003e\n\u003cp\u003e• Curate\/recall entire performance configurations with up to 42 Scenes.\u003c\/p\u003e\n\u003cp\u003e• USB import and export functionality\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e18HP\u003c\/p\u003e\n\u003cp\u003e39mm\u003c\/p\u003e\n\u003cp\u003e60mm (w\/USB)\u003c\/p\u003e\n\u003cp\u003e+12V: 230mA\u003c\/p\u003e\n\u003cp\u003e-12V: 30mA\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 1.17em;\"\u003e \u003c\/span\u003e\u003c\/p\u003e","brand":"Instruō","offers":[{"title":"Default Title","offer_id":51569944822038,"sku":null,"price":699.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1001\/4221\/9542\/files\/arbhar_V2__71335.1696873071.1280.1280.jpg?v=1784244444"},{"product_id":"endorphin-es-furthrrrr-generator","title":"Endorphin.es  Furthrrrr Generator","description":"\u003cdiv class=\"clearfix grpelem\" data-ibe-flags=\"txtStyleSrc\" data-muse-type=\"txt_frame\" data-muse-uid=\"U11381\" id=\"u11381-21\"\u003e\n\u003ch2 class=\"Modulname\" id=\"u11381-2\"\u003eFurthrrrr Generator\u003c\/h2\u003e\n\u003cul class=\"list0 nls-None\" id=\"u11381-19\"\u003e\n\u003cli class=\"Aufz-hlung\" id=\"u11381-4\"\u003e30 HP width, up to 1 1\/4“ in depth\u003c\/li\u003e\n\u003cli class=\"Aufz-hlung\" id=\"u11381-6\"\u003eall analog signal path inspired by \u0026amp; based upon famous westcoast synthesis – a module in the tradition of harmonic generation based on additive synthesis\u003c\/li\u003e\n\u003cli class=\"Aufz-hlung\" id=\"u11381-8\"\u003emulti-turn frequency knobs sweep up to 10 octaves\u003c\/li\u003e\n\u003cli class=\"Aufz-hlung\" id=\"u11381-10\"\u003eoscillator tuners that simply always work\u003c\/li\u003e\n\u003cli class=\"Aufz-hlung\" id=\"u11381-12\"\u003e2 discrete triangle core oscillators both with hard- (resettable) and soft- (inverting) syncs and selectable 1 or 1.2 v\/oct tracking\u003c\/li\u003e\n\u003cli class=\"Aufz-hlung\" id=\"u11381-14\"\u003einstant thru-zero linear FM with the Strong-Zero VCO core update\u003c\/li\u003e\n\u003cli class=\"Aufz-hlung\" id=\"u11381-16\"\u003edeep, metallic timbres, entirely new sphere of sounds from light whistles to weird noises\u003c\/li\u003e\n\u003cli class=\"Aufz-hlung\" id=\"u11381-18\"\u003etogether with Terminal or Grand Terminal creates powerful 2-operator modular FM-synth\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"SlideShowWidget clearfix grpelem wp-slideshow-playing\" data-contentlayout=\"stack\" data-transitionstyle=\"fading\" id=\"slideshowu12910\"\u003e\n\u003cdiv class=\"popup_anchor\" id=\"u12918popup\"\u003e\n\u003cdiv class=\"SlideShowContentPanel clearfix\" id=\"u12918\"\u003e\n\u003cdiv class=\"SSSlide clip_frame clearfix grpelem wp-panel wp-panel-active\" data-muse-type=\"img_frame\" data-muse-uid=\"U12921\" id=\"u12921\"\u003e \u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cul class=\"AccordionWidget clearfix colelem\" id=\"accordionu11382\"\u003e\n\u003cli class=\"AccordionPanel clearfix colelem\" id=\"u11383\"\u003e\n\u003cdiv class=\"AccordionPanelTab clearfix colelem AccordionPanelTabOpen\" data-muse-type=\"txt_frame\" data-muse-uid=\"U11386\" id=\"u11386-4\"\u003e\n\u003cp\u003eMORE\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"AccordionPanelContent colelem AccordionPanelContentActive\"\u003e\n\u003cdiv class=\"AccordionPanelContentClip\"\u003e\n\u003cdiv class=\"clearfix\" id=\"u11384\"\u003e\n\u003cdiv class=\"Link_More_Box clearfix grpelem\" data-ibe-flags=\"txtStyleSrc\" data-muse-type=\"txt_frame\" data-muse-uid=\"U11385\" id=\"u11385-10\"\u003e\n\u003cp\u003e\u003ca class=\"nonblock\" data-href=\"upload:U14962\" href=\"http:\/\/endorphin.es\/assets\/endorphin.es_furthrrrr_generator_manual_180111.pdf\" target=\"_blank\"\u003eManual\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca class=\"nonblock\" href=\"https:\/\/www.youtube.com\/watch?v=T02o5Xq6nrk\" target=\"_blank\"\u003eVideo Tutorial\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Endorphin.es","offers":[{"title":"Default Title","offer_id":51569948229910,"sku":null,"price":650.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1001\/4221\/9542\/files\/Silver_Furthrrrr_Generator__48314.1773034813.1280.1280.jpg?v=1785057214"},{"product_id":"make-noise-x-pan-5-channel-voltage-controlled-stereo-mixer","title":"Make Noise  X-PAN  5 channel Voltage Controlled Stereo Mixer","description":"\u003cp\u003eThe X-PAN music synthesizer module is a compact and powerful 5 channel Voltage Controlled Stereo Mixer with Low Noise and High Headroom allowing for creation of complex panoramic audio imagery in just 10hp.\u003c\/p\u003e\n\u003cp\u003eX-PAN is highly responsive to control signals allowing for exploration of the fluctuating stereo sidebands possible with Audio Rate Crossfading and Panning. X-PAN is Direct coupled for use as a CV Processing and Routing toolbox.\u003c\/p\u003e\n\u003cp\u003eX-PAN consists of two full featured Channels and one simpler Channel. The top two Channels each have voltage controlled cross-fading and panning while the third Channel is a stereo aux input with stereo VCA. All three Channels are combined together at the stereo SUM outputs.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003efeatures\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e5 signal inputs all routed to a dynamic stereo output\u003c\/li\u003e\n\u003cli\u003eContains 10 High Quality VCA circuits in just 10hp\u003c\/li\u003e\n\u003cli\u003eFully Voltage Controlled Panning, Cross-fading and Mixing\u003c\/li\u003e\n\u003cli\u003eEasy to maintain signal integrity with high headroom, low noise circuitry\u003c\/li\u003e\n\u003cli\u003eAudio Rate crossfading and panning, fluctuating stereo sidebands\u003c\/li\u003e\n\u003cli\u003eAux Stereo Inputs controlled by Stereo VCA with Combo Pot\u003c\/li\u003e\n\u003cli\u003ePart of a decentralized mix console integrated throughout the system along with Optomix, modDemix, Dynamix, and RxMx\u003c\/li\u003e\n\u003cli\u003eDirect Coupled for use as Complex CV router\u003c\/li\u003e\n\u003cli\u003ePairs well with QPAS and Morphagene\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003especifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eWidth: 10hp\u003c\/li\u003e\n\u003cli\u003eMax Depth: 30mm\u003c\/li\u003e\n\u003cli\u003ePower:\u003cbr\u003e145mA @ +12V\u003cbr\u003e110mA @ -12V\u003c\/li\u003e\n\u003cli\u003emanual:\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"http:\/\/makenoisemusic.com\/manuals\/x-pan-manual.pdf\" target=\"_blank\"\u003ex-pan-manual.pdf\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"MAKE NOISE","offers":[{"title":"Default Title","offer_id":51569953898774,"sku":null,"price":259.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1001\/4221\/9542\/files\/White_Base_3_59_copy_5__95597.1595358724.1280.1280.jpg?v=1784851769"},{"product_id":"strymon-magneto","title":"Strymon MAGNETO Pre-Order","description":"\u003ch1\u003eINTERSTELLAR SPACE MACHINE.\u003c\/h1\u003e\n\u003cp\u003eCreate expansive soundscapes and evolving, otherworldly tones. Add layers upon layers of harmonic and rhythmic complexity within an enveloping stereo field. Infuse your rack with vintage warmth and retrofuturistic soul.\u003c\/p\u003e\n\u003ch2\u003eTAPE DELAY, LOOPER, AND MORE.\u003c\/h2\u003e\n\u003cp\u003ePacked with powerful features while maintaining intuitive playability, Magneto is a stereo multi-head tape delay that also functions as a looper, phrase sampler, vintage spring reverb unit, phase-aligned clock multiplier, chaotic oscillator, zero latency sub-oscillator and more, with extensive CV I\/O.\u003c\/p\u003e\n\u003ch2\u003eTRANSFORM YOUR MODULAR.\u003c\/h2\u003e\n\u003cp\u003eTurn simple monophonic signals into complex orchestrations. Create new oscillator tones using self-oscillation. Add rich stereo dimension to your sound, and enjoy the inherent warmth and sweet, subtle distortion characteristics of magnetic tape. Magneto transforms even the smallest rack into a fully expressive, immersive instrument.\u003c\/p\u003e\n\u003ch2\u003eVINTAGE VIBE.\u003c\/h2\u003e\n\u003cp\u003eTo capture the full experience and complexity of a vintage tape echo machine, every last tape system attribute was relentlessly studied and faithfully recreated. From the sought-after natural saturation and soft clipping of magnetic tape when driven hard, to hands-on real-time controls for tape age, tape crinkle, and mechanical wow and flutter, Magneto delivers a rich multi-head delay experience that adds life and vibe to your sound.\u003c\/p\u003e\n\u003ch2\u003ePLAY IT LIKE AN INSTRUMENT.\u003c\/h2\u003e\n\u003cp\u003eEvery function, control, gain stage, and signal path component in Magneto works together to respond musically and smoothly, even during the wildest live modular improvisations. All this is combined with a luxurious spring reverb to take the sound of your modular setup to a new level, and your sonic explorations into far-out territories.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch2\u003eSPECS\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eSound Design\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cspan\u003eTape-voiced delay machine\u003c\/span\u003e with four playback heads and one record head\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003eProcessor-intense dTape algorithm\u003c\/span\u003e delivers meticulously nuanced recreations of vintage tape echo systems\u003c\/li\u003e\n\u003cli\u003eThree operational modes: \u003cspan\u003eEcho, Sound On Sound Looper, Phrase Sampler\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003eVarispeed algorithm with dynamic machine mechanics, 8:1 speed range\u003c\/li\u003e\n\u003cli\u003eInput record level for clean reproduction to warm, fat saturation\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSelf-oscillating\u003c\/span\u003e for tone generation\u003c\/li\u003e\n\u003cli\u003eIndependent \u003cspan\u003eSpring Reverb\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eControls\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eDedicated control over tape mechanics, machine health, and tone: \u003cspan\u003eLow Cut, Tape Age, Crinkle, Wow \u0026amp; Flutter\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003eTransport controls\u003c\/span\u003e (buttons and CV inputs) for real-time performance options\u003c\/li\u003e\n\u003cli\u003eIndividual \u003cspan\u003ePlayback Head Level\u003c\/span\u003e controls\u003c\/li\u003e\n\u003cli\u003eIndividual head \u003cspan\u003eFeedback assignment\u003c\/span\u003e independent of playback level\u003c\/li\u003e\n\u003cli\u003eThree stereo head panning options, including user-defined custom panning\u003c\/li\u003e\n\u003cli\u003ePhase aligned clock out (CLK OUT) CVs synched with clock in (CLK IN) CV\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eRanges\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eMaximum Delay\/Loop Time: 15 seconds at maximum Speed, two minutes at minimum Speed\u003c\/li\u003e\n\u003cli\u003eMinimum Delay Time: 200µS at maximum speed\u003c\/li\u003e\n\u003cli\u003eClock In CV Range: 50ms – 15s\u003c\/li\u003e\n\u003cli\u003eTAP Button Range: 50ms – 15s\u003c\/li\u003e\n\u003cli\u003eTAP CV Range: 10ms – 15s\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eAudio Quality\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eMaximum Delay\/Loop Time: 15 seconds at maximum Speed, two minutes at minimum Speed\u003c\/li\u003e\n\u003cli\u003eMinimum Delay Time: 200µS at maximum speed\u003c\/li\u003e\n\u003cli\u003eClock In CV Range: 50ms – 15s\u003c\/li\u003e\n\u003cli\u003eTAP Button Range: 50ms – 15s\u003c\/li\u003e\n\u003cli\u003eTAP CV Range: 10ms – 15s\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eMore\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003ePower\r\n\u003cul\u003e\n\u003cli\u003e+12V rail: 210mA\u003c\/li\u003e\n\u003cli\u003e-12V rail: 210mA\u003c\/li\u003e\n\u003cli\u003e+5V rail: 0mA\u003c\/li\u003e\n\u003cli\u003eEurorack power cable included\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eDimensions\r\n\u003cul\u003e\n\u003cli\u003eRack Width: 28hp\u003c\/li\u003e\n\u003cli\u003eRack Depth: 41mm, 1.61”\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eDesigned \u0026amp; Built in the USA\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv class=\"titlebar\"\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003c\/div\u003e","brand":"STRYMON","offers":[{"title":"Default Title","offer_id":51569956487446,"sku":null,"price":599.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1001\/4221\/9542\/files\/magneto_800__38499.1596757998.1280.1280.jpg?v=1784244786"},{"product_id":"strymon-aa-1-amplifier-attenuator-merge-guitar-w-modular","title":"Strymon AA 1 - Amplifier\/Attenuator, MERGE GUITAR w MODULAR Pre-Order","description":"\u003ch1\u003eBRIDGE BETWEEN WORLDS.\u003c\/h1\u003e\n\u003cp\u003eAA.1 is designed to be your bridge between the world of guitar pedals and the world of Eurorack modular. This compact 4HP amplifier attenuator module has everything you need to interface your modular with your guitar effects pedals as well as with your guitar or bass.\u003c\/p\u003e\n\u003cdiv class=\"material textual onethird bottomonly\"\u003e\n\u003ch2\u003eMERGE GUITAR WITH MODULAR.\u003c\/h2\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eAA.1 is purpose built to combine your guitar gear and Eurorack modules in just about any way you can imagine. Connect a pedal to the effects send and return of Magneto. Use your guitar or bass as a signal source for mangling and warping with your modular gear.\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003eSend an instrument level stereo master output from your modular rack to your computer audio interface.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"material textual onethird bottomonly\"\u003e\n\u003ch2\u003eON THE LEVEL.\u003c\/h2\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eAA.1 is designed to solve all the issues that arise when introducing guitar gear to the world of Eurorack. Most Eurorack modules output very hot audio signal levels that can easily overload the inputs of effects pedals or computer audio interfaces\u003c\/span\u003e\u003cspan class=\"s2\"\u003e.\u003c\/span\u003e\u003cspan class=\"s1\"\u003e And it’s not just the output of the modules: Audio inputs in a Eurorack system also need to receive hot signals. AA.1 amplifies the input and attenuates the output signals to the appropriate levels.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"material textual onethird bottomonly\"\u003e\n\u003ch2\u003eEASY TO USE.\u003c\/h2\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eAA.1 is straightforward to use. The 1\/4″ stereo input amplifies guitar level signals by +18dB, outputting the amplified signal through left and right 1\/8″ outputs (use the left output for mono). Left and right 1\/8″ inputs attenuate Eurorack level signals by -18dB, sending the attenuated signal through left and right 1\/4″ outputs suitable for outputting to guitar level products.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003eSPECS:\u003c\/h2\u003e\n\u003cdiv class=\"material textual twothirds topbottom\"\u003e\n\u003cp\u003e\u003cstrong\u003eAmplifier:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eGain: +18dB\u003c\/li\u003e\n\u003cli\u003eMax Input Level (before soft clipping): 2.25Vpp\u003c\/li\u003e\n\u003cli\u003eMax Output: 18Vpp\u003c\/li\u003e\n\u003cli\u003eInput Impedance: 1 MΩ\u003c\/li\u003e\n\u003cli\u003eOutput Impedance: 1 kΩ\u003c\/li\u003e\n\u003cli\u003e20Hz – 20kHz, +\/- 1dB\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eAttenuator:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eGain: -18dB\u003c\/li\u003e\n\u003cli\u003eMax Input Level (Nominal): 20Vpp\u003c\/li\u003e\n\u003cli\u003eMax Output Level (Nominal): 2.5Vpp\u003c\/li\u003e\n\u003cli\u003eInput Impedance: 8 kΩ\u003c\/li\u003e\n\u003cli\u003eOutput Impedance: 880 Ω\u003c\/li\u003e\n\u003cli\u003e20Hz – 20kHz, +\/- 1dB\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eMore:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cspan\u003ePower\u003c\/span\u003e\n\u003cul\u003e\n\u003cli\u003e+12V rail: 10mA max\u003c\/li\u003e\n\u003cli\u003e-12V rail: 10mA max\u003c\/li\u003e\n\u003cli\u003e+5V rail: 0mA\u003c\/li\u003e\n\u003cli\u003eEurorack power cable included\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cspan\u003eDimensions\u003c\/span\u003e\n\u003cul\u003e\n\u003cli\u003e4 HP Eurorack format module\u003c\/li\u003e\n\u003cli\u003eRack Depth: 1.5″ (38mm)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eDesigned \u0026amp; Built in the USA\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"STRYMON","offers":[{"title":"Default Title","offer_id":51569956585750,"sku":null,"price":129.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1001\/4221\/9542\/files\/aa1_1000-e1523556422796__66028.1596760368.1280.1280.jpg?v=1784244792"},{"product_id":"qu-bit-electronix-data-bender","title":"Qu-Bit Electronix DATA BENDER Pre-Order","description":"\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eQu-Bit Data Bender\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eData Bender is a circuit bent digital audio buffer. It is inspired by the ways in which audio equipment can fail. The sounds of skipping CDs, software bugs, and defective tape machine playback are all accessible. The 96kHz, 24-bit audio buffer can hold over a minute of stereo audio, providing a sonic canvas capable of infinite surprises and discovery.\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eCircuit bent digital audio buffer \u003c\/li\u003e\n\u003cli\u003eSkipping CDs, software bugs, old tape machine, scratched records\u003c\/li\u003e\n\u003cli\u003e96kHz sampling rate, 24-bit depth for high fidelity audio with over a minute of stereo sampling time\u003c\/li\u003e\n\u003cli\u003eStereo IO  \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003eTech Specs:\u003c\/div\u003e\n\u003cul\u003e\n\u003cli\u003eWidth: 14HP\u003c\/li\u003e\n\u003cli\u003eDepth: 28mm\u003c\/li\u003e\n\u003cli\u003ePower: 58 mA +12V, 60 mA -12V, 0 mA 5V \u003c\/li\u003e\n\u003cli\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Qu-Bit Electronix","offers":[{"title":"Default Title","offer_id":51569959207190,"sku":null,"price":399.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1001\/4221\/9542\/files\/Blank_1U_6hp_copy__79259__27436.1742253997.1280.1280.jpg?v=1784244865"},{"product_id":"maneco-labs-grone-dark-drone-machine-expander-eurorack","title":"Maneco Labs GRONE dark drone machine EXPANDER (eurorack)","description":"\u003cp\u003e\u003ca class=\"download\" href=\"https:\/\/8224-37920-1594131663-maneco-7dwj6pixsx8det.stackpathdns.com\/wp-content\/uploads\/grone-expander-manual.pdf\" rel=\"noopener noreferrer\" target=\"_blank\"\u003eDownload Specification PDF ⇩\u003c\/a\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e4 voice touch controlled drone module\u003c\/li\u003e\n\u003cli\u003e2 Drone oscillators same as Grone\u003c\/li\u003e\n\u003cli\u003e2 wavetable oscillators\u003c\/li\u003e\n\u003cli\u003e2 multi waveform lfo’s\u003c\/li\u003e\n\u003cli\u003eModulated delay section\u003c\/li\u003e\n\u003cli\u003eDirt stage at output\u003c\/li\u003e\n\u003cli\u003eCan be used stand alone or processed through grone external input\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eOsc\u003c\/strong\u003e \u003cstrong\u003e1\u003c\/strong\u003e \u003cstrong\u003eand\u003c\/strong\u003e \u003cstrong\u003e3\u003c\/strong\u003e \u003cstrong\u003e-\u003c\/strong\u003e \u003cstrong\u003eBytebeat\u003c\/strong\u003e \u003cstrong\u003eoscillators\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eGenerates sound based on equations converted to analog signals , there are sixteen equations selected by Up and Down switches. Four LEDs indicate equation number in binary mode. Three Pots modify numbers used by the equation, A0 , A1 and A2 , fourth pot Sample Rate controls pitch and speed of the oscillation. There’s an Output Level pot for the oscillator and a dedicated jack for patching the Oscillator sound to external modules .\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e \u003c\/p\u003e\n\u003cp class=\"p1\"\u003eHold toggle switches select between fast decay, long decay and hold mode, for the touch trigger input. There are CV inputs for pitch on these two oscillators\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e \u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eOsc\u003c\/strong\u003e \u003cstrong\u003e2\u003c\/strong\u003e \u003cstrong\u003eand\u003c\/strong\u003e \u003cstrong\u003e4\u003c\/strong\u003e \u003cstrong\u003e-Wavetable\u003c\/strong\u003e \u003cstrong\u003eoscillators\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eDigital oscillators, touch controlled or gate controlled by gate jacks, pitch is controlled by pitch pot, modulation by LFO A or LFO B and cv inputs.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eA0 pot selects waveform, A1 pot morphs between two waveforms.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThere are individual output jacks.\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e \u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eLFO\u003c\/strong\u003e \u003cstrong\u003e1\u003c\/strong\u003e \u003cstrong\u003eand\u003c\/strong\u003e \u003cstrong\u003e2\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eLow frequency oscillator routed to MOD inputs for oscillators 2 and 4, also to modulation input for delay section, selectable by toggle switch , RATE and WAVEFORM shape\u003c\/p\u003e\n\u003cp class=\"p1\"\u003epots.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e \u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003e36HP\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e-4mA \/ -12V\u003c\/p\u003e\n\u003cp\u003e+110mA \/ +12V\u003c\/p\u003e","brand":"Maneco Labs","offers":[{"title":"Default Title","offer_id":51569972609302,"sku":null,"price":469.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1001\/4221\/9542\/files\/IMG_1851__28367.1683228078.1280.1280.jpg?v=1784245178"},{"product_id":"maneco-labs-otterley-reverb-eurorack","title":"Maneco Labs Otterley - Reverb (eurorack)","description":"\u003cp class=\"p1\"\u003e\u003cstrong\u003eOtterley\u003c\/strong\u003e \u003cstrong\u003eReverb\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e \u003c\/p\u003e\n\u003cp class=\"p1\"\u003eOtterley is a rich dual reverb, but with simple operations.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eIt includes two engines, reverb one, controlled by just a knob but with rich and atmospheric flavor , and reverb two , a reverse reverb with several associated parameters.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eDespite its complexity, operation is quite simple, no menus, no switches, no hidden functions.\u003c\/p\u003e\n\u003cp class=\"p3\"\u003e \u003c\/p\u003e\n\u003cp class=\"p1\"\u003eDescription of controls:\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e● Reverb 1 :one knob level and size control for first engine, as level increases also does size and modulation complexity for this lush component.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e● Reverb 2 : reverse reverb engine blend control , from dry to full wet.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e● Feedback : regeneration for Reverb 2 , from zero to almost self oscillation.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e● Delay: time and size for reverse component, from almost immediate to dry signal to quasi reverse delay character , for reverb 2\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e● Grain : density for reverb 2 , from identifiable reverb grains to blurred sound strokes at maximum.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e● Pitch : relative pitch for reverb two, unison at center , two octaves up at maximum and two octaves low at minimum , if used in conjunction with feedback can provide spiral up or spiral down effects, as each recirculation will get pitch transposed again.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e \u003c\/p\u003e\n\u003cp class=\"p1\"\u003eEurorack version connectors:\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e● In L , InR -stereo input\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e● Back : CV control for feedback parameter, 0 to 3,3V , protected\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e● Out L out R\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e● Reverb 1 : CV control for reverb1 parameter, 0 to 3.3v , protected\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e● Reverb 2 : CV control for reverb2 parameter, 0 to 3.3v , protected\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e12hp\u003c\/p\u003e\n\u003cp\u003e-12mA \/ -12V\u003c\/p\u003e\n\u003cp\u003e+105mA \/ +12V\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e \u003c\/p\u003e","brand":"Maneco Labs","offers":[{"title":"Default Title","offer_id":51569972740374,"sku":null,"price":249.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1001\/4221\/9542\/files\/IMG_1881__95464.1683227918.1280.1280.jpg?v=1784245181"},{"product_id":"strymon-starlab","title":"Strymon STARLAB Pre-Order","description":"\u003cdiv class=\"elementor-element elementor-element-12fb410c elementor-widget elementor-widget-heading\" data-element_type=\"widget\" data-id=\"12fb410c\" data-widget_type=\"heading.default\"\u003e\n\u003cdiv class=\"elementor-widget-container\"\u003e\n\u003ch2 class=\"elementor-heading-title elementor-size-default\"\u003eModular Transformation Machine.\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"elementor-element elementor-element-6dba067a elementor-widget elementor-widget-text-editor\" data-element_type=\"widget\" data-id=\"6dba067a\" data-widget_type=\"text-editor.default\"\u003e\n\u003cdiv class=\"elementor-widget-container\"\u003e\n\u003cp\u003eExpand the sound of your modular rack with incredibly lush, ethereal reverbs. Enhance signals with gorgeous chorus, flanging, and modulated delays. Create uniquely expressive synth voices with Karplus-Strong string synthesis. Turn simple mono audio signals into vast stereo soundscapes. StarLab is a single module that will completely transform your modular rack.\u003c\/p\u003e\n\u003cdiv class=\"elementor-element elementor-element-dcb06f9 elementor-widget elementor-widget-heading\" data-element_type=\"widget\" data-id=\"dcb06f9\" data-widget_type=\"heading.default\"\u003e\n\u003cdiv class=\"elementor-widget-container\"\u003e\n\u003ch2 class=\"elementor-heading-title elementor-size-default\"\u003eSingular Modular Reverb.\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"elementor-element elementor-element-98e1cb7 elementor-widget elementor-widget-text-editor\" data-element_type=\"widget\" data-id=\"98e1cb7\" data-widget_type=\"text-editor.default\"\u003e\n\u003cdiv class=\"elementor-widget-container\"\u003e\n\u003cp\u003eFrom perfectly voiced room ambience to vast, immersive, nearly infinite decays, StarLab offers the pinnacle of premium reverb sounds with unparalleled depth and spaciousness. Add musical intervals to the reverb signal with Shimmer, and enhance the harmonic spectrum with Glimmer, while enjoying real-time control over the size\/pitch of the reverb process.\u003c\/p\u003e\n\u003cdiv class=\"elementor-element elementor-element-3e5d4e4 elementor-widget elementor-widget-heading\" data-element_type=\"widget\" data-id=\"3e5d4e4\" data-widget_type=\"heading.default\"\u003e\n\u003cdiv class=\"elementor-widget-container\"\u003e\n\u003ch2 class=\"elementor-heading-title elementor-size-default\"\u003eModulation And Delay Effects.\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"elementor-element elementor-element-45eca7e elementor-widget elementor-widget-text-editor\" data-element_type=\"widget\" data-id=\"45eca7e\" data-widget_type=\"text-editor.default\"\u003e\n\u003cdiv class=\"elementor-widget-container\"\u003e\n\u003cp\u003eStarLab has vastly expanded what reverb pre-delay can do by allowing you to bus the pre-delay signal to the output while making the pre-delay time a modulation target. This results in the ability to create rich choruses, sweeping flanger effects, and beautiful modulated delays, while also processing signal through the reverb.\u003c\/p\u003e\n\u003cdiv class=\"elementor-element elementor-element-7c505fd0 elementor-widget elementor-widget-heading\" data-element_type=\"widget\" data-id=\"7c505fd0\" data-widget_type=\"heading.default\"\u003e\n\u003cdiv class=\"elementor-widget-container\"\u003e\n\u003ch2 class=\"elementor-heading-title elementor-size-default\"\u003eKarplus-Strong String Synthesis.\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"elementor-element elementor-element-50bc1ca6 elementor-widget elementor-widget-text-editor\" data-element_type=\"widget\" data-id=\"50bc1ca6\" data-widget_type=\"text-editor.default\"\u003e\n\u003cdiv class=\"elementor-widget-container\"\u003e\n\u003cp\u003eIn addition to input signal processing, StarLab is a powerful Karplus-Strong string synthesis voice module that allows freely alternating bowing and plucking as well as dynamic string damping. This results in an astoundingly expressive and lifelike instrument with a unique voice all its own, which can be enhanced and expanded by the full range of StarLab’s reverb capabilities.\u003c\/p\u003e\n\u003cdiv class=\"elementor-element elementor-element-dd6c890 elementor-widget elementor-widget-heading\" data-element_type=\"widget\" data-id=\"dd6c890\" data-widget_type=\"heading.default\"\u003e\n\u003cdiv class=\"elementor-widget-container\"\u003e\n\u003ch2 class=\"elementor-heading-title elementor-size-default\"\u003eIntuitive Creation Station\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"elementor-element elementor-element-3750cd1 elementor-widget elementor-widget-text-editor\" data-element_type=\"widget\" data-id=\"3750cd1\" data-widget_type=\"text-editor.default\"\u003e\n\u003cdiv class=\"elementor-widget-container\"\u003e\n\u003cdiv class=\"c-message_kit__gutter\"\u003e\n\u003cdiv class=\"c-message_kit__gutter__right\" data-qa=\"message_content\"\u003e\n\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv class=\"c-message__message_blocks c-message__message_blocks--rich_text\"\u003e\n\u003cdiv class=\"p-block_kit_renderer\" data-qa=\"block-kit-renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cdiv class=\"p-rich_text_block\" dir=\"auto\"\u003e\n\u003cdiv class=\"p-rich_text_section\"\u003eFrom patch creation to live performance, StarLab’s powerful features are easily accessible at the turn of a knob or the touch of a button. With no menus to wade through, StarLab’s interface is designed for intuitive hands-on sonic exploration, while every function and control works together to respond musically and smoothly.\u003cspan class=\"c-message__edited_label\" data-sk=\"tooltip_parent\" dir=\"ltr\"\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eINSPIRATION\u003c\/h3\u003e\n\u003ch3\u003eWhat is StarLab?\u003c\/h3\u003e\n\u003cp data-wp-editing=\"1\"\u003e\u003cimg alt=\"StarLab In Arturia Rack\" class=\"alignright wp-image-187055\" height=\"333\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1001\/4221\/9542\/files\/StarLab-In-Rack-5_Corrected.jpg?v=1784245784\" width=\"500\"\u003e\u003c\/p\u003e\n\u003cp\u003eDevelopment for StarLab began with one goal in mind: to provide the highest quality reverb possible for modular systems, perfectly tuned for immersive electronic soundscapes with a high degree of flexibility and creative control.\u003c\/p\u003e\n\u003cp\u003eThe seemingly simple idea of allowing the pre-delay signal to be fed directly to the module’s output led to the development of rich sounding delay, chorus, and flanger effects, all of which can be used together with or independent of the reverb.\u003c\/p\u003e\n\u003cp\u003eWhile experimenting with short delay times using feedback and filtering, we began finding very musical and expressive Karplus-Strong string synthesis sounds, and realized that StarLab could move beyond signal processing and become a truly unique voice module as well.\u003c\/p\u003e\n\u003cp\u003eAll this ultimately resulted in the creation of a module that is equal parts reverb, delay\/modulation, and playable instrument.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eTEXTURE\u003c\/h3\u003e\n\u003ch3\u003eChoose Your Character.\u003c\/h3\u003e\n\u003cp data-wp-editing=\"1\"\u003e\u003cimg alt=\"StarLab Texture Switch Closeup\" class=\"alignright wp-image-187056\" height=\"333\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1001\/4221\/9542\/files\/StarLab-Closeup-Texture-2_Corrected.jpg?v=1784245788\" width=\"500\"\u003e\u003c\/p\u003e\n\u003cp\u003eStarLab gives you three distinct Reverb textures to choose from: Sparse, Dense, and Diffuse.\u003c\/p\u003e\n\u003cp\u003eThe Sparse reverb creates reflections that are far enough apart from each other to be audibly distinct. Legato notes create a lush but pleasingly clean sound field, while staccato notes reveal individual echoes in a way that is well suited for sound design and special effects.\u003c\/p\u003e\n\u003cp\u003eThe Dense reverb texture is an immediate-response reverb with a smooth sound field, featuring sonic characteristics similar to a plate. This texture is well-suited for applications ranging from small space ambience all the way to large cavernous reverbs.\u003c\/p\u003e\n\u003cp\u003eThe Diffuse reverb creates a slow-building, atmospheric wash that excels at ambient, swell, and even reverse-like textures. The Diffuse reverb deconstructs and spreads transients over time to achieve its bloom-like effect.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eDELAY\u003c\/h3\u003e\n\u003ch3\u003eOver and Over Again.\u003c\/h3\u003e\n\u003cp\u003e\u003cimg alt=\"Strymon StarLab Delay\/Karplus Closeup\" class=\"alignright wp-image-187057\" height=\"333\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1001\/4221\/9542\/files\/StarLab-Closeup-Delay_Karplus_Corrected.jpg?v=1784245794\" width=\"500\"\u003e\u003c\/p\u003e\n\u003cp\u003eStarLab’s Delay section is actually a vastly expanded reverb pre-delay.\u003c\/p\u003e\n\u003cp\u003eWhen used as a reverb pre-delay, delay FEEDBACK is still available, allowing for the creation of even longer reverb decays, while the ability to modulate the pre-delay time allows even further creative possibilities.\u003c\/p\u003e\n\u003cp\u003ePress the ECHO ON button, and now you can create a wide variety of classic delay and delay-reverb effects.\u003c\/p\u003e\n\u003cp\u003eEchoes can be synced to an external clock with the DELAY\/TUNE knob acting as a clock multiplier\/divider for the echo repeats. Delay time can also be set by tapping a tempo using the TAP\/TRIG button.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eMODULATION EFFECTS\u003c\/h3\u003e\n\u003ch3\u003eModular Modulation.\u003c\/h3\u003e\n\u003cp\u003e\u003cimg alt=\"Strymon StarLab LFO Controls Closeup\" class=\"alignright wp-image-187058\" height=\"333\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1001\/4221\/9542\/files\/StarLab-Closeup-Modulation_Corrected-1-1024x683.jpg?v=1784245799\" width=\"500\"\u003e\u003c\/p\u003e\n\u003cp\u003eStarLab provides a wide range of modulation effects to add fatness and movement to your sound, all available on their own or in addition to StarLab’s reverb.\u003c\/p\u003e\n\u003cp\u003eThe short-delay portion of the DELAY\/TUNE knob is tapered to make it easy to dial in a variety of rich chorus and swirling flanger effects when modulated by StarLab’s internal LFO. Use the dedicated FEEDBACK knob to add resonance and musical harmonic sweeps to flanger effects. Make your oscillators sound huge with lush, shimmering organic chorus. Set the DRY level to minimum for classic vibrato effects.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eLFO\u003c\/h3\u003e\n\u003ch3\u003eMoving Targets.\u003c\/h3\u003e\n\u003cp\u003e\u003cimg alt=\"StarLab LFO Section Closeup\" class=\"alignright wp-image-187065\" height=\"333\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1001\/4221\/9542\/files\/StarLab-Closeup-LFO_Corrected-1024x683.jpg?v=1784245802\" width=\"500\"\u003e\u003c\/p\u003e\n\u003cp\u003eStarLab’s LFO features triangle, square, ramp, saw, random, and envelope waveforms that can be used to modulate your choice of three targets:\u003c\/p\u003e\n\u003cp\u003eSend the LFO signal to the delay section for modulated echo effects or for modulated pre-delay signal within the reverb. You can also create classic modulation effects such as flanger, chorus, and vibrato. In Karplus-Strong mode, the string tuning is modulated.\u003c\/p\u003e\n\u003cp\u003eSend the LFO signal to modulate the SIZE \/ PITCH (process rate) of the reverb core for effects ranging from mild to wild and even on to music-generating: In Quantize mode, signal from the LFO will be quantized to any of 15 different scales as it modulates the SIZE \/ PITCH parameter.\u003c\/p\u003e\n\u003cp\u003eOr send the LFO to the filter for a variety of effects. Activate the 24dB\/oct low pass filter for classic filter mod effects, or achieve more subtle filter modulation of the reverb’s HIGH DAMP. In Karplus-Strong mode, modulating the HIGH DAMP parameter creates lifelike dynamic string damping.\u003c\/p\u003e\n\u003cp\u003eWhen clocked externally via CV, the LFO SPEED knob becomes a clock multiplier\/divider. You can also connect an external LFO or function generator to StarLab’s EXT LFO IN and direct that signal with StarLab’s Target switch, controlling amplitude with the DEPTH knob.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eKARPLUS-STRONG\u003c\/h3\u003e\n\u003ch3\u003eDynamic String Synthesis.\u003c\/h3\u003e\n\u003cp\u003e\u003cimg alt=\"StarLab Delay\/Karplus Closeup\" class=\"alignright wp-image-187062\" height=\"333\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1001\/4221\/9542\/files\/StarLab-Closeup-Delay_Karplus-1_Corrected-1-1024x683.jpg?v=1784245806\" width=\"500\"\u003e\u003c\/p\u003e\n\u003cp\u003eIn Karplus-Strong mode, StarLab becomes a delay-based CV-tunable monophonic string synthesis voice module with a uniquely musical character.\u003c\/p\u003e\n\u003cp\u003ePress the TAP\/TRIG button to pluck the string, or hold the TAP\/TRIG button to bow the string.\u003c\/p\u003e\n\u003cp\u003eUsing StarLabs CV inputs, it is possible to alternate plucking and bowing, while CV control of the HIGH DAMP parameter creates lifelike dynamic string damping.\u003c\/p\u003e\n\u003cp\u003eThis string voice can be processed through StarLab’s reverb to create a mesmerizing variety of sounds.\u003c\/p\u003e\n\u003cp\u003eIt is also possible to feed an input into the Karplus-Strong circuit and vibrate the string with an external drum sound or other audio signal to create tuned resonances and interesting evolving harmonics.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eSIZE\/PITCH\u003c\/h3\u003e\n\u003ch3\u003eExpanding Universe Reverb.\u003c\/h3\u003e\n\u003cp\u003e\u003cimg alt=\"StarLab Size\/Pitch Closeup\" class=\"alignright wp-image-187063\" height=\"333\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1001\/4221\/9542\/files\/StarLab-Closeup-Size_Pitch_Corrected.jpg?v=1784245810\" width=\"500\"\u003e\u003c\/p\u003e\n\u003cp\u003eStarLab opens up a universe of possibilities by using a variable rate process to expand and contract the reverb core size.\u003c\/p\u003e\n\u003cp\u003eThis changes the reflection density and response of the reverb while retaining the integrity of the audio within the reverb.\u003c\/p\u003e\n\u003cp\u003eThe result is a reverberated signal that can be transposed, pitch modulated, and creatively tweaked for an endless variety of sonic characters and hypnotic soundscapes.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eSHIMMER\u003c\/h3\u003e\n\u003ch3\u003eSonically Beautiful Reverb Repitching.\u003c\/h3\u003e\n\u003cp\u003e\u003cimg alt=\"StarLab Shimmer Closeup\" class=\"wp-image-187066 alignright\" height=\"333\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1001\/4221\/9542\/files\/StarLab-Closeup-Shimmer_Corrected-1024x683.jpg?v=1784245815\" width=\"500\"\u003e\u003c\/p\u003e\n\u003cp\u003eInspired by the classic shimmer effects pioneered in the ’80s using digital reverbs and pitch shifters, StarLab’s Shimmer voice is carefully created from the reverberated signal itself to generate maximum radiance and beauty.\u003c\/p\u003e\n\u003cp\u003eCall forth deep, low ambient string sections with the octave down setting, or spacey ethereal textures with octave up.\u003c\/p\u003e\n\u003cp\u003eIn between the octaves are several musically interesting intervals available for shifting the harmonic structure of the reverb. Or use the INTERVAL CV input for semitone adjustment of the interval from an octave down to an octave up.\u003c\/p\u003e\n\u003cp\u003eThe Shimmer processing can be applied at the reverb input only, or can regenerate within the reverb core for ever-ascending or descending pitches as the reverb decays.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eGLIMMER\u003c\/h3\u003e\n\u003ch3\u003eHarmonics In Motion.\u003c\/h3\u003e\n\u003cp\u003e\u003cimg alt=\"StarLab Glimmer Closeup\" class=\"alignright wp-image-187067\" height=\"333\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1001\/4221\/9542\/files\/StarLab-Closeup-Shimmer-1_Corrected-1024x683.jpg?v=1784245818\" width=\"500\"\u003e\u003c\/p\u003e\n\u003cp\u003eGlimmer creates an enhanced harmonic spectrum using an optimally tuned dynamic resonant network, resulting in mysterious shifting harmonic textures.\u003c\/p\u003e\n\u003cp\u003ePress the HIGH BAND button to accentuate higher frequency harmonics, creating a washy, dreamy, ambient top end.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eINPUT GAIN\u003c\/h3\u003e\n\u003ch3\u003eAll Gain, No Loss.\u003c\/h3\u003e\n\u003cp\u003e\u003cimg alt=\"StarLab Input Gain Knob Closeup\" class=\"alignright wp-image-187068\" height=\"333\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1001\/4221\/9542\/files\/StarLab-Closeup-Input-Gain_Corrected-1024x683.jpg?v=1784245821\" width=\"500\"\u003e\u003c\/p\u003e\n\u003cp\u003eInput Gain controls the gain of the input signal fed to the reverb structure using a soft clipping input stage.\u003c\/p\u003e\n\u003cp\u003eThis gives you the ability to add pleasing musical harmonic distortion to the signal being processed by the reverb.\u003c\/p\u003e\n\u003cp\u003eA post gain signal level LED continuously indicates strength from clean (green) to heavy soft clipping (red).\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eFILTER\u003c\/h3\u003e\n\u003ch3\u003eHarmonic Sculpting Machine.\u003c\/h3\u003e\n\u003cp\u003e\u003cimg alt=\"StarLab Closeup Filter Controls\" class=\"alignright wp-image-187069\" height=\"333\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1001\/4221\/9542\/files\/StarLab-Closeup-Filter_Corrected-1024x683.jpg?v=1784245825\" width=\"500\"\u003e\u003c\/p\u003e\n\u003cp\u003eStarLab’s filter section is designed for intuitive, musical sound-sculpting of both the reverb signal and the Karplus-Strong string synthesis voice.\u003c\/p\u003e\n\u003cp\u003eLOW DAMP is a powerful sound shaper for the reverberated signal. At minimum it allows extended lows to reverberate for cavernous possibilities. If the reverb tail gets muddy, a quick turn of the LOW DAMP knob can clean it up effectively. In Karplus-Strong mode, this control reduces the low frequency content of the string.\u003c\/p\u003e\n\u003cp\u003eHIGH DAMP removes high frequency content from the regenerating reverb structure. In Karplus-Strong mode, this control functions as a string damper, dampening the high end harmonics as the string decays.\u003c\/p\u003e\n\u003cp\u003ePress the LOW PASS button, and the HIGH DAMP function changes to a beautifully tuned classic 24dB\/octave low pass filter applied at the output of the reverb. The low pass filter has adjustable resonance for dramatic filter sweeps.\u003c\/p\u003e\n\u003cp\u003eIn Karplus-Strong mode, this control functions as a string damper, dampening the high end harmonics as the string decays and conveying a variety of “right-hand” plucking techniques.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eINFINITE\u003c\/h3\u003e\n\u003ch3\u003eSuspended Animation.\u003c\/h3\u003e\n\u003cp\u003e\u003cimg alt=\"StarLab Infinite Button Closeup\" class=\"alignright wp-image-187071\" height=\"333\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1001\/4221\/9542\/files\/StarLab-Closeup-Infinite_Corrected-1024x683.jpg?v=1784245828\" width=\"500\"\u003e\u003c\/p\u003e\n\u003cp\u003eStarLab’s INFINITE button freezes the audio at the input to the reverb core, while any new audio can still be processed by the reverb on top of the frozen audio.\u003c\/p\u003e\n\u003cp\u003eNot only does this allow you to create a lush ambient bed for your other sounds to play over, it can be repitched to transform StarLab into a CV tunable synth voice, quantizable to 15 built-in scales.\u003c\/p\u003e\n\u003cp\u003eIn Quantize mode, the scale selection quantizes the SIZE \/ PITCH knob as well as the LFO (with Pitch as target), while the CV input is quantized to half-steps.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv class=\"elementor-element elementor-element-f4d0ee8 elementor-widget elementor-widget-accordion\" data-element_type=\"widget\" data-id=\"f4d0ee8\" data-widget_type=\"accordion.default\"\u003e\n\u003cdiv class=\"elementor-widget-container\"\u003e\n\u003cdiv class=\"elementor-accordion\"\u003e\n\u003cdiv class=\"elementor-accordion-item\"\u003e\n\u003cdiv class=\"elementor-tab-title\" data-tab=\"23\"\u003e \u003c\/div\u003e\n\u003cdiv class=\"elementor-tab-title\" data-tab=\"23\"\u003e \u003c\/div\u003e\n\u003cdiv class=\"elementor-tab-title\" data-tab=\"23\"\u003e\n\u003cdiv class=\"elementor-element elementor-element-26ead99 elementor-widget elementor-widget-heading\" data-element_type=\"widget\" data-id=\"26ead99\" data-widget_type=\"heading.default\"\u003e\n\u003cdiv class=\"elementor-widget-container\"\u003e\n\u003ch2 class=\"elementor-heading-title elementor-size-default\"\u003eVideos\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"elementor-element elementor-element-db17bbf elementor-widget elementor-widget-heading\" data-element_type=\"widget\" data-id=\"db17bbf\" data-widget_type=\"heading.default\"\u003e\n\u003cdiv class=\"elementor-widget-container\"\u003e\n\u003ch3 class=\"elementor-heading-title elementor-size-default\"\u003eStarLab Video Tour\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"elementor-container elementor-column-gap-default\"\u003e\n\u003cdiv class=\"elementor-column elementor-col-100 elementor-inner-column elementor-element elementor-element-6d38c3c0\" data-element_type=\"column\" data-id=\"6d38c3c0\"\u003e\n\u003cdiv class=\"elementor-widget-wrap elementor-element-populated\"\u003e\n\u003cdiv class=\"elementor-element elementor-element-6a197646 elementor-aspect-ratio-169 elementor-widget elementor-widget-video\" data-element_type=\"widget\" data-id=\"6a197646\" data-settings='{\"youtube_url\":\"https:\\\/\\\/youtu.be\\\/hReKL074e-4\",\"lazy_load\":\"yes\",\"video_type\":\"youtube\",\"controls\":\"yes\",\"aspect_ratio\":\"169\"}' data-widget_type=\"video.default\"\u003e\n\u003cdiv class=\"elementor-widget-container\"\u003e\n\u003cdiv class=\"elementor-wrapper elementor-fit-aspect-ratio elementor-open-inline\"\u003e\u003ciframe allowfullscreen=\"1\" data-gtm-yt-inspected-12221009_7=\"true\" frameborder=\"0\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/hReKL074e-4?controls=1\u0026amp;rel=0\u0026amp;playsinline=0\u0026amp;modestbranding=0\u0026amp;autoplay=0\u0026amp;enablejsapi=1\u0026amp;origin=https%3A%2F%2Fwww.strymon.net\u0026amp;widgetid=1\" width=\"640\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"elementor-element elementor-element-450445c2 elementor-widget elementor-widget-text-editor\" data-element_type=\"widget\" data-id=\"450445c2\" data-widget_type=\"text-editor.default\"\u003e\n\u003cdiv class=\"elementor-widget-container\"\u003e\n\u003cp\u003eStrymon sound designer and DSP engineer Pete Celi takes us on an in-depth tour of StarLab.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv class=\"elementor-element elementor-element-62160e67 elementor-widget elementor-widget-heading\" data-element_type=\"widget\" data-id=\"62160e67\" data-widget_type=\"heading.default\"\u003e\n\u003cdiv class=\"elementor-widget-container\"\u003e\n\u003ch2 class=\"elementor-heading-title elementor-size-default\"\u003eSPECS\u003c\/h2\u003e\n\u003cp\u003eSOUND DESIGN\u003c\/p\u003e\n\u003cul\u003e\n\u003cli class=\"p1\"\u003e\n\u003cspan\u003eThree selectable reverb types\u003c\/span\u003e for a wide variety of ambient textures\u003c\/li\u003e\n\u003cli class=\"p1\"\u003e\n\u003cspan\u003eDELAY\/KARPLUS section\u003c\/span\u003e with feedback\u003c\/li\u003e\n\u003cli class=\"p2\"\u003e\n\u003cspan\u003eDelay assignable to output for mod\/verb\u003c\/span\u003e and \u003cspan\u003edelay\/verb \u003c\/span\u003eeffects\u003c\/li\u003e\n\u003cli class=\"p2\"\u003e\n\u003cspan\u003eFour-octave Karplus-Strong string synthesis mode\u003c\/span\u003e with damping control for string\/verb full voice capability\u003c\/li\u003e\n\u003cli class=\"p1\"\u003e\n\u003cspan\u003eLFO section with various waveforms\u003c\/span\u003e to modulate delay time, reverb size, or tone filters\u003c\/li\u003e\n\u003cli class=\"p1\"\u003e\n\u003cspan\u003eFILTER section to sculpt the high and low EQ\u003c\/span\u003e of the reverb and DELAY\/KARPLUS section\u003c\/li\u003e\n\u003cli class=\"p1\"\u003e\n\u003cspan\u003eHARMONICS section\u003c\/span\u003e to enhance the aural spectrum of the reverb\u003c\/li\u003e\n\u003cli class=\"p2\"\u003e\n\u003cspan\u003eAdjustable SHIMMER\u003c\/span\u003e for adding pitch shifting of up to +\/- 1 octave to the reverb\u003c\/li\u003e\n\u003cli class=\"p2\"\u003e\n\u003cspan\u003eGLIMMER for dynamic enhancement\u003c\/span\u003e of harmonics\u003c\/li\u003e\n\u003cli class=\"p1\"\u003e\n\u003cspan\u003eAdjustable reverb core size\u003c\/span\u003e to increase or decrease the space for reflections, allowing for pitch control of the regenerating reverb content\u003c\/li\u003e\n\u003cli class=\"p1\"\u003e\n\u003cspan\u003e4-pole 24dB\/octave\u003c\/span\u003e variable resonance low pass filter\u003c\/li\u003e\n\u003cli class=\"p1\"\u003e\n\u003cspan\u003eINFINITE freezes the input audio\u003c\/span\u003e prior to the reverb tank\u003c\/li\u003e\n\u003cli class=\"p1\"\u003e\n\u003cspan\u003eIndependent WET and DRY\u003c\/span\u003e level controls\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eIN, OUTS and SWITCHES\u003c\/p\u003e\n\u003cul\u003e\n\u003cli class=\"p1\"\u003e\n\u003cspan\u003eStereo inputs\u003c\/span\u003e and \u003cspan\u003eoutputs\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"p1\"\u003eExtensive \u003cspan\u003eCV control of parameters\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"p1\"\u003e\n\u003cspan\u003eAccess to four presets\u003c\/span\u003e from the front panel\u003c\/li\u003e\n\u003cli class=\"p1\"\u003e\n\u003cspan\u003eUSB jack\u003c\/span\u003e (located on the rear) for performing \u003cspan\u003efirmware updates\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAUDIO QUALITY\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli class=\"p1\"\u003e\n\u003cspan\u003eAnalog dry path\u003c\/span\u003e for a \u003cspan\u003ezero latency dry signal\u003c\/span\u003e that is never converted to digital\u003c\/li\u003e\n\u003cli class=\"p1\"\u003e\n\u003cspan\u003eUltra low noise, high performance 24-bit 96kHz A\/D and D\/A converters\u003c\/span\u003e provide uncompromising audio quality\u003c\/li\u003e\n\u003cli class=\"p1\"\u003eSuper high performance \u003cspan\u003eARM DSP\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"p1\"\u003e\n\u003cspan\u003e32-bit\u003c\/span\u003e floating point processing\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eDIMENSIONS and POWER\u003c\/p\u003e\n\u003cul\u003e\n\u003cli class=\"p1\"\u003eRack width: \u003cspan\u003e28hp\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"p1\"\u003eRack depth: \u003cspan\u003e41mm, 1.61”\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"p1\"\u003e+12V rail: \u003cspan\u003e210mA\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"p1\"\u003e-12V rail: \u003cspan\u003e210mA\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"p1\"\u003e+5V rail: \u003cspan\u003e0mA\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"p1\"\u003e\n\u003cspan\u003eDesigned and built\u003c\/span\u003e in the USA\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"STRYMON","offers":[{"title":"Default Title","offer_id":51569991778582,"sku":null,"price":649.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1001\/4221\/9542\/files\/Starlab_Black__31667.1715802521.1280.1280.jpg?v=1785218202"},{"product_id":"cosmotronic-messor","title":"Cosmotronic Messor Pre-Order","description":"\u003cp class=\"p1\"\u003eMessor is an analog stereo compressor with lots of tricks up its sleeves in only 8HP.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eFrom squashing drums, sidechaining kicks and sculpting transients, to glueing a mix together, it's a very versatile dynamics manager.\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e \u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003efeed-forward compressor is VCA based with a hifi low noise signal path. The magic is in the internal sidechain that shapes the gain reduction envelope.\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e \u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThere are the familiar controls of a compressor, attack, release, threshold, ratio and makeup gain, as well as a switchable high-pass \/ low-pass sidechain filter.\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e \u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe ratio can go past limiting and into over-compression, which can completely reshape transients, a great tool for sound design.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e \u003c\/p\u003e\n\u003cp class=\"p1\"\u003eBeing modular, of course there are CV inputs for Attack, Release and the side-chain Filter cutoff. \u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe Gain CV controls the makeup gain, but also doubles as a Stereo VCA with the Gain knob turned fully CCW.\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e \u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe gain reduction envelope is also available as an output, for turning filters or other VCA's into compressors for example, or as a standalone envelope follower.\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e \u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThere's a bypass switch, and a Warm mode, that can bring in a bit of additional saturation and compression in the form of analog tube simulation circuitry.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eLastly there's the possibility to insert an external sidechain, for that classic kick sidechain compression.\u003c\/p\u003e","brand":"Cosmotronic","offers":[{"title":"Black","offer_id":51569992696086,"sku":null,"price":339.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1001\/4221\/9542\/files\/messor_black__66768.1765409033.1280.1280.jpg?v=1784245875"},{"product_id":"buchla-tiptop-audio-dual-oscillator-model-258t","title":"Buchla \u0026 Tiptop Audio Dual Oscillator Model 258t","description":"\u003cp class=\"p1\"\u003eDUAL OSCILLATOR - MODEL 258t\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eText from the Buchla 200 series catalogue from the 70's. Slight adjustments were made.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eSize: 18HP - Depth: 45mm - Power: +12V 70mA \/ -12V 40mA \u003c\/p\u003e\n\u003cp class=\"p1\"\u003eTwo independent voltage-controlled oscillators. Each has one processing input, a frequency modulation input and a 1V\/oct input. Waveshapes, as well as frequency, can be voltage controlled. Model 258 oscillators feature low sine wave harmonic content, negligible settling error, and high short and long-term stability, even with rapidly changing ambient temperatures.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eTRIMMERS:\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThere are three trimmers for each oscillator on the back of the module:\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e \u003c\/p\u003e\n\u003cp class=\"p2\"\u003e1V\/oct is the octave tracking trimmer and is set at the factory using high precision instruments.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eSHAPE is the trimmer that set the sine wave, for the lower harmonic content of the sine wave.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eVC WAVE SHAPE sets the response of the waveshaper to the incoming control voltage. Both SHAPE and VC WAVE SHAPE trimmers are used to adjust the sine wave purity.\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e \u003c\/p\u003e\n\u003cp class=\"p1\"\u003eProcessing input: The processing control attenuverter input permits control of pitch scaling\/inversion\/expansion without the need for a separate external processor.\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e \u003c\/p\u003e\n\u003cp class=\"p2\"\u003eFrequency modulation control:\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eFor adjusting vibrato depth or creating clangorous or bell-like tones, rich in non-harmonic upper partials.\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e \u003c\/p\u003e\n\u003cp class=\"p1\"\u003eProcessing control: Used to set desired range of incoming control voltage for expansion, compression and inversion.\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e \u003c\/p\u003e\n\u003cp class=\"p1\"\u003e1V\/Oct input: Control Voltage input for 1V\/oct note tracking.\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e \u003c\/p\u003e\n\u003cp class=\"p1\"\u003eWaveshape control input:\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eWaveshapes can be varied from sine to saw (OSC 1) and sine to square (OSC 2). Voltage control of waveshape enables powerful dynamic control of timbre.\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e \u003c\/p\u003e\n\u003cp class=\"p1\"\u003eOscillator frequency control:\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eSpans the audio spectrum of 5 Hz to 20 kHz with no range switching. (The original graphic 5cps to 20kc was only intended and noted to be approximate.)\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e \u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan\u003eManual\u003c\/span\u003e\u003cspan\u003e: \u003c\/span\u003e\u003ca href=\"https:\/\/tiptopaudio.com\/manuals\/Buchla_\u0026amp;_Tiptop_Audio_258t.pdf\" rel=\"noopener\" target=\"_blank\"\u003edownload\u003c\/a\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e \u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cimg alt=\"screen-shot-2022-01-17-at-11.13.36-am.jpg\" class=\"__mce_add_custom__\" height=\"1532\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1001\/4221\/9542\/files\/screen-shot-2022-01-17-at-11.13.36-am.jpg?v=1784232915\" title=\"screen-shot-2022-01-17-at-11.13.36-am.jpg\" width=\"2646\"\u003e\u003c\/p\u003e","brand":"Buchla \u0026 Tiptop Audio","offers":[{"title":"Default Title","offer_id":51569992597782,"sku":null,"price":229.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1001\/4221\/9542\/files\/258t__05963.1639443127.1280.1280.jpg?v=1784787083"},{"product_id":"qubit-electronix-aurora","title":"Qubit Electronix AURORA Pre-Order","description":"\u003cp\u003e\u003cstrong\u003eReverb. Well...kind of.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eWelcome to Aurora, a spectral reverb capable of a wide palette of sounds: from lush caverns and whale songs, to alien textures you've never created before. And likely, will invoke a hunger for exploration you felt when you first touched a modular synth.\u003c\/p\u003e\n\u003cp\u003eAurora uses a phase vocoder audio engine which separates the input signal's time and pitch domains. By blurring these signals you can achieve beautiful time-stretched tails, or cybernetic metallic effects.\u003c\/p\u003e\n\u003cp\u003eSince Aurora’s sonic response is entirely dependent on the input signal, no two patches will sound alike, lending itself to an infinite world of surprise and discovery.\u003c\/p\u003e\n\u003cp\u003eDiscovery. It’s why we are all here.\u003c\/p\u003e\n\u003cp\u003eA portion of all Aurora proceeds will help the fight against shrinking ice caps and dwindling polar bear populations.\u003c\/p\u003e\n\u003cul data-rte-list=\"default\"\u003e\n\u003cli\u003e\n\u003cp\u003eSpectral reverb with true stereo audio IO\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003ePhase vocoder audio engine running at 48kHz, 24-bit\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eTime stretched tails, icy shimmers, and voltage controlled whale songs\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFront panel USB port provides easy firmware updates, user options, and more\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003ePowered by the \u003ca href=\"https:\/\/www.electro-smith.com\/\" target=\"_blank\"\u003e\u003cspan\u003eDaisy Audio Platform\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.qubitelectronix.com\/s\/Aurora_v171.pdf\"\u003e\u003cspan\u003eDownload the Manual\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.qubitelectronix.com\/s\/Aurora_getting_started_v10.pdf\"\u003e\u003cspan\u003eDownload the Quickstart Guide\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.qubitelectronix.com\/s\/options.txt\"\u003e\u003cspan\u003eDownload the factory options.txt file\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTech Specs\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul data-rte-list=\"default\"\u003e\n\u003cli\u003e\n\u003cp\u003eWidth: 12HP\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDepth: 22mm\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003ePower Consumption: +12V=215mA, -12V=5mA, +5V=0mA\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv class=\"sqs-block html-block sqs-block-html\" data-block-type=\"2\" id=\"block-yui_3_17_2_1_1652117060378_108164\"\u003e\n\u003cdiv class=\"sqs-block-content\"\u003e\n\u003ch1\u003eUSB? Yes Please.\u003c\/h1\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"row sqs-row\"\u003e\n\u003cdiv class=\"col sqs-col-1 span-1\"\u003e \u003c\/div\u003e\n\u003cdiv class=\"col sqs-col-3 span-3\"\u003e\n\u003cdiv class=\"sqs-block embed-block sqs-block-embed\" data-block-json='{\"hSize\":null,\"floatDir\":null,\"customThumbEnabled\":false,\"html\":\"\u0026lt;div style=\\\"padding:177.78% 0 0 0;position:relative;\\\"\u0026gt;\u0026lt;iframe src=\\\"https:\/\/player.vimeo.com\/video\/704330849?h=c4f7ed9b83\u0026amp;amp;badge=0\u0026amp;amp;background=1\u0026amp;autoplay=1\u0026amp;loop=1\u0026amp;autopause=0\u0026amp;amp;player_id=0\u0026amp;amp;app_id=58479\\\" frameborder=\\\"0\\\" allow=\\\"autoplay; fullscreen; picture-in-picture\\\" allowfullscreen style=\\\"position:absolute;top:0;left:0;width:100%;height:100%;\\\" title=\\\"Aurora_USB_animation\\\"\u0026gt;\u0026lt;\/iframe\u0026gt;\u0026lt;\/div\u0026gt;\u0026lt;script src=\\\"https:\/\/player.vimeo.com\/api\/player.js\\\"\u0026gt;\u0026lt;\/script\u0026gt;\"}' data-block-type=\"22\" id=\"block-yui_3_17_2_1_1652117060378_178516\"\u003e\n\u003cdiv class=\"sqs-block-content\" id=\"yui_3_17_2_1_1652991970595_142\"\u003e\n\u003cdiv\u003e\u003ciframe allowfullscreen=\"\" data-embed=\"true\" frameborder=\"0\" height=\"240\" src=\"https:\/\/player.vimeo.com\/video\/704330849?h=c4f7ed9b83\u0026amp;badge=0\u0026amp;background=1\u0026amp;autoplay=1\u0026amp;loop=1\u0026amp;autopause=0\u0026amp;player_id=0\u0026amp;app_id=58479\u0026amp;wmode=opaque\" width=\"320\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"col sqs-col-8 span-8\"\u003e\n\u003cdiv class=\"sqs-block html-block sqs-block-html\" data-block-type=\"2\" id=\"block-yui_3_17_2_1_1652117060378_138206\"\u003e\n\u003cdiv class=\"sqs-block-content\"\u003e\n\u003ch2\u003eExpand Aurora beyond what’s possible, all from the front panel.\u003c\/h2\u003e\n\u003cul data-rte-list=\"default\"\u003e\n\u003cli\u003e\n\u003ch2\u003eConfigurable Settings for Blur States, Freeze Functions, and more.\u003c\/h2\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003ch2\u003e“It just works” Firmware Updates. Simply place the file on the drive, and let Aurora do the rest.\u003c\/h2\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003ch2\u003eAlternate Instruments, with some currently in development, and many more planned.\u003c\/h2\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003ch2\u003eQu-Bit Flash Drive is included with Aurora.\u003c\/h2\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Qu-Bit Electronix","offers":[{"title":"Default Title","offer_id":51569998397718,"sku":null,"price":379.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1001\/4221\/9542\/files\/aurora__11934__02408.1671137470.1280.1280.jpg?v=1784246210"},{"product_id":"qubit-electronix-nautilus","title":"Qubit Electronix Nautilus Pre-Order","description":"\u003cp\u003e\u003cstrong\u003eWe’re gonna need a bigger boat.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eNautilus is a complex delay network inspired by sub-nautical communications and their interaction with the environment. In essence, Nautilus is a stereo delay consisting of 8 unique delay lines which can be connected and synced in interesting ways. Each time Nautilus pings its sonar system, the generated topography reveals itself through the delay, all while staying in time with the internal or external clock. Complex feedback interactions plunge sounds to new depths, while related delay lines pull fragments of sound in different directions. Manipulate the delay lines even further by configuring the the stereo receptors, sonar frequencies, and aquatic materials that filter the space between Nautilus and its surroundings.\u003c\/p\u003e\n\u003cp\u003eThough Nautilus is a delay effect at heart, it is also a CV\/Gate generator. The Sonar Output creates either a unique Gate signal, or a unique CV signal algorithmically generated from Nautilus’s findings. Drive other parts of your patch with pings from the delay network, or use the generated topography as a modulation source.\u003c\/p\u003e\n\u003cp\u003eFrom the deep ocean trenches, to shimmering tropical reefs, Nautilus is the ultimate exploratory delay network.\u003c\/p\u003e\n\u003cul data-rte-list=\"default\"\u003e\n\u003cli\u003e\n\u003cp\u003eStereo Sub-Nautical Delay Processor\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eUltra low noise floor\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e8 codependent delay lines with up to 20 seconds of audio each\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFade, Doppler and Shimmer delay modes\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eSonar configurable CV\/Gate output\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eA portion of all Nautilus proceeds will go towards the effort to preserve our ocean and coastal environments through the \u003ca href=\"https:\/\/www.surfrider.org\/\" target=\"_blank\"\u003e\u003cspan\u003eSurfrider Foundation\u003c\/span\u003e\u003c\/a\u003e.\u003c\/p\u003e\n\u003cp\u003eDownload the Manual - Coming Soon!\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.qubitelectronix.com\/s\/nautilus_getting_started_v101.pdf\" target=\"_blank\"\u003e\u003cspan\u003eDownload the Quickstart Guide.\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTech Specs\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWidth: 14HP\u003c\/p\u003e\n\u003cp\u003eDepth: 22mm\u003c\/p\u003e\n\u003cp\u003ePower Consumption: +12V=151mA, -12V=15mA, +5V=0mA\u003c\/p\u003e","brand":"Qu-Bit Electronix","offers":[{"title":"Default Title","offer_id":51570003575062,"sku":null,"price":399.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1001\/4221\/9542\/files\/Nautilus__82818__71893.1671137365.1280.1280.jpg?v=1784246542"},{"product_id":"buchla-tiptop-audio-dual-voltage-processor-model-257t","title":"Buchla \u0026 Tiptop Audio Dual Voltage Processor Model 257t","description":"\u003cp class=\"p1\"\u003eDUAL VOLTAGE PROCESSOR - MODEL 257 t\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eModel 257 Dual Control Voltage Processor consists of two identical sections, each of which permits several applied control voltages to define a single output voltage according to the equation:\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e(Va * K) + ((Vb * (1-M)) + (Vc * M)) + Voffset = V_out\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe algebraic manipulations possible with this module include addition, subtraction, scaling, inversion, and multiplication. Also incorporated is the capability of using one control voltage (M) to transfer control from one applied voltage (V_b) to another (V_c).\u003c\/p\u003e\n\u003cp\u003eFunctions\u003c\/p\u003e\n\u003cp\u003e- Attenuverter\u003c\/p\u003e\n\u003cp\u003eVa is the voltage input a for attenuverter (left jack on the panel)\u003c\/p\u003e\n\u003cp\u003eK knob can scale the incoming Va voltage either positively or negatively\u003c\/p\u003e\n\u003cp\u003e- Crossfader\u003c\/p\u003e\n\u003cp\u003eVb is the voltage input b for the left side of the crossfader (second jack from the left)\u003c\/p\u003e\n\u003cp\u003e+.5 switch adds 5 volts to the input of Vb\u003c\/p\u003e\n\u003cp\u003eVc is the voltage input c for the right side of the crossfader (fourth jack from the left)\u003c\/p\u003e\n\u003cp\u003eM scales Vb from 1 to 0 based on the position of M knob\u003c\/p\u003e\n\u003cp\u003eM scales Vc from 0 to 1 based on the position of M knob\u003c\/p\u003e\n\u003cp\u003eThe middle CV input at M\/M can crossfade between Vb and Vc (third jack from the left)\u003c\/p\u003e\n\u003cp\u003eThe M knob and M CV added together to control crossfade position\u003c\/p\u003e\n\u003cp\u003e- Offset\u003c\/p\u003e\n\u003cp\u003eVoffset Adds 0 - 10 volts to any combination of Va + Vb + Vc\u003c\/p\u003e\n\u003cp\u003e- Output\u003c\/p\u003e\n\u003cp\u003eVout is the combined voltage of the attenuverter, crossfader and offset (right jack on the panel)\u003c\/p\u003e\n\u003cp\u003eSpecifications:\u003c\/p\u003e\n\u003cp\u003eSize: 14HP - Depth: 25mm Power: +12V 45mA \/ -12V 22mA\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eManual:\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/tiptopaudio.com\/manuals\/Buchla_\u0026amp;_Tiptop_Audio_257t.pdf\" rel=\"noopener\" target=\"_blank\"\u003edownload\u003c\/a\u003e\u003c\/p\u003e","brand":"Buchla \u0026 Tiptop Audio","offers":[{"title":"Default Title","offer_id":51570003771670,"sku":null,"price":195.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1001\/4221\/9542\/files\/257t__65692.1664908932.1280.1280.jpg?v=1784675991"},{"product_id":"black-noise-modular-voltage-processor","title":"Black Noise Modular VOLTAGE PROCESSOR","description":"\u003cp\u003eVOLTAGE PROCESSOR have been designed to pack a lot of features in a small module.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eHere a some of the features you can achieve with VOLTAGE PROCESSOR\u003cbr\u003e\u003cem\u003eYou can find how to setup those features in the manual below\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eDual VCA\u003cbr data-mce-fragment=\"1\"\u003eStereo VCA\u003cbr data-mce-fragment=\"1\"\u003eCV Crossfader 2:1\u003cbr data-mce-fragment=\"1\"\u003eCV Crossfader 1:2\u003cbr data-mce-fragment=\"1\"\u003eDual AM\u003cbr data-mce-fragment=\"1\"\u003eCV PAN\u003cbr data-mce-fragment=\"1\"\u003eDual Attenuator\u003cbr data-mce-fragment=\"1\"\u003eDual Inverter\u003cbr data-mce-fragment=\"1\"\u003eDual Offset generator\u003cbr data-mce-fragment=\"1\"\u003eDual Voltage generator\u003cbr data-mce-fragment=\"1\"\u003eDual Exponential converter\u003cbr data-mce-fragment=\"1\"\u003eLogarithmic converter\u003cbr data-mce-fragment=\"1\"\u003eDual PWM\u003cbr data-mce-fragment=\"1\"\u003eDual CV overdrive\u003cbr data-mce-fragment=\"1\"\u003eDual waveshaper\u003cbr data-mce-fragment=\"1\"\u003eComplex waveshaper\u003cbr data-mce-fragment=\"1\"\u003eDual RingMod\u003cbr data-mce-fragment=\"1\"\u003eRindMod\u003cbr data-mce-fragment=\"1\"\u003eCompressor\u003cbr data-mce-fragment=\"1\"\u003eSidechain compressor\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePanel Width\u003cbr\u003e\u003c\/strong\u003e\u003cem\u003e6HP\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eModule Depth\u003cbr\u003e\u003c\/strong\u003e\u003cem\u003e20mm (skiff friendly)\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePower Consumption\u003cbr\u003e\u003c\/strong\u003e\u003cem\u003e+12V : 30mA\u003cbr\u003e-12V : 30mA\u003cbr\u003e+5V : 0mA\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/raw.githack.com\/BlackNoiseModular\/Eurorack\/main\/VOLTAGE%20PROCESSOR\/Manual\/BLACK-NOISE_Voltage-Processor_V1.0_Manual_V1.0.pdf\" target=\"_blank\" title=\"https:\/\/raw.githack.com\/BlackNoiseModular\/Eurorack\/main\/VOLTAGE%20PROCESSOR\/Manual\/BLACK-NOISE_Voltage-Processor_V1.0_Manual_V1.0.pdf\"\u003eManual\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/raw.githack.com\/BlackNoiseModular\/Eurorack\/main\/VOLTAGE%20PROCESSOR\/BOM\/ibom.html\" target=\"_blank\" title=\"https:\/\/raw.githack.com\/BlackNoiseModular\/Eurorack\/main\/VOLTAGE%20PROCESSOR\/BOM\/ibom.html\"\u003eBOM\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/raw.githack.com\/BlackNoiseModular\/Eurorack\/main\/VOLTAGE%20PROCESSOR\/BLACK-NOISE_Voltage-Processor_Build-Instructions_V1.pdf\" target=\"_blank\" title=\"https:\/\/raw.githack.com\/BlackNoiseModular\/Eurorack\/main\/VOLTAGE%20PROCESSOR\/BLACK-NOISE_Voltage-Processor_Build-Instructions_V1.pdf\"\u003eBuild Instructions\u003c\/a\u003e\u003c\/p\u003e","brand":"Black Noise Modular","offers":[{"title":"Default Title","offer_id":51570009309462,"sku":null,"price":159.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1001\/4221\/9542\/files\/Voltage_processor__50225.1681934042.1280.1280.jpg?v=1784247008"},{"product_id":"buchla-tiptop-audio-programmable-spectral-processor-296t","title":"Buchla \u0026 Tiptop Audio Programmable Spectral Processor 296t","description":"\u003cp\u003e\u003cspan style=\"color: #ff00ff;\"\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan\u003eThe\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cstrong\u003e296\u003c\/strong\u003e\u003cspan\u003e\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003ewas first introduced in 1978 and very few were ever made. Making a module of such complexity at a time when electronic schematics were drawn with pencils, with\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cstrong\u003e48 filters\u003c\/strong\u003e\u003cspan\u003e\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003ethat were most likely hand calculated is just incredible. The 70’s were a great era of exploration and proof of audio electronics scientific theories, but for Don Buchla it seems like it was always something beyond theory. The 296 might at first look like an equalizer, but Don had totally different ideas for it. He managed to pack into it a 1\u003c\/span\u003e\u003cstrong\u003e6 band analog modular spectral processor\u003c\/strong\u003e\u003cspan\u003e, a cross\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cstrong\u003eband vocoder\u003c\/strong\u003e\u003cspan\u003e\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eplus a massive amount of patch points to work with his synthesizer system.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan\u003eTo learn more about the\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cstrong\u003e296t\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003eplease check out the\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003ca href=\"https:\/\/campaign-statistics.com\/link_click\/LPovYPdgju_mu2fQ\/dae66bdc30ba62b92cf9c81d6e1f7318\" rel=\"dae66bdc30ba62b92cf9c81d6e1f7318\"\u003e\u003cstrong\u003euser manual\u003c\/strong\u003e\u003c\/a\u003e\u003cspan\u003e. As its name implies, the 296t is complex and worth spending the time reading the user manual.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eEnjoy!!!\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e52HP\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan\u003eManual\u003c\/span\u003e\u003cspan\u003e: \u003c\/span\u003e\u003ca href=\"https:\/\/tiptopaudio.com\/manuals\/Buchla_\u0026amp;_Tiptop_Audio_296t.pdf\" rel=\"noopener\" target=\"_blank\"\u003edownload\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Buchla \u0026 Tiptop Audio","offers":[{"title":"Default Title","offer_id":51570010816790,"sku":null,"price":729.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1001\/4221\/9542\/files\/296t__41554.1747340395.1280.1280.jpg?v=1784247167"},{"product_id":"intellijel-sealegs","title":"Intellijel Sealegs Pre-Order","description":"\u003cp\u003e\u003cspan\u003eMulti-Model Stereo Character Delay with Reverb\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003eIt's all gone a bit wobbly\u003c\/h2\u003e\n\u003cdiv\u003eSealegs is a collection of effects centered around a true stereo multi-model delay. Tape, Bucket Brigade, and Crossfading Digital models; a saturating input drive; low- and high-pass filters; crackle \u0026amp; hiss generator; a multi-position 1970s-inspired reverb; internal modulators; nine CV inputs with attenuverters; three sets of ranges; clock sync\/tap tempo; three unique stereo configurations.\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eCalm waters, rolling waves, or wild storms — the weather is up to you.\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch2 class=\"wp-block-heading\"\u003eWarm Feelings\u003c\/h2\u003e\n\u003cp\u003eOur design goal for Sealegs was to create the warmest, most musical and organic delay module possible — something that would sweeten and enhance any audio one chose to feed into it. As such, great care has gone into modeling the most distinctive and desirable sonic characteristics of three different types of delay circuits: Tape, Bucket Brigade, and Crossfading Digital.\u003c\/p\u003e\n\u003cdiv class=\"site-content\" id=\"content\"\u003e\n\u003cdiv class=\"content-area\" id=\"primary\"\u003e\n\u003cdiv class=\"entry-content\"\u003e\n\u003cp\u003eA plethora of onboard controls enable you to dial in exactly the sound you want; synced or un-synced delays times (for both left and right channels); saturating input drive; a built-in modulator with 7 morphing waveshapes, Wow \u0026amp; Flutter emulation, and an envelope follower; plus dedicated low- and high-pass filters; built-in hiss \u0026amp; crackle noises; per-model color controls; a spacious reverb; and a re-configurable signal flow through the unit. In addition, attenuverted modulation inputs abound — ensuring the delay ebbs and flows with your musical needs.\u003c\/p\u003e\n\u003ch2 class=\"wp-block-heading\"\u003eFeatures\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eThree Unique delay models — Tape, Bucket Brigade, and Crossfading Digital\u003c\/li\u003e\n\u003cli\u003ePer-model Color, Modulation behavior, and Saturation\/Limiting\u003c\/li\u003e\n\u003cli\u003eTrue Stereo delay with separate L\/R buffers\u003c\/li\u003e\n\u003cli\u003eThree Stereo configurations (PONG, Time\/Width, L\/R)\u003c\/li\u003e\n\u003cli\u003eThree Range variations for short Chorus\/Flanger style delays to Long ambient repeats.\u003c\/li\u003e\n\u003cli\u003eUp to 6(L) and 8(R) seconds of delay time (Width can add up to 33% to Time)\u003c\/li\u003e\n\u003cli\u003eBuilt in modulator with Wow \u0026amp; Flutter, Envelope Follower, and 7 morphing wave shapes\u003c\/li\u003e\n\u003cli\u003eLush 1970s-inspired reverb with 3 insert positions.\u003c\/li\u003e\n\u003cli\u003eSaturating input drive with level trim\u003c\/li\u003e\n\u003cli\u003eStable external clock (or tap tempo) sync for Delay Times or Modulation\u003c\/li\u003e\n\u003cli\u003eHighpass and Lowpass filters for filtered repeats\u003c\/li\u003e\n\u003cli\u003eFreeze functionality for holding the buffer and looping\u003c\/li\u003e\n\u003cli\u003eNine CV inputs with attenuverters\u003c\/li\u003e\n\u003cli\u003e96 kHz 24-bit Stereo I\/O and 32-bit floating point internal processing\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eSpecs + Downloads\u003c\/h2\u003e\n\u003cdiv class=\"intellijel-meta columns\"\u003e\n\u003ctable class=\"intellijel-meta-table\"\u003e\n\u003ctbody\u003e\n\u003ctr class=\"intellijel-meta-width\"\u003e\n\u003cth colspan=\"2\"\u003eWidth\u003c\/th\u003e\n\u003ctd\u003e20HP\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"intellijel-meta-depth\"\u003e\n\u003cth colspan=\"2\"\u003eDepth\u003c\/th\u003e\n\u003ctd\u003e29mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"intellijel-meta-power\"\u003e\n\u003cth colspan=\"2\"\u003ePower\u003c\/th\u003e\n\u003ctd\u003e116mA @ +12V\u003cbr\u003e10mA @ -12V\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ctable class=\"intellijel-meta-table\"\u003e\n\u003ctbody\u003e\n\u003ctr class=\"intellijel-meta-manual\"\u003e\n\u003cth colspan=\"2\"\u003eManual\u003c\/th\u003e\n\u003ctd\u003e\n\u003ca href=\"https:\/\/intellijel.com\/downloads\/manuals\/sealegs_manual_v1.0_2023.08.17.pdf\"\u003eManual\u003c\/a\u003e (v1.0 \/ 2023.08.17)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"intellijel-meta-firmware\"\u003e\n\u003cth colspan=\"2\"\u003eFirmware\u003c\/th\u003e\n\u003ctd\u003e\n\u003ca href=\"https:\/\/intellijel.com\/downloads\/firmware\/Intellijel_Firmware_Updater_macOS_2023-08-18.zip\"\u003eMac\u003c\/a\u003e \/ \u003ca href=\"https:\/\/intellijel.com\/downloads\/firmware\/Intellijel_Firmware_Updater_Windows_2023-08-18.zip\"\u003eWin\u003c\/a\u003e (1.0.0.5)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"intellijel-meta-modulargrid\"\u003e\n\u003cth colspan=\"2\"\u003eModularGrid\u003c\/th\u003e\n\u003ctd\u003e\u003ca href=\"https:\/\/www.modulargrid.net\/e\/intellijel-sealegs\" target=\"_blank\"\u003eModularGrid\u003c\/a\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"site-footer-stinger\"\u003e \u003c\/div\u003e\n\u003c\/div\u003e","brand":"Intellijel","offers":[{"title":"Default Title","offer_id":51570012815638,"sku":null,"price":439.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1001\/4221\/9542\/files\/sealegs__31673.1693613836.1280.1280.jpg?v=1784247327"},{"product_id":"qubit-electronix-mojave","title":"Qubit Electronix Mojave Pre-Order","description":"\u003cp\u003e\u003cstrong\u003eMake It Grain.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eMojave is a granular sandstorm. Drawing its inspiration from vast swaths of desert in the American Southwest, Mojave is a live granular processor that uses microscopic bits of audio to create beautifully crafted sonic landscapes.\u003c\/p\u003e\n\u003cp\u003eThe core of Mojave’s sound design palette is a unique set of melodic and rhythmic controls that presents each grain in a compositional context. Generate clock-synced granular arpeggios, or envelope your sound in rich harmonic swirls with the turn of a knob. All microsound settings can be easily accessed via individual knobs letting you tailor each grain, and effortlessly construct dunes of sound. Mojave is not exclusive to modular signals either; become the wind itself by using the onboard microphone to sift through and manipulate acoustic audio.\u003c\/p\u003e\n\u003cp\u003eAnd, just like Nautilus, Mojave’s internal settings can be configured via the USB drive and the Narwhal web app. Whether you are constructing pebbles or sandstone monuments, Mojave is the perfect balance between exploratory sound design and harmonious sublimity.\u003c\/p\u003e\n\u003cul data-rte-list=\"default\"\u003e\n\u003cli\u003e\n\u003cp\u003eLive granular processor and stochastic event generator\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eOnboard high quality MEMS microphone\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eConfigurable Dune CV\/Gate output\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFirmware updates \u0026amp; alternate firmware via the USB Drive\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eBased on the Daisy platform\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eA portion of all proceeds will go towards conserving a portion of the Mojave desert we hold dear to our hearts through the \u003ca href=\"https:\/\/www.joshuatree.org\/\" target=\"_blank\"\u003eJoshua Tree National Park Association\u003c\/a\u003e.\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.qubitelectronix.com\/s\/mojave_manual.pdf\" target=\"_blank\"\u003e\u003cspan\u003eDownload the manual.\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.qubitelectronix.com\/s\/mojave_getting_started.pdf\" target=\"_blank\"\u003e\u003cspan\u003eDownload the quickstart guide.\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/narwhal.qubitelectronix.com\/\" target=\"_blank\"\u003e\u003cspan\u003eConfigure settings on Mojave using Narwhal.\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTech Specs\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWidth: 14HP\u003c\/p\u003e\n\u003cp\u003eDepth: 22mm\u003c\/p\u003e\n\u003cp\u003ePower Consumption: +12V=167mA, -12V=13mA, +5V=0mA\u003c\/p\u003e","brand":"Qu-Bit Electronix","offers":[{"title":"Default Title","offer_id":51570013896982,"sku":null,"price":399.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1001\/4221\/9542\/files\/mojave__11230.1696996072.1280.1280.jpg?v=1784247417"},{"product_id":"boredbrain-xcelon-xp3","title":"Boredbrain xcelon xp3","description":"\u003cp\u003e\u003cspan\u003e3-CHANNEL STEREO MIX EXPANDER\u003c\/span\u003e\u003c\/p\u003e\n\u003cul class=\"features\"\u003e\n\u003cli\u003eAdds three stereo\/dual-mono channels to Xcelon mixer (up to two supported)\u003c\/li\u003e\n\u003cli\u003eTwo stereo FX sends and two stereo output mix busses selectable per-channel\u003c\/li\u003e\n\u003cli\u003eVariable input gain for both modular and line-level sources\u003c\/li\u003e\n\u003cli\u003eLong-travel volume faders with CV responsive LED indicators\u003c\/li\u003e\n\u003cli\u003eBalance controls with pan law curve and dual-mono crossfade mode\u003c\/li\u003e\n\u003cli\u003eClickless mutes and VU meters on all channels\u003c\/li\u003e\n\u003cli\u003eTwelve discrete control voltage inputs\u003c\/li\u003e\n\u003cli\u003eConfigurable jumpers for pre\/post-fader FX and meters, plus volume VCA mode\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2 class=\"wp-block-heading has-nv-light-bg-color has-text-color\"\u003e\u003cstrong\u003eModular mixing expanded\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp class=\"has-nv-light-bg-color has-text-color has-medium-font-size\"\u003eXcelon XP3 is a three-channel stereo expander for the Xcelon eurorack mixer. The module’s channels are identical to those found on the main mixer. Up to two XP3 can connect to Xcelon, expanding the total number of mixer channels to either nine or twelve.\u003c\/p\u003e\n\u003ch3 class=\"wp-block-heading\"\u003eChannel Expansion\u003c\/h3\u003e\n\u003cp\u003eThe 22HP module has the same channel inputs, channel controls, direct outputs and rear jumpers as \u003ca href=\"https:\/\/boredbrainmusic.com\/product\/xcelon\"\u003eXcelon\u003c\/a\u003e. The primary difference is that the expander lacks the mix outputs and FX i\/o section. This is because XP3 shares the two main mix busses and two FX sends busses with the main mixer.\u003c\/p\u003e\n\u003cp\u003eXP3 is connected to the main Xcelon mixer using the supplied 16-pin ribbon cable, from the port labeled \u003cstrong\u003eMIXER\u003c\/strong\u003e to one of the two expansion ports labeled \u003cstrong\u003eEXPANDER 1\u003c\/strong\u003e or \u003cstrong\u003eEXPANDER 2\u003c\/strong\u003e. These expansion ports are found on the backs of both modules. Because the mixer supports up to two XP3, a set of channel labels with 10, 11, and 12 are included to update the front panel.\u003c\/p\u003e\n\u003cp\u003eIt may be possible to connect more than two channel expanders using a flying bus cable, but low noise performance cannot be guaranteed.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eIMPORTANT\u003c\/strong\u003e: The expander ports should \u003cstrong\u003eNOT\u003c\/strong\u003e be connected to a eurorack power bus or damage to the module(s) can occur.\u003c\/em\u003e\u003c\/p\u003e\n\u003cdiv class=\"wp-block-spacer\"\u003e \u003c\/div\u003e\n\u003ch3 class=\"wp-block-heading\"\u003e\n\u003cstrong\u003eChannel Input\u003c\/strong\u003e\u003cstrong\u003es\u003c\/strong\u003e\n\u003c\/h3\u003e\n\u003cp\u003eEach of the three channels has a pair of audio input jacks\u003cstrong\u003e (INPUT 7\u003c\/strong\u003e, \u003cstrong\u003eINPUT 8\u003c\/strong\u003e, etc.) for left and right stereo signals. The jacks are normalled such that a single mono source in the left jack is simply copied to the right. Alternatively, two discrete mono sources can also share a channel (see \u003cstrong\u003eXFADE\u003c\/strong\u003e). These AC-coupled coupled inputs accept typical eurorack-level audio signals, as well as line-level audio signals when boosted using the channel’s \u003cstrong\u003eGAIN\u003c\/strong\u003e control.\u003c\/p\u003e\n\u003cp\u003eThe four jacks directly below each pair of audio inputs are CV inputs, which allow for voltage control of the channel parameters. \u003cstrong\u003eVOL\u003c\/strong\u003e affects the volume within a range of 0 to +5V. By default, this control voltage input is biased by the fader position (summed), but in VCA mode it is attenuated by the fader (see Jumper Settings). \u003cstrong\u003eBAL\u003c\/strong\u003e affects the channel balance within a range of -5V to 5V (even with \u003cstrong\u003eXFADE\u003c\/strong\u003e enabled), while \u003cstrong\u003eFX1\u003c\/strong\u003e and \u003cstrong\u003eFX2\u003c\/strong\u003e affect their respective send levels within a range of 0 to +5V. These latter three control voltage inputs are all biased by their knob positions.\u003c\/p\u003e\n\u003cdiv class=\"wp-block-spacer\"\u003e \u003c\/div\u003e\n\u003ch3 class=\"wp-block-heading\"\u003e\n\u003cstrong\u003eChannel Control\u003c\/strong\u003e\u003cstrong\u003es\u003c\/strong\u003e\n\u003c\/h3\u003e\n\u003cp\u003eThe \u003cstrong\u003eGAIN\u003c\/strong\u003e parameter is used to boost the channel’s input signal(s) up to +15 dB if necessary. Most eurorack audio sources may only need a small amount of gain, whereas line-level signals may require turning the knob up to the \u003cstrong\u003eLINE\u003c\/strong\u003e position. The red \u003cstrong\u003ePK\u003c\/strong\u003e (peak) indicator will illuminate just before either input signal becomes audibly distorted. For a clean mix, best practice is to set the \u003cstrong\u003eGAIN\u003c\/strong\u003e such that only loud transients trigger the \u003cstrong\u003ePK\u003c\/strong\u003e LED.\u003c\/p\u003e\n\u003cp\u003eThe \u003cstrong\u003eBAL\u003c\/strong\u003e parameter adjusts the balance of the channel’s two input signals, and behaves much like a pan control, especially with a mono input signal. Control of the parameter is not linear, but instead implements a curve according to the -4.5 dB pan law. This yields a more natural sounding stereo panning.\u003c\/p\u003e\n\u003cp\u003eWhen the blue \u003cstrong\u003eXFADE\u003c\/strong\u003e button is engaged, the channel is configured in dual-mono mode. Both channel input signals are positioned to stereo center, and the \u003cstrong\u003eBAL\u003c\/strong\u003e parameter acts as a mono crossfader balancing the two signal levels. Signals that do not need stereo panning can then be doubled-up on a single channel, such as kick and snare drum, two different bass sounds, etc.\u003c\/p\u003e\n\u003cp\u003eThe \u003cstrong\u003eVOL\u003c\/strong\u003e parameter adjusts the channel volume, and is also commonly referred to as the channel fader. Its 45mm vertical slider has a linear volume response for smooth fade ins and outs, with an entirely usable range. The brightness of the white LED indicates the volume position, and is of course responsive to incoming CV.\u003c\/p\u003e\n\u003cp\u003eNext to the volume control is a 5-segment \u003cstrong\u003eVU METER\u003c\/strong\u003e to help visualize signal level and dynamics. The meter is affected by both left and right channel signals. And although it does behave according to a decibel scale, the meter is intentionally biased upward for better resolution when comparing relative channel levels. By default, the \u003cstrong\u003eVU METER\u003c\/strong\u003e is post-fader, meaning it is affected by volume adjustments, but can optionally be configured pre-fader (see Jumper Settings).\u003c\/p\u003e\n\u003cp\u003eThe red \u003cstrong\u003eMUTE\u003c\/strong\u003e button, when activated, will effectively silence the channel with up to -93 dB of normal signal attenuation. Its electronically latching circuit is completely VCA-based with a very fast on\/off slew, eliminating any clicks or pops when muting or unmuting the channel.\u003c\/p\u003e\n\u003cp\u003eThe channel’s two gray knobs, \u003cstrong\u003eFX1\u003c\/strong\u003e and \u003cstrong\u003eFX2\u003c\/strong\u003e, are independent stereo effects sends. Using these parameters, an adjustable amount of the channel signal can be sent to the two shared effects busses \u003cstrong\u003eFX SND 1\u003c\/strong\u003e and \u003cstrong\u003eFX SND 2\u003c\/strong\u003e, which are commonly used for time-based effects such as delay and reverb. By default, both \u003cstrong\u003eFX1\u003c\/strong\u003e and \u003cstrong\u003eFX2\u003c\/strong\u003e are post-fader sends, meaning the amount of sent signal is also affected by the channel’s volume position. However, \u003cstrong\u003eFX1\u003c\/strong\u003e can be configured pre-fader (see Jumper Settings) to achieve a more than 50% wet mix of effect versus dry signal.\u003c\/p\u003e\n\u003cp\u003eThe \u003cstrong\u003eAB\u003c\/strong\u003e switch assigns the channel output to one or both main output mix busses. In the leftmost and rightmost positions, the channel is routed to only one of the two busses, either A or B. In the middle position however, the channel is routed to both simultaneously, allowing for parallel processing, AFL monitoring (after fade listen), and other creative uses.\u003c\/p\u003e\n\u003cdiv class=\"wp-block-spacer\"\u003e \u003c\/div\u003e\n\u003ch3 class=\"wp-block-heading\"\u003e\u003cstrong\u003eDirect Outputs\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eJust like the main mixer, XP3 is also equipped with several direct output ports to access individual channel signals for multi-track recording. Its bank of three stereo channels has two direct output ports, \u003cstrong\u003ePRE\u003c\/strong\u003e and \u003cstrong\u003ePOST, \u003c\/strong\u003eto tap the channel signals either before or after the volume faders.\u003c\/p\u003e\n\u003cp\u003eThese groupings of six signals are connected using an 8-pin cable to the optional direct output modules, Xcelon TRS and Xcelon DB25 (TBA), for balanced line outputs. They can be mixed and matched in any order, and both the \u003cstrong\u003ePRE\u003c\/strong\u003e and \u003cstrong\u003ePOST\u003c\/strong\u003e direct outputs for a bank of channels can be used simultaneously. This leaves the door open for future expansion such as dedicated cue monitoring and additional effects sends.\u003c\/p\u003e\n\u003cdiv class=\"wp-block-spacer\"\u003e \u003c\/div\u003e\n\u003ch3 class=\"wp-block-heading\"\u003e\u003cstrong\u003eJumper Settings\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eEach channel has three custom settings found on the back of the module, which are configured using one or more jumpers.\u003c\/p\u003e\n\u003cdiv class=\"wp-block-columns is-layout-flex wp-container-core-columns-layout-2 wp-block-columns-is-layout-flex\"\u003e\n\u003cdiv class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"\u003e\n\u003ctable class=\"has-fixed-layout\"\u003e\n\u003cthead\u003e\n\u003ctr\u003e\n\u003cth class=\"has-text-align-center\" data-align=\"center\"\u003eVU METER\u003c\/th\u003e\n\u003cth\u003e1 jumper\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"has-text-align-center\" data-align=\"center\"\u003e\n\u003cstrong\u003ePOST\u003c\/strong\u003e\u003cbr\u003e(default)\u003c\/td\u003e\n\u003ctd\u003eMeter is affected by the channel volume\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"has-text-align-center\" data-align=\"center\"\u003e\u003cstrong\u003ePRE\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eMeter is not affected by the channel volume\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cem\u003ePRE is very common on DJ mixers, and is useful for adjusting the gain and visually identifying a signal before bringing it into the mix.\u003c\/em\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"\u003e \u003c\/div\u003e\n\u003cdiv class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"\u003e\n\u003ctable class=\"has-fixed-layout\"\u003e\n\u003cthead\u003e\n\u003ctr\u003e\n\u003cth class=\"has-text-align-center\" data-align=\"center\"\u003eFX SND1\u003c\/th\u003e\n\u003cth\u003e2 jumpers\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"has-text-align-center\" data-align=\"center\"\u003e\n\u003cstrong\u003ePOST\u003c\/strong\u003e\u003cbr\u003e(default)\u003c\/td\u003e\n\u003ctd\u003eSent signal is affected by the channel volume\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"has-text-align-center\" data-align=\"center\"\u003e\u003cstrong\u003ePRE\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eSent signal is not affected by the channel volume\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cem\u003ePRE is useful (and necessary) to get a very washed-out effect where the effects mix is more than 50% wet.\u003c\/em\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"\u003e \u003c\/div\u003e\n\u003cdiv class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"\u003e\n\u003ctable class=\"has-fixed-layout\"\u003e\n\u003cthead\u003e\n\u003ctr\u003e\n\u003cth class=\"has-text-align-center\" data-align=\"center\"\u003eVOL CV\u003c\/th\u003e\n\u003cth\u003e3 jumpers (or 2)\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"has-text-align-center\" data-align=\"center\"\u003e\n\u003cstrong\u003eMOD\u003c\/strong\u003e\u003cbr\u003e(default)\u003c\/td\u003e\n\u003ctd\u003eCV modulates volume with fader bias\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"has-text-align-center\" data-align=\"center\"\u003e\u003cstrong\u003eVCA\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eCV replaces bias voltage and fader attenuates\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cem\u003eVCA allows the volume circuit to be used as the final VCA in a patch, saving space and modules. Simply patch an envelope into the \u003cstrong\u003eVOL\u003c\/strong\u003e CV input, and use the fader to adjust the level.\u003c\/em\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"\u003e \u003c\/div\u003e\n\u003cdiv class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"\u003e\n\u003ch4 class=\"wp-block-heading\"\u003etechnical specs\u003c\/h4\u003e\n\u003cul class=\"specs\"\u003e\n\u003cli\u003e\n\u003cstrong\u003eAudio Inputs:\u003c\/strong\u003e 6 x 3.5 mm jacks (3 stereo pairs)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCV Inputs:\u003c\/strong\u003e 12 x 3.5 mm jacks\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eInput Impedance:\u003c\/strong\u003e 100 kΩ\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eChannel Input Gain:\u003c\/strong\u003e +15 dB\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWidth:\u003c\/strong\u003e 22 HP\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDepth:\u003c\/strong\u003e 1.5 in (38 mm)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 11 oz (312 g)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePower:\u003c\/strong\u003e +12 V 190 mA (250 max), -12 V 150 mA\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4 class=\"wp-block-heading\"\u003emix tips\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eGAIN FOR PERFORMANCE\u003c\/strong\u003e\u003cstrong\u003e \u003c\/strong\u003e– A useful tip for performance is to set each GAIN such that your mix sounds correct with all the faders up or at the same position. Now returning to a “balanced” mix is as simple moving faders back to the same position.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAUDIO VCA PATCH\u003c\/strong\u003e – Save space in a case for live performance or save VCAs for other purposes by using the VCA mode jumper setting for VOL CV. This allows a typical envelope to be fed into the CV input, and the overall volume can still be adjusted normally.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e100% WET FX\u003c\/strong\u003e – If mix bus B is unused or not monitored, any channel can have a fully wet FX mix (no dry signal), even with rear jumpers set to POST. Just assign the channel to mix B (essentially muting it), be sure the FX return is assigned to mix A, and turn up the FX send of the channel.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eXFADE MUTATION\u003c\/strong\u003e – The XFADE feature can be used to “mutate” a sound, crossfading between to similar sounds or waveforms. This is especially interesting when modulating with a rapidly changing CV signal.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFX RETURNS MUTE\u003c\/strong\u003e – Although the FX returns do not have mute buttons, the AB switch can be used to quickly remove them from either the A or B mix, which is still very effective during a live mix.\u003c\/p\u003e\n\u003cp\u003e \u003cimg alt=\"xcelon-channel-wireframe-v1.0.png\" class=\"__mce_add_custom__\" height=\"600\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1001\/4221\/9542\/files\/xcelon-channel-wireframe-v1.0.png?v=1784247487\" title=\"xcelon-channel-wireframe-v1.0.png\" width=\"277\"\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Boredbrain","offers":[{"title":"Default Title","offer_id":51570016452886,"sku":null,"price":429.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1001\/4221\/9542\/files\/xcelon_xp3__64470.1701480861.1280.1280.jpg?v=1784247500"},{"product_id":"boredbrain-xcelon-xcelon-xp3-bundle","title":"Boredbrain xcelon \u0026 xcelon xp3 Bundle Pre-Order","description":"\u003cp\u003e\u003cstrong\u003eBoredbrain xcelon \u0026amp; xcelon xp3 Bundle\u003c\/strong\u003e\u003c\/p\u003e","brand":"Boredbrain","offers":[{"title":"Default Title","offer_id":51570016518422,"sku":null,"price":1378.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1001\/4221\/9542\/files\/xcelon_XP3_bundle__24197.1701481085.1280.1280.jpg?v=1784247498"},{"product_id":"boredbrain-xcelon","title":"Boredbrain xcelon Pre-Order","description":"\u003cp\u003eTRUE STEREO VOLTAGE-CONTROLLED MIXER\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv class=\"wp-block-themeisle-blocks-advanced-columns has-1-columns has-desktop-equal-layout has-tablet-equal-layout has-mobile-equal-layout has-vertical-unset has-default-gap\" id=\"wp-block-themeisle-blocks-advanced-columns-217aebea\"\u003e\n\u003cdiv class=\"innerblocks-wrap\"\u003e\n\u003cdiv class=\"wp-block-themeisle-blocks-advanced-column\" id=\"wp-block-themeisle-blocks-advanced-column-f0498e9e\"\u003e\n\u003ch2 class=\"wp-block-heading has-nv-light-bg-color has-text-color\"\u003e\u003cstrong\u003eA modular mixing powerhouse\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp class=\"has-nv-light-bg-color has-text-color has-medium-font-size\"\u003eXcelon is an all-analog six-channel stereo audio mixer for eurorack modular systems. With an interface designed for immediate hands-on control and visual feedback, plus extensive CV and expandability, the module is a powerful mixing tool for both performance and production.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"wp-block-themeisle-blocks-advanced-columns has-2-columns has-desktop-equal-layout has-tablet-equal-layout has-mobile-collapsedRows-layout has-vertical-top has-default-gap\" id=\"wp-block-themeisle-blocks-advanced-columns-cba8d97f\"\u003e\n\u003cdiv class=\"wp-block-themeisle-blocks-advanced-columns-overlay\"\u003e \u003c\/div\u003e\n\u003cdiv class=\"innerblocks-wrap\"\u003e\n\u003cdiv class=\"wp-block-themeisle-blocks-advanced-column\" id=\"wp-block-themeisle-blocks-advanced-column-b1306ef4\"\u003e\n\u003cul class=\"features has-nv-light-bg-color has-text-color has-link-color wp-elements-10fa585b52ce8590dda0aaae20108526\"\u003e\n\u003cli\u003eSix stereo\/dual-mono channels with low-noise analog circuitry\u003c\/li\u003e\n\u003cli\u003eTwo stereo FX sends and two dedicated FX returns\u003c\/li\u003e\n\u003cli\u003eTwo stereo output mix busses selectable per-channel\u003c\/li\u003e\n\u003cli\u003eVariable input gain for both modular and line-level sources\u003c\/li\u003e\n\u003cli\u003eLong-travel volume faders with CV responsive LED indicators\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"wp-block-themeisle-blocks-advanced-column\" id=\"wp-block-themeisle-blocks-advanced-column-b6824fe0\"\u003e\n\u003cul class=\"features has-nv-light-bg-color has-text-color has-link-color wp-elements-3a5e7f165b6c05731e8ac1e594f077ac\"\u003e\n\u003cli\u003eBalance controls with pan law curve and dual-mono crossfade mode\u003c\/li\u003e\n\u003cli\u003eClickless mutes and VU meters on all channels\u003c\/li\u003e\n\u003cli\u003eTwenty-six discrete control voltage inputs\u003c\/li\u003e\n\u003cli\u003eConfigurable jumpers for pre\/post-fader FX and meters, plus volume VCA mode\u003c\/li\u003e\n\u003cli\u003eExpansion ports for channel expanders, direct outputs, and more\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThe 48 HP module consists of three main sections. On the left side are the channel inputs (both audio and CV), in the middle are the channel controls, and on the right are the mix outputs, plus FX i\/o and controls.\u003c\/p\u003e\n\u003cdiv class=\"wp-block-spacer\"\u003e \u003c\/div\u003e\n\u003ch3 class=\"wp-block-heading\"\u003e\n\u003cstrong\u003eChannel Input\u003c\/strong\u003e\u003cstrong\u003es\u003c\/strong\u003e\n\u003c\/h3\u003e\n\u003cp\u003eEach of the six channels has a pair of audio input jacks\u003cstrong\u003e (INPUT 1\u003c\/strong\u003e, \u003cstrong\u003eINPUT 2\u003c\/strong\u003e, etc.) for left and right stereo signals. The jacks are normalled such that a single mono source in the left jack is simply copied to the right. Alternatively, two discrete mono sources can also share a channel (see \u003cstrong\u003eXFADE\u003c\/strong\u003e). These AC-coupled coupled inputs accept typical eurorack-level audio signals, as well as line-level audio signals when boosted using the channel’s \u003cstrong\u003eGAIN\u003c\/strong\u003e control.\u003c\/p\u003e\n\u003cp\u003eThe four jacks directly below each pair of audio inputs are CV inputs, which allow for voltage control of the channel parameters. \u003cstrong\u003eVOL\u003c\/strong\u003e affects the volume within a range of 0 to +5V. By default, this control voltage input is biased by the fader position (summed), but in VCA mode it is attenuated by the fader (see Jumper Settings). \u003cstrong\u003eBAL\u003c\/strong\u003e affects the channel balance within a range of -5V to 5V (even with \u003cstrong\u003eXFADE\u003c\/strong\u003e enabled), while \u003cstrong\u003eFX1\u003c\/strong\u003e and \u003cstrong\u003eFX2\u003c\/strong\u003e affect their respective send levels within a range of 0 to +5V. These latter three control voltage inputs are all biased by their knob positions.\u003c\/p\u003e\n\u003cdiv class=\"wp-block-spacer\"\u003e \u003c\/div\u003e\n\u003ch3 class=\"wp-block-heading\"\u003e\n\u003cstrong\u003eChannel Control\u003c\/strong\u003e\u003cstrong\u003es\u003c\/strong\u003e\n\u003c\/h3\u003e\n\u003cp\u003eThe \u003cstrong\u003eGAIN\u003c\/strong\u003e parameter is used to boost the channel’s input signal(s) up to +15 dB if necessary. Most eurorack audio sources may only need a small amount of gain, whereas line-level signals may require turning the knob up to the \u003cstrong\u003eLINE\u003c\/strong\u003e position. The red \u003cstrong\u003ePK\u003c\/strong\u003e (peak) indicator will illuminate just before either input signal becomes audibly distorted. For a clean mix, best practice is to set the \u003cstrong\u003eGAIN\u003c\/strong\u003e such that only loud transients trigger the \u003cstrong\u003ePK\u003c\/strong\u003e LED.\u003c\/p\u003e\n\u003cp\u003eThe \u003cstrong\u003eBAL\u003c\/strong\u003e parameter adjusts the balance of the channel’s two input signals, and behaves much like a pan control, especially with a mono input signal. Control of the parameter is not linear, but instead implements a curve according to the -4.5 dB pan law. This yields a more natural sounding stereo panning.\u003c\/p\u003e\n\u003cp\u003eWhen the blue \u003cstrong\u003eXFADE\u003c\/strong\u003e button is engaged, the channel is configured in dual-mono mode. Both channel input signals are positioned to stereo center, and the \u003cstrong\u003eBAL\u003c\/strong\u003e parameter acts as a mono crossfader balancing the two signal levels. Signals that do not need stereo panning can then be doubled-up on a single channel, such as kick and snare drum, two different bass sounds, etc.\u003c\/p\u003e\n\u003cp\u003eThe \u003cstrong\u003eVOL\u003c\/strong\u003e parameter adjusts the channel volume, and is also commonly referred to as the channel fader. Its 45mm vertical slider has a linear volume response for smooth fade ins and outs, with an entirely usable range. The brightness of the white LED indicates the volume position, and is of course responsive to incoming CV.\u003c\/p\u003e\n\u003cp\u003eNext to the volume control is a 5-segment \u003cstrong\u003eVU METER\u003c\/strong\u003e to help visualize signal level and dynamics. The meter is affected by both left and right channel signals. And although it does behave according to a decibel scale, the meter is intentionally biased upward for better resolution when comparing relative channel levels. By default, the \u003cstrong\u003eVU METER\u003c\/strong\u003e is post-fader, meaning it is affected by volume adjustments, but can optionally be configured pre-fader (see Jumper Settings).\u003c\/p\u003e\n\u003cp\u003eThe red \u003cstrong\u003eMUTE\u003c\/strong\u003e button, when activated, will effectively silence the channel with up to -93 dB of normal signal attenuation. Its electronically latching circuit is completely VCA-based with a very fast on\/off slew, eliminating any clicks or pops when muting or unmuting the channel.\u003c\/p\u003e\n\u003cp\u003eThe channel’s two gray knobs, \u003cstrong\u003eFX1\u003c\/strong\u003e and \u003cstrong\u003eFX2\u003c\/strong\u003e, are independent stereo effects sends. Using these parameters, an adjustable amount of the channel signal can be sent to the two shared effects busses \u003cstrong\u003eFX SND 1\u003c\/strong\u003e and \u003cstrong\u003eFX SND 2\u003c\/strong\u003e, which are commonly used for time-based effects such as delay and reverb. By default, both \u003cstrong\u003eFX1\u003c\/strong\u003e and \u003cstrong\u003eFX2\u003c\/strong\u003e are post-fader sends, meaning the amount of sent signal is also affected by the channel’s volume position. However, \u003cstrong\u003eFX1\u003c\/strong\u003e can be configured pre-fader (see Jumper Settings) to achieve a more than 50% wet mix of effect versus dry signal.\u003c\/p\u003e\n\u003cp\u003eThe \u003cstrong\u003eAB\u003c\/strong\u003e switch assigns the channel output to one or both main output mix busses. In the leftmost and rightmost positions, the channel is routed to only one of the two busses, either A or B. In the middle position however, the channel is routed to both simultaneously, allowing for parallel processing, AFL monitoring (after fade listen), and other creative uses.\u003c\/p\u003e\n\u003cdiv class=\"wp-block-spacer\"\u003e \u003c\/div\u003e\n\u003ch3 class=\"wp-block-heading\"\u003e\u003cstrong\u003eMix Outputs \u0026amp; FX I\/O\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eXcelon’s two aforementioned output mix busses are available at the pairs of jacks \u003cstrong\u003eMIX OUT A\u003c\/strong\u003e and \u003cstrong\u003eMIX OUT B\u003c\/strong\u003e. These eurorack-level stereo outputs can be patched and processed separately before reaching an output module like \u003ca href=\"https:\/\/boredbrainmusic.com\/product\/monitr\/\"\u003eMonitr\u003c\/a\u003e. Such processing modules may include stereo equalizers like \u003ca href=\"https:\/\/boredbrainmusic.com\/product\/eqx5\/\"\u003eEQx5\u003c\/a\u003e, filters, compressors, limiters, crossfaders, etc.\u003c\/p\u003e\n\u003cp\u003eThe two pairs of output jacks \u003cstrong\u003eFX SND 1\u003c\/strong\u003e and \u003cstrong\u003eFX SND 2\u003c\/strong\u003e contain eurorack-level stereo submixes created with the effects sends controls of all channels. As previously mentioned, these are commonly patched into reverb and delay, but may also be used for other purposes like creating headphone mixes. If only the left output jack of \u003cstrong\u003eFX SND 1\u003c\/strong\u003e or \u003cstrong\u003eFX SND 2\u003c\/strong\u003e is used, any signals on the right side will be summed with the left so they are not lost.\u003c\/p\u003e\n\u003cp\u003eThe two pairs of input jacks \u003cstrong\u003eFX RTN 1\u003c\/strong\u003e and \u003cstrong\u003eFX RTN 2\u003c\/strong\u003e are dedicated stereo effects returns, where the output signals of effects can return to the mixer. Each return has its own manual level control, \u003cstrong\u003eRTN 1\u003c\/strong\u003e and \u003cstrong\u003eRTN 2\u003c\/strong\u003e, and CV input directly above. The CV inputs affect levels within a range of 0 to +5V and are biased by their knob positions. Additionally, the two returns share an \u003cstrong\u003eAB\u003c\/strong\u003e switch to assign them to either or both mix busses.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eNOTE\u003c\/strong\u003e: The effects returns can be used alternatively as extra stereo inputs.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e \u003c\/em\u003e\u003c\/p\u003e\n\u003cdiv class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"\u003e\n\u003ch3 class=\"wp-block-heading\"\u003e\u003cstrong\u003eChannel Expansion\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eXcelon has two expansion ports to optionally add more channels to the system. These 16-pin ports are labeled \u003cstrong\u003eEXPANDER 1\u003c\/strong\u003e and \u003cstrong\u003eEXPANDER 2\u003c\/strong\u003e and can be found on the the back of the module. Expander modules connected to these ports, such as \u003ca href=\"https:\/\/boredbrainmusic.com\/product\/xcelon-xp3\"\u003eXcelon XP3\u003c\/a\u003e, will have access to the two stereo mix busses and two stereo effects send busses. It may be possible to connect more than two channel expanders using a flying bus cable, but low noise performance cannot be guaranteed.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eIMPORTANT\u003c\/strong\u003e: The expander ports should \u003cstrong\u003eNOT\u003c\/strong\u003e be connected to a eurorack power bus or damage to the module(s) can occur.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e \u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"\u003e \u003cimg alt=\"xcelon-xp3.jpg\" class=\"__mce_add_custom__\" height=\"800\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1001\/4221\/9542\/files\/xcelon-xp3.jpg?v=1784247486\" title=\"xcelon-xp3.jpg\" width=\"793\"\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"\u003e\n\u003ch3 class=\"wp-block-heading\"\u003e\u003cstrong\u003eDirect Outputs\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eThe module is also equipped with several direct output ports to access individual channel signals for multi-track recording. Each bank of three stereo channels has two direct output ports, \u003cstrong\u003ePRE\u003c\/strong\u003e and \u003cstrong\u003ePOST, \u003c\/strong\u003eto tap the channel signals either before or after the volume faders. An additional port provides direct access to the two stereo returns and mix A.\u003c\/p\u003e\n\u003cp\u003eThese groupings of six signals are connected using an 8-pin cable to the optional direct output modules, Xcelon TRS and Xcelon DB25 (TBA), for balanced line outputs. They can be mixed and matched in any order, and both the \u003cstrong\u003ePRE\u003c\/strong\u003e and \u003cstrong\u003ePOST\u003c\/strong\u003e direct outputs for a bank of channels can be used simultaneously. This leaves the door open for future expansion such as dedicated cue monitoring and additional effects sends.\u003c\/p\u003e\n\u003cdiv class=\"wp-block-spacer\"\u003e \u003c\/div\u003e\n\u003ch3 class=\"wp-block-heading\"\u003e\u003cstrong\u003eJumper Settings\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eEach channel has three custom settings found on the back of the module, which are configured using one or more jumpers.\u003c\/p\u003e\n\u003ctable class=\"has-fixed-layout\"\u003e\n\u003cthead\u003e\n\u003ctr\u003e\n\u003cth class=\"has-text-align-center\" data-align=\"center\"\u003eVU METER\u003c\/th\u003e\n\u003cth\u003e1 jumper\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"has-text-align-center\" data-align=\"center\"\u003e\n\u003cstrong\u003ePOST\u003c\/strong\u003e\u003cbr\u003e(default)\u003c\/td\u003e\n\u003ctd\u003eMeter is affected by the channel volume\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"has-text-align-center\" data-align=\"center\"\u003e\u003cstrong\u003ePRE\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eMeter is not affected by the channel volume\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003e\u003cem\u003ePRE is very common on DJ mixers, and is useful for adjusting the gain and visually identifying a signal before bringing it into the mix.\u003c\/em\u003e\u003c\/p\u003e\n\u003ctable class=\"has-fixed-layout\"\u003e\n\u003cthead\u003e\n\u003ctr\u003e\n\u003cth class=\"has-text-align-center\" data-align=\"center\"\u003eFX SND1\u003c\/th\u003e\n\u003cth\u003e2 jumpers\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"has-text-align-center\" data-align=\"center\"\u003e\n\u003cstrong\u003ePOST\u003c\/strong\u003e\u003cbr\u003e(default)\u003c\/td\u003e\n\u003ctd\u003eSent signal is affected by the channel volume\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"has-text-align-center\" data-align=\"center\"\u003e\u003cstrong\u003ePRE\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eSent signal is not affected by the channel volume\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003e\u003cem\u003e\u003cem\u003ePRE is useful (and necessary) to get a very washed-out effect where the effects mix is more than 50% wet.\u003c\/em\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003ctable class=\"has-fixed-layout\"\u003e\n\u003cthead\u003e\n\u003ctr\u003e\n\u003cth class=\"has-text-align-center\" data-align=\"center\"\u003eVOL CV\u003c\/th\u003e\n\u003cth\u003e3 jumpers (or 2)\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"has-text-align-center\" data-align=\"center\"\u003e\n\u003cstrong\u003eMOD\u003c\/strong\u003e\u003cbr\u003e(default)\u003c\/td\u003e\n\u003ctd\u003eCV modulates volume with fader bias\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"has-text-align-center\" data-align=\"center\"\u003e\u003cstrong\u003eVCA\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eCV replaces bias voltage and fader attenuates\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003e\u003cem\u003eVCA allows the volume circuit to be used as the final VCA in a patch, saving space and modules. Simply patch an envelope into the \u003cstrong\u003eVOL\u003c\/strong\u003e CV input, and use the fader to adjust the level.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch4 class=\"wp-block-heading\"\u003etechnical specs\u003c\/h4\u003e\n\u003cul class=\"specs\"\u003e\n\u003cli\u003e\n\u003cstrong\u003eAudio Inputs:\u003c\/strong\u003e 16 x 3.5 mm jacks (8 stereo pairs)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAudio Outputs:\u003c\/strong\u003e 8 x 3.5 mm jacks (4 stereo pairs)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCV Inputs:\u003c\/strong\u003e 26 x 3.5 mm jacks\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eInput Impedance:\u003c\/strong\u003e 100 kΩ\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eChannel Input Gain:\u003c\/strong\u003e +15 dB\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWidth:\u003c\/strong\u003e 48 HP\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDepth:\u003c\/strong\u003e 1.5 in (38 mm)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 24 oz (680 g)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePower:\u003c\/strong\u003e +12 V 395 mA (470 max), -12 V 320 mA\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4 class=\"wp-block-heading\"\u003emix tips\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eGAIN FOR PERFORMANCE\u003c\/strong\u003e\u003cstrong\u003e \u003c\/strong\u003e– A useful tip for performance is to set each GAIN such that your mix sounds correct with all the faders up or at the same position. Now returning to a “balanced” mix is as simple moving faders back to the same position.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAUDIO VCA PATCH\u003c\/strong\u003e – Save space in a case for live performance or save VCAs for other purposes by using the VCA mode jumper setting for VOL CV. This allows a typical envelope to be fed into the CV input, and the overall volume can still be adjusted normally.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e100% WET FX\u003c\/strong\u003e – If mix bus B is unused or not monitored, any channel can have a fully wet FX mix (no dry signal), even with rear jumpers set to POST. Just assign the channel to mix B (essentially muting it), be sure the FX return is assigned to mix A, and turn up the FX send of the channel.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eXFADE MUTATION\u003c\/strong\u003e – The XFADE feature can be used to “mutate” a sound, crossfading between to similar sounds or waveforms. This is especially interesting when modulating with a rapidly changing CV signal.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFX RETURNS MUTE\u003c\/strong\u003e – Although the FX returns do not have mute buttons, the AB switch can be used to quickly remove them from either the A or B mix, which is still very effective during a live mix.\u003c\/p\u003e\n\u003cp\u003e \u003cimg alt=\"xcelon-channel-wireframe-v1.0.png\" class=\"__mce_add_custom__\" height=\"600\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1001\/4221\/9542\/files\/xcelon-channel-wireframe-v1.0_c1e3410a-ec10-44f4-a0aa-a1c54448c792.png?v=1784247490\" title=\"xcelon-channel-wireframe-v1.0.png\" width=\"277\"\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Boredbrain","offers":[{"title":"Default Title","offer_id":51570016616726,"sku":null,"price":949.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1001\/4221\/9542\/files\/xcelon__78437.1701480422.1280.1280.jpg?v=1784247499"},{"product_id":"instruo-dapf","title":"Instruo dapf","description":"\u003cp class=\"p1\"\u003eIntroducing dåpf, the first dedicated effects processor in the Instruō product line. The Instruō dåpf is a set of two analogue all-pass filters.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eYou might be asking yourself, “What is the point of a filter that passes everything?” All-pass filters don’t actually attenuate frequency amplitudes directly but rather alter the phase relationship of frequencies across the spectrum. All-pass filter stages appear in the vast majority of voltage-controlled filter topologies as well as serving as a core building block within DSP.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe normalled I\/O of dåpf allows for cascaded or independent use of the two all-pass filter circuits, offering everything from classic phase-shifting to psychoacoustic stereo enhancement and synthetic Doppler effect.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan\u003edåpf \u003c\/span\u003e\u003cspan\u003e|\u003c\/span\u003e\u003cspan\u003e (acronym) \u003c\/span\u003eDual All-pass Filter\u003c\/p\u003e\n\u003ch2\u003e\u003ca href=\"https:\/\/www.instruomodular.com\/wp-content\/uploads\/2024\/02\/dapf-Manual.pdf\"\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003eMANUAL\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/a\u003e\u003c\/h2\u003e\n\u003ch2\u003eDescription\u003c\/h2\u003e\n\u003ch3\u003e\u003cspan\u003eSize\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e4HP\u003cbr\u003eDepth: 30mm\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan class=\"s1\"\u003ePower\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cspan class=\"s1\"\u003e+12V: 60mA\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003e–12V: 60mA\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3 class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eFeatures\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli class=\"p1\"\u003eTwo parallel all-pass filters\u003c\/li\u003e\n\u003cli class=\"p1\"\u003eIndependent attenuverters for voltage control\u003c\/li\u003e\n\u003cli class=\"p1\"\u003e1-Pole\/2-Pole configuration for left channel\u003c\/li\u003e\n\u003cli class=\"p1\"\u003eCascaded normalisation\u003c\/li\u003e\n\u003cli class=\"p1\"\u003eGlobal 1 volt per octave tracking\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Instruō","offers":[{"title":"Default Title","offer_id":51570018517270,"sku":null,"price":235.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1001\/4221\/9542\/files\/dapf__32365.1708483280.1280.1280.jpg?v=1784247658"},{"product_id":"erica-synths-drum-stereo-fx","title":"Erica Synths Drum Stereo FX","description":"\u003cdiv class=\"article-body mt-3\"\u003eThe STEREO FX module brings hi-fi stereo effects into the Erica Synths Drum Series. Based on our new DSP engine, the module provides a wide range of custom delay and reverb effects. CV control over various parameters and the ability to save up to 10 presets will make this module an integral part of any performance rack.\u003c\/div\u003e\n\u003cdiv class=\"article-body mt-3 mb-3\"\u003e\n\u003ch3\u003eFeatures\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eHi-Fi stereo FX module\u003c\/li\u003e\n\u003cli\u003e3 delay and 3 reverb effects\u003c\/li\u003e\n\u003cli\u003eTap and clock synchronization of delay time\u003c\/li\u003e\n\u003cli\u003eDelay time divisions and multiplications in sync mode\u003c\/li\u003e\n\u003cli\u003e10 preset patches\u003c\/li\u003e\n\u003cli\u003eCV control over delay time, feedback, and preset selection\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"article-body mt-3\"\u003e \u003c\/div\u003e\n\u003cdiv class=\"article-body mt-3\"\u003e\n\u003cp\u003eThe FX is developed in collaboration with the Dutch company \u003ca href=\"https:\/\/www.112db.com\/\"\u003e112dB\u003c\/a\u003e which offers some of the best-sounding VST instruments.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTechnical specifications:\u003c\/span\u003e\u003c\/p\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eAudio input level\u003c\/td\u003e\n\u003ctd\u003e-5V – +5V\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eDelay time\u003c\/td\u003e\n\u003ctd\u003e3ms – 3s\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eCV level (full span)\u003c\/td\u003e\n\u003ctd\u003e-5 – +5V\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003ePower consumption\u003c\/td\u003e\n\u003ctd\u003e+123mA, -40mA\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eModule width\u003c\/td\u003e\n\u003ctd\u003e10HP\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eModule depth\u003c\/td\u003e\n\u003ctd\u003e35mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cdiv class=\"title\"\u003e\n\u003ca href=\"https:\/\/www.ericasynths.lv\/media\/Stereo_FX_manual.pdf\"\u003eUser manual\u003c\/a\u003e — Dec. 14, 2023\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul class=\"list-unstyled\"\u003e\n\u003cli\u003e\n\u003cdiv class=\"title\"\u003e\n\u003ca href=\"https:\/\/www.ericasynths.lv\/media\/stereo-fx_1.1.wav\"\u003eStereo FX 1.1 Firmware\u003c\/a\u003e — Feb. 28, 2024\u003c\/div\u003e\n\u003cdiv class=\"description\"\u003eAudio bootloader file for the Stereo FX module\u003c\/div\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Erica Synths","offers":[{"title":"Default Title","offer_id":51570019139862,"sku":null,"price":359.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1001\/4221\/9542\/files\/drum_stereo_fx__03514.1710881685.1280.1280.jpg?v=1784247711"},{"product_id":"worng-electronics-sidecar","title":"WORNG Electronics SIDECAR Pre-Order","description":"\u003cp class=\"lead wrap\"\u003eErgonomic VCA with mixing\u003c\/p\u003e\n\u003cp\u003eSideCar from WORNG Electronics is a six channel mixing VCA (4x mono, 2x stereo) with 45mm faders and proprietary CV shaping circuitry to deliver high resolution level control, punchy envelope response, and improved headroom.\u003c\/p\u003e\n\u003cp\u003eSideCar is designed to give you a proper mixing experience, letting you craft proper detailed mixes from within your Eurorack system like never before. We designed SideCar with a 'less-is-more' approach to enable you to just get premium level control with a clean and usable interface without trying to cram the interface full of features, giving you a high quality, truely modular building block for your modular system.\u003c\/p\u003e\n\u003cp\u003eThe inputs and outputs cascade for use as a mixer or for ease of more complicated patching, SideCar is also the perfect accompaniment for a SoundStage or Jumble Henge to add level control to your favourite spectral mixer.\u003c\/p\u003e\n\u003cp\u003e18 HP\u003c\/p\u003e\n\u003cp\u003e25 mm deep\u003c\/p\u003e\n\u003cp\u003e72 mA +12V\u003c\/p\u003e\n\u003cp\u003e72 mA -12V\u003c\/p\u003e\n\u003cp\u003e0 mA 5V\u003c\/p\u003e","brand":"WORNG Electronics","offers":[{"title":"Default Title","offer_id":51570020942102,"sku":null,"price":389.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1001\/4221\/9542\/files\/sidecar__20301.1715896718.1280.1280.jpg?v=1784247825"},{"product_id":"divkid-manic","title":"Divkid Manic Pre-Order","description":"\u003cp\u003e\u003cspan\u003eAn Apollo View Modular \u0026amp; DivKid collaboration\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eManic introduces an exploration of dual channel mono, mono to stereo or true stereo modulation and sound shaping within a sleek 8HP module designed for both creative freedom and technical precision. Each channel offers precision linear VCA functionality with traditional unipolar amplitude control or bipolar behaviour for complex ring modulation effects. While we all need more VCAs! The secret sauce lies in the post VCA shape outputs.\u003c\/p\u003e\n\u003cp\u003eThe Shape1 output features TanH soft clipping and Serge-style wavefolding, while Shape2 boasts hard clipping alongside a Buchla-style wavefolder. The contrasting topologies between the left and right channels unlock dynamic stereo widening effects, making the stereo image both expansive and mesmerising. While the circuits are different they have been tweaked to provide variance for creating stereo images from mono sources while also working with stereo inputs for a balanced, yet enhanced stereo spread.\u003c\/p\u003e\n\u003cp\u003eDesigned to excel with both audio and CV signals, Manic effortlessly processes incoming signals for a broad spectrum of uses. The intuitive layout ensures immediate hands on control making it ideal for live performance and studio experimentation.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFEATURES\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eA collaborative design from both DivKid \u0026amp; Apollo View Modular\u003c\/li\u003e\n\u003cli\u003eSelectable unipolar or bipolar VCA circuitry per channel\u003c\/li\u003e\n\u003cli\u003eThree distinct shape outputs per channel: Inverted, Clipped, and Wavefolding\u003c\/li\u003e\n\u003cli\u003eTanH soft clipping \u0026amp; hard clipping\u003c\/li\u003e\n\u003cli\u003eSerge style wavefolding \u0026amp; Buchla style wavefolding\u003c\/li\u003e\n\u003cli\u003eStereo operation with perfectly matched gains for the clipping and wavefolding circuits, creating a stunning stereo widening effect.\u003c\/li\u003e\n\u003cli\u003eDC-coupled signal path for processing both audio and CV signals.\u003c\/li\u003e\n\u003cli\u003eInput and modulation normalisations for simple mono to stereo operation\u003c\/li\u003e\n\u003cli\u003eFlexible signal flow allows for creative combinations, such as ring modulation into clipping or wavefolding.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan\u003eSPECS\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e8HP\u003c\/li\u003e\n\u003cli\u003e30mm depth\u003c\/li\u003e\n\u003cli\u003e+12V 180mA -12V 135mA\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Divkid","offers":[{"title":"Default Title","offer_id":51570021138710,"sku":null,"price":359.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1001\/4221\/9542\/files\/Manic__78223.1715916156.1280.1280.jpg?v=1784247833"},{"product_id":"buchla-tiptop-audio-programmable-complex-waveform-generator-259t","title":"Buchla \u0026 Tiptop Audio Programmable Complex Waveform Generator 259t","description":"\u003cp\u003e\u003cspan\u003eArriving soon. Pre-Order now!!!\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePROGRAMMABLE COMPLEX WAVEFORM GENERATOR MODEL 259T\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eOscillators There are two oscillators: Modulation and Principal, both oscillators can be manually tuned via CV or Autotuned via ART.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eEach oscillator has multiple outputs.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe Modulation Oscillator has a fixed Triangle waveform and a toggle selectable Signal output which can be a Triangle, Square or Sawtooth waveshape. It can be switched from LFO (Low-Frequency Oscillator) mode to a high audio-rate oscillator. Additionally, it can be configured to receive incoming 1V\/OCT or ART signals. A CV output is also available for the Modulation oscillator.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe Principal Oscillator has three audio outputs: a fixed Sine wave, a fixed Square wave and a Final output which provides infinite complex waveforms via the Timbre and Harmonics sections. The Principal Oscillator runs at audio rate but its frequency range can be driven higher or lower with CV. It can also be switched from 1V\/OCT to ART.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBoth oscillators have a large Frequency control knob with a range of about 27.5hz which is the lowest A0 pitch on a piano up approximately 8 octaves to about 7040hz or A8 and octave above the highest A on a piano. The frequency figures surrounding the Frequency knob are approximate, not precise. As mentioned before their frequency ranges can be driven higher or lower with CV. There is also a fine tune knob which covers a range of about an interval of a fifth. Both oscillators have two CV inputs. The one with an attenuverter can add or invert the incoming CV. The one marked Keyboard or ART can toggle to Keyboard mode which use 1V\/OCT, or to ART. Both oscillators can receive Audio FM and the amount of FM will be determined with the attenuator.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn Timbre\/Harmonics section there are 3 wave shapers in that section and the knobs allow us to cross fade between their outputs and the VCO sine wave. The wave shapers are: Wave Folder Sawtooth M shape (can be consider as square) The Order knobs cross fade between wave folder and \/ sawtooth and M shape. It is the final cross fade before the output. When the Order is fully CCW the output is the wave folder and in that case the Timbre knob is the folding control and Symmetry adds DC to the audio entering the folder thus altering its folding further to be asymmetric. When Order is fully CW, timbre cross fade between the VCO sine wave and another cross fader of the sawtooth\/M shape that is controlled by the Symmetry knob.    Yes there are tons of cross fades on this module and they are in series. Since Order and Symmetry don’t have attenuators on their CV input this is good opportunity to use a 257t to process CV before going to these inputs for more subtle control.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFrom the original manual: “These three waveshape controls have a tremendous eect on the Final output signal and should be experimented with to discover the wide range of timbres this oscillator can produce before any signal processing.”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe Middle Modulation Section Looking at the functions from the top down: Phase Lock: the audio input jack has an attenuator pot which phase locks the frequency of this oscillator with the frequency of the input signal. If the frequency of the input signal is close to or lower than that of the oscillator it will cause the oscillator to “lock” onto the frequency of the input signal. If the input has a higher frequency the oscillator will “lock” onto the nearest subharmonic of the input frequency. This can be used to eliminate beating between two oscillators tuned in unison, octaves or harmonics. In the Modulation section the switches are internal connections from Modulation oscillator to the Principal oscillator FM, Timbre section and Amplitude modulation. The Amplitude switch set to the right has no eect. When switched to the left it will Amplitude Modulate the Principal oscillator with the Modulation oscillator as determined by the Mod Index setting of the attenuverter. Likewise the Pitch (Frequency Modulation) switch set to the left engages its modulation. Timbre Modulation is unique to this oscillator’s design and modulates the Timbre when set to the left. Experiment with combining these modulation function in conjunction with the Mod Index attenuverter.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePITCH CONTROL WITH ART The pitch of the 259t oscillators can be controlled manually with 1V\/OCT CV or automatically for higher note accuracy using the module's internal Autotune, activated by the ART switch. Please note that when set to ART, the CV FM inputs are disabled, while audio FM and all other inputs remain enabled. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTo demonstrate the use of ART, we will use Tiptop Audio’s Octopus ART module, though any other module that outputs ART, such as ART V\/OCT, Model 264t, etc., can be used in the same manner. To activate the Autotuning for the first time, the module needs to learn the environment it is in, this process is called INITIAL TUNING. INITIAL TUNING When the module is fully warmed up (after about 30-40 minutes inside the case), patch the ART1 output from the Octopus to both ART input jacks on the 259t. You can use a Stackcable\/mult or connect directly each oscilator from the ART1 and ART2 outputs on the Octopus. (Make sure both oscillators are set to ART). Now, hold down the AUTO TUNE button on the Octopus until the display shows the \"INT TUNE\" message, then release the button. At this point, the 259t will start to tune itself. The LED will first turn o and then start blinking as it tunes the first oscillator. Once the first oscillator finishes, the second oscillator will start tuning. Wait until the LED turns solid red on both oscillators. This process can take anywhere from several seconds to several minutes. Do not interrupt the process. Once complete, the 259t can be used normally and will only need quick Auto Tuning from time to time. The Initial Tuning procedure is recommended when the 259t is moved to a new case or environment, or if regular Auto Tuning (see later in the manual) takes a long time.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAuto Tuning There are two dierent tuning options: Auto Tune and Initial Tune. We have already covered Initial Tune above. Auto Tune is performed periodically to correct tuning to the current environment. It can be done often and is recommended when the system is already warm. Sending an Auto Tune command from the ART source module or by holding down the ART switch on the 259t will initiate Auto Tune. The ART lights will turn o, start flashing, and then become solid once tuning is done. It is recommended yet not mandtory to perform Auto Tuning occasionally to keep the oscillators in precise tuning. If Auto Tuning takes longer than 3-4 minutes, it is recommended to perform a new INITIAL TUNING. None of these tuning procedures are destructive.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTRIMMERS There are five trimmers on the 259t. All are factory-set and rarely need to be re-adjusted. TR1 and TR4 set the 1V\/OCT tracking of the oscillators: TR1 for the modulator and TR4 for the principal oscillator. Adjusting these trimmers will aect the 1V\/OCT scaling and ART tuning. If you make any adjustments, be sure to perform a new INITIAL TUNING in ART mode. The other three trimmers adjust the principal oscillator's sine wave shape and gain. To readjust, start with TR5, then move to TR2, going back and forth between them. Once the sine wave looks good, adjust the gain using TR3. FIRMWARE UPDATE The MCU in the 259t is responsible for handling the Autotuning, some LEDs, and switches and can be updated with new firmware. To check the currently installed firmware, observe the modulator RANGE lights immediately after powering up; their order represents the firmware version. Compare this with the version listed on the 259t page on the Tiptop Audio website.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe 259t has an SD card slot on the rear circuit board, which is used for firmware updates. Use an MSDOS FAT32 formatted card for the update. 1 Download the firmware update file from the 259t webpage and unzip it. The file will be named image.hex. 2 Copy the file to the SD card. 3 Power o the case containing the 259t, remove the module from the case (keep the power cable attached!), and gently insert the SD card into the metal socket. 4 Hold down the principal ART switch button and power on the case. When the LED flashes, release the button. Once the update is complete, the 259t will run the updated firmware.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan\u003e34 HP\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e260 mA +12V\u003c\/p\u003e\n\u003cp\u003e105 mA -12V\u003c\/p\u003e\n\u003cp\u003e0 mA 5V\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eManual\u003c\/span\u003e\u003cspan\u003e: \u003c\/span\u003e\u003ca href=\"https:\/\/tiptopaudio.com\/manuals\/Buchla_\u0026amp;_Tiptop_Audio_259t.pdf\" rel=\"noopener\" target=\"_blank\"\u003edownload\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Buchla \u0026 Tiptop Audio","offers":[{"title":"Default Title","offer_id":51570021957910,"sku":null,"price":559.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1001\/4221\/9542\/files\/259t__53942.1719333598.1280.1280.jpg?v=1784247930"},{"product_id":"qubit-electronix-stardust","title":"Qubit Electronix Stardust Pre-Order","description":"\u003cdiv class=\"ProductItem-details-excerpt ProductItem-details-excerpt-below-price\" data-content-field=\"excerpt\" id=\"yui_3_17_2_1_1733517098112_185\"\u003e\n\u003cp data-rte-preserve-empty=\"true\"\u003e\u003cspan\u003eLooping in Retrograde\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-rte-preserve-empty=\"true\"\u003eMeet Stardust, a cosmic tape looper. Much like the cacophony of galaxies, supernovas, and stars we find in our own celestial canvas, Stardust captures layers of audio to construct new sonic imagery, and finds ways to take the esoteric, and make it concrète.\u003c\/p\u003e\n\u003cp data-rte-preserve-empty=\"true\"\u003eThe foundation of Stardust is a stereo looper with all the essential controls to record and manipulate sound, while supporting click-less looping transitions, an ultra-low noise floor, and high-fidelity audio hardware. However, getting the perfect loop is only half of the equation - Stardust also focuses on the texture and vibe of your recordings. Dial in nostalgic warmth with wow \u0026amp; flutter \/ tape hiss controls, or take Stardust to new horizons with out-of-this-world DSP effects. And, much like the tape-machines of yore, Stardust can splice and rearrange its loops at the twist of a knob.\u003c\/p\u003e\n\u003cp data-rte-preserve-empty=\"true\"\u003eWith an impressive set of front panel controls, the ability to save, recall, or export recordings, load samples via an included USB flash drive, and a host of configurable settings via our web editor Narwhal, Stardust is an all-encompassing looper device. Reach out into the vast unknown, one overdub at a time.\u003c\/p\u003e\n\u003cul data-rte-list=\"true\"\u003e\n\u003cli\u003e\n\u003cp data-rte-preserve-empty=\"true\"\u003eCosmic stereo tape looper\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp data-rte-preserve-empty=\"true\"\u003eClick-less, minutes long looping with 4 Loop Modes: Sound on Sound, Replace, Frippertronics, and Resample\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp data-rte-preserve-empty=\"true\"\u003eHigh-Fidelity Audio: 48kHz, 32-bit internal, 24-bit hardware, ultra-low noise floor\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp data-rte-preserve-empty=\"true\"\u003eSave, recall, import and export recordings via USB drive\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp data-rte-preserve-empty=\"true\"\u003eWow \u0026amp; Flutter, Tape Hiss, Vintage Saturation, Reverb, and other DSP effects onboard\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp data-rte-preserve-empty=\"true\"\u003eBuilt on the Daisy platform for continued official updates, and community firmware hacking\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-rte-preserve-empty=\"true\"\u003e\u003ca href=\"https:\/\/www.qubitelectronix.com\/s\/QB_Stardust_v1-0-2-ndfg.pdf\" target=\"_blank\"\u003e\u003cspan\u003e\u003cspan style=\"text-decoration: underline;\"\u003eDownload the Manual\u003c\/span\u003e\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp data-rte-preserve-empty=\"true\"\u003e\u003ca href=\"https:\/\/narwhal.qubitelectronix.com\/\" target=\"_blank\"\u003e\u003cspan\u003e\u003cspan style=\"text-decoration: underline;\"\u003eNarwhal: Configurable Settings\u003c\/span\u003e\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp data-rte-preserve-empty=\"true\"\u003e\u003cspan\u003eTech Specs\u003c\/span\u003e\u003c\/p\u003e\n\u003cul data-rte-list=\"true\"\u003e\n\u003cli\u003e\n\u003cp data-rte-preserve-empty=\"true\"\u003eWidth: 18HP\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp data-rte-preserve-empty=\"true\"\u003eDepth: 22mm\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp data-rte-preserve-empty=\"true\"\u003ePower Consumption: +12V=170mA, -12V=15mA, +5V=0mA\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ProductItem-quantity-add-to-cart\"\u003e \u003c\/div\u003e","brand":"Qu-Bit Electronix","offers":[{"title":"Default Title","offer_id":51570025562390,"sku":null,"price":499.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1001\/4221\/9542\/files\/Stardust__72854.1733517276.1280.1280.jpg?v=1784248317"},{"product_id":"intellijel-multigrain","title":"Intellijel Multigrain Pre-Order","description":"\u003cp class=\"lead wrap\"\u003eStereo Morphing Granular Sampler\u003c\/p\u003e\n\u003cp\u003eMultigrain is an eight-channel stereo morphing granular sampler. Layer grains and sequence from the eight available Sounds—each one loaded from your microSD sample library, or recorded directly on the module. Each of the eight Sound Buttons plays grains generated from its own sample, and its own pair of Scenes—two completely different sets of granular parameters; a dedicated Morphing Fader and CV allow you to smoothly morph between these two Scenes. Dedicated Select, Next and Gate CV inputs allow you to sequence the playback of all eight Sounds.\u003c\/p\u003e\n\u003cp\u003eAssignable X\/Y\/Z CV as well as an internal Random S\u0026amp;H generator, can be applied to any and all granular parameters at once. Assignable MOD A\/B Outputs let you modulate other modules in time with Multigrain.\u003c\/p\u003e\n\u003cp\u003eProjects and Presets allow you to save, load, and organize different sets of samples and settings. 48kHz 24-bit Stereo I\/O and 32-bit floating point internal processing for Hi-Fi output.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFeatures\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eEight Sounds available at once — Each Sound can be freely assigned from the MicroSD card or by sampling directly into the module.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eLatch your sound for drones or use unlatched for percussive bursts of sound\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eMorph Sounds between two Scenes — Two individual sets of parameters for each Sound\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e13 Dedicated Granular Parameters — 10 Per-Knob Functions, 3 Behaviour Toggles\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eBuilt-in Per-Sound Pitch Quantizer\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eClock Sync toggle and Input\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eBlur (HiFi Reverb) — Process your grains and L\/R Inputs through a unique reverb\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eSample directly on the module:\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eSample the L\/R Inputs directly or…\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003eResample (internally) the L\/R Outputs to reprocess your new sounds\u003c\/li\u003e\n\u003cli\u003eOptional Normalize feature for maximum dynamic range\u003c\/li\u003e\n\u003cli\u003e32 Second Always-Listening recording buffer : Capture the sounds you thought you missed\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAdvanced Sample Trimming UI built into the module\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eUse dedicated Next, Select and Gate CV to surf or sequence through Sounds\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFour Assignable Channels of Modulation:\u003cbr\u003e-Three Assignable CV inputs\u003cbr\u003e-Internal Random Source\u003cbr\u003e-All are assignable with attenuvertion to any and all parameters at once\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eTwo Freely Assignable 48KHz Modulation Outputs—\u003cbr\u003e-Morph Position\u003cbr\u003e-Grain Trigger\u003cbr\u003e-Grain Envelope\u003cbr\u003e-Envelope follower (Input Signal)\u003cbr\u003e-Envelope follower (Output Signal)\u003cbr\u003e-Random Sample \u0026amp; Hold via Grain Trigger\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003ePlenty of Shortcuts available for advanced users\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e32GB MicroSD Card (Included)\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003eFront Panel accessible \u003c\/li\u003e\n\u003cli\u003eAll settings, presets, and samples are stored on MicroSD\u003c\/li\u003e\n\u003cli\u003eGlobal \/Wavs folder with support for up to 128 globally available WAV files\u003c\/li\u003e\n\u003cli\u003eGlobal \/Recs folder to store up to 1024 Recordings (WAV) made on the module\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eUp to 48 Projects, each \/Project folder supports— Up to 48 Presets, Up to 128 Project specific WAV files\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e48kHz 24-bit Stereo I\/O and 32-bit floating point internal processing\u003cbr\u003e-Supported Sample Format: 48kHz 16-bit Stereo WAV, 32 Second max.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdl\u003e\n\u003cdd\u003e20 HP\u003c\/dd\u003e\n\u003cdd\u003e29 mm deep\u003c\/dd\u003e\n\u003cdd\u003e\u003c\/dd\u003e\n\u003cdd\u003e\u003cdl\u003e\n\u003cdd\u003e130 mA +12V\u003c\/dd\u003e\n\u003cdd\u003e13 mA -12V\u003c\/dd\u003e\n\u003cdd\u003e0 mA 5V\u003c\/dd\u003e\n\u003cdd\u003e\u003c\/dd\u003e\n\u003cdd\u003e\n\u003ctable class=\"intellijel-meta-table\"\u003e\n\u003ctbody\u003e\n\u003ctr class=\"intellijel-meta-manual\"\u003e\n\u003cth colspan=\"2\"\u003eManual\u003c\/th\u003e\n\u003ctd\u003e\n\u003ca href=\"https:\/\/intellijel.com\/downloads\/manuals\/multigrain_manual_v1.1_2025.05.05.pdf\"\u003eManual\u003c\/a\u003e (v1.1 \/ 2025.05.05)\u003cbr\u003e\u003ca href=\"https:\/\/intellijel.com\/downloads\/manuals\/multigrain_manual_v1.0_2025.04.09.pdf\"\u003eManual\u003c\/a\u003e (v1.0 \/ 2025.04.09)\u003cbr\u003e\u003ca href=\"https:\/\/intellijel.com\/downloads\/manuals\/multigrain_sample_guide.pdf\"\u003eSample Guide\u003c\/a\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/dd\u003e\n\u003c\/dl\u003e\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cp\u003e\u003cspan class=\"media-container\"\u003e\u003ciframe allowfullscreen=\"\" data-gtm-yt-inspected-10=\"true\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/SqzpPOVFghE?enablejsapi=1\u0026amp;color=white\u0026amp;rel=0\" width=\"640\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan class=\"media-container\"\u003e\u003ciframe allowfullscreen=\"\" data-gtm-yt-inspected-10=\"true\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/y7UDXtO51gY?enablejsapi=1\u0026amp;color=white\u0026amp;rel=0\" width=\"640\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Intellijel","offers":[{"title":"Default Title","offer_id":51570035392790,"sku":null,"price":479.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1001\/4221\/9542\/files\/Multigrain__85380.1747288559.1280.1280.jpg?v=1784248878"},{"product_id":"qu-bit-electronix-bloom-v2","title":"Qu-Bit Electronix BLOOM V2 Pre-Order","description":"\u003cdiv class=\"ProductItem-details-excerpt ProductItem-details-excerpt-below-price\" data-content-field=\"excerpt\" id=\"yui_3_17_2_1_1750286345591_165\"\u003e\n\u003cp data-rte-preserve-empty=\"true\"\u003eInspire new growth in your musical garden with Bloom, a fractal sequencer capable of generating infinitely evolving melodies.\u003c\/p\u003e\n\u003cp data-rte-preserve-empty=\"true\"\u003eIn its latest iteration, Bloom is a powerful 3-channel, 64-step CV and gate sequencer with a plethora of additional features and configurability compared to its predecessor. Apply clock-synced ratchets per step, dial in the Mutation range for random note variation, and even save and recall your Branches with your saved sequence!\u003c\/p\u003e\n\u003cp data-rte-preserve-empty=\"true\"\u003eEach channel now has a new output: Mod! The Mod output is a third, modulation-focused output that stays in sync with your melodic CV and rhythmic Gate outputs. Patch up dubstep-style filter madness, build sequenced amplitude or panning variations into your signal, or send a no-frills LFO that syncs perfectly with your patch!\u003c\/p\u003e\n\u003cp data-rte-preserve-empty=\"true\"\u003eBloom’s roots are grounded in algorithmic variation and probability. Sequences can be dynamically resized and rotated, while notes can receive ornamental musical trills or arpeggios. There are also new probabilistic controls beyond Mutate, including random step muting, ratcheting, and slewing!\u003c\/p\u003e\n\u003cp data-rte-preserve-empty=\"true\"\u003eBloom’s front panel now features a Reseed button, which dice-rolls a whole new sequence for you, as well as a MIDI output that sends all sequence data through a 3.5mm TRS MIDI jack!\u003c\/p\u003e\n\u003cp data-rte-preserve-empty=\"true\"\u003eBeyond the front panel controls, Narwhal brings even greater flexibility to Bloom. Set custom settings, use a full sequence designer interface to import sequences into your Bloom, and so much more.\u003c\/p\u003e\n\u003cp data-rte-preserve-empty=\"true\"\u003ePlant the seeds of your next patch with Bloom.\u003c\/p\u003e\n\u003cul data-rte-list=\"true\"\u003e\n\u003cli\u003e\n\u003cp data-rte-preserve-empty=\"true\"\u003e3-channel, 64-step-per-channel fractal sequencer\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp data-rte-preserve-empty=\"true\"\u003eMod output for sequenced, non-melodic CV modulation\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp data-rte-preserve-empty=\"true\"\u003ePer-step modifiers including ratchets, mutes, slew, trills, and more\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp data-rte-preserve-empty=\"true\"\u003eMIDI out jack to sequence any MIDI-equipped device\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp data-rte-preserve-empty=\"true\"\u003eBased on the Daisy platform\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-rte-preserve-empty=\"true\"\u003e\u003ca href=\"https:\/\/www.qubitelectronix.com\/s\/Bloom-v2-qs-v1-0-3.pdf\" target=\"_blank\"\u003e\u003cspan\u003e\u003cspan style=\"text-decoration: underline;\"\u003eDownload the Quickstart Guide.\u003c\/span\u003e\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp data-rte-preserve-empty=\"true\"\u003e\u003ca href=\"https:\/\/www.qubitelectronix.com\/s\/Bloom-v2-v1-0-2.pdf\" target=\"_blank\"\u003e\u003cspan\u003e\u003cspan style=\"text-decoration: underline;\"\u003eDownload the Manual (v1.0.2)\u003c\/span\u003e\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp data-rte-preserve-empty=\"true\"\u003eTech Specs\u003c\/p\u003e\n\u003cul data-rte-list=\"true\"\u003e\n\u003cli\u003e\n\u003cp data-rte-preserve-empty=\"true\"\u003eWidth: 18HP\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp data-rte-preserve-empty=\"true\"\u003eDepth: 22mm\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp data-rte-preserve-empty=\"true\"\u003ePower Consumption: +12V= 137mA, -12V= 1mA, +5V= 0mA\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Qu-Bit Electronix","offers":[{"title":"Default Title","offer_id":51570035851542,"sku":null,"price":499.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1001\/4221\/9542\/files\/bloom__17102.1750286813.1280.1280.jpg?v=1784248932"},{"product_id":"worng-electronics-vertex","title":"WORNG Electronics Vertex","description":"\u003cp class=\"body\"\u003eVertex is a stereo VCA with some clever tricks up its sleeve to give you more control over the stereo domain. Vertex contains four analogue VCAs configured in such a way as to give you voltage control of the amplitude of a stereo signal (or make a mono signal stereo) as well as having control of the balance or panning of the signal.\u003cbr\u003e\u003cbr\u003eEasily patch up a stereo signal path with a single envelope generator, skew your stereo image or pan a mono signal with CV. Vertex also takes advantage of the VCAs used to be able to saturate at unity gain without distorting your audio signal. This means that you can waveshape an AD envelope into an AHD using the Skew control to add punch to your patch, and use the Skew CV to dynamically alter the envelope timing to change the relative loudness between the Left and Right signals while still keeping the peak signal levels the same.\u003cbr\u003e\u003cbr\u003eVertex is also a great tool for controlling the dynamics of an XY signal for oscilloscope or vector laser patches. \u003cbr\u003e\u003cbr\u003e\u003cbr\u003e‍\u003c\/p\u003e\n\u003cul\u003e\n\u003cli class=\"body\"\u003eWidth: 8hp\u003c\/li\u003e\n\u003cli class=\"body\"\u003eDepth: 25mm\u003c\/li\u003e\n\u003cli class=\"body\"\u003eCurrent Draw:\u003cbr\u003e+12V: 45mA\u003cbr\u003e-12V: 45mA\u003cbr\u003e+5V: 0mA\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003ca class=\"button w-button\" href=\"https:\/\/cdn.prod.website-files.com\/5a1bddaccc80bd0001f015dd\/5e885756bebe7d2050fd3f51_Vertex%20manual%20v1.00.pdf\" target=\"_blank\"\u003eDownload Manual\u003c\/a\u003e\u003c\/p\u003e","brand":"WORNG Electronics","offers":[{"title":"Default Title","offer_id":51570036474134,"sku":null,"price":249.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1001\/4221\/9542\/files\/Vertex__46155.1752963450.1280.1280.jpg?v=1784249009"},{"product_id":"worng-electronics-soundstage-ii","title":"WORNG Electronics SoundStage II Pre-Order","description":"\u003cp class=\"body\"\u003eSoundStage II is a stereo mixer module unlike any other. Completely reimagining what a mixer needs to be in a Eurorack system, SoundStage helps you build your mix just by patching your voices in. \u003cbr\u003e\u003cbr\u003eInputs are placed in the stereo field depending on their horizontal patch position left to right, and placed in the frequency spectrum depending on vertical patch position, with twenty carefully tuned analogue resonant -12dB\/octave Sallen-Key filters to give definition to low, low mid, mid, high mid and high voices. \u003cbr\u003e\u003cbr\u003eDepth of filtering and output level have dedicated controls and bipolar CV inputs, allowing creative uses such as sidechain compression and rhythmic filtering. \u003cbr\u003e\u003cbr\u003eSoundStage II improves on the original with an improved Depth control circuit, added (fully filtered) FX send and return, better low end response, better power consumption, and a log VCA on the output for better response when patching compression or expansion on the outputs.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli class=\"body\"\u003eWidth: 14hp\u003c\/li\u003e\n\u003cli class=\"body\"\u003eDepth: 40mm\u003c\/li\u003e\n\u003cli class=\"body\"\u003eCurrent draw:\u003cbr\u003e+12V: 130mA\u003cbr\u003e-12V: 130mA\u003cbr\u003e+5V: 0mA\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003ca class=\"button w-button\" href=\"https:\/\/cdn.prod.website-files.com\/5a1bddaccc80bd0001f015dd\/64de0e57df7d0876a9a58e26_SoundStage%20II%20manual%20v1.00.pdf\" target=\"_blank\"\u003eDownload Manual\u003c\/a\u003e\u003c\/p\u003e","brand":"WORNG Electronics","offers":[{"title":"Default Title","offer_id":51570036506902,"sku":null,"price":429.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1001\/4221\/9542\/files\/Soundstage_2__74778.1752964013.1280.1280.jpg?v=1784249006"},{"product_id":"maneco-labs-grone-2-color-desktop-1-4-inch-version","title":"Maneco Labs GRONE 2 color desktop (1\/4 inch version)","description":"\u003cp class=\"p1\"\u003e\u003cstrong\u003eGRONE 2 in Desktop Version (with 1\/4 jacks!!)with Gorgeous Color Faceplate with gold knobs!!!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e \u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eDroneVCO:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eGenerates sound based on equations converted to analog signals, there are sixteen equations selected by  Up and Down switches. Four LEDs indicate equation number in binary mode. Three Pots modify numbers used by the  equation, A0, A1 and A2, fourth pot Sample Rate controls pitch and speed of the oscillation. There’s an  Output Level pot for the oscillator and a dedicated jack for patching the Oscillator sound to external modules.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e \u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eOISEGENERATOR:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eWhite noise with noise level pot and noise output jack.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e \u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eVCF:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eMS20 resonant low pass filter, with CUT frequency pot control, RESONANCE, MODULATION1 amount pot, input and output jacks and second cv input for cutoff, labeled MOD2\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e \u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eLFO1:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eLow frequency oscillator routed to MOD1 from VCF, RATE and WAVEFORM shape Pots.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eAlso routed to delay block1\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eWaveforms are: ramp up, ramp down, square, triangle, sine, sweep, random levels, random slopes\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e \u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eEffectsSection:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eDelay with tap tempo and reverse component: controls for delay time, delay feedback, delay level and reverse component, tap tempo input jack for external control\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eReverb with freeze button, controls for reverb level and reverb decay, input jack for freeze function\u003c\/p\u003e\n\u003cp class=\"p3\"\u003e \u003c\/p\u003e\n\u003cp class=\"p1\"\u003eUse 9VDC negative tip Boss style power supply~\u003c\/p\u003e\n\u003cp class=\"p3\"\u003e \u003c\/p\u003e\n\u003cp class=\"p1\"\u003eDimension:\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eApproximately 9x9x2.5(with knob height)\u003c\/p\u003e","brand":"Maneco Labs","offers":[{"title":"Default Title","offer_id":51570043388182,"sku":null,"price":649.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1001\/4221\/9542\/files\/grone_2_color__72000.1754630266.1280.1280.jpg?v=1784249391"},{"product_id":"moddict-poet-selector-stereo-processor-classic-sampler-filter","title":"moddict Poet Selector   [Stereo processor + Classic Sampler Filter] Pre-Order","description":"\u003cp class=\"p1\"\u003e\u003cstrong\u003ePoet Selector [PWS25-F6] [Stereo processor + Classic Sampler Filter]\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe Poet Selector [PWS25-F6] is a digital-analog module that combines stereo utility and bit crusher functions, a digital section with high-pass and band-pass filters, and analog switched capacitor filters used in the Akai S612.\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e \u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe digital section features an intuitive preset selector and the ability to morph\/crossfade parameters.\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e \u003c\/p\u003e\n\u003cp class=\"p1\"\u003e◾️Stereo Utility\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e・Pan\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eIt has a stereo pan that touches the left and right sides of the stereo input. It is equipped with a “gentle margin” that allows you to return to the center even if it is not exact.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e• Pan CV Attenuator\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eAn attenuator for ±5V Pan CV. When turned toward Focus, it sends Pan CV to the current state; when turned toward Dual, it sends Pan CV to the next preset.\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e \u003c\/p\u003e\n\u003cp class=\"p1\"\u003e• CV Alternate\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eWhen enabled, turning the Pan CV Attenuator toward Dual reverses the Pan CV sent to the next preset.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eExecuting this between panels or presets enables Ping Pong Pan.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e・Stereo Imager\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eA Stereo Imager using M\/S processing. Turning it toward mono makes it monaural, and turning it toward wide expands the stereo feel.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eMorphing with presets enables you to achieve an amazing texture.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eEquipped with a “gentle margin” at the center.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e• L\/R Invert\u003cbr\u003e\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eEnabling this button inverts the L\/R signals.\u003cbr\u003e\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eCombining it with Pan or Stereo Imager and mixing in presets can create an intense texture.\u003cbr\u003e\u003cbr\u003e◾️Bit Crusher\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e・Bit Reduction\u003cbr\u003eYou can reduce the bits from 16 to 4.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eIt is applied in order from the smallest sounds, so you can adjust the level of application in more detail with the Input Gain.\u003cbr\u003eThe more you turn it from right to left, the more bits are reduced, and there is a “gentle margin” on the right side\u003cbr\u003eto prevent it from being applied when you don't want it to be.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eSupports ±5V CV, with bits reduced by voltage on the positive side.\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e \u003c\/p\u003e\n\u003cp class=\"p1\"\u003e• Samplerate Reduction\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eReduces the sample rate from 44100 to 400.\u003cbr\u003eCreates a gritty sound, which can be controlled with an LPF.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eTurning it from right to left reduces the rate, and there is a “gentle margin” on the right side. It supports ±5V CV, and the rate decreases with positive voltage.\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e \u003c\/p\u003e\n\u003cp class=\"p1\"\u003e◾️Highpass\/Bandpass Filter◾️\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e• Highpass Filter\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eTurning it from left to right increases the cutoff of the highpass filter.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eIt supports texture adjustment and DJ-style play.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThere is a “gentle margin” on the left side.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eIt supports ±5V CV, and the cutoff increases with positive voltage.\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e \u003c\/p\u003e\n\u003cp class=\"p1\"\u003e• Bandpass Filter\u003c\/p\u003e\n\u003cp class=\"p1\"\u003ePress the Bandpass button to switch.\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e \u003c\/p\u003e\n\u003cp class=\"p1\"\u003e• Disable\u003c\/p\u003e\n\u003cp class=\"p1\"\u003ePress the button to bypass the highpass\/bandpass filter.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eYou can move the filter and return it in one step.\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e \u003c\/p\u003e\n\u003cp class=\"p1\"\u003e◾️Preset Section\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e・Preset Selector\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eUp to 8 preset slots can be registered at the preset selector position.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eWhen there are no presets, or when turned all the way to the left, it enters “Live” mode and the panel status changes.\u003cbr\u003e\u003cbr\u003eThe white POT and each button on the panel correspond to the presets.\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e \u003c\/p\u003e\n\u003cp class=\"p1\"\u003eWhen the Preset Selector is in the Preset Slot position, the Slot LED lights up.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eYou can morph\/crossfade between Live and Slot.\u003cbr\u003e\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eThe digital section of the Preset Selector always processes two stereo channels simultaneously, so crossfading is used to achieve effects that cannot be expressed by morphing alone, such as button states.\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e \u003c\/p\u003e\n\u003cp class=\"p1\"\u003eEven during a preset, you can apply the POT and buttons of the slot last touched by the Preset Selector.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eSupports ±5V CV.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e \u003c\/p\u003e\n\u003cp class=\"p1\"\u003e• Save button\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cbr\u003e\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003ePressing the button registers the preset at the Preset Selector position.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003ePressing the button at a slot location overwrites the preset.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eIf you are near the Live position or there are already eight presets registered and you cannot register another one, the Slot LED will flash twice.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cbr\u003e・Clear button\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eMove the Preset Selector to the preset position and press this button while the Slot LED is lit to delete the preset.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003ePress and hold for more than five seconds to make the Clear button flash and delete all presets.\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e \u003c\/p\u003e\n\u003cp class=\"p1\"\u003e• Morph button\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eWhen the button is enabled, morphing\/crossfading between Live and Slot becomes active.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eWhen disabled, morphing\/crossfading between Live and Slot is disabled, allowing you to “roll” between presets.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e(Morph mode is more prone to producing a “pop” noise.)\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e \u003c\/p\u003e\n\u003cp class=\"p1\"\u003e• Live button\u003c\/p\u003e\n\u003cp class=\"p1\"\u003ePressing the button switches to Live mode, which allows you to access the panel at any time. Pressing the button again returns you to the preset corresponding to the Preset Selector position.\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e \u003c\/p\u003e\n\u003cp class=\"p1\"\u003e◾️Lowpass Filter\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cbr\u003eThe rear section of the digital section features a stereo analog switched capacitor filter used in the Akai S612.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eAs you turn it from left to right, the cutoff decreases.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe IC has a fixed resonance setting, which gives it a unique flavor.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eSince it is independent from the preset section, you can create slow developments as well.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eIt supports ±5V CV.\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e \u003c\/p\u003e\n\u003cp class=\"p1\"\u003eWidth: 20HP\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eDepth: 34.5mm\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eCurrent consumption: 143mA (+12V) 32mA (-12V) 0mA (5V)\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e \u003c\/p\u003e\n\u003cp class=\"p1\"\u003eIncluded items: Power cable, 4x M3 screws\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e \u003c\/p\u003e\n\u003cp class=\"p2\"\u003e \u003c\/p\u003e","brand":"Moddict","offers":[{"title":"Default Title","offer_id":51570045714710,"sku":null,"price":439.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1001\/4221\/9542\/files\/poet_selector__99631.1756162898.1280.1280.jpg?v=1785054003"},{"product_id":"strymon-superkar","title":"Strymon SuperKar+","description":"\u003cdiv class=\"elementor-element elementor-element-12fb410c elementor-widget elementor-widget-heading\" data-element_type=\"widget\" data-id=\"12fb410c\" data-widget_type=\"heading.default\"\u003e\n\u003cdiv class=\"elementor-widget-container\"\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan\u003eSuperKar+ Has Arrived: 32 Voices.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan\u003eEndless Possibilities.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cbr\u003e\n\u003cp class=\"p1\"\u003e\u003cspan\u003eBring orchestral depth, plucked realism, and evolving textures to your modular system.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan\u003eSuperKar+ combines two independent voices — Solo and Chord — each capable of 16-voice polyphony. With advanced Karplus-Strong synthesis, you can dial in bowed strings, plucked or struck tones, pipes, tuned percussion, choirs, and beyond. Wide stereo imaging, smart harmonies, and audio inputs turn SuperKar+ into the centerpiece of any Eurorack rig.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan\u003eWith its stable six-octave tuning, 520 MHz ARM processor, and 32-bit floating-point engine, SuperKar+ pushes modular synthesis to new sonic territory. Glide, detune, and CV-control every parameter to build living, breathing patches that feel as organic as they sound.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"STRYMON","offers":[{"title":"Default Title","offer_id":51570048696598,"sku":null,"price":399.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1001\/4221\/9542\/files\/Superkar___30345.1758850420.1280.1280.jpg?v=1785218235"},{"product_id":"smoothie-audio-smear","title":"Smoothie Audio SMEAR","description":"\u003cp dir=\"ltr\"\u003e\u003cspan\u003eDual Stereo 98-Pole Allpass Filter Module\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eSmear is Smoothie Audio’s first Eurorack module — a dual stereo 98-pole allpass filter unlike anything else in your rack.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eAt its core, Smear takes a deceptively simple concept — the allpass filter, usually buried deep inside reverb algorithms — and refines it into a playable, sculptural processor. A single allpass subtly shifts the phase of incoming audio while passing the entire signal unfiltered. Stack 98 poles in series, and the effect becomes striking: frequencies across the spectrum are delayed by different amounts, creating a rich spectral delay that can smear, morph, and transform sound. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eSmear can be become different effects, according to how you set the parameters:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli dir=\"ltr\"\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003cstrong\u003eTransient Smearing \u003c\/strong\u003e\u0026amp; \u003cstrong\u003eSpectral Delay\u003c\/strong\u003e that reshapes transients, can add punch\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003cstrong\u003eResonator \u003c\/strong\u003e\u0026amp; \u003cstrong\u003ePercussion Voice \u003c\/strong\u003efor metallic, physical-modeling tones when pushed into feedback territory\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003cstrong\u003eMorphing Filter\u003c\/strong\u003e \u0026amp; \u003cstrong\u003ePhasor \u003c\/strong\u003efor animated timbral movement\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp dir=\"ltr\"\u003e \u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eInterface \u0026amp; Controls\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe panel is laid out symmetrically, with two identical sections (Left and Right). By default, stereo audio flows left → right → out, but a dedicated Split Mode allows each side to process audio independently.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eEach section offers three core parameters — Frequency, Resonance, and Stages — each with dedicated CV inputs. Frequency and Resonance have attenuverters for precise modulation. A global Feedback control (with CV) unlocks resonant, flanger-like, and physical-modeling behaviors.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe Stage sliders reveal Smear’s hidden depth: with LEDs indicating crossfade modes between filter poles, you can dive into complex notch filtering, animated flams, and evolving timbral movement. Modulate them, and the module comes alive with unpredictable, dynamic filtering effects.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e \u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e12hp 30mm depth\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003ePower 108mA at 12V   70mA at -12V   0mA at 5V\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003edigital module based on the electrosmith Patch SM\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e48kHZ sampling rate\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003erack screws not included\u003c\/span\u003e\u003c\/p\u003e","brand":"Smoothie Audio","offers":[{"title":"Default Title","offer_id":51570052727062,"sku":null,"price":349.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1001\/4221\/9542\/files\/Smear__11858.1770679762.1280.1280.jpg?v=1784250012"},{"product_id":"wmd-cosmic-debris","title":"WMD Cosmic Debris","description":"\u003cp\u003e\u003cspan\u003eCosmic Debris is a powerful delay and reverb engine built for modular explorers who want more than just echoes. With 16 interactive delay lines, multiple performance modes, and a design tuned for live use, Cosmic Debris can move from precise rhythmic repeats to infinite atmospheric washes in an instant.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3 data-end=\"220\" data-start=\"162\"\u003eA collaboration born in the Denver modular community\u003c\/h3\u003e\n\u003cp data-end=\"528\" data-start=\"222\"\u003e\u003cspan\u003eCosmic Debris\u003c\/span\u003e began as a design by \u003ca href=\"https:\/\/www.infrasonicaudio.com\/\"\u003eNick Donaldson of Infrasonic Audio,\u003c\/a\u003e a fellow Denver modular enthusiast we met through our monthly Freq Boutique gatherings. Nick approached WMD for advice on manufacturing, and as soon as we heard the sounds he was creating, we knew there was something special.\u003c\/p\u003e\n\u003cp data-end=\"972\" data-start=\"530\"\u003eFrom there, the collaboration took off. We worked closely with Nick to refine the design, bringing in ideas to expand the feature set, streamline performance controls, and ensure the module would be rock-solid for production. The process has been as rewarding as the results: not only has Cosmic Debris grown into a truly versatile delay and reverb processor, but we’ve had the joy of building a deeper friendship through the design journey.\u003c\/p\u003e\n\u003cp data-end=\"1349\" data-start=\"1035\"\u003e\u003cspan\u003eCosmic Debris \u003c\/span\u003eis a powerful delay and reverb engine built for modular explorers who want more than just echoes. With 16 interactive delay lines, multiple performance modes, and a design tuned for live use, Cosmic Debris can move from precise rhythmic repeats to infinite atmospheric washes in an instant.\u003c\/p\u003e\n\u003cp data-end=\"1753\" data-start=\"1351\"\u003eAt the core, \u003cspan\u003eSpray\u003c\/span\u003e transforms traditional delay taps into massive ambient reverbs, while Scatter reshapes the feedback paths and interactions between lines to create ever-changing textures. \u003cspan\u003eTime\u003c\/span\u003e and it's shift function \u003cspan\u003eSLEW\u003c\/span\u003e take traditional modulation and flip it on its head with huge risers, crossfading delay time changes, and hands on control over the energy of the sound caught in the buffers. \u003c\/p\u003e\n\u003cp data-end=\"1753\" data-start=\"1351\"\u003eA built-in\u003cspan\u003e band-pass filter l\u003c\/span\u003eets you carve space in the mix or push the signal into motion with CV modulation.\u003c\/p\u003e\n\u003cp data-pm-slice=\"1 1 []\"\u003e\u003cspan\u003eCosmic Debris \u003c\/span\u003eis designed with performance at its heart. \u003cspan\u003eBlast\u003c\/span\u003e delivers a momentary boost into the delay input as well as 100% send level (in send mode) for explosive bursts of sound with natural tails, while \u003cspan\u003eSend Mode \u003c\/span\u003eturns the \u003cspan\u003eMix\u003c\/span\u003e control into a CV-controllable send\/return level, perfect for insert-style processing. \u003c\/p\u003e\n\u003cp data-end=\"2276\" data-start=\"1755\"\u003eFlexible sync options include \u003cspan\u003eclock input, tap tempo, or free-running mode, \u003c\/span\u003ekeeping you locked in rhythm or drifting into uncharted time. A dedicated Freeze function captures audio into a timeless loop, letting you hold textures indefinitely.\u003c\/p\u003e\n\u003cp data-end=\"2580\" data-start=\"2278\"\u003eThree unique processing modes, \u003cspan\u003eBlur, Ratio, and Warp, \u003c\/span\u003eexpand the palette even further, from smearing reverbs to pitch-shifted delays. Combined with its intuitive interface and deep modulation capabilities, Cosmic Debris is equally at home in a live performance rack or a studio sound-design system.\u003c\/p\u003e\n\u003cdiv class=\"column-header\"\u003e\n\u003ch3 class=\"heading text-4xl font-medium leading-tight\"\u003eSpecifications\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"specifications-list\"\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cspan\u003eSize\u003c\/span\u003e\u003cspan\u003e16 HP\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003eDepth\u003c\/span\u003e\u003cspan\u003e32mm (with cables)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003ePower\u003c\/span\u003e\u003cspan\u003e+130mA, -8mA\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003eCV\/Gate Inputs\u003c\/span\u003e\u003cspan\u003eCV and Gate Inputs are 100kΩ impedance. CV inputs are -5V to +5V. Gate inputs are 2V threshold Schmitt Trigger.\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003eAudio Input\/Output\u003c\/span\u003e\u003cspan\u003eInput Impedance: 50kΩ AC Coupled, 0.3Hz HPF. Input Voltage Range: 21.8 Volts Peak-to-Peak. Output Impedance: 1kΩ DC Coupled. Output Voltage Range: 22 Volts Peak-to-Peak.\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003eOutput Voltage Range\u003c\/span\u003e\u003cspan\u003e22 Volts Peak-to-Peak\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003eI\/O\u003c\/span\u003e\u003cspan\u003e24 bit\/48kHz. Internal Audio 32 bit float math.\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003eMinimum delay time\u003c\/span\u003e\u003cspan\u003e400µs\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003eThroughput Latency\u003c\/span\u003e\u003cspan\u003e1.5ms\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"WMD","offers":[{"title":"Default Title","offer_id":51570053546262,"sku":null,"price":549.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1001\/4221\/9542\/files\/Cosmic_d__39793.1774304006.1280.1280.jpg?v=1784250108"},{"product_id":"future-sound-systems-env1-cyclical-function-generator","title":"Future Sound Systems ENV1 Cyclical Function Generator","description":"\u003cp class=\"lead wrap\"\u003eDual function generator module\u003c\/p\u003e\n\u003cp\u003eThe ENV1 from Future Sound Systems presents two Cyclical Function Generators, originally designed for Cric. Each CFG features:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003ean Attack and Decay stage\u003c\/li\u003e\n\u003cli\u003edifferent shape modes for the two stages (linear, exponential or logarithmic)\u003c\/li\u003e\n\u003cli\u003emodulation over each stage's time\u003c\/li\u003e\n\u003cli\u003ea Pulse output, switchable between an End of Decay pulse or a Comparator output which goes high when the CFG slope is above 50% of its total range\u003c\/li\u003e\n\u003cli\u003ethree modes of operation - looping, attack\/decay and attack\/sustain\/decay\u003c\/li\u003e\n\u003cli\u003ea Loop input, coupled with jumpers on the rear of the module to also force each CFG to trigger on an incoming pulse to this input\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThe CFG has been designed to cover a wide time range for both attack and decay stages, with their minimum times resulting in oscillations in the kHz range, up to their maximum times of several minutes per stage for a single cycle.\u003c\/p\u003e\n\u003cp\u003eThe Pulse source derived from each CFG can be switched between End of Decay (EoD) or Comp. In EoD mode, a brief trigger is sent as soon as the Decay stage has completed. This can be used to chain several CFGs together in a sequential fashion. Meanwhile, in Comp mode, a comparator sends a pulse which is high as long as the Slope is above the midpoint of its range, and low when it is beneath this midpoint. With Attack and Decay set to produce a perfectly\u003cbr\u003etriangular slope, a 50:50 square wave will be generated in Comp mode.\u003c\/p\u003e\n\u003cp\u003eThe CV Depth attenuverters follow the law that, for a positive voltage source at the corresponding destination, negative settings (anti-clockwise from 12 o’clock) reduce the stage times and positive settings (clockwise from 12 o’clock) extend the stage times. Without a jack present at the corresponding input, the CV Depth control becomes a fine tune for each stage, which is particularly useful if using the CFG as an audible oscillator.\u003c\/p\u003e\n\u003cp\u003eAs with many \"West coast\" inspired function generators, each CFG can cover a plethora of use cases:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003elow-frequency oscillator\u003c\/li\u003e\n\u003cli\u003eenvelope generator\u003c\/li\u003e\n\u003cli\u003efrequency sub-divider \/ sub-harmonic generator\u003c\/li\u003e\n\u003cli\u003eaudio oscillator\u003c\/li\u003e\n\u003cli\u003epulse-train generator\u003c\/li\u003e\n\u003cli\u003egate\/trigger delay and monostable\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eTechnical specifications:\u003c\/p\u003e\n\u003cp\u003eModule width: 14HP\u003cbr\u003eModule depth: 40mm behind 2mm FR4 front panel\u003cbr\u003eCurrent consumption: 90mA on +12V, 70mA on -12V\u003cbr\u003eFunction voltage range: 0V to 10V\u003cbr\u003eEnd of Decay pulse volage range: 0V to +10V\u003cbr\u003eComparator pulse voltage range: 0V to +5V\u003cbr\u003eMinimum threshold for Trigger and Loop voltage inputs: +2.5V\u003c\/p\u003e","brand":"future sound systems","offers":[{"title":"Default Title","offer_id":51570054430998,"sku":null,"price":349.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1001\/4221\/9542\/files\/ENV1__48368.1777583649.1280.1280.jpg?v=1784250187"},{"product_id":"liquid-sky-d-vices-ppg-w2-2x4-ltd-edition-black","title":"Liquid Sky d-vices PPG W2.2x4 (Ltd Edition Black)","description":"\u003cp class=\"lead wrap\"\u003eDual Wavetable Oscillator Module\u003c\/p\u003e\n\u003cp\u003ePPG Returns with W2.2x4 Eurorack Module\u003c\/p\u003e\n\u003cp\u003eThe legendary German synthesizer brand PPG is making a comeback, thanks to the collaboration between Cornel Hecht (Hell Modular) and the Liquid Sky Artistcollective (Liquid Sky d-vices).\u003c\/p\u003e\n\u003cp\u003eThe first release in this revival is the W2.2x4 Eurorack module, a 3U dual wavetable oscillator featuring all the original wavetables from the iconic PPG Wave 2.2. Each oscillator is equipped with a sub-bass generator, overdrive, and a built-in VCA, delivering the classic PPG sound in a modern modular format.\u003c\/p\u003e\n\u003cp\u003eThe PPG W2.2x4 can sound extremely true to the original or introduce new sonic nuances through its VCA\/overdrive section.\u003c\/p\u003e\n\u003cp\u003eIt is suitable for all genres of electronic music, including Techno, Synth Pop, Ambient, Industrial, Noise, Berliner Schule, and more.\u003c\/p\u003e\n\u003cp\u003eThe W2.2x4 module will be available in two editions:\u003c\/p\u003e\n\u003cp\u003eLimited Edition: Black front panel, strictly limited to 127 units.\u003c\/p\u003e\n\u003cp\u003eStandard Edition: Blue front panel, unlimited production.\u003c\/p\u003e\n\u003cp\u003eAdditionally, the Liquid Sky D-Vices GLITHc ExpendR is compatible with the PPG W2.2x4, transforming it into an experimental mini glitch\/noise\/wavetable remix lab.\u003c\/p\u003e\n\u003cp\u003eWith its unique sonic character and heritage, the W2.2x4 brings the spirit of PPG into the contemporary Eurorack world. Be among the first to experience this modern classic!\u003c\/p\u003e\n\u003cp\u003e\"PPG® is a trademark of the Native Instruments Group, used under license.\"\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv\u003e\u003cdl\u003e\n\u003cdt\u003eDimensions\u003c\/dt\u003e\n\u003cdd\u003e40 HP\u003c\/dd\u003e\n\u003cdd\u003e60 mm deep\u003c\/dd\u003e\n\u003c\/dl\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdl\u003e\n\u003cdt\u003eCurrent Draw\u003c\/dt\u003e\n\u003cdd\u003e160 mA +12V\u003c\/dd\u003e\n\u003cdd\u003e35 mA -12V\u003c\/dd\u003e\n\u003cdd\u003e0 mA 5V\u003c\/dd\u003e\n\u003c\/dl\u003e\u003c\/div\u003e","brand":"Liquid Sky d-vices","offers":[{"title":"Default Title","offer_id":51570054463766,"sku":null,"price":1199.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1001\/4221\/9542\/files\/PPG__10533.1777585311.1280.1280.jpg?v=1784250188"},{"product_id":"ali-modular-esu-s-trifecta","title":"Ali Modular Esu's Trifecta","description":"\u003cp class=\"hero-subtitle\"\u003eTHE TRIPLE FX ENGINE\u003c\/p\u003e\n\u003cp class=\"hero-desc\"\u003eRun three stereo effects in series. Infinite combinations. One module that bends time, space, and sound to your will.\u003c\/p\u003e\n\u003cp\u003eEsu’s Trifecta\u003cbr\u003eA stereo multi-effects powerhouse for your Eurorack.\u003c\/p\u003e\n\u003cp\u003eBuilt for musicians, sound designers, live performers, noise makers, and curious creators, Trifecta puts deep creative control right at your fingertips—shaping and transforming sound in bold, unexpected ways.\u003c\/p\u003e\n\u003cp\u003eCraft your custom FX chain:\u003cbr\u003eRun any 3 stereo effects in series per preset—your choice, your order. Choose from 20+ high-quality FX: reverbs, delays, filters, dynamics, modulation, pitch, and more.\u003c\/p\u003e\n\u003cp\u003eHands-on control:\u003cbr\u003e4 knobs × 2 modes = 8 parameters per effect. Fast navigation + performance-focused shortcuts keep you locked in flow.\u003c\/p\u003e\n\u003cp\u003eModulate everything:\u003cbr\u003e8 assignable CV inputs = full control over all 24 parameters across your FX chain. Or use CV to switch presets in real-time—perfect for the stage.\u003c\/p\u003e\n\u003cp\u003eClock + Duck Inputs:\u003cbr\u003eKeep your time-based FX in sync with your system clock. Add rhythmic punch or sidechain-style dynamics using the Duck input.\u003c\/p\u003e\n\u003cp\u003e? Studio-grade sound. Live-ready design.\u003cbr\u003eWhether you’re mangling soundscapes or dialing in polished finesse, Esu’s Trifecta adapts to your vibe, your workflow, and your vision.\u003c\/p\u003e\n\u003cdiv\u003e\u003cdl\u003e\n\u003cdt\u003eDimensions\u003c\/dt\u003e\n\u003cdd\u003e16 HP\u003c\/dd\u003e\n\u003c\/dl\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdl\u003e\n\u003cdt\u003eCurrent Draw\u003c\/dt\u003e\n\u003cdd\u003e112 mA +12V\u003c\/dd\u003e\n\u003cdd\u003e16 mA -12V\u003c\/dd\u003e\n\u003cdd\u003e0 mA 5V\u003c\/dd\u003e\n\u003c\/dl\u003e\u003c\/div\u003e","brand":"Ali Modular","offers":[{"title":"Default Title","offer_id":51570054627606,"sku":null,"price":450.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1001\/4221\/9542\/files\/ESU__70952.1777667897.1280.1280.jpg?v=1784250200"},{"product_id":"befaco-iroi","title":"Befaco IROI Pre-order","description":"\u003ch1\u003eIROI\u003c\/h1\u003e\n\u003cp\u003e\u003cspan class=\"Yjhzub\" data-complete=\"true\" data-processed=\"true\" data-sfc-cb=\"\"\u003eA Shortcut for Atmospheric Processing\u003c\/span\u003e\u003cbr data-complete=\"true\" data-processed=\"true\" data-sfc-cb=\"\" data-sfc-pl=\"|[]\"\u003eIroi is a compact, 18 HP stereo effects powerhouse designed to turn any external signal into a deep, evolving soundscape. It inherits the sophisticated processing chain of its predecessor, Oneiroi. Combines a unique signal chain composed of a multimode filter, a VCA, a unique character resonator, a versatile delay, and an experimental Reverb. The filter – VCA act like a block that can be placed at any point on the signal chain\u003c\/p\u003e\n\u003cdiv class=\"et_pb_with_border et_pb_module et_pb_text et_pb_text_1 et_pb_text_align_center et_pb_bg_layout_dark\"\u003e\n\u003cdiv class=\"et_pb_text_inner\"\u003e\n\u003ch1\u003eFEATURES\u003c\/h1\u003e\n\u003cul\u003e\n\u003cli\u003eStereo External input\u003c\/li\u003e\n\u003cli\u003eMultimode filter: low-pass, band-pass, high-pass, and comb filter.\u003c\/li\u003e\n\u003cli\u003e3-band resonator\u003c\/li\u003e\n\u003cli\u003e2-tap echo\u003c\/li\u003e\n\u003cli\u003eReverb with macro control for size, filtering, and direction\u003c\/li\u003e\n\u003cli\u003eCV Control with attenuators on most parameters\u003c\/li\u003e\n\u003cli\u003eVarious types of self-modulation with configurable routing and control over level and speed\u003c\/li\u003e\n\u003cli\u003eExternal synchronization via sync input\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"et_pb_column et_pb_column_1_3 et_pb_column_3 et_pb_css_mix_blend_mode_passthrough\"\u003e\n\u003cdiv class=\"et_pb_with_border et_pb_module et_pb_text et_pb_text_2 et_pb_text_align_center et_pb_bg_layout_dark\"\u003e\n\u003cdiv class=\"et_pb_text_inner\"\u003e\n\u003cul\u003e\n\u003cli\u003ePowerful randomizer with four different targets with undo\/redo\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch1\u003eSPECS\u003c\/h1\u003e\n\u003cul\u003e\n\u003cli\u003eCurrent needs: +12V: 175mA, -12V: 45mA\u003c\/li\u003e\n\u003cli\u003eWidth: 18 HP\u003c\/li\u003e\n\u003cli\u003eDepth: 27 mm (including power connector)\u003c\/li\u003e\n\u003cli\u003eAluminium, Matt Anode front panel\u003c\/li\u003e\n\u003cli\u003eDesigned and assembled in Barcelona\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/www.befaco.org\/docs\/Iroi\/IROI%20Manual.pdf\" rel=\"noopener\" target=\"_blank\"\u003eUser Manual \u0026gt;\u0026gt;\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"BEFACO","offers":[{"title":"Default Title","offer_id":51570054693142,"sku":null,"price":300.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1001\/4221\/9542\/files\/IROI_2__69917.1777681288.1280.1280.jpg?v=1784250203"},{"product_id":"make-noise-plexiphon","title":"Make Noise  Plexiphon","description":"\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe Make Noise Soundhack Plexiphon is a stereo, modeless spatial texturizer which allows for continuously morphing between reverberations and multi-tap echoes, the widest range of possible results being neither reverb nor echo, and all results highlighting and amplifying character previously hidden in the source material being processed. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe Plexus control simultaneously modulates the number of feedback paths in the algorithm, and their entanglement together. The Size of the paths determines the temporal relation between them, operating like a “delay time,” or a “room size,” at either extreme of Plexus. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eDiffuse and Color offer softening\/sharpening\/darkening\/brightening effects over time. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eCouple and Skew are stereo operations: Couple determines to what degree the left and right sides are isolated or intermingled (from “dual mono” to fully interlaced stereo), while Skew offers simultaneous inverse or tandem control of the left and right paths on the Plexus, Size, and Color parameters. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe Send gate input (normalled high, or patchable) determines whether and when the input signal will be fed into the Plexus. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eAn envelope follower is provided at the CV output for re-integration of the Plexus into its own controls or elsewhere in the voltage controlled system. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003ePlexiphon is built from entirely new code by Tom Erbe, specifically for Make Noise’s newest digital hardware. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul\u003e\n\u003cli dir=\"ltr\"\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eModeless Plexus operation allows instant voltage controlled access to all possible combinations of settings, no mode switching or algorithmic isolationism \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eStereo in, stereo out with mono sum normalizations for inputs and\/or outputs \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eSmooth modulation of space, time and intensity via Size and Decay\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eVoltage control over stereo image with Couple\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eShape texture timbre with Diffusion and Color parameters \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eEasy patching of dub echo techniques with Send gate\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eCV Out completes the conversation between Plexiphon \u003cspan\u003eand the rest\u003c\/span\u003e \u003cspan\u003eof your system\u003c\/span\u003e! \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003ePairs well with EVERYTHING\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eWidth: 16hp\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eMax Depth (incl. power cable): 34mm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003ePower:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e240mA @ +12V\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e5mA @ -12V\u003c\/span\u003e\u003c\/p\u003e","brand":"MAKE NOISE","offers":[{"title":"Default Title","offer_id":51570054725910,"sku":null,"price":469.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1001\/4221\/9542\/files\/Plexiphon__44099.1778008343.1280.1280.jpg?v=1784250204"}],"url":"https:\/\/boutiquepedalnyc.us\/collections\/dual-stereo.oembed?page=4","provider":"BPNYC","version":"1.0","type":"link"}